Performing Animals: Synthespians, Primates and Cinematic Sympathy
Having let this blog become more link digests than anything else, I promised myself I’d write a bit more about my research activities, so with that in mind, I’m looking down a new research path and thought I’d share my very first thoughts. As usual, it has taken a deadline to galvanise any writing, but the Call for Papers for the Green Planets: Ecology and Science Fiction sounded enticing so, below is the chapter abstract I submitted today. (There’s no guarentee it’ll be accepted, of course, but this chapter will get written one way or another as it has definitely fired my imagination). Feedback or thoughts are welcome, of course!
Performing Animals: Synthespians, Primates and Cinematic Sympathy
Chapter abstract.
Virtual actors, or synthespians (‘synthetic thespians’), simultaneously expand what ‘acting’ actually entails whilst also asking film viewers to sympathise with often non-human entities in contexts which strive for verisimilitude. Initial industry responses to synthespians centred on fears that unpaid virtual actors could replace human beings but Dan North argues that rather than making actors superfluous, synthespians actually illustrate ‘an interdependence between the human and the machine, the digital and the analogue, the real and the simulated’ (2008, p. 183). The performance capture technologies behind synthespians facilitate a complex symbiosis between the visceral, physical performance of actors and the informatic and computational artistry of cutting edge digital media. While scholarly attention has been paid to virtual actors portraying fictional creatures or aliens – such as Jar Jar Binks in Star Wars: Episode I – The Phantom Menace (1999), Gollum in The Lord of the Rings trilogy (2001, 2002, 2003) or the Na’vi in Avatar (2009) – this chapter instead examines synthespians who are performing (as) animals.
Focusing on Kong from Peter Jackson’s King Kong (2005) and Caesar from Rupert Wyatt’s Rise of the Planet of the Apes (2011), both of whom are performed by actor Andy Serkis and the special effects team at WETA Digital, this chapter will argue that primate synthespians complicate and challenge the boundaries between people and animals, between natural and technological, and between the computational and ecological (amongst others). To provide historical and cultural context, I will draw on antecedents from the Kong and Planet of the Apes franchises as well as contemporary texts, such as the documentary Project Nim (2011) which details a 1970s experiment scrutinising the nature/nurture divide in which a chimpanzee was raised as a human child. The strong critical and commercial success of Rise of the Planet of the Apes suggests audiences can readily sympathise with a primate protagonist, while Barbara Creed has similarly argued that Jackson’s Kong is ‘a screen animal who holds our sympathies throughout the film’ (2009, p. 191). Indeed, recognising its role in promoting animal rights, People for the Ethical Treatment of Animals (PETA) has actually given Rise of the Planet of the Apes their official approval. Ultimately, this chapter will explore the way these films generate sympathetic digital primates, the inherent contradictions in provoking sympathy by replacing animals with actors performing animals, and how these films and audience reactions may serve as a focal point for broader consideration of the relationships between people, primates, nature and technology.
References
Creed, B. (2009). Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema. Melbourne: Melbourne University Press.
North, D. (2008). Performing Illusions: Cinema, Special Effects and the Virtual Actor. London & New York: Wallflower Press.
[Image Source: The Hollywood Reporter]
Digital Culture Links: August 30th 2011
Links for August 25th 2011 through August 30th 2011:
- Academic publishers make Murdoch look like a socialist [The Guardian] – George Monbiot looks at the monopolistic world of academic publishing and finds a world where profits are soaring while the broader media landscape around them is crumbling. On the ethical side, the important question: should publicly funded reseach end up in journals that cost $20+ an article to read if you’re not attached to a university? Open access might be one answer to the problem!
- Teen hacks ex-mate’s Facebook [Toowoomba Chronicle] – “Bad blood between former teenage mates had driven one to hack into the other’s Facebook page and leave a posting that he was gay and wanted to come out of the closet, Toowoomba Magistrates Court heard yesterday. […] Woodside then hacked into the victim’s Facebook page and posted that the victim was gay and wanted to “come out of the closet”, a posting which anyone accessing the page could have read, the court heard.”
- “Does This Technology Serve Human Purposes?”: A “Necessary Conversation” with Sherry Turkle (Part Three) [Confessions of an Aca/Fan: Archives] – Sherry Turkle interviewed by Henry Jenkins, clarifying many important points from Alone Together: “My earlier enthusiasm for identity play on the Internet, […] relied heavily on the work of psychologist and psychoanalyst Erik Erikson. Erikson wrote about the developmental need for a moratorium or “time out” during adolescence, a kind of play space in which one had a chance to experiment with identity. In the mid-1990s, I wrote about the Internet as a space where anonymity was possible and where one could experiment with aspects of self in a safe environment. Today, adolescents grow up with a sense of wearing their online selves on their backs “like a turtle” for the rest of their lives. The internet is forever. And anonymity on the Internet seems a dream of another century, another technology.” [Part 1] [Part 2]
- Apple cancels iTunes TV rentals [GigaOM] – “Despite its role as a major selling point of the revamped Apple TV last fall, Apple has done away with TV show rentals. Several bloggers noticed the option to rent individual episodes missing from iTunes and Apple TV Friday, and Apple later confirmed the decision was based on lack of interest. “iTunes customers have shown they overwhelmingly prefer buying TV shows,” Apple spokesman Tom Neumayr told AllThingsD Friday. “iTunes in the Cloud lets customers download and watch their past TV purchases from their iOS devices, Apple TV, Mac or PC allowing them to enjoy their programming whenever and however they choose.” Very few TV studios were on board with the idea in the first place–only Fox and ABC–so this isn’t a huge change. But now the only option in iTunes when it comes to TV shows is to buy. You can buy a full season or “Season Pass,” or if you want to cherry pick a season, you can still buy individual episodes.”
- Case History Of A Wikipedia Page: Nabokov’s ‘Lolita’ [The Awl] – Fascinating: “Entries such as the one on Lolita demonstrate why perfection on Wikipedia remains an “unattainable” goal—when the topic is contentious, perfection will always butt heads against “is completely neutral and unbiased.” One man’s undeniable literary masterpiece is another man’s abominable pedophilic trash, and they’re both editors on Wikipedia. The edits to the Lolita page (and any Wikipedia page) can seem tedious and petty, and many of them are. But the users’ vigilance in keeping some words and changing others, and debating over content and style, does have a purpose: it keeps critical thinking alive and well. The writing, editing, rewriting and re-editing process of a Wikipedia page creates a new entity—the Lolita Wikipedia page, which is not Nabokov’s Lolita, but a work in its own right. In the collaborative editing process, any reader can use the Lolita page to challenge its meaning. In fact, he can reach right in and edit it himself, until someone else edits it again.”
Lego: Dads don’t play with toddlers?
Let me start be saying I love Lego and our 2-year old loves his Duplo (the bigger Lego blocks aimed at toddlers). I was excited to hear Lego had created and released an online Duplo space, with games and interactions. Sounds like a perfect safe space to share with Mr2. However, I was incredibly disappointed when I turned up, only to discover that someone at Lego seems to have entirely forgotten that Dad’s exist …
“Hello Moms!” really? This is very disappointing for a dad. And for equality in general.
Lego, please lift your game: I want to be able to enjoy this space with my son, and enjoying many, many hours of Lego and Duplo together.
Digital Culture Links: August 15th 2011
Links for August 13th 2011 through August 15th 2011:
- Google looks to ‘supercharge’ Android with Motorola Mobility [guardian.co.uk] – Wow, Google take their ball and head straight onto Apple’s turf (and Microsoft’s by way of Nokia): “Google is to acquire Motorola Mobility, the US mobile company’s smartphone business, in a $12.5bn (£7.6bn) cash deal. The takeover will boost Google’s increasing dominance in the nascent smartphone and tablet computer market. The $40 a share deal is a 63% premium on Motorola Mobility’s closing price on the New York Stock Exchange on Friday. Larry Page, Google chief executive, said: “Motorola Mobility’s total commitment to Android has created a natural fit for our two companies. Together, we will create amazing user experiences that supercharge the entire Android ecosystem for the benefit of consumers, partners and developers. I look forward to welcoming Motorolans to our family of Googlers.””
- Schools employ company to monitor students online [ABC News (Australian Broadcasting Corporation)] – Inevitable, but deeply troubling: “Independent schools are using private companies to monitor what their students say and do online on sites such as Facebook. An internet monitoring company, SR7, says it is been employed by some private high schools around Australia to keep track of students’ social media activity. Privacy advocates have expressed concerns, but the “social media intelligence” company says its work will help prevent cyber bullying. S7R partner James Griffin says the company identifies and “attempts to stop” cyber bullying that is increasingly occurring on Facebook and another social media platform, Formspring. Mr Griffin says the increasing number of fake profiles is “striking”.”
- “If you don’t like it, don’t use it. It’s that simple.” ORLY? [Social Media Collective] – Great post by Alice Marwick looking at the problems with the idea that you can simply stop using social media and other technologies due to issues or challenges they pose. Refuting (easy) opting out, or technology refusal, is important is showing how much people actually have to give up if they do opt out, and why it’s a decision many people can’t (or won’t) readily make.
- Sexting punishment is unjust says magistrate [SMH] – “A senior Victorian magistrate who presided over a case in which a youth pleaded guilty to teenage sexting offences has condemned as ”so unjust” the mandatory laws that meant the young man was registered as a sex offender. The magistrate, who works in country Victoria, said the lack of judicial discretion in such cases meant severe consequences for young people who posed no threat to society and were often guilty of little more than naivety. The magistrate, who spoke on condition of anonymity, said he had made the unusual decision to speak out because he was troubled by cases recently identified by Fairfax. He presided over the case of the country youth, then aged 18, who was sent four uninvited text message pictures of girls, aged between 15 and 17 years, topless or in their underwear. Police found the pictures on his mobile phone and laptop and charged him with child pornography offences.”
- Don’t shoot the instant messenger: David Cameron’s social media shutdown plan won’t stop UK riots [The Conversation] – Axel Bruns refutes the logic of social media control or blocking in times of crisis (regarding the UK riots): “David Cameron’s thought bubble (let’s be charitable and call it that) in the UK parliament on Thursday, in which he said it might be a good idea to shut down social networking services if there were to be a repeat of the riots that have rocked Britain, is one such moment. It is, to be blunt, just staggeringly dumb. Where do we even begin? Consider, for example, the fact that Cameron, along with just about all the other leaders of the Western world – you know, we who claim to believe in freedom of expression – lauded the role of social media in the “Arab spring” uprisings in Tunisia, Libya, Egypt, Yemen and elsewhere. But now he wants to shut Twitter and Facebook down, just because someone, somewhere might use them to plan criminal activities? You must be joking. By the same reasoning, why not take out the entire Internet and phone network as well?”
- Panicked over social media, Mr. Cameron joins company of autocrats [The Globe and Mail] – “Eight months ago, as Egyptians flooded the streets of Cairo in protest, the government tried to stem the tide by cutting off access to Twitter and Facebook – social networks that had been so associated with democratic uprisings that labels such as “the Twitter Revolution” were being bandied about. On Wednesday, British Prime Minister David Cameron addressed the rioting that swept his country and declared that he was looking into blocking unspecified troublemakers’ access to Twitter and another network, BlackBerry Messenger. With the speed of a looter on the make, social networks have gone from heroes of the Arab Spring to the newly-anointed villains of the British riots. One day, implement of utopia; the next, yob’s best friend. Throwing his digital lot in with Hosni Mubarak is hardly a flattering comparison for Mr. Cameron. But his choice of target reflects a very real public unease with the way social networks seem to inspire people to action.”
- London riot social media blocks ‘totalitarian’ [The Age] – “Social media and legal experts have ridiculed a proposal by British Prime Minister David Cameron to restrict the use of services like Facebook, Twitter and BlackBerry Messenger to prevent riots. The services were used by rioters to organise looting and vandalism across London and beyond, prompting Cameron to demand the companies take more responsibility for content posted on their networks. Home secretary Theresa May is due to hold meetings with Facebook, Twitter and BlackBerry-maker Research in Motion this week. But social media experts and free speech campaigners have rejected the idea, saying it is an impractical knee-jerk response that is akin to moves by Arab rulers to block online communications during this year’s pro-democracy uprisings.”
Digital Culture Links: August 10th 2011
Links for August 6th 2011 through August 10th 2011:
- Gamification is Bullshit [Ian Bogost] – Bogost gets straight to the point: “In his short treatise On Bullshit, the moral philosopher Harry Frankfurt gives us a useful theory of bullshit. We normally think of bullshit as a synonym—albeit a somewhat vulgar one—for lies or deceit. But Frankfurt argues that bullshit has nothing to do with truth. Rather, bullshit is used to conceal, to impress or to coerce. Unlike liars, bullshitters have no use for the truth. All that matters to them is hiding their ignorance or bringing about their own benefit. Gamification is bullshit. I’m not being flip or glib or provocative. I’m speaking philosophically. More specifically, gamification is marketing bullshit, invented by consultants as a means to capture the wild, coveted beast that is videogames and to domesticate it for use in the grey, hopeless wasteland of big business, where bullshit already reigns anyway.”
- London Police Use Flickr to Identify Looters [NYTimes.com] – “As rioting continues to roil the streets of London, local police forces are turning to the Web to help unmask those involved in the torching and looting. On Tuesday, the Metropolitan Police of London posted a set of photos on Flickr showing people they believed to be participants in the riots. Right now the images are primarily from the Croydon and West Norwood neighborhoods in south London, although the site says that more will be posted soon. With the initiative, called Operation Withern, the police are asking the public to identify anyone they recognize from photographs captured by CCTV surveillance cameras in areas where stores were looted. They say on the Flickr page that they hope to “bring to justice those who have committed violent and criminal acts.””
- Real name sites are necessarily inadequate for free speech [Bernie Hogan] – Important take on real names: “Offline people say things appropriate to the group they are in. That doesn’t mean they are two-faced, insincere or liars. It means people are context aware. People observe walls, clocks, furniture, fashion and music. These things guide us as to the appropriate way of acting. The guy writing his novel at the bar on Friday night is out-of-place. The guy who shows up to work drunk on Monday morning has a problem. Offline people don’t have to worry about their real name, because their behavior is tied to the context and the impressions the foster in that context. In fact, I’ll say that even more strongly – if your speech is not confined to the context you are in – but available to a potentially unknowable audience – you are online. This is why real name sites are necessarily inadequate. They deny individuals the right to be context-specific. They turn the performance of impression management into the process of curation.”
- How Blackberry, not Twitter, fuelled the fire under London’s riots [Tech Crunch] – All ‘social media caused it’ reports are exaggerated, but it is noteworthy that Blackberries are popular for communication in this context specificially because they are encrupted and not open: “Over the weekend parts of London descended into chaos as riots and looting spread after a protest organised around the yet unexplained shooting of a man by Police. Of course, there was huge amounts of chatter on social networks like Facebook and Twitter, with the latter coming under enormous amounts of criticism from the UK press for fuelling the fire. But while Twitter has largely been the venue of spectators to violence and is a handy public venue for journalists to observe, it would appear the non-public BlackBerry BBM messaging network has been the method of choice for organising it.”
- Facebook’s Photo Archive Can Be Used for Face Recognition in Real Life – “Facebook has had its share of problems over face recognition — a feature that connects a photo of a person’s face with their Facebook profile, making it easier to tag people in photos — but researchers from Heinz College, Carnegie Mellon University recently proved that Facebook’s vast photo archive can be used to identify people on the street, too. […] They used publicly available data — photos from Facebook profiles of students — and then used face recognition technology to recognize these students as they look into a web camera. The results? Using a database of 25,000 photos taken from Facebook profiles, the authors’ face recognition software correctly identified 31 percent of the students after fewer than three (on average) quick comparisons. In another test, the authors took photos from 277,978 Facebook profiles and compared them to nearly 6,000 profiles from an unnamed dating Web site, managing to identify approximately 10 percent of the site’s members.”
The Centre for PostNatural History
I find the Centre for PostNatural History equal parts fascinating and provocative:
The Center for PostNatural History: An Introduction from Rich Pell on Vimeo.
Their mission: “dedicated to the advancement of knowledge relating to the complex interplay between culture, nature and biotechnology. The ‘postnatural’ refers to living organisms that have been altered through processes such as selective breeding or genetic engineering to meet human desires. The mission of the Center for PostNatural History is to acquire, interpret and provide access to a collection of living, preserved and documented organisms of postnatural origin.”
The ‘postnatural’ isn’t a new term, but I love the idea of this as the theme for a museum; it destabilises the sense of natural history so often associated with museums, and really throws the interweaving of technology and nature into focus. Having just finished a marathon writing effort on my book, I can see many significant connections between the postnatural and what my work on Artificial Culture tries to do in terms of popular culture. More on that in a later post.
For more information on the postnatural, there’s a good interview with the Centre’s director Richard Pell over at Make Money, Not Art.
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