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News & the Net: Two Steps Backwards …

Local citizen journalism evangelist, Bronwen Clune, often describes the news media corporations and mechanisms as ‘control media’.  While this is certainly a striking expression, and no doubt fair when thinking about the likes of Rupert Murdoch, I’ve wondered if it’s at times a bit of a harsh brush with which to paint the news media in general .  However, the Associated Press (AP) seems to be doing out its way to take the idea of control media literally, which has not been embraced by the interwebs at large; AP recently described a system of Digital Rights Management (DRM) to police the uses of its news content online.  Their explanatory graphic and been, how shall we say, reinterpreted by the public they’re expecting to pay for AP’s services:

AP_DRM

[Source for the top half of the image: AP’s Press Release “Associated Press to build news registry to protect content”; source for the full image: “What the AP really meant to convey”. Via Boing Boing]

At the same time, Chris Anderson on the promotion trail for his new book Free, has been enjoying himself by being as provocative as possible in interviews (conducted, oddly enough, by journalists).  For example:

In the past, the media was a full-time job. But maybe the media is going to be a part-time job. Maybe media won’t be a job at all, but will instead be a hobby. There is no law that says that industries have to remain at any given size. Once there were blacksmiths and there were steelworkers, but things change. The question is not should journalists have jobs. The question is can people get the information they want, the way they want it? The marketplace will sort this out. If we continue to add value to the Internet we’ll find a way to make money. But not everything we do has to make money.

While change is definitely in the air, suggesting that journalism is a redundant profession is going too far.  We need good journalism; we need people who are willing to take risks and invest huge amounts of time into investigative reporting; and they need to be paid.  I’m not suggesting the status quo even means anything any more, and the last few years have definitely forced the news industry to decide whether it’s just an entertainment business or something more, but amongst all of that I think we need to try and figure out sustainable models that support journalism (but not sensationalism).  I think unpaid citizen journalism and random acts of journalism by netizens will definitely play a significant role in the news media landscape that’s developing, but I don’t every think the culmination of citizen journalism will ever be enough by itself.  I can’t live without the ABC or SBS, and I’m delighted they’re mainly government funded, but I know that’s not the only answer.  And I also realise that answers aren’t readily available yet.  We should, however, be looking for them.  While the news industry is definitely having a rough time, and the future is uncertain, I also don’t think AP’s approach hard core ‘lock it all up’ approach, or Anderson’s dismissive suggestion the all journalists need to get real jobs and write news as a hobby, are really helping the debate.  Not one little bit.

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Twitter thoughts and blog neglect

Trending_15July2009I realised today that this blog has been rather neglected and while there are the usual way-too-busy reasons (all of which remain true!) I’ve noticed I’m spending more and more time looking at Twitter and less and less actually writing anything here; actually, I’m a fairly tweet-low Twitterer, too, I think – I read a lot more than I write.  As I was pondering this, the core value of Twitter – it’s immediacy – really hit home as I found out about the major earthquake off the cost of New Zealand’s South Island (near Dunedin, where I was born and where my grandparents still live) via Twitter, and the ensuing Tsunami Warning (which makes an earthquake seem a lot scarier!).  It took any mainstream news media, or blogs, that I read more than half an hour, and more than an hour for most, to break this story.  By then, I’d had my little worried moment, reassured myself that the Tsunami (which, thankfully, never happened) wouldn’t hit my grandparents since they live up a hill, and returned to work.  By then ‘New Zealand’ and ‘Tsunami Warning’ were both Trending Topics, second only to Harry Potter on the back of the film debut of the sixth feature.  Of course, following the links from the Trending Topics, I also accidentally hit spoilers regarding tonight’s episode of the Master Chef finals; time to go Justine, it seems (like the US, the East Coast of Australia, is 2 hours ahead those of us in the West, so Twitter is a rather potent spoiler source). 

In turn, I suspect Twitter is rapidly becoming normalised as part of the everyday conversation for all sorts of folks, not just social media addicts.  Indeed, I was amused to read Melissa Gregg’s post about an episode of Desperate Housewives including a character who fails to get a job due to their lack of Twitter-knowledge!  Perhaps in a future episode said character might change their fortune by stumbling across this useful History(ish) of Twitter diagram.  In the mean time, I’ll see if I can work out a better balance between the lifestreaming deluge of Twitter and my neglected but still loved blog. 

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Dr Horrible, Brisbane & ANZCA 2009

anzca2009

Just to reassure you all that I’ve not turned into a automated link-posting robot, I thought I’d make an actual post since I’m about to head to Brisbane for The Australian and New Zealand Communication Association 2009 conference, held at QUT this week.  It should be a great conference, with a number of my Internet Studies colleagues presenting, lots of great sounding papers and the Oxford Internet Summer Doctoral Programme folks also around QUT at present, making for a pretty vibrant atmosphere, I’m sure!

For those of you interested (or looking at the 5 parallel streams of papers, trying to decide which one looks interesting) here is the abstract for my talk, ‘What Dr Horrible Can Teach Media Creators About Participatory Culture’:

During the 2007/2008 US Writer’s Guild of America strike writer-director Joss Whedon came up with the notion of a one-off online “show” made outside of the studio system, on a miniscule budget, and entirely publicised using the web and social networks. Thus, Dr Horrible’s Sing-Along Blog, a three-act online musical comedy centred on a flawed supervillian, was conceived. In promoting Dr Horrible, Whedon and his team used both official websites and presences on Facebook, MySpace, Twitter, Digg as well as engaging with Whedon’s existing legion of fans via fansites such as Whedonesque.com. Moreover, far from using these websites purely as one-way advertising delivery platforms, the producers, writers and some Dr Horrible actors engaged fans in meaningful dialogue via these platforms.

Fan discussion and remixing of the show emerged rapidly; within weeks of its release there were hundreds of fan sing-along videos on YouTube, joined by everything from fan-created artwork and wallpaper to unofficial sheet music. Far from shunning these unofficial creations, the Dr Horrible producers actively congratulated and promoted the best fan creations. Despite Dr Horrible initially being available for free in its first week, subsequent sales via the iTunes store, and later on DVD, at times rivaled all but the most successful Hollywood blockbusters. Thus, in an era where media companies and startups are increasingly becoming concerned about brand loyalty, not just Nielsen ratings, Dr Horrible may serve as a model for producers and fans interacting in mutually beneficial ways as part of participatory culture. This paper will attempt to examine the way Whedon and his team utilised participatory culture in promoting Dr Horrible, asking which elements built on the foundation of Whedon’s past successes, but even more importantly what lessons Dr Horrible has for both existing and emerging media creators.

And here are the slides I’ll be using:

I’ll probably be Twittering from the conference (Wed – Fri) and I think the default Twitter hashtag will be #anzca2009.

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Annotated Digital Culture Links: May 4th 2009

Links for April 29th 2009 through May 4th 2009:

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We’re in a viral.

“Everything is fake.”
“Look’s good, though, doesn’t it!”

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The Future Newspaper … Isn’t?

Clay Shirky’s ‘Newspapers and Thinking the Unthinkable’ has been getting a fair amount of attention in the past few days and his central point is ringing true for most people: the traditional revenue model of the newspaper is so dead that it might just be time to admit that in many cases news will need to find (a) new platform(s) of choice.  It is worth noting, though, that Shirky is not downplaying the important role journalists have to play in our society; what he has resoundingly challenged is whether collecting their daily output on printed paper has much of a future.  Indeed, Shirky’s conclusion is worth noting:

Society doesn’t need newspapers. What we need is journalism. For a century, the imperatives to strengthen journalism and to strengthen newspapers have been so tightly wound as to be indistinguishable. That’s been a fine accident to have, but when that accident stops, as it is stopping before our eyes, we’re going to need lots of other ways to strengthen journalism instead.

When we shift our attention from ’save newspapers’ to ’save society’, the imperative changes from ‘preserve the current institutions’ to ‘do whatever works.’ And what works today isn’t the same as what used to work.

I concur; the world at large needs good journalism, but many good journalists will need to find a new home and it’s likely a new medium, too.  On March 12, the New York Times posted this visualisation:

US Newspaper circulation

You’ll have to click and see the enlarged version to read the text, but the brown and beige circles show declining circulation numbers for US newspapers; blue circles show increases (there are very few blue dots).  The US is a country of brown and beige dots.  The fact that neither Shirky nor anyone else knows what should come next is an important tension.  For those currently making a living working for newspapers who are laying off staff, this is a really immediate tension and, to be honest, I’m glad I’m not in those shoes.  For society more broadly, the question of where we get our news, and whether we’re willing to pay anything for it – either personally or through an organisation we support, or even through government funding – is something we do need to consider. I have to say, I’m feeling more protective than ever of the Australian Broadcasting Corporation and SBS and have no qualms whatsoever about some fraction of my taxes supporting both.  And sitting at a point of convergence of the best traditional journalism and web 2.0 platforms have to offer, I’m glad that people like Margaret Simons are finding new ways to keep the fourth estate alive and well.  (And to be fair, there is still a lot of quality journalism out there … it just too often gets buried behind the bleeding leads.) 

For Perth folks, the paucity of our current choice in newspapers has been obvious for a long time; we only have one and it has spent almost all credibility it ever had.  A new editor is on board now, but it’ll take a lot before The West holds any serious sway or has most people read it for anything other than the TV Guide and Saturday classifieds.  In a well timed move, Perth’s citizen journalism advocate, Brownen Clune, has just relaunched her own web presence, hitting the ground running a provocative post entitled ‘The Emperor’s New Media’ which argues that many journalists lack credibility, and the profession overall is in disrepute, leaving little wonder why so many folks don’t want to pay to read it anymore:

Can we be so quick to blame the business models of newspapers (selling advertisements) when people won’t miss the service (news) they are providing? For years journalists have been regarded alongside used-car salesmen as the least trustworthy profession and every journalist has certainly experienced the polite disdain from strangers when you tell them what you do.

There is something very wrong with the media and the quality of journalism has a lot to do with it. “News” has become so devalued that people are not willing to pay for it.

Bronwen’s post has attracted some spirited comments from Fairfax journo Nick Miller (continuing an older debate, really) who does remind us that Perth certainly hasn’t really developed much of an alternative model as yet (and Bronwen’s PerthNorg, which is valuable, relies a great deal on filtered content created by the mainstream newspapers).  But to return to Shirky’s point, we need more experiments, like PerthNorg, which are willing to try and find new ways to connect journalists of various types with audiences. 

In terms of the quality of journalism out there, there’s definitely appetite for more transparent reporting and for reporting that returns more clearly to the notion of the fourth estate; keeping the average citizen informed is, after all, the aim.  If nothing else, the fact that Jon Stewart and The Daily Show (a comedy show!) managed to get so many tongues wagging in the US recently when they went after CNBC’s ethics, and then Jim Cramer in particular when he took issue with Stewart’s criticism, shows that there is real desire for a more robust sense of the fourth estate (even if many people don’t recognise the term any more).  As The Washington Post put it:

Jon Stewart has amassed a passionate following over the years as a sharp-edged satirist, the man who punctures the balloons of the powerful with a caustic candor that reporters cannot muster. As public furor over the economic meltdown rises, the Comedy Central star has turned not just his humor but also his full-throated outrage against financial journalists who he says aided and abetted the likes of Bear Stearns, AIG and Citigroup — especially those who work for the nation’s top business news channel.  Stewart morphed into a populist avenging angel this week, demanding to know why CNBC and its most manic personality, Jim Cramer, failed to warn the public about the risky Wall Street conduct that triggered the financial crisis.

Okay, ‘avenging angel’ might be a bit over-the-top, but Stewart has, in my opinion, re-energised the question of journalistic ethics and, if nothing else, we can see responses like Fix CNBC http://fixcnbc.com/; while the sentiment is noble, perhaps, like, Fix the Newspapers, we need to hope for more?

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Annotated Digital Culture Links: March 10th 2009

Links for March 10th 2009:

  • Failed Negotiations – YouTube Will Block Music Videos in the UK [NYTimes.com] – “YouTube just announced that it wasn’t able to reach a new deal with the UK’s Performing Rights Society (PRS for Music), which collects licensing fees for musicians and labels in the UK. Because of this, YouTube will now block access to all premium music videos for users in the UK. According to YouTube, the licensing fees that PRS was looking for were “simply prohibitive” and Google would lose a “significant amount of money with every playback.” YouTube also bemoans that PRS was unwilling to provide it with a comprehensive list of songs that were actually included in the license. … YouTube goes out of its way to state that this move has nothing to do with the record labels. Patrick Walker, YouTube’s Director of Video Partnerships, Europe, Middle East and Africa, lays the full blame on PRS for Music – and PRS, of course, blames Google for being too greedy.”
  • THRU YOU | Kutiman mixes YouTube – Remix culture hard at work – music videos created entirely out of YouTube videos – lots of samples – nicely done.
  • Australians refused insurance because of poor genes [WA Today] – “Australians have been refused insurance protection because of their genetic make-up, researchers have shown in the first study in the world to provide proof of genetic discrimination. Most cases were found to relate to life insurance. In one instance, a man with a faulty gene linked to a greater risk of breast and prostate cancer was denied income protection and trauma insurance that would have let him claim if he developed other forms of cancer. The findings have led to renewed calls by experts for policies to ensure the appropriate use of genetic test results by the insurance industry.” (Gattaca!)
  • Baby swinging video case warning [The Age] – “The lawyer representing an Australian charged for republishing, on a video-sharing site, a video of a man swinging a baby around like a rag doll says that if the case proceeds every Australian who surfs the net could be vulnerable to police prosecution. Chelsea Emery, of Ryan and Bosscher Lawyers in Maroochydore, represents Chris Illingworth, who was charged with accessing and uploading child abuse material. Illingworth, 61, published the three-minute clip on Liveleak, a site similar to YouTube but focused on news and current events. Illingworth has uploaded hundreds of videos to the website. The one he was charged over, thought to have been created by a Russian circus performer, had already been published widely across the internet and shown on US TV news shows. The clip can still be found online and has been viewed hundreds of thousands of times.” (I’m staggered that this case is still moving forward!)
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Celebrity Twittering

I have been meaning to write a very long, complex and cerebral post about the seemingly exponential growth of Twitter in the last few months, but as my list of related bookmarks grows, the time to read them runs screaming, so I thought I’d try and capture a few thoughts in the next week or two in shortform (not 140 characters short, of course).  Today’s topic: celebrity twittering (and, yes, just to get it out of your system, go and watch the Felicia Day Twittering Gaff … okay, moving on …).  Now, if I were to write this properly, I’d have to start looking at Stephen Fry and his more than 250,000 followers … in 140 characters, the witty observer is king, but you can find plenty to read about Fry elsewhere.  I could talk about disintermediation and who needs gossip magazines – or who really does need an agent filtering everything – when Ashton Kutcher is willing to tweet photos like this.  But I just can’t bring myself to read anything else about the Moore clan.  Instead, I want to talk about telepathic ex-policemen.  Or, more specifically, Greg Grunberg, who plays Matt Parkman on Heroes.

Grunny Grunberg is now a Twitter regular, with some 27,000 followers, many of whom only know him for his Heroes role.  He is, however, cleverly using Twitter to promote his other projects and establish his own celebrity presence as ‘Grunny’.  However, what really caught my attention was Grunberg’s tweet about the end wrap-up of the current season of Heroes and how that tweet, out of context, fired off a rumour that the show had been cancelled.  As Zap 2 It reported:

On Sunday morning, Grunberg tweeted the following: "Winding down shooting season 3 #Heroes. Tough to say goodbye to crew not knowing if any or all of us will return next year. Hope all." Over the next couple of days that one message set off a flood of "OMG!! Is Heroes cancelled!?!" musings on the web. …  The posts all mention that Grunberg "later" or "eventually" clarified his first remark with another tweet, that reads, "Don’t get me wrong, #Heroes IS coming back next next year, but some crew take other jobs, so it’s tough… we have the Best. Crew. Ever." But they make it sound like he was responding to all the supposed controversy he created with his remarks. Here’s the thing: Grunberg’s second tweet came all of three minutes after the first one. That doesn’t sound so much like backtracking or butt-covering so much as a guy reading what he just wrote, deciding the thought wasn’t complete and then completing it. I know things move fast on the Internet, but three minutes on a Sunday morning isn’t enough time to create a controversy and then try to respond to it. The incident doesn’t seem to have soured Grunberg on Twitter, although he did comment on a "long day of rain on set and being misquoted" on Monday.

Now, as I was thinking about Grunberg’s tweets and the largely unfiltered access his followers get (albeit in tiny little parcels), I read this:

greggrunberg

Sure, he didn’t reveal ending of the season, but this throwaway comment about an episode of Heroes which had just finished screening in the US did tell a lot of people how it ended.  I’m guessing that some of his 27,000 followers didn’t watch the episode live … I wonder if anyone was annoyed by an actor giving away spoilers for a just-aired show?  Certainly for me, in Australia, this episode won’t be aired for weeks so I was a little annoyed.  (If the show was better scripted at the moment, I’d be even more annoyed.)  Perhaps Grunberg and actors who follow suit need to start a few more tweets with #spoilerwarning hashtag.  Either way, I suspect as more and more celebrities of various flavours tweet their fans directly, some new social norms will need to emerge about what is and isn’t revealed. And I wonder if this immediacy will drive more of Grunberg’s followers outside of the US to download Heroes rather than accept delays in being able to reply or (if they want to be unspoilt) read his twitter stream?

(Oh, and he’s not a celebrity, but as Boing Boing pointed out, the funniest person on Twitter is The Mime. Really.)

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Annotated Digital Culture Links: February 24th 2009

Links for February 24th 2009:

  • Twittering celebs tell all from Oscars parties [The Age] – Forget the gossip mags – celebrities attending the Oscars and associated after-parties gave fans backstage passes by publishing messages, videos and pictures on their Twitter accounts throughout the evening. After years of dealing with the media mangling their words, stars are now creating a direct dialogue with fans. The combination of Twitter, which allows people to post short messages directly from their mobile phones, and alcohol, led to surprisingly candid postings from the Oscar festivities. Ashton Kutcher and wife Demi Moore were by far the most prolific Oscar Twitterers. They didn’t attend the awards ceremony but hosted an Oscars after-party attended by some of the biggest stars. Kutcher posted an image of rapper Sean “P Diddy” Combs clutching an Oscar alongside the message “Diddy throws up Oscars”. He also published an image of himself with Penelope Cruz’s Oscar. (Whatever will the paparazzi do when the celebrities are all happily photo-stalking each other?)
  • Twitter and Futurism Week5 Participation Literacy [Slideshare] – Slides from a great lecture by Trebor Scholz in his Participation Literacy course, looking at twitter and microblogging, giving a solid explanation for it, a rationale, and a pretty good origin story! (And for a less kind reminder about how people, not advertisers, use Twitter, read Richard Giles’ grumpy post Basic Twitter Etiquette.)
  • Rick astley ==[FRENCH]==interview about Rickroll internet phenomenon [YouTube ] – “Rick astley (french) interview about Rickroll’D internet phenomenon ,barack roll.,Himself For Governor Of Illinois and MTV Award Hacked.” (The talkshow is in French, but Astley replies in English … it’s worth watching just to see how the subject of a meme can enjoy it so much!)
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Annotated Digital Culture Links: February 20th 2009

Links for February 17th 2009 through February 20th 2009:

  • 4chan /b/ goes after cat abusers, wins [Inquisitr] – “A video of two men abusing a cat surfaced on YouTube late last week, and members of /b/ took it upon themselves to bring the sickos to justice. The video was quickly narrowed down to prime suspects, primarily through the help of /b/, and local authorities arrested the men. Many have been quick to criticize /b/ in the past, but today at least you can’t doubt one thing: they love cats.” (While this doesn’t suddenly make /b/ a haven of good will and public mindedness, it does show that with the proper motivation 4chan can be a powerful force!)
  • Macroanonymous Is The New Microfamous [Fimoculous.com] – “…I interviewed the founder of 4chan for a magazine story that never ended up running. He chatted about everything from the techincal complexities of keeping 4chan alive to the anxieties of operating the most controversial site on the internet. By the end of the interview, I was thinking “This kid has seen stuff that would make my eyes burn, but he seems so smart and sweet about it all.” (He started the site when he was 15; he just turned 21.) It seemed like insightful stuff that should run somewhere, so here it is….”
  • Whisper campaigns exposed: pay per lie on YouTube [The Age] – “One of Australia’s most popular YouTube users has admitted being paid to spruik Ten’s new show Lie To Me surreptitiously in the latest example of marketers invading the popular video sharing site. Amateur video maker Hugh Thomas, 26, from Bondi, said he was asked by a mystery third party to create a video blog on Lie To Me and publish it on his popular YouTube channel, in return for payment from 20th Century Fox. He would not give more details of the whisper campaign, saying he was bound by a non-disclosure agreement.”
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