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Twenty Years Ago: Terminator 2 …

Apparently Terminator 2 was released 20 years ago for the US Fourth of July weekend. I’ve been writing about the four Terminator films recently, but realising this film is older than half of my students makes me feel old! At least Terminator humour is still current:

TerminatorTravel

[Image by zero-lives]

Google+

Yes Google+ is the Googleplex’s latest foray into social networking, trying to explicitly tackle the same territory Facebook’s Social Graph, but sadly I don’t have time right now to write about it (I’ll wait until I actually have access, rather than the screenshots floating around). In the meantime, XKCD have a great summary:

googleplus

You could also read Google’s official announcement and commentary in the New York Times, the Guardian or from Steven Levy in Wired (and quite a few other places, too).

Digital Culture Links: June 24th 2011

Links for June 7th 2011 through June 24th 2011:

  • Harry Potter and the amazing exploding book industry [GigaOM] – “Despite the obvious demand, Harry Potter author J.K. Rowling has adamantly refused to offer electronic versions of her phenomenally popular series for young adults — until now. As part of Thursday’s launch of an interactive website called Pottermore, the billionaire writer also announced that e-book versions of the novels will be available directly through the site for all major platforms. In one fell swoop, Rowling has cut both her publishers and booksellers such as Amazon out of the picture. Not everyone has that kind of power, of course, but Rowling’s move shows how the playing field in publishing continues to be disrupted. The author said the Pottermore site will offer extra content that she has written about the characters in the books … There will also be a social network of sorts built into the site that allows readers to connect with each other, play games and share their thoughts about the novels and their characters.”
  • Google to be formally investigated over potential abuse of web dominance [guardian.co.uk] – “US regulators are poised to launch a formal investigation into whether Google has abused its dominance on the web, according to reports. The Federal Trade Commission (FTC) is days away from serving subpoenas on the internet giant in what could be the biggest investigation yet of the search company’s business, according to The Wall Street Journal. Both Google and the FTC declined to comment. A wide-ranging investigation into Google has been discussed for months. Google has faced several antitrust probes in recent years, and is already the subject of a similar investigation in Europe. In the US inquiries have so far largely been limited to reviews of the company’s mergers and acquisitions. The inquiry will examine the heart of Google’s search-advertising business, and the source of most of Google’s revenue. Google accounts for around two-thirds of internet searches in the US …”
  • Kind of Screwed [Waxy.org] – The really sad story of how Andy Baio ended up paying over $US30,000 for a pixel-art cover on an homage album because a photographer (and his lawyers) don’t believe it’s fair use: “Last year, I was threatened with a lawsuit over the pixel art album cover for Kind of Bloop. Despite my firm belief that I was legally in the right, I settled out of court to cut my losses. This ordeal was very nerve-wracking for me and my family, and I’ve had trouble writing about it publicly until now.”
  • The Social Network’s Aaron Sorkin quits Facebook [guardian.co.uk] – “Aaron Sorkin, 50, was speaking at the Cannes Lions International Festival of Creativity at a session alongside David Simon, creator of The Wire and Treme. His admission came as part of a discussion of the downsides of sites such as Twitter. Sorkin described himself as “this side of being a Luddite”, and said he had been on Facebook while he making the film, but had since given up his account. “I have a lot of opinions on social media that make me sound like a grumpy old man sitting on the porch yelling at kids,” he said. Sorkin’s scepticism of social media was shared by the film’s star, Jesse Eisenberg, who joined Facebook under a false name while in production but left soon afterwards, unnerved by the experience. “[I] was sent a message from Facebook suggesting people I should befriend,” Eisenberg said last October. “One of them was a girl my sister was friends with in high school. I don’t know how they found her, no idea. I signed off right then.””
  • “Teen Sexting and Its Impact on the Tech Industry” – Provocative talk well worth reading: “Most of you have probably read the panic-laden stories about teens who got caught sexting. You may even have read the salacious stories about teachers who sext with students. And, unless you’ve been on a remote island this month, you’ve probably heard countless jokes about Anthony Weiner’s recent sexting scandal. While most Americans had never heard of the term “sexting” a few years ago, it’s hot news these days. And while you might have read these stories in the press, you might not realize how relevant they are to you. More than any other teen phenomenon, more than Justin Bieber or cute cats, teen sexting is something that you need to deal with. And you need to deal with it ASAP, both because it’s the right thing to do and because you face serious legal liabilities if you don’t. When first coined by Australian press only a few short years ago …” (boyd, danah. 2011 Read Write Web 2WAY conference.New York, NY, June 13)
  • Facebook Changes Privacy Settings to Enable Facial Recognition [NYTimes.com] – “Facebook is pushing the privacy line once again, according to a new report from a security and antivirus company. According to the report, from Sophos, Facebook recently began changing its users’ privacy settings to automatically turn on a facial recognition feature that detects a user’s face in an image. Once the person’s face is detected, the Web site then encourages Facebook friends to tag them. Facebook introduced this feature last year for its North American users; it is now rolling it out globally. Facebook also doesn’t give users the option to avoid being tagged in a photo; instead, people who don’t want their name attached to an image must untag themselves after the fact. In response to a reporter’s inquiry, posted on a Facebook blog, the company said, “We should have been more clear with people during the roll-out process when this became available to them.””
  • Apple’s new iOS5 features – really that new? [Ausdroid] – A quick comparison of Apple’s new iOS 5 mobile and the current offering from Android. Good points on both sides, but no clear “winner”.

Everything is a Remix–Part 3 – Creativity

Kirby Ferguson has followed up the episode on film with another fabulous offering in the Everything is a Remix series. This one looks at creativity and debunks the myth that creativity is the product of a few (arguing, instead, it’s always the product of many):

Everything is a Remix Part 3 from Kirby Ferguson on Vimeo.

iCloud: Winners & Losers

Apple_iCloud

Today Apple made some big announcements about their desktop operating system OS X Lion and their mobile iOS 5, and most importantly the service which will more intimately bind these two: iCloud. Globally, news services will continue their iFetish and splash reports everywhere, so I’ll leave you to catch the full details elsewhere. However, the iCloud is interesting for all sorts of reasons, not least of all because Apple, Google and Amazon are all dancing around the same territory, so I thought I’d take a minute and consider who (apart from Apple, of course) are the obvious winners and losers in the wake of the iCloud announcements.

The Big Winners:

  • The Big Music Companies. Here’s Apple’s description of iMatch service, part of the iCloud:

    iTunes determines which songs in your collection are available in the iTunes Store. Any music with a match is automatically added to your iCloud library for you to listen to anytime, on any device. Since there are more than 18 million songs in the iTunes Store, most of your music is probably already in iCloud. All you have to upload is what iTunes can’t match. Which is much faster than starting from scratch. And all the music iTunes matches plays back at 256-Kbps iTunes Plus quality — even if your original copy was of lower quality.

    Those songs that iTunes can’t match may very well be unauthorised downloads, but once you’ve paid $25 to use iTunes in the cloud, you’ve got access to it on any Apple device. And where is that money going? Estimates suggest the bulk is going to the music labels, with Apple keeping their customary 30% (which might just pay for the service, but this item by itself is probably going to be making a loss, especially for people who have huge music libraries).  As Mashable note, Apple Has Just Monetized Pirated Content. The music labels are once again getting paid for ‘pirated’ music – a big win for them!

  • Twitter: iOS 5 integrates Twitter into almost everything, making Apple the Twitter OS of choice (and implicitly waving goodbye to Apple’s failed music social network, Ping). As the official Twitter blog celebrates: “Building Twitter into iOS 5 truly creates the easiest way to share everything that’s happening in your world. Take a picture, tap “Tweet”. Tweeting has never been simpler.”
  • And, of course, “The Cloud”: while the cloud and cloud computing are nebulous terms, Sony’s recent PlayStation Network hacks have really dampened the reputation of web-based storage and services, especially in terms of security. Now that Apple have stuck and ‘i’ in front of the cloud, Steve Jobs’ “it just works” magic will no doubt ensure the cloud stays cool and secure (even their brushed metal iCloud logo emphasises strength and security).

The Big Losers:

  • PC manufacturers and Microsoft: iOS 5, and the cloud-based services, will all be available on Apple devices (iPhones, iPads ,touchscreen iPods) without needing to connect to a PC. These devices can now be activated on their own terms, working using cloud services, and for many people may do away with the need for a PC altogether. A big plus for Apple hardware sales, but a really clear slap in the face to standard PC manufacturers. I wonder, though, if this will force PC makers to form more robust alliances with Google (or maybe Amazon) to keep a competitive edge? Perhaps PC manufacturers will suddenly be falling over themselves to create Chromebooks. None of this will help Microsoft, because these conversations don’t involve anyone needing to run Windows anymore!
  • Amazon/Google: Apple is almost certainly running iMatch and the iTunes in the cloud services  as a loss-leader (ie making little or no profit), using these services to drive hardware sales. Google and Amazon have both been trying to carve out the same cloud-based music sharing (and other services) but don’t have the core hardware sales business to offset the cost of keeping the music labels on side.  It’s hard to see how they’ll compete without having to at least match Apple’s costs and security imperatives.
  • Point’n’click camera manufacturers: a smaller change in iOS 5, but a big one of you rely on your iPhone for photography, is that you can go straight to the iPhone camera from the locked phone in one click. This makes photography a lot easier, and avoids the clicks through the navigation screens. This does seems a small change, but for many folks the only reason to carry a point’n’click camera and an iPhone was that the camera could get to the point of actually taking a shot faster – it really doesn’t look like that’ll be the case soon.

One to watch: I’m really curious how Apple’s End User License Agreements will shape the iCloud. If users are really going to rely on Apple to make mp3s available via the cloud, regardless of whether there is any evidence of a legal purchase or otherwise, Apple will own an vast and important database of what people actually possess. While the big music labels are implicitly supporting the iCloud and iMatch service for now, what happens if the relationship sours? How will Apple react to lawsuits demanding individually identifiable information, especially, say, for music which is leaked or not legally available in one country or another? Even the date of access would be enough to show unauthorized file-sharing  in action and do we really trust Apple to be a custodian of that information? (For those interested in this issue, you should really read Jonathan Zittrain’s The Future of the Internet and How to Stop It.)

Digital Culture Links: June 6th 2011

Links for May 31st 2011 through June 6th 2011:

  • Parents using Facebook to attack school staff, Principals Federation says [Perth Now] – “Parents are using Facebook and other social networks to attack principals and teachers they dislike or believe have wronged them or their children. The growing practice of raging against school staff online has sparked calls for the Education Department to step in. “These forums can also fuel the sort of misplaced anger and hatred that can end in physical confrontations and school lockdowns,” Australian Principals Federation president Chris Cotching said. Lawyers acting for the federation have warned the department it could be legally culpable if it continued to ignore online campaigns against staff.”
  • Palin Fans Trying to Edit Wikipedia Paul Revere Page [Little Green Footballs] – Interesting case study on Wikipedia’s accuracy – after Sarah Palin gets history wrong, her supporteres try and edit Wikipedia to make the Palin version; drama and editorial warfare ensue: “Man, you’ve gotta almost admire the sheer blind dedication of Sarah Palin’s wingnut acolytes. Now they’re trying like crazy to edit the Wikipedia page for “Paul Revere” to make it match Palin’s botched version of history. Here’s the Revision history of Paul Revere; check out the edits that are being reversed. Also see the discussion page for an entertaining exchange between Wikipedia editors and a would-be revisionist.”
  • Google Chrome: Lady Gaga [YouTube] – Clever ad for Google Chrome featuring Lady Gaga (and simultaneously a Lady Gaga ad featuring Chrome!) which really highlights how she’s deeply engaging with her fanbase via social media.
  • Google’s YouTube policy for Android users is copyright extremism [guardian.co.uk] – Cory Doctorow laments Google’s copyright-driven philosophical contradictions: “The news that Android users who have jailbroken their phones will be denied access to the new commercial YouTube pay-per-view service is as neat an example of copyright extremism as you could hope for. Android, of course, is Google’s wildly popular alternative to Apple’s iOS (the operating system found on iPhones and iPads). Android is free and open – it costs nothing to copy, it can be legally modified and those modifications can be legally distributed […] unless you’re running a very specific version of Google’s software on your phone or tablet, you can’t “rent” movies on YouTube. Google – the vendor – and the studios – the rights holders – are using copyright to control something much more profound than mere copying. In this version of copyright, making a movie gives you the right to specify what kind of device can play the movie back, and how that device must be configured.”

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