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Lost (without Twitter)
There were more than 400,000 tweets during the Lost season finale; I didn’t make any of them, or read any of them in real-time, but not for a lack of interest. Rather, as I write this post (on Tuesday, 25 May) Australia has still not screened the Lost finale; it’s scheduled for Wednesday night on Seven. While Seven have reduced the delay between US screenings and Australian broadcast times, as was noted in yesterday’s links, the finale was simulcast live in the UK, Italy, Spain, Portugal, Israel, Turkey, and Canada but that was not the case down under. To add insult to injury, Seven couched this decision as service to Australian Lost fans:
Channel Seven will not screen the 2½-hour finale until 8.30pm Wednesday. A spokeswoman for the station said a Monday afternoon simulcast was considered, but it was felt fans would find the show more easily in its current timeslot – although the finale has been upgraded from digital channel 7TWO to Seven. […] ‘Ridiculous,” says comedian Wil Anderson, a Lost die-hard. ”If I was going to watch it on Wednesday, I could not go on the internet at all for two days. I will definitely have watched it by Wednesday.”
Better to have said nothing, or spoken plainly that they’ve decided the ratings boost from the Lost finale would be insufficient to justify tinkering with their Monday line-up, but to have Seven claim that the delay is to make things easier for Lost fans in Australia is really pretty offensive.
On the 400,000+ tweets made during the Lost finale by those who could see it live:
“And that is a conservative estimate,” said Mark Ghuneim, chief executive [of WiredSet]. That beat the show’s average of 27,000 tweets during the season, but was still a smaller volume overall than an event like the Oscars, said Mr. Ghuneim. “We tracked about 780,000 tweets during the Oscars,” Mr. Ghuneim said. “But it’s still an impressive number.” In addition, he said, tweets about the show peaked during commercials. “Instead of running to the fridge during commercial breaks, people were running to their laptops and phones,” he said.
From those comments, Twitter is a boon to commercial television: a social media tool which encourages real-time viewing, which actually justifies the ad breaks as times to reflect, comment and connect with other fans (with the ads still blaring away rather than risk missing the opening of next act), rather than skipping the commercials altogether. For so many Lost fans, that sense of shared viewing made the finale much more meaningful event television, whether you loved it, or hated it. Spreading that conversation across North America and sizable chunk of Europe made it even richer, but those riches were denied Australians. What Seven fails to understand, is that a delay of just over two days may as well be two decades; most people I know in Australia have already seen Lost via means which aren’t legal, be that a peer to peer download, or circumventing the geographic restrictions for an online replay-service like Hulu. Lost succeeded admirably in creating dedicated fans across the web; Seven succeeded admirably in forcing them to look elsewhere.
Perhaps the greatest irony, and the surest sign that Seven doesn’t understand social media, is the fact that there will be a “Live Blog” on the official Seven Lost pages on Wednesday night. On the web, live means live globally, not live in an arbitrary national sales region bounded by water. Besides which, I live in Perth, on the west coast of Australia, and the live blog wouldn’t even be live here anyway; were I watching Lost in Australia, it’d still be one giant spoiler thanks to Perth being 2-hours behind the East coast.
I’ve written about the tyranny of digital distance before which, in a nut-shell, occurs when the real-time nature of digital information sharing isn’t fulfilled due to historical, political and commercial boundaries which were largely established before the internet, before the web. Not being able to participate in the Lost finale’s global commentary is a poignant example of the tyranny of digital distance in action, and has done nothing for my relationship with commercial broadcasting in Australia. In an era where the immediacy and real-time nature of commentary can add so much to the shared viewing experience, the boundaries which prevent that fan experience can be all the more disappointing and distancing.
For the record: I’ve now seen the finale, and I loved it.
Digital Culture Links: May 24th 2010
Largely Lost-centric links for May 24th 2010:
- Lost Finale: What the Web Wasn’t Made For [Mashable] – Why I’ll be off most social media today: “Those two wonderful facets of the web — on-demand viewing and instant communication between fans — tonight become a double-edged sword. The Lost Finale will be shown at 9pm ET on the East Coast, and 9pm PT on the West Coast. These time zone delays are the antithesis of what the web is about: Instant communication. The web is the perfect platform for the spread of breaking news, rumor, and those facts that corporations and politicians would rather keep quiet. In short: blogs, Facebook and Twitter make the spread of information immediate. But the web doesn’t understand the concept of the “spoiler”: The kind of information you’d like to avoid until a specific date or time. A TV blog can’t set its RSS feeds to be delivered later to the West Coast than the East. A Facebook update doesn’t get held back until you’ve watched the finale on your DVR. Your phone doesn’t know to block all Lost-related Tweets until you’ve watched the final episode.”
- Final episode Lost in transmission [WA Today] – Australian broadcasting is indeed, Lost, but not in a good way: “AT 2PM AEST today the final episode of supernatural drama Lost will be broadcast simultaneously in eight countries. Fans in the US, Canada, Britain, Italy, Spain, Portugal, Israel and Turkey will sit down as one to discover how the big questions in one of television’s most diabolically complicated shows are resolved. The international simulcast aims to stave off piracy, while attracting viewers worldwide before spoilers hit the web. But not in Australia. Channel Seven will not screen the 2½-hour finale until 8.30pm Wednesday. […] ‘Ridiculous,” says comedian Wil Anderson, a Lost die-hard. ”If I was going to watch it on Wednesday, I could not go on the internet at all for two days. I will definitely have watched it by Wednesday.” Many Australian Lost fans have left free-to-air television for an alternate viewing reality, downloading, to join in discussions online…”
- Ahead of ‘Lost’ Finale, Fans Shut Off Virtual Hints [NYTimes.com] – “Erin Farley has her plans for Sunday all laid out. Two hours before the last episode of “Lost” is broadcast three time zones away, she will shut down her home Internet connection. TweetDeck? Off. Facebook? Off. Her cellphone? Stashed out of reach. “I’ll turn off the whole Internet just to avoid having anything spoiled,” said Ms. Farley, a 31-year-old freelance writer in Portland, Ore. “I don’t want to ruin the surprise.” The Internet in general, and social media like Twitter in particular, can be a minefield for those who are trying to keep themselves in the dark about an event or show so they can enjoy it later. When the Olympics and Grammy Awards are time-delayed, for example, armchair critics chattering about the wins and losses online can destroy the suspense in an instant. […] people who don’t live on the East Coast, where Lost is shown first, are especially at risk for online spoilers. Overseas fans may have to wait days for a local broadcast – several years in Internet time”
- Lost bows out – after 121 baffling episodes – with 5am TV simulcast to beat plot spoilers [Television & radio | The Guardian] – Closer to non-sporting global television events: “Early on Monday morning [UK time] , millions of Lost fans will be hoping that the mysteries of the US drama’s fictional island accumulated over five years are finally revealed when the show closes in a unique broadcasting event. The finale will be simulcast on ABC in the US and by seven broadcasters around the world. Lost fans in the UK will be switching on Sky1 at 5am on Monday for the two-and-a-half-hour climax to six series, and 121 episodes, of baffling TV. Fans in Italy, Spain, Portugal, Israel, Turkey, Canada, as well as the UK, will see the show at the same time it is aired by ABC on America’s west coast. The time lag between broadcast in America and in the UK used to be six months or more, but has been narrowing for the most popular imports to counter DVD piracy and illegal downloads. Sky1 has been broadcasting this year’s final series of Lost on Friday nights — five days after its US Sunday evening premiere on ABC.”
- LOST re-enacted by Cats in 1 minute.
- Fan-made Lost Finale Trailer
- Facebook, MySpace Confront Privacy Loophole [WSJ.com] – “Facebook, MySpace and several other social-networking sites have been sending data to advertising companies that could be used to find consumers’ names and other personal details, despite promises they don’t share such information without consent. The practice, which most of the companies defended, sends user names or ID numbers tied to personal profiles being viewed when users click on ads. After questions were raised by The Wall Street Journal, Facebook and MySpace moved to make changes. By Thursday morning Facebook had rewritten some of the offending computer code. Advertising companies are receiving information that could be used to look up individual profiles, which, depending on the site and the information a user has made public, include such things as a person’s real name, age, hometown and occupation.” [Also see Benjamin Edelman’s analysis.]
- PAC-MAN rules! [Official Google Blog] – After their first interactive logo, celebrating Pac-Man’s 30th birthday, Google makes their homage game available permanently: “We’ve been overwhelmed — but not surprised 🙂 — by the success of our 30th anniversary PAC-MAN doodle. Due to popular demand, we’re making the game permanently available at www.google.com/pacman. Thanks to NAMCO for helping to make this wonderful collaboration happen. Enjoy!”
- Watching for Iron Sky [The Chutry Experiment ] – Useful introduction to the crowd-sourced film Iron Sky (coming some time 2011) for Web 207.
Digital Culture Links: May 10th 2010
Links for May 7th 2010 through May 10th 2010:
- An Early Look At Twitter Annotations Or, “Twannotations” [TechCrunch] – Twitter are adding annotations, or twannotataions, in the near future; it’ll let specific ‘things’ be identified. It’s a bit like turning Twitter into a semantic communication tool. Richard Giles asks if this will make Twitter (a privately owned) internet protocol be default, but either way annotations should make Twitter even more of a cultural barometer.
- The Tell-All Generation Learns When Not To, at Least Online [NYTimes.com] – Privacy concerns online cross all generational barrier, despite the myth of the millennial mindset: “The conventional wisdom suggests that everyone under 30 is comfortable revealing every facet of their lives online, from their favorite pizza to most frequent sexual partners. But many members of the tell-all generation are rethinking what it means to live out loud. While participation in social networks is still strong, a survey released last month by the University of California, Berkeley, found that more than half the young adults questioned had become more concerned about privacy than they were five years ago — mirroring the number of people their parent’s age or older with that worry. They are more diligent than older adults, however, in trying to protect themselves.”
- Facebook’s Gone Rogue; It’s Time for an Open Alternative [Wired.com] – Ryan Singel takes Facebook to task for the continual failings in respecting user privacy both in terms of their architecture (so many things simply can’t be turned off now) and their policies (basically, screwing with privacy one step at a time, while using a raft of lawyers to ensure it’s not illegal … but maybe unethical). Singel argues that everything Facebook currently provides could be achieved by a series of open tools and protocols which provide real and clear choices about what we do and don’t share with the world. Singel argues we need to make these choices now because Facebook, for many, has almost become our online identity.
- Zuckerberg’s Law of Information Sharing [NYTimes.com] – From November 6, 2008: “On stage at the Web 2.0 Summit on Thursday, Mark Zuckerberg, the chief executive of Facebook, was cheerfully unruffled. Mr. Zuckerberg pinned his optimism on a change in behavior among Internet users: that they are ever more willing to tell others what they are doing, who their friends are, and even what they look like as they crawl home from the fraternity party. “I would expect that next year, people will share twice as much information as they share this year, and next year, they will be sharing twice as much as they did the year before,” he said. “That means that people are using Facebook, and the applications and the ecosystem, more and more.” Call it Zuckerberg’s Law.” The great thing about controlling the privacy settings for more than 400 million people, is it’s pretty easy to change things so more and more and their information is shared … even if many users don’t understand how and don’t think this is what they signed up for!
- The Evolution of Privacy on Facebook [mattmckeon.com] – A really useful inforgraphic by Matt McKeon which demonstrates five stages of Facebook’s default settings and how much information is public by default at each stage (short version: 2005 – not much; 2010 – almost everything!)
- Most pirates say they’d pay for legal downloads [News.com.au] – Peer-topeer sharers want legal options in Australia: “Most people who illegally download movies, music and TV shows would pay for them if there was a cheap and legal service as convenient as file-sharing tools like BitTorrent. That’s the finding of the most comprehensive look yet at people who illegally download TV shows, movies and music in Australia, conducted by news.com.au and market research firm CoreData. The survey canvassed the attitudes of more than 7000 people who admitted to streaming or downloading media from illegitimate sources in the past 12 months. It found accessibility was as much or more of a motivator than money for those who illegally download media using services like BitTorrent. More respondents said they turned to illegal downloads because they were convenient than because they were free … [More results here.]
- What Happens When You Deactivate Your Facebook Account [Read Write Web] – Facebook is a big part of millions and millions of peoples’ lives, but what happens when you pull the plug? Last night I met a man who walked to the edge of the cliff and nearly deactivated his Facebook account. He took a screenshot of what he saw after clicking the “deactivate my account” link on his account page – and it is pretty far-out. That man considered quitting Facebook because it was having an adverse emotional impact on him and I’ll spare him and his contacts from posting the screenshot he shared with me. I have posted below though a shot of the screen I saw when I clicked that button myself. Check it out. I bet you haven’t seen this screen before, have you? […] Can you believe that? How incredibly manipulative! And what claims to make. Facebook has undoubtedly made it easier to keep in touch with people than almost any other technology on the planet, but to say that leaving Facebook means your friends “will no longer be able to keep in touch with you” is just wrong.”
Digital Culture Links: May 5th 2010
Links for May 4th 2010 through May 5th 2010:
- Twitter is the New CNN | Lance Ulanoff [PCMag.com] – A pretty solid argument about why Twitter is better at sharing news and information than being a social network as such. The inequality of links (ie you don’t agree with a twitter contact to mutually interact, you can follow without being followed) is one of the strongest arguments against SNS use although, ultimately, I think is still depends on how individuals use the platform.
- Keeping Your Photos Off Facebook & Other Privacy Concerns [The Age] – Stock-standard piece reminding everyone that stuff on Facebook and other social networks often isn’t private (and you should check if you think it is). I’m not sure quoting a “Cyber psychologist” talking about young people having a yet-to-mature frontal cortex is really the winning argument, though! Equally, the advice at the end (basically: be aware and check your Facebook settings) would be a little more genuine if it linked to something which actually illustrated HOW to make those changes (the complexity of Facebook’s privacy settings is one of the biggest privacy challenges today!)
- Viacom v YouTube is a microcosm of the entertainment industry [guardian.co.uk] – Cory Doctorow’s fighting words about Viacom Vs YouTube: “From the Digital Economy Act to the anti-counterfeiting trade agreement, Big Content’s top brass are looking for ways to increase the liability borne by “intermediaries” – the companies that host and transmit user-uploaded material – in order to give them the footing from which to put pressure on tech firms to pay them off and go into bankruptcy. The lawmakers who say that they favour these draconian copyright powers are not on the side of creators. The creators are the ones busily shovelling their creative works on to YouTube. These laws are designed to provide full employment for the litigation industry, and to encourage the moral hazard that has TV and record companies turning into lawsuit factories.”
- ‘One Book, One Twitter’ launches worldwide book club with Neil Gaiman | Books [guardian.co.uk] – Twitter as global book club: “The brainchild of Jeff Howe, author of Crowdsourcing and a contributing editor at Wired magazine, the One Book, One Twitter scheme launches tomorrow. Readers have been voting for the book which they’ll be tackling for the past month, with Neil Gaiman’s fantasy novel American Gods eventually triumphing […] “The aim with One Book, One Twitter is – like the one city, one book programme which inspired it – to get a zillion people all reading and talking about a single book. It is not, for instance, an attempt to gather a more selective crew of book lovers to read a series of books and meet at established times to discuss,” explained Howe at Wired.com. “Usually such ‘Big Read’ programs are organised around geography. […] This Big Read is organised around Twitter, and says to hell with physical limitations.””
- Choose Privacy Week Video [Vimeo] – Fast-paced largely talking-head style video advocating better attention to privacy online. The video is US-based and features lots of candid interviews along with notable privacy advocates including Cory Doctorow and Neil Gaiman. Launched as part of the first US Privacy Week, 2-8 May, 2010. (Downloadable as 1280×720, 344.57MB Quicktime movie.) [Via BBoing]
Choose Privacy Week Video from 20K Films on Vimeo.
Digital Culture Links: January 24th 2010
Links for January 24th 2010:
- What Does China Censor Online? [Information Is Beautiful] – Provocative infographic illustrating some of what China blocks online.
- The Director of Downfall Speaks Out on All Those Angry YouTube Hitlers [Vulture – New York Magazine] – “When the Conan-Leno debacle began, two things were certain: One, it would change the face of late night, and two, someone would apply it to the Downfall Hitler meme. When Oliver Hirschbiegel staged the famous bunker scene in his 2004 movie, with Bruno Ganz as Hitler, he wasn’t expecting it to be appropriated for comedy; a dramatic recreation of Hitler’s last stand is not exactly a laugh-out-loud subject. And yet the German filmmaker is pleased, nay, thrilled that YouTube enthusiasts have taken it upon themselves to reinterpret it to address anything from Hillary Clinton’s loss to the Taylor Swift-Kanye West feud. “Someone sends me the links every time there’s a new one,” says the director …”
- Phone texting ‘helps pupils to spell’ [BBC News] – “Children who regularly use the abbreviated language of text messages are actually improving their ability to spell correctly, research suggests. A study of eight- to 12-year-olds found that rather than damaging reading and writing, “text speak” is associated with strong literacy skills. Researchers say text language uses word play and requires an awareness of how sounds relate to written English. This link between texting and literacy has proved a surprise, say researchers. These latest findings of an ongoing study at the University of Coventry contradict any expectation that prolonged exposure to texting will erode a child’s ability to spell.”
- Serial Boxes [Just TV] – A draft of Jason Mittell’s “Serial Boxes: The Cultural Values of Long-Form American Television” essay which gives a very clear account of the different ways viewers engage with television, especially long-form serial television, in light of the shifts from live viewing as the only (or primary) choice to a market where box-set DVDs and the like encourage quite different modes of reception. Mittell also looks at the ‘re-watch’ projects and notes why they usually fail to sustain their initial enthusiasm and momentum.
- Facebook sites inciting anti-Indian sentiment continue to flourish [The SMH] – “Facebook sites inciting anti-Indian sentiment continue to flourish despite protests from Indians in Australia. Groups such as I think Indian People Should Wear Deodorant, Stop Whinging Indians, and Australia: Indians, You Have a Right to Leave, have not been removed. Gautam Gupta, secretary of the Federation of Indian Students, said: “These sites must be shut down but, on the other hand, we must keep track of these hate groups being formed. They can be online or offline. When they’re offline we call them gangs. These are essentially online gangs.” More than half a dozen Australian groups that are specifically anti-Indian are still active on Facebook. On top of that, there are many broadly racist groups, including F— Off – We’re Full and Speak English or Piss Off!!!, which has 54,000 members and is growing at a rate of about 2000 people a week. “I don’t think it’s just a Facebook problem – it’s a social problem, a problem in the society,” Mr Gupta said.”
Digital Culture Links: January 21st 2010
Links for January 19th 2010 through January 21st 2010:
- YouTube to test movie rental service [The Age] – “YouTube announced it will begin testing an online movie rental service on Friday to kick off the Sundance Film Festival in the US. Five independent films from the 2009 and 2010 Sundance festivals will be part of a “small collection of rental videos” to be available to US users of the popular video-sharing website in “the weeks ahead”, according to YouTube. “Making content available for rent will give our partners unprecedented control over the distribution of their work – they can decide the price of their videos and the rental duration,” YouTube said in a blog post. […] The move represents another step for Google in generating revenue from YouTube, which it bought in 2006 in a deal valued at $US1.65 billion ($A1.82 billion). YouTube will also be stepping in as a potentially formidable contender in the growing market of online distribution of films that includes videogame consoles, Apple’s iTunes shop and US DVD rental giant Netflix.”
- Open Letter From OK Go, regarding non-embeddable YouTube videos [OK Go] – Despite making their name on YouTube, OK Go’s label (EMI) won’t allow their new videos to be embeddable. This is silly, the band agrees, and tries to explain to fans: “The catch: the software that pays out those tiny sums doesn’t pay if a video is embedded. This means our label doesn’t get their hard-won share of the pie if our video is played on your blog, so (surprise, surprise) they won’t let us be on your blog. And, voilá: four years after we posted our first homemade videos to YouTube and they spread across the globe faster than swine flu, making our bassist’s glasses recognizable to 70-year-olds in Wichita and 5-year-olds in Seoul and eventually turning a tidy little profit for EMI, we’re – unbelievably – stuck in the position of arguing with our own label about the merits of having our videos be easily shared. It’s like the world has gone backwards.” [Via]
- Rock Band opens to user-created songs [Music | guardian.co.uk] – Selling user-generated content is now possible using the Rock Band online store, but the process of preparing a song for the service is complex: “submitting music to the Rock Band Network Store isn’t as easy as uploading an MP3. Acts must convert their recordings into the game’s special format, compiling an array of sound files, lyrics and tablatures, as well as instructions for camera angles, lighting and choreography. This requires specialist programming expertise or the services of a contractor, many of whom charge about £300 per minute of music. Once the files are ready, they can be listed in the Rock Band store for anywhere from 99 cents (61p) to $2.99 (£1.83) per song. Currently, user-created songs are only available to Microsoft Xbox players while the developers, MTV Games, keep 70% of the sale price. “We expected this to be an initiative that would appeal to unsigned artists,” [said] Paul DeGooyer, MTV’s senior vice president for electronic games and music”
- YouTube confirms worldwide deal for live Indian Premier League cricket [Media | guardian.co.uk] – “YouTube has confirmed its first live major sporting deal, announcing today that it will host live Indian Premier League cricket matches in the UK, and casting into doubt the value of British TV broadcast rights. The YouTube deal involves every country outside the US – a significantly larger scope than reports had suggested. It was thought that YouTube would only stream live matches to countries that did not have TV deals with the IPL. The two-year deal gives the Google-owned YouTube the exclusive rights to stream IPL matches online, with the two companies splitting revenue from sponsorship and advertising.”
- YouTube Search Accounts for Nearly 28% of All Google Searches [Reelseo] – Still wondering why Google purchased YouTube? “…YouTube not only had 50% more searches than Yahoo web search (3.918B vs 2.629B) and 180% more searches than Bing (3.918B vs 1.399B), but the number of searches at the online video giant made up almost 28% (27.95) of the total searches on Google sites for Dec. 2009.”
Digital Culture Links: January 19th 2010
Links for January 18th 2010 through January 19th 2010:
- Android Karenina [Quirk] – What a great idea of a mashup novel! "Sense and Sensibility and Sea Monsters co-author Ben H. Winters is back with an all-new collaborator, legendary Russian novelist Leo Tolstoy, and the result is Android Karenina—an enhanced edition of the classic love story set in a dystopian world of robots, cyborgs, and interstellar space travel."
- New law could block access to anime, manga and slash fan sites in Australia [fanthropology] – A look at what Australian’s proposed Internet Censorship laws could mean for slash, manga and anime fans: in short, not good!
- Call for study of threat from "offline" filesharing [The Guardian] – Anyone remember pre-internet “piracy”? Time to scan USBs and harddrives at customs 😛 "Policymakers urgently need better information on people’s attitudes to copyright law, according to a report out today warning that friends swapping hard drives and memory sticks could pose as great a piracy threat to media companies as online filesharers. The Strategic Advisory Board for Intellectual Property (Sabip): "There’s a whole big question here around what is happening offline digitally, the swapping of discs and data in that world. There’s a lot of it going on," said Sabip board member Dame Lynne Brindley. Brindley, chief executive of the British Library, said existing research did not give a clear picture of consumer behaviour. While there was some data on the proportion of people buying counterfeit CDs, DVDs and video games – estimated at between 7% and 16% of the population – Sabip was concerned that more needed to be known about other copyright breaches, such as hard-drive swapping …"
- Seven launches online catch-up, PLUS7 [TV Tonight] – "Seven today launched its online catch-up portal, PLUS7. The site offers legal streaming of Seven shows including Grey’s Anatomy, Home and Away, FlashForward, Private Practice, Heroes, Castle, Better Homes and Gardens, Parks and Recreation and more. As with the ABC’s iView, the site does not require a show to finish downloading before being available to start play. The site includes “mid-roll advertising” to show advertisements mid programme, much like commercial television. A spokesperson previously told TV Tonight they expect around 3-4 ads per show. Titles will remain online for between 7 – 28 days depending on rights. So far no ISPs are yet on board for unmetered content. The site can be viewed at au.tv.yahoo.com/plus7." (As expected, Plus7 is geo-locked, so only visible inside Australia. Sorry Brits, you’ll have to wait for Home and Away!)
FlashForward or FlashBack: Television Distribution in 2010?
My column ‘FlashForward or FlashBack: Television Distribution in 2010’ is now up as part of the latest edition of Flow TV. The article concludes thus:
Promotional campaigns and social media discussions ensure that global markets are primed; the only thing missing is the means for viewers and fans in many countries to legally access their favourite shows. Whether it’s the US-produced FlashForward, the BBC’s Doctor Who or the Australian soapie Neighbours, if distributors don’t have their own flash forward to new distribution models it is likely that more and more of the people formerly know as the audience will see the second decade of the twenty-first century as the time to take distribution into their own hands.
If you’re interested to know how I got there, go read the full column.
Digital Culture Links: December 15th 2009
Links for December 13th 2009 through December 15th 2009:
- Microsoft Leads By Example, Steals Plurk Code [Inquisitr] – Software giant Microsoft has long punished legitimate users in an effort to stop the piracy of its software, but apparently Microsoft now thinks it’s ok to steal….at least when they do it. Microblogging service Plurk, which has become Asia’s most popular microblogging platform is pissed, and rightly so, because Microsoft not only copied their look for a competing product launched recently in China, they actually lifted 80% of the code as well. The Plurk team writes “We’re still in shock asking why Microsoft would even stoop to this level of willfully plagiarizing a young and innovative upstart’s work rather than reach out to us or innovate on their own terms. Of course, it just hits that much closer to home when all your years of hard work and effort to create something unique are stolen so brazenly. “
- The Complete Guide to Google Wave: How to Use Google Wave – Useful guide to understanding Google Wave. The chapters all available for free under a Creative Commons license.
- Is the DVR Helping or Hurting Your Favorite Show? [ArtsBeat Blog – NYTimes.com] – “Nielsen’s list of the top 10 time-shifted prime time television programs. These aren’t the 10 most-recorded shows, per se, but the 10 shows whose ratings have benefited most from time-shifted viewings. The shows, and the percentage increases that their ratings have enjoyed from time-shifting, are:
1. “Battlestar Galactica” (59.4)
2. “Mad Men” (57.7)
3. “Damages” (56.3)
4. “Rescue Me” (53.2)
5.(tie) “True Blood” (46.9)
5.(tie) “Stargate Universe” (46.9)
7.(tie) “Sanctuary” (45.9)
7.(tie) “Heroes” (45.9)
9. “Terminator: The Sarah Connor Chronicles” (45.5)
10.(tie) “10 Things I Hate About You” (44.9)
10.(tie) “Dollhouse” (44.9)
10.(tie) “Melrose Place” (44.9)”
Digital Culture Links: December 6th 2009
Links for December 3rd 2009 through December 6th 2009:
- Panic Attack and YouTube Discovery [The Chutry Experiment] – Great post from Chuck Tryon about Fede Alvarez’s sudden appearance on the Hollywood radar thanks to his YouTube short “Ataque de Pánico,” (Panic Attack!), 4 minute special effects driven extravagnaza in which a city is destroyed and a career created: “One of the underlying narratives associated with Hollywood mythology is the “discovery story,” the idea that a talented newcomer emerges by chance, out of nowhere, to become a Hollywood “star.” Lana Turner was discovered, so the legend goes, on a barstool at Schwab’s drugstore. Now, as the tools of filmmaking and film distribution have been democratized, those discovery stories have expanded to filmmakers as well. And although it is the case that such stories can be read ideologically, it is also true that YouTube and other video sharing sites still offer us the opportunity to be astonished by the talents of an aspiring filmmaker.”
- Memories of a paywall pioneer | Media | guardian.co.uk – Scott Rosenberg reflects on Salon’s experiments with a paywall, suggesting it’s not the model for future news media: “I’m not hostile to the notion of people paying for online content. I do so myself. I’m glad people stepped up and paid for Salon. But the value of stuff online is usually tied to how deeply it is woven into the network. So locking your stuff away in order to charge for it means that you are usually making it less valuable at the moment that you are asking people to pay for it. And that’s why people so often respond with: “No thanks.””
- Vampire Politics by Lisa Nakamura et al [Flow TV, 11.03, 2009] – “True Blood is socially conservative, gesturing towards a radical politics (or any social movement based politics) that it cannot (or will not) deliver. Likewise, the form of the medium itself is conservative. Like its vampires, True Blood is a relic – it airs on television, not the Internet, and it is broadcast rather than streamed. Though HBO claims “it’s not television, it’s HBO,” we know better. Like the credit sequence’s time-delayed decayed foxes and possums, True Blood is a memento mori – to the Civil Rights South, to broadcast television, to civil rights organizing and “unsexy” rights-based movements. True Blood pursues vampire politics, which are all about sexy self fashioning. Were it not for the exquisite Godric’s self-immolation in season two, the program’s credo might be “survival of the sexiest.””
- Networking Families: Battlestar Galactica and the Values of Quality by Jordan Lavender-Smith [Flow TV, 11.03, 2009] – “Galactica’s interrogation of post-nuclear family mechanics and what it means to be human was potentially groundbreaking, but by the show’s end the reconstitution of the family breaks down, and a thick line is drawn between the natural and artificial, delivering an outmoded humanism through posthuman technologies.”
- Identity Wars: Google & Yahoo! Bow to Facebook & Twitter [RW Web] – “Yahoo! announced this morning that it is adding Facebook Connect across many of its properties. This afternoon Google Friend Connect announced the inclusion of Twitter as a top-level log-in option. These moves will be convenient for users, but may not be good for the future of the web.” (This is a really interesting article looking at what happens when Facebook and Twitter become default identity authentication systems – so much power then resides in these systems, and what happens to attempts at standards like OpenID?)
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