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Digital Culture Links: December 6th 2010

Links for December 2nd 2010 through December 6th 2010:

  • Facebook Causes One In Five Divorces In US [Link Newspaper] – I think ’causes’ is an overstatement; facilitates, perhaps: “Flirty messages and photographs found on social networking website Facebook are now leading to at least one in five divorces in the US, a survey has revealed. A new survey by the American Academy of Matrimonial Lawyers also says around 80 per cent of divorce lawyers have reported a spike in the number of cases that use social media for evidence of cheating, according to the Daily Mail. Many cases revolve around social media users who get back in touch with ex-girlfriends and lovers they had not heard from in many years. Facebook was by far the biggest offender, with 66 per cent of lawyers citing it as the primary source of evidence in a divorce case. MySpace followed with 15 per cent, Twitter at five per cent and other websites together at 14 per cent.”
  • When Oprah Winfrey educates Yanks on our ‘hip’ McCafes, it’s the dollar talking [News.com.au] – For Oprah, Australia = product placement: “Oprah Winfrey has already given Americans an insight into our culture. This is despite the fact the TV queen some say is the most influential woman in the world doesn’t arrive in Australia until tomorrow. According to Oprah’s Aussie Countdown, which screened to 10 million Americans last week, we Australians call men “blokes”, women “sheilas” and we like to meet up at “hip joints” called McCafes to sip on gourmet coffee. Some of the one-million-strong Australian audience who saw this report on the Ten Network last week were a little surprised to hear of the importance of McCafes to the Australian lifestyle. […] The Australian asked the Ten Network and McDonald’s about the curious reference and they confirmed McDonald’s was a “broadcast sponsor and had a global arrangement directly with Harpo Productions for the in-program McCafe activity that appeared in Carrie’s segment”. In other words, the segment was paid for and funded by McDonald’s”
  • Labor to back adults-only games classification [ABC News (Australian Broadcasting Corporation)] – Good news: “The Federal Government has announced it will support a push for an adults-only classification for video games. A decision on the matter is expected on Friday at a meeting of the Standing Committee of Attorneys-General. A recent Galaxy survey has found strong support for an R18+ classification, with 80 per cent of people surveyed saying they believed an adult classification was needed, while a government public consultation on the matter received close to 60,000 responses – with 98 per cent in favour of an adult rating. Currently in Australia, games classed above MA15+ are refused classification and cannot be brought into the country. Home Affairs Minister Brendan O’Connor says an adults-only classification would include games with excessive violence or adult themes.”
  • Life on Mars? Not yet. But in the meantime, NASA has found a new kind of life on Earth… [Perth Now] – It’s life, Jim, but its diet is not as we know it: “Lurking in the depths of a California lake is a bacteria that can thrive on arsenic, an explosive discovery that could expand the search for other life on Earth and beyond, researchers have found. The NASA-funded study released today and published in the journal Science redefines what biologists consider the necessary elements for life, currently viewed as carbon, hydrogen, nitrogen, oxygen, phosphorus and sulphur. Not only does the bacteria survive on arsenic, it also grows by incorporating the element into its DNA and cell membranes. “What is new here is arsenic is being used as a building block for the organism,” said Ariel Anbar, co-author of the study. “We have had this idea that life requires these six elements with no exceptions and here it turns out, well maybe there is an exception.””
  • Making Copyright Work Better Online [Google Public Policy Blog] – From the point of view of digital libertarians, Google just got a bit more evil as they’ve pledged to act on reducing the ease of access to links to allegedly pirate material in their index. Google aren’t removing links (except where a DMCA takedown notice is submitted) but will prevent suspect material appearing in auto-complete, act faster on DMCA takedown notices, more carefully ensure AdSense doesn’t get used for ads pointing to pirated material, and other experiments. So the material is still returned in normal search results unless you’ve got the autocomplete on by default.
  • BBC Plans Subscription-Only U.S. iPlayer On iPad [mocoNews] – “This is huge. The BBC will launch the long-awaited global version of its iPlayer TV catch-up service on a subscription-only basis, and initially only on iPad. The service, carrying BBC shows like Doctor Who on-demand, will likely be very popular in the U.S., generating new income for the BBC back in Britain. The significance of the move is clear – it means the BBC will operate a subscription worldwide media channel that, in time, could become one of its biggest.”
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Digital Culture Links: October 12th 2010

Links for October 10th 2010 through October 12th 2010:

  • Simpsonic Business as Usual? [Antenna] – Jonathan Gray’s excellent piece discussing the tensions evident in Bansky’s Simpsons’ opening sequence: “… it leaves us with uncomfortable questions about Groening and co. How are they complicit, and are they simply making this a joke so that they and we can say, “Oh yes, that is bad, isn’t it? But we know about it, so it’s all okay. Let’s just get back to business as usual, shall we? Pass the Cheetos”? I was left with many conflicting responses here myself, on one hand thinking it was a brilliant statement, on the other hand feeling deeply uncomfortable that this is the show’s response to its labor practices – making an opening credit sequence rather than actually fucking doing something about them. Yet, the contestation of authorship in which the sequence engages leaves us wondering whether the American animators (who are largely responsible for the couch gags, by the way – these rarely involve the writers) can do anything about The Simpsons Factory.”
  • Traditional developers look to Facebook games for inspiration [WA Today] – The rise of casual gaming: “While casual games might seem like innocuous time wasters, the sort of drop-in, drop-out games played on Facebook, mobile phones and through web portals have seen revenue grow from $US300 million in 2005 to at least $US3 billion ($3.05 billion) today. The real-time farming simulation game, FarmVille, made for Facebook and smartphones by the developer Zynga, has more than 62 million active users, which is equivalent to about 10 per cent of Facebook users. […] While console-game developers charge a large upfront fee, casual-games revenue is derived through micro-transactions. “You may see 90 per cent or more of your audience never pay you a dime,” Kozik says. “They engage in the game absolutely free and can see if it is something that appeals to them or not. Then the 10 per cent or less who do pay more than justifies the continued expansion of the game.” Casual and social games are less expensive to develop than console games.”
  • Apple Awarded Trademark for “There’s an App for That” [Mashable] – There’s a trademark for that: “Apple has filed a trademark application for the company’s now ubiquitous catchphrase, “There’s an app for that.” Apple filed for the trademark back in December 2009, citing first commercial use of the phrase on January 26, 2009, per trademark documentation. The trademark was filed in the Advertising, Business and Retail Services, Computer and Software Services and Scientific Services categories. The trademark applies to “retail store services featuring computer software provided via the Internet (Internet) and other computer and electronic communication networks; retail store services featuring computer software for use on handheld mobile digital electronic devices and other consumer electronics.””
  • The Search – Is Your Web Identity Hurting Your Employment Chances? [NYTimes.com] – Web presences as (un)intended CVs: “You looked wonderful on your résumé. Your references raved about you. The interview went swimmingly. Yet you didn’t get the job. Oh, no: did they see that Facebook photo of you dancing on a table? Or find out that you’re six months behind on your mortgage payment? You may never know why you weren’t hired, but be aware that background checks can make or break a job application. And in a data-rich world, the person with the fewest red flags may get the job. Little hard research has been done on how hiring managers use the Internet to vet applicants. But you should assume that they are at least looking you up on search engines. So it’s wise to review the results of a quick search of your name. It is very hard to remove anything questionable about yourself from a search engine, but you can at least push it lower by adding positive entries, said Barbara Safani, owner of Career Solvers, a career management business in New York. “
  • Short Attention Spans for Web Videos [NYTimes.com] – I suspect the quality of the content matters, too! “After watching an online video for a full minute, 44.1 percent of viewers will have clicked away, according to Visible Measures. But an outsize slice of that loss occurs in the first 10 seconds, during which 19.4 percent of a video’s audience defects. This phenomenon, known as “viewer abandonment,” is of intense interest to those who make online videos or advertise alongside them. Visible Measures studied the abandonment rate of 40 million videos over seven billion viewings. Music videos had especially high rates of abandonment, as did videos slow to reach a punchline — for example, a Budweiser ad about a man humiliated while buying pornography, which loses nearly 40 percent of viewers in the first 10 seconds. “It took a shocking 12 seconds to get to the conceit,” said Matt Cutler, the head of research at Visible Measures.”
  • Keeping Our Distance, the Facebook Way [NYTimes.com] – It’s all about the weak ties: “Facebook is the best distancing tool since the creation of the Christmas card. Sending holiday greeting cards began in the 1850s in England and spread quickly as a way to stay in touch with far-flung friends and relatives. The cards, whether religious or not in theme, went to people you rarely wrote to and even more rarely spoke to, but for whom you still had a measure of affection — or curiosity. You wanted to know what was going on in their lives, and one exchange a year did the trick. The cards kept the people in your social network at a distance, while maintaining ties to them. I recall my parents sending and receiving Christmas cards. I did it for a year after I married, but I stopped because it was just too much work. Facebook, which tries to replicate our real-world relationships online, now helps me maintain those connections. But it does cards one better. It preserves the weak ties in my social network without creating obligations.”
  • 10 Unbelievable Twitter Stories [Oddee.com] – A bit silly, but some useful extreme stories of what Twitter communication is very good for (and very bad for).
  • Bathurst delay angers viewers [The Age] – Interesting idea; I don’t think a social media blackout would work, but there are definitely issues to sort out: “A social media blackout is needed when watching so-called live sport. The poor TV networks just can’t win when it comes to sport. They regularly get canned for cutting away from the action to screen ads. But Sunday’s Bathurst 1000 race was so tight that Seven claims it didn’t want to risk missing too much of the action. Instead, the network started pausing the coverage to drop in ad breaks. As a result, the broadcast was almost half an hour behind the race by the time the cars crossed the finish line. […] Rather than treat viewers like idiots, perhaps the networks should start treating them like a precious commodity that will dry up if not handled with care. This means being honest when live sport isn’t really live.”
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Digital Culture Links: July 20th 2010

Links for July 20th 2010:

  • Jessi Slaughter (“You dun goof’d” / “The consquences will never be the same”) [Know Your Meme] – Know Your Meme’s (still being researched) page on the 4chan Vs “Jessi Slaughter” debacle.
  • How The Internet Beat Up An 11-Year-Old Girl [Defamer Australia] – 4chan and /b/ collectively turn on self-styled tween micro-celeb “Jessi Slaughter”, a very foul-mouthed video poster whose antics and anti-“hater” video got their undivided attention. The young girl in question is certainly provoking people, but SHE’S ONLY 11 YEARS OLD!
    As Defamer note “here are some important lessons from this tale:
    1. What are your kids doing on the internet? Normally we find fears about kids on the Internet the product of technophobic hysteria. But this case is a very good argument for why parents should at least be vaguely aware of what their kids are up to on the internet. […]
    2. Tumblr is becoming a home for trolls. […]
    3. Don’t pick on 11-year-old girls. Seriously. No matter dumb they seem – no matter how much it seems like they deserve it – they are, at the end of the day, 11-year-old girls. You wouldn’t make an 11-year-old girl cry in real life; why do it on the internet?”
  • The Art Of Trolling: Inside A 4chan Smear Campaign [Defamer Australia] – 4chan go after Dahvie Vanity, the lead singer of “the terrible electro-pop MySpace band Blood on the Dance Floor”, who has supposedly been linked to 11-year-old 4chan victim Jessi Slaugher (he’s been rumoured to be a paedophile, but these are by now means substantiated – to my knowledge, no police action has been taken). /b/’s actions are citizen justice at its worst.
  • 4Chan’s Sad War To Silence Gawker [Defamer Australia] – 4Chan go after Gawker media (Defamer’s parent company) to try and stop them writing about 4Chan; their efforts are not successful.
  • Jessi Slaughter and the 4chan trolls – the case for censoring the internet [News.com.au] – Peter Farquhar uses the 4chan Vs Jessi Slaughter debacle as an excuse to promote the notion of an internet filter in Australia. While there is some token disagreement towards the end of the article, it’s still an example of terrible writing since it implies that (if she was in Australia, presumably) the proposed filter would have helped the situation. For the record, even the most extreme version of the filter Conroy mooted, would have made absolutely no difference in this case whatsoever. What WOULD make a difference for young people in Australia is more money and resources put into education about social media and online interactions across the national curriculum; the sort of money being spent developing and arguing about a useless mandatory filter would be exactly the put of money that could make a real difference in the eduction, awareness and thus safety of young Australians online.
  • NB: No spoiler warning for MasterChef evictees! [TV Tonight] – Australian TV blog TV Tonight reminds those of us in the West that the interwebs will be filled with spoilers since Masterchef will go to air AEST! (Yes, we know: AEST is an anagram of EAST after all …)
  • Why this is NOT the Twitter election [mUmBRELLA] – Quick post pointing out that while the upcoming Australia election will certainly be influenced by Twitter and social media, it certainly won’t be driven by it given the paucity of social media use and awareness of the two newbie leaders of the big parties.
  • Google Discontinues the Nexus One Android Phone [Mashable] – Google’s experiment as a smartphone distributor come to a swift end: “Google has pulled the plug on the Nexus One, its once highly anticipated smartphone. The last shipment has arrived at Google HQ, and once those are gone there will be no more Nexus Ones for U.S. consumers. The handset will still be sold through Vodafone in Europe and some Asian carriers, and developers will still be able to get their hands on one, but it looks like the Droid phones on Verizon will carry the mantle for Google’s (Google) Android (Android) mobile operating system. This is the end the company’s grand experiment with an unlocked handset. Following disappointing sales, Google had already closed the Nexus One web store two months ago, so this final nail in the coffin was already overdue.”
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Digital Culture Links: May 26th 2010

Links for May 24th 2010 through May 26th 2010:

  • Facebook ‘hindering the police’ [WA Today] – The Australian Federal Police take on Facebook: “Facebook’s woeful relationship with law enforcement bodies is hampering police investigations and putting lives at risk, the Australian Federal Police says. The AFP’s assistant commissioner and head of high tech crime operations, Neil Gaughan, will fly to Washington DC today for a meeting convened by the US Department of Justice in which senior law enforcement officials from around the world will discuss their concerns with the social networking website. State and federal police have told the Herald’s sister paper, the Age, the company has been unwilling to provide police with the intelligence they need for investigations. They want Facebook to appoint a dedicated law enforcement liaison in Australia who can, for example, match user accounts to physical internet addresses.”
  • Facebook told to set up warning system after new sex scam [The Age] – Just what Facebook needs, its own viruses: “A major computer security firm urged Facebook to set up an early-warning system after hundreds of thousands of users were hit by a new wave of fake sex-video attacks. British-based virus fighter Sophos warned users of the world’s biggest social networking site to be on guard against any posting entitled “distracting beach babes”, which contains a movie thumbnail of a bikini-clad woman. In a press statement, Sophos said the malicious posts appear as if they are coming from Facebook users’ friends, but it urged recipients not to click on the thumbnail. By clicking on it, users are taken to a rogue Facebook application informing them that they do not have the right player software installed, Sophos said. It tricks users into installing adware, a software package that automatically plays, displays or downloads advertisements to their computer, and the video link is spread further across the network.”
  • Lady Gaga Says No Problem If People Download Her Music; The Money Is In Touring [Techdirt] – “… Lady Gaga admits she’s fine with people downloading her music in unauthorized forms because she makes it up in touring revenue:

    She explains she doesn’t mind about people downloading her music for free, “because you know how much you can earn off touring, right? Big artists can make anywhere from $40 million [£28 million] for one cycle of two years’ touring. Giant artists make upwards of $100 million. Make music — then tour. It’s just the way it is today.”

    Similarly, she knocks bands that don’t really try to work hard to please the fans, and who just expect them to automatically buy each album:

    “I hate big acts that just throw an album out against the wall, like ‘BUY IT! F*** YOU!’ It’s mean to fans. You should go out and tour it to your fans in India, Japan, the UK. I don’t believe in how the music industry is today. I believe in how it was in 1982.”

  • The Twitter Platform [Twitter Blog] – Twitter makes clear, that they will control advertising on Twitter, and no one else will: ” … aside from Promoted Tweets, we will not allow any third party to inject paid tweets into a timeline on any service that leverages the Twitter API. We are updating our Terms of Service to articulate clearly what we mean by this statement, and we encourage you to read the updated API Terms of Service to be released shortly.” (Their logic, while motivated by finances as much as anything else, does actually make sense in terms of user experience.)
  • How The Australian fell in love with the iPad [mUmBRELLA] – Is The Australian an Apple customer or commentator? “While it’s fair to say that the world’s media has been pretty excited about Apple’s iPad, The Australian appears to be on the verge of spontaneously combusting over the device’s official arrival Down Under this Friday. Clearly the newspaper’s plans to launch its own paid-for iPad app are unrelated to that. Indeed, if it sells as many apps as it has written stories about the iPad, it will be well on the way to securing a digital future for itself. […] I’d love to bring you every article The Australian’s carried about the iPad. But Google tells me there are 4,790 of them. So I’d better stop there. Did I mention that The Australian’s got an iPad app?”
  • Quitting Facebook is pointless; challenging them to do better is not [danah boyd | apophenia] – boyd’s discussion points:
    “1. I do not believe that people will (or should) leave Facebook because of privacy issues.
    2. I do not believe that the tech elites who are publicly leaving Facebook will affect on the company’s numbers; they are unrepresentative and were not central users in the first place.
    3. I do not believe that an alternative will emerge in the next 2-5 years that will “replace” Facebook in any meaningful sense.
    4. I believe that Facebook will get regulated and I would like to see an open discussion of what this means and what form this takes.
    5. I believe that a significant minority of users are at risk because of decisions Facebook has made and I think that those of us who aren’t owe it to those who are to work through these issues.
    6. I believe that Facebook needs to start a public dialogue with users and those who are concerned ASAP (and Elliot Schrage’s Q&A doesn’t count).”
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Lost (without Twitter)

lostfinale-trendrr

[Image via NewTeeVee]

There were more than 400,000 tweets during the Lost season finale; I didn’t make any of them, or read any of them in real-time, but not for a lack of interest. Rather, as I write this post (on Tuesday, 25 May) Australia has still not screened the Lost finale; it’s scheduled for Wednesday night on Seven. While Seven have reduced the delay between US screenings and Australian broadcast times, as was noted in yesterday’s links, the finale was simulcast live in the UK, Italy, Spain, Portugal, Israel, Turkey, and Canada but that was not the case down under. To add insult to injury, Seven couched this decision as service to Australian Lost fans:

Channel Seven will not screen the 2½-hour finale until 8.30pm Wednesday. A spokeswoman for the station said a Monday afternoon simulcast was considered, but it was felt fans would find the show more easily in its current timeslot – although the finale has been upgraded from digital channel 7TWO to Seven. […] ‘Ridiculous,” says comedian Wil Anderson, a Lost die-hard. ”If I was going to watch it on Wednesday, I could not go on the internet at all for two days. I will definitely have watched it by Wednesday.”

Better to have said nothing, or spoken plainly that they’ve decided the ratings boost from the Lost finale would be insufficient to justify tinkering with their Monday line-up, but to have Seven claim that the delay is to make things easier for Lost fans in Australia is really pretty offensive.

On the 400,000+ tweets made during the Lost finale by those who could see it live:

“And that is a conservative estimate,” said Mark Ghuneim, chief executive [of WiredSet]. That beat the show’s average of 27,000 tweets during the season, but was still a smaller volume overall than an event like the Oscars, said Mr. Ghuneim. “We tracked about 780,000 tweets during the Oscars,” Mr. Ghuneim said. “But it’s still an impressive number.” In addition, he said, tweets about the show peaked during commercials. “Instead of running to the fridge during commercial breaks, people were running to their laptops and phones,” he said.

From those comments, Twitter is a boon to commercial television: a social media tool which encourages real-time viewing, which actually justifies the ad breaks as times to reflect, comment and connect with other fans (with the ads still blaring away rather than risk missing the opening of next act), rather than skipping the commercials altogether. For so many Lost fans, that sense of shared viewing made the finale much more meaningful event television, whether you loved it, or hated it. Spreading that conversation across North America and sizable chunk of Europe made it even richer, but those riches were denied Australians. What Seven fails to understand, is that a delay of just over two days may as well be two decades; most people I know in Australia have already seen Lost via means which aren’t legal, be that a peer to peer download, or circumventing the geographic restrictions for an online replay-service like Hulu. Lost succeeded admirably in creating dedicated fans across the web; Seven succeeded admirably in forcing them to look elsewhere.

Perhaps the greatest irony, and the surest sign that Seven doesn’t understand social media, is the fact that there will be a “Live Blog” on the official Seven Lost pages on Wednesday night. On the web, live means live globally, not live in an arbitrary national sales region bounded by water. Besides which, I live in Perth, on the west coast of Australia, and the live blog wouldn’t even be live here anyway; were I watching Lost in Australia, it’d still be one giant spoiler thanks to Perth being 2-hours behind the East coast.

I’ve written about the tyranny of digital distance before which, in a nut-shell, occurs when the real-time nature of digital information sharing isn’t fulfilled due to historical, political and commercial boundaries which were largely established before the internet, before the web. Not being able to participate in the Lost finale’s global commentary is a poignant example of the tyranny of digital distance in action, and has done nothing for my relationship with commercial broadcasting in Australia. In an era where the immediacy and real-time nature of commentary can add so much to the shared viewing experience, the boundaries which prevent that fan experience can be all the more disappointing and distancing.

For the record: I’ve now seen the finale, and I loved it.

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Digital Culture Links: May 24th 2010

Largely Lost-centric links for May 24th 2010:

  • Lost Finale: What the Web Wasn’t Made For [Mashable]Why I’ll be off most social media today: “Those two wonderful facets of the web — on-demand viewing and instant communication between fans — tonight become a double-edged sword. The Lost Finale will be shown at 9pm ET on the East Coast, and 9pm PT on the West Coast. These time zone delays are the antithesis of what the web is about: Instant communication. The web is the perfect platform for the spread of breaking news, rumor, and those facts that corporations and politicians would rather keep quiet. In short: blogs, Facebook and Twitter make the spread of information immediate. But the web doesn’t understand the concept of the “spoiler”: The kind of information you’d like to avoid until a specific date or time. A TV blog can’t set its RSS feeds to be delivered later to the West Coast than the East. A Facebook update doesn’t get held back until you’ve watched the finale on your DVR. Your phone doesn’t know to block all Lost-related Tweets until you’ve watched the final episode.”
  • Final episode Lost in transmission [WA Today] – Australian broadcasting is indeed, Lost, but not in a good way: “AT 2PM AEST today the final episode of supernatural drama Lost will be broadcast simultaneously in eight countries. Fans in the US, Canada, Britain, Italy, Spain, Portugal, Israel and Turkey will sit down as one to discover how the big questions in one of television’s most diabolically complicated shows are resolved. The international simulcast aims to stave off piracy, while attracting viewers worldwide before spoilers hit the web. But not in Australia. Channel Seven will not screen the 2½-hour finale until 8.30pm Wednesday. […] ‘Ridiculous,” says comedian Wil Anderson, a Lost die-hard. ”If I was going to watch it on Wednesday, I could not go on the internet at all for two days. I will definitely have watched it by Wednesday.” Many Australian Lost fans have left free-to-air television for an alternate viewing reality, downloading, to join in discussions online…”
  • Ahead of ‘Lost’ Finale, Fans Shut Off Virtual Hints [NYTimes.com] – “Erin Farley has her plans for Sunday all laid out. Two hours before the last episode of “Lost” is broadcast three time zones away, she will shut down her home Internet connection. TweetDeck? Off. Facebook? Off. Her cellphone? Stashed out of reach. “I’ll turn off the whole Internet just to avoid having anything spoiled,” said Ms. Farley, a 31-year-old freelance writer in Portland, Ore. “I don’t want to ruin the surprise.” The Internet in general, and social media like Twitter in particular, can be a minefield for those who are trying to keep themselves in the dark about an event or show so they can enjoy it later. When the Olympics and Grammy Awards are time-delayed, for example, armchair critics chattering about the wins and losses online can destroy the suspense in an instant. […] people who don’t live on the East Coast, where Lost is shown first, are especially at risk for online spoilers. Overseas fans may have to wait days for a local broadcast – several years in Internet time”
  • Lost bows out – after 121 baffling episodes – with 5am TV simulcast to beat plot spoilers [Television & radio | The Guardian] – Closer to non-sporting global television events: “Early on Monday morning [UK time] , millions of Lost fans will be hoping that the mysteries of the US drama’s fictional island accumulated over five years are finally revealed when the show closes in a unique broadcasting event. The finale will be simulcast on ABC in the US and by seven broadcasters around the world. Lost fans in the UK will be switching on Sky1 at 5am on Monday for the two-and-a-half-hour climax to six series, and 121 episodes, of baffling TV. Fans in Italy, Spain, Portugal, Israel, Turkey, Canada, as well as the UK, will see the show at the same time it is aired by ABC on America’s west coast. The time lag between broadcast in America and in the UK used to be six months or more, but has been narrowing for the most popular imports to counter DVD piracy and illegal downloads. Sky1 has been broadcasting this year’s final series of Lost on Friday nights — five days after its US Sunday evening premiere on ABC.”
  • LOST re-enacted by Cats in 1 minute.
  • Fan-made Lost Finale Trailer
  • Facebook, MySpace Confront Privacy Loophole [WSJ.com] – “Facebook, MySpace and several other social-networking sites have been sending data to advertising companies that could be used to find consumers’ names and other personal details, despite promises they don’t share such information without consent. The practice, which most of the companies defended, sends user names or ID numbers tied to personal profiles being viewed when users click on ads. After questions were raised by The Wall Street Journal, Facebook and MySpace moved to make changes. By Thursday morning Facebook had rewritten some of the offending computer code. Advertising companies are receiving information that could be used to look up individual profiles, which, depending on the site and the information a user has made public, include such things as a person’s real name, age, hometown and occupation.” [Also see Benjamin Edelman’s analysis.]
  • PAC-MAN rules! [Official Google Blog] – After their first interactive logo, celebrating Pac-Man’s 30th birthday, Google makes their homage game available permanently: “We’ve been overwhelmed — but not surprised 🙂 — by the success of our 30th anniversary PAC-MAN doodle. Due to popular demand, we’re making the game permanently available at www.google.com/pacman. Thanks to NAMCO for helping to make this wonderful collaboration happen. Enjoy!”
  • Watching for Iron Sky [The Chutry Experiment ] – Useful introduction to the crowd-sourced film Iron Sky (coming some time 2011) for Web 207.
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Digital Culture Links: May 10th 2010

Links for May 7th 2010 through May 10th 2010:

  • An Early Look At Twitter Annotations Or, “Twannotations” [TechCrunch] – Twitter are adding annotations, or twannotataions, in the near future; it’ll let specific ‘things’ be identified. It’s a bit like turning Twitter into a semantic communication tool. Richard Giles asks if this will make Twitter (a privately owned) internet protocol be default, but either way annotations should make Twitter even more of a cultural barometer.
  • The Tell-All Generation Learns When Not To, at Least Online [NYTimes.com] – Privacy concerns online cross all generational barrier, despite the myth of the millennial mindset: “The conventional wisdom suggests that everyone under 30 is comfortable revealing every facet of their lives online, from their favorite pizza to most frequent sexual partners. But many members of the tell-all generation are rethinking what it means to live out loud. While participation in social networks is still strong, a survey released last month by the University of California, Berkeley, found that more than half the young adults questioned had become more concerned about privacy than they were five years ago — mirroring the number of people their parent’s age or older with that worry. They are more diligent than older adults, however, in trying to protect themselves.”
  • Facebook’s Gone Rogue; It’s Time for an Open Alternative [Wired.com] – Ryan Singel takes Facebook to task for the continual failings in respecting user privacy both in terms of their architecture (so many things simply can’t be turned off now) and their policies (basically, screwing with privacy one step at a time, while using a raft of lawyers to ensure it’s not illegal … but maybe unethical). Singel argues that everything Facebook currently provides could be achieved by a series of open tools and protocols which provide real and clear choices about what we do and don’t share with the world. Singel argues we need to make these choices now because Facebook, for many, has almost become our online identity.
  • Zuckerberg’s Law of Information Sharing [NYTimes.com] – From November 6, 2008: “On stage at the Web 2.0 Summit on Thursday, Mark Zuckerberg, the chief executive of Facebook, was cheerfully unruffled. Mr. Zuckerberg pinned his optimism on a change in behavior among Internet users: that they are ever more willing to tell others what they are doing, who their friends are, and even what they look like as they crawl home from the fraternity party. “I would expect that next year, people will share twice as much information as they share this year, and next year, they will be sharing twice as much as they did the year before,” he said. “That means that people are using Facebook, and the applications and the ecosystem, more and more.” Call it Zuckerberg’s Law.” The great thing about controlling the privacy settings for more than 400 million people, is it’s pretty easy to change things so more and more and their information is shared … even if many users don’t understand how and don’t think this is what they signed up for!
  • The Evolution of Privacy on Facebook [mattmckeon.com] – A really useful inforgraphic by Matt McKeon which demonstrates five stages of Facebook’s default settings and how much information is public by default at each stage (short version: 2005 – not much; 2010 – almost everything!)
  • Most pirates say they’d pay for legal downloads [News.com.au] – Peer-topeer sharers want legal options in Australia: “Most people who illegally download movies, music and TV shows would pay for them if there was a cheap and legal service as convenient as file-sharing tools like BitTorrent. That’s the finding of the most comprehensive look yet at people who illegally download TV shows, movies and music in Australia, conducted by news.com.au and market research firm CoreData. The survey canvassed the attitudes of more than 7000 people who admitted to streaming or downloading media from illegitimate sources in the past 12 months. It found accessibility was as much or more of a motivator than money for those who illegally download media using services like BitTorrent. More respondents said they turned to illegal downloads because they were convenient than because they were free … [More results here.]
  • What Happens When You Deactivate Your Facebook Account [Read Write Web] – Facebook is a big part of millions and millions of peoples’ lives, but what happens when you pull the plug? Last night I met a man who walked to the edge of the cliff and nearly deactivated his Facebook account. He took a screenshot of what he saw after clicking the “deactivate my account” link on his account page – and it is pretty far-out. That man considered quitting Facebook because it was having an adverse emotional impact on him and I’ll spare him and his contacts from posting the screenshot he shared with me. I have posted below though a shot of the screen I saw when I clicked that button myself. Check it out. I bet you haven’t seen this screen before, have you? […] Can you believe that? How incredibly manipulative! And what claims to make. Facebook has undoubtedly made it easier to keep in touch with people than almost any other technology on the planet, but to say that leaving Facebook means your friends “will no longer be able to keep in touch with you” is just wrong.”
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Digital Culture Links: January 27th 2010

Links for January 27th 2010:

  • Terms of (Ab)Use: US and UK Consumers Dance to Different iTunes [Electronic Frontier Foundation] – Further illustration of the insanity of different national licensing agreements: “For example, as with many TOS agreements, the iTunes U.S. Terms purport to allow Apple to terminate any part of the service, including access to any music or other content available through iTunes, at any time without warning. The U.K. Terms step back from that extreme position. In particular, the U.K. Terms do not allow Apple to affect a user’s access to content already purchased. Furthermore, before terminating a user’s access to iTunes, the U.K. Terms require there at least be “strong grounds,” rather than mere “suspicion,” to believe the user has violated the agreement, and also obligates iTunes to provide notice of any planned modification, suspension, or termination to the extent possible. In other words, the U.K. Terms provide customers at least some guidance as to the grounds for termination, rather than leave them to worry their access to iTunes can be terminated at any moment for any reason.”
  • Australia Set to Introduce Internet Filter that Could Block Access to Thousands of Anime, Comics, Gaming (ACG) and Slash Fan Sites by Mark McLelland, University of Wollongong [Guest Post: Confessions of an Aca-Fan] – Guest post by Mark McLelland looking at the implications of the Australian government’s forthcoming ISP-level internet filtering legislation on slash, anime, manga sites and thus fans in Australia. Outlook: poor.
  • After Three Months, Only 35 Subscriptions for Newsday’s Web Site [The New York Observer] – So, how’s that paywall going? “In late October, Newsday, the Long Island daily that the Dolans bought for $650 million, put its web site, newsday.com, behind a pay wall. The paper was one of the first non-business newspapers to take the plunge by putting up a pay wall, so in media circles it has been followed with interest. Could its fate be a sign of what others, including The New York Times, might expect? So, three months later, how many people have signed up to pay $5 a week, or $260 a year, to get unfettered access to newsday.com? The answer: 35 people. As in fewer than three dozen. As in a decent-sized elementary-school class. That astoundingly low figure was revealed in a newsroom-wide meeting last week by publisher Terry Jimenez when a reporter asked how many people had signed up for the site. Mr. Jimenez didn’t know the number off the top of his head, so he asked a deputy sitting near him. He replied 35.”
  • Google Doodle For Australia Day Missing Aboriginal Flag [SMH] – “An Australia Day artwork by student Jessie Du will be viewed by millions on Google’s home page today but one feature of her original design is conspicuously absent – the Aboriginal flag. Jessie’s Australia-themed version of the Google logo beat thousands of other entrants in the search giant’s Doodle 4 Google competition […] Jessie, 11, is a student at Rydalmere East Public School. Her entry fashioned the letters in Google’s logo out of native Australian animals, such as the kangaroo, koala and emu. The central “o” in the original design was the Aboriginal flag but this has been edited out of the final version that adorns Google’s home page today. The discrepancy caused much consternation on Twitter, but a Google spokeswoman explained that the editing of Jessie’s design was due to a copyright dispute. The designer of the flag, Harold Thomas, who owns the copyright to the flag, refused to give Google permission to reproduce the design on its website…”
  • Stop pining for life on Pandora and come back to planet Earth [Telegraph] – Conservative London Mayor Boris Johnson on Avatar: “It is a feature of powerful military empires that they like to romanticise their victims and luxuriate guiltily in the pathos of their suffering. Think of the Roman crowds pleading for the lives of captured barbarians in the amphitheatre.[…] And I can’t believe that many of these gloomy post-Avatar Westerners, when they really think about it, would want to up sticks to Pandora and take part in Na’vi society, with its obstinate illiteracy, undemocratic adherence to a monarchy based on male primogeniture and complete absence of restaurants. The final irony, of course, is that this entrancing vision of prelapsarian innocence is the product of the most ruthless and sophisticated money-machine the world has ever seen. With a budget of $237 million and with takings already at £1 billion, this exquisite capitalist guilt trip represents one of the great triumphs of capitalism.”
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Digital Culture Links: January 24th 2010

Links for January 24th 2010:

  • What Does China Censor Online? [Information Is Beautiful] – Provocative infographic illustrating some of what China blocks online.
  • The Director of Downfall Speaks Out on All Those Angry YouTube Hitlers [Vulture – New York Magazine] – “When the Conan-Leno debacle began, two things were certain: One, it would change the face of late night, and two, someone would apply it to the Downfall Hitler meme. When Oliver Hirschbiegel staged the famous bunker scene in his 2004 movie, with Bruno Ganz as Hitler, he wasn’t expecting it to be appropriated for comedy; a dramatic recreation of Hitler’s last stand is not exactly a laugh-out-loud subject. And yet the German filmmaker is pleased, nay, thrilled that YouTube enthusiasts have taken it upon themselves to reinterpret it to address anything from Hillary Clinton’s loss to the Taylor Swift-Kanye West feud. “Someone sends me the links every time there’s a new one,” says the director …”
  • Phone texting ‘helps pupils to spell’ [BBC News] – “Children who regularly use the abbreviated language of text messages are actually improving their ability to spell correctly, research suggests. A study of eight- to 12-year-olds found that rather than damaging reading and writing, “text speak” is associated with strong literacy skills. Researchers say text language uses word play and requires an awareness of how sounds relate to written English. This link between texting and literacy has proved a surprise, say researchers. These latest findings of an ongoing study at the University of Coventry contradict any expectation that prolonged exposure to texting will erode a child’s ability to spell.”
  • Serial Boxes [Just TV] – A draft of Jason Mittell’s “Serial Boxes: The Cultural Values of Long-Form American Television” essay which gives a very clear account of the different ways viewers engage with television, especially long-form serial television, in light of the shifts from live viewing as the only (or primary) choice to a market where box-set DVDs and the like encourage quite different modes of reception. Mittell also looks at the ‘re-watch’ projects and notes why they usually fail to sustain their initial enthusiasm and momentum.
  • Facebook sites inciting anti-Indian sentiment continue to flourish [The SMH] – “Facebook sites inciting anti-Indian sentiment continue to flourish despite protests from Indians in Australia. Groups such as I think Indian People Should Wear Deodorant, Stop Whinging Indians, and Australia: Indians, You Have a Right to Leave, have not been removed. Gautam Gupta, secretary of the Federation of Indian Students, said: “These sites must be shut down but, on the other hand, we must keep track of these hate groups being formed. They can be online or offline. When they’re offline we call them gangs. These are essentially online gangs.” More than half a dozen Australian groups that are specifically anti-Indian are still active on Facebook. On top of that, there are many broadly racist groups, including F— Off – We’re Full and Speak English or Piss Off!!!, which has 54,000 members and is growing at a rate of about 2000 people a week. “I don’t think it’s just a Facebook problem – it’s a social problem, a problem in the society,” Mr Gupta said.”
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Digital Culture Links: December 2nd 2009

Links for November 27th 2009 through December 2nd 2009:

  • Seven’s FlashForward “leaked” to US [TV Tonight] – “Monday night’s episode of FlashForward was the last for the year on Seven, and screened before the US which took a broadcast break for Thanksgiving. That resulted in the episode being uploaded as a torrent and now “leaked” to America. The Hollywood Reporter notes that “Australians don’t care about our guilt-tinged empire-expanding holiday traditions and didn’t take a break. Whether the US-Aussie FlashForward schedule being jolted out-of-sync will result in future episodes also being leaked isn’t known.” Presumably the episode will be downloaded across the US complete with a Channel 7 watermark. It’s all rather ironic given Disney / ABC went to great lengths to make sure Aussie media didn’t reveal information on the series in the lead-up to the premiere, insisting they attend a cinema screening and sign confidentiality clauses.” (US viewers, welcome to the other side of the tyranny of digital distance!)
  • The hits on iView [TV Tonight] – “Four Corners, United States of Tara, Good Game, Doctor Who, The Chaser’s War on Everything and Media Watch are the most popular titles on the ABC’s iView platform. The online catch-up service has been operating since July 2008. Since April this year there have been 6.2 million views of programs with an annual monthly average of 610,000 visits, up by 140% compared to last year. It averages 206,000 visitors per month, up by 60% compared to last year. In October 2009, ABC iView recorded its highest ever number of visitors and visits. 286,000 visitors and 1.054 million visits to ABC iView.” (Finally, streaming timeshifted TV is making solid inroads in Australia.)
  • Moviegoers 2010 available for download [Marketing Strategy for Entertainment and Brand Clients – Stradella Road] – “Why does movie studio tracking and research so often surprise and disappoint us? The answer experienced movie marketers gave us in private conversations was this: We still don’t know our customers/audience as well as we should.
    Where do moviegoers really spend their time? What are the social dynamics of the decision-making process? How do we synthesize the sea changes taking place with digital technologies in order to reach the right audience with the right message at the right time in the right place? We designed the Moviegoers 2010 research study to answer these questions […]
    • Moviegoers spend more time each week online (19.8 hours) than they do watching TV (14.3 hours)
    • 52% of moviegoers have digital video recorders (61% of the 30-39 demo) and, of those consumers, 71% fast-forward to skip commercials.
    [Download the full report – PDF]
  • Westfield Facebook application draws fire [mUmBRELLA] – Westfield has drawn criticism over a Facebook application that may be in breach of the social networking site’s terms and conditions, despite the two companies collaborating to develop it. The application updates a user’s status with a Westfield-branded message to promote its Gift Card. It requires the user to opt in so that their status is updated to “All I Want for Christmas is a Westfield Gift Card”, with extra copy stating that the user has now gone into the draw to win a $10,000 gift card. […] But the promotion has also attracted a backlash from other users, complaining that the promotion is taking over the social networking site as friends’ status updates that feature the Westfield branding, clutter their screens. Facebook groups have also been created in opposition to it. One group, known as If All You Want For Christmas Is A Westfield Gift Card, I Don’t Want To Know, currently has over 3,300 fans.” (Spam as a Facebook App … great marketing!)
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