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Digital Culture Links: April 11th

Links for April 11th:

  • Hillary Clinton Responds to Her Meme … With a Meme [The Atlantic] – Hillary Clinton responds to the Texts from Hillary Tumblr/meme by penning her own version and meeting with the two guys who started the Tumblr. Hilarity ensues, and Clinton’s online credibility goes up about 5000%. The pundits are impressed, too.
  • Selling You on Facebook [WSJ.com] – Useful article from the Wall Street Journal looking at how Facebook and Facebook apps utilise user’s data: “This appetite for personal data reflects a fundamental truth about Facebook and, by extension, the Internet economy as a whole: Facebook provides a free service that users pay for, in effect, by providing details about their lives, friendships, interests and activities. Facebook, in turn, uses that trove of information to attract advertisers, app makers and other business opportunities.”
  • Angry Birds animated TV series to premiere in Autumn 2012 [Technology | guardian.co.uk] – “Rovio Mobile is launching a series of 52 shortform animations for its Angry Birds in Autumn, but has ruled out a movie until after 2014. “We’re going to roll out a weekly animation series later this year of shortform content,” said Rovio’s head of animation Nick Dorra, speaking at the MIPTV conference in Cannes. The series will consist of 52 episodes lasting between two-and-a-half and three minutes each. “We’re going to roll it out on all possible devices,” said Dorra. “We’re looking at building a video app for that, and we’re also looking at partnerships and so on… We want to be on all screens.” Those partnerships include a deal with Samsung announced in January 2012 that involves an app for the company’s range of Smart TV internet-connected televisions.”
  • Twitter UK boss says social TV happens whether broadcasters like it or not [Technology | guardian.co.uk] – “Twitter’s UK general manager Tony Wang expects broadcasters to start using the microblogging service in more “artful” ways beyond showing hashtags and account handles on-air. “Broadcasters are not the ones to choose whether to have social TV. It happens whether they like it or not. But they have a choice about how to harness that social TV energy,” he told the MIPCube conference in Cannes. Wang cited stats showing that 80% of under-25s are using a second screen to communicate with friends while watching TV, while 72% of them are using Twitter, Facebook and other mobile apps to comment on the shows they watch. He added that Twitter sees three distinct strategies from broadcasters when it comes to social TV: some are doing nothing, others are doing something, and a few are doing “artful” things on-air. “It’s the past, present and future of social TV.””

Yahoo finally starting to ‘get’ Flickr with funky Android Weather app!

YahooWeather_LondonHot on the heels of their official Flickr app for Android, Yahoo have released a their unimaginatively titled Yahoo! Weather Android app, but behind the banal name are signs that Yahoo are finally starting to understand how the vast treasures of Flickr might integrate into a mobile media world. While this is a fairly simple idea – combining global weather data with matching photographs – it’s the sort of thing we’ve not seen from Yahoo in a long time. More to the point, the simple design actually houses a great weather app, and it’s free. Yahoo are probably paying  a license to use the Weather Channel data, but the real riches are the Flickr photos which are all provided by users for free. That said, I don’t think this is exploitation: each photo comes with credit to the photographer (well, their Flickr username) and a link back to the original photograph. For most Flickr users, the exposure far outweighs any thought of payment, especially in a free app.

Currently all photos are drawn from a specific purpose-driven Flickr group, so no one’s image will appear without them explicitly adding it to that group. However, there were just over 2500 photos when I looked this morning, so I guess a lot of the world isn’t covered yet. I’d suggest that in the next version, Yahoo make the most of those thousands and thousands of Creative Commons licensed images which folks have already explicitly given permission to re-use via their copyright license choice. Everything under a Creative Commons Attribution license, for example, would clearly be suitable for inclusion in the app. Given there are, literally, billions of Flickr photos, perhaps asking a whole lot of users to add specific photos to the Weather app group could broaden the potential photos rapidly.

It’s also noteworthy that Yahoo are focusing on Android apps right now. Rather than compete with the very entrenched iOS photo apps, Yahoo are courting Android users who’ve not really found their killer photo apps just yet.

Overall, though, it’s great to see Yahoo realising just how rich a resource Flickr can be for mobile apps. Flickr really is the jewel in Yahoo’s rusting crown, and if they can make it shine perhaps we’ll see the beginning of a fresh start for Yahoo, at least in terms of mobile development. This weather app just scratches the surface, but I suspect we’ll see tourism and other location-based apps quickly emerging, finally utilising the rich diversity of photos and metadata that constitutes the core of Flickr.

[Link to Yahoo! Weather in the Android Market]

Digital Culture Links: October 17th 2011

Links for October 5th 2011 through October 17th 2011 (catching up on a backlog of good links!):

  • New YouTube features for music artists [YouTube Blog] – YouTube gets even further on the disintermediation bandwagon (ie cutting out the middle people), letting bands and music partners offer merchandising, concert tickets and link to digital sales (including iTunes) from their music videos. It’s all about the integration!
  • Amazon Rewrites the Rules of Book Publishing [NYTimes.com] – “Amazon.com has taught readers that they do not need bookstores. Now it is encouraging writers to cast aside their publishers. Amazon will publish 122 books this fall in an array of genres, in both physical and e-book form. It is a striking acceleration of the retailer’s fledging publishing program that will place Amazon squarely in competition with the New York houses that are also its most prominent suppliers. It has set up a flagship line run by a publishing veteran, Laurence Kirshbaum, to bring out brand-name fiction and nonfiction. It signed its first deal with the self-help author Tim Ferriss. Last week it announced a memoir by the actress and director Penny Marshall, for which it paid $800,000, a person with direct knowledge of the deal said. Publishers say Amazon is aggressively wooing some of their top authors. And the company is gnawing away at the services that publishers, critics and agents used to provide.”
  • Buyers dodge court’s Samsung tablet ban [The Age] – Surprising no one: “Australians are making a mockery of a Federal Court injunction banning the sale of Samsung Galaxy Tab 10.1 tablets in Australia by ordering them from online stores. Meanwhile, in the US, Samsung’s own lawyers were left red-faced after being unable to differentiate between Samsung’s and Apple’s tablets in court. Samsung has been forbidden by Federal Court Justice Annabelle Bennett from selling or marketing the device in Australia until a full hearing in its patent infringement case with Apple, which isn’t expected to take place until next year. Justice Bennett said Apple had a prima facie case that Samsung infringed two of its patents. But online sellers on eBay, and web stores such as MobiCity.com.au, Expansys, Techrific and dMavo, are bypassing Samsung Australia and obtaining stock from other countries, such as Hong Kong.”
  • Google Announces Third Quarter 2011 Financial Results (GooglePlus = 40 million+) [Google Investor Relations] – In their third quarter financial resuts, Larry Page announces that Goole+ has passed 40 million users.
  • Lady Gaga bans Lady Goo Goo song [BBC News] – Given Lady Gaga’s rhetoric about respecting her fans ignoring (her) copyright and that this effort seems like parody to me, I’ll be interested to see how this is justified: “Lady Gaga has won an injunction at London’s High Court to stop animated character Lady Goo Goo from releasing a single, its makers have said. Lady Goo Goo, a baby with a long blonde fringe from the Moshi Monsters online game – owned by UK firm Mind Candy – released The Moshi Dance on YouTube. But Lady Gaga’s injunction has stopped its full release, Mind Candy said. Law firm Mishcon de Reya confirmed it had represented Lady Gaga but said it could not comment further.”
  • A fall sweep [Official Google Blog] – Google is killing off a number of poorly performing products. Google Buzz is the most notable closure. Hopefully Google learnt a lot from Buzz, especially about privacy.
  • Felicia Day turns to Hangouts to promote new show [NewTeeVee – Online Video News] – “Web series veteran Felicia Day will promote her new online show Dragon Age: Redemption with a unique twist on Google+ Hangouts: The actress will be experimenting with something she dubbed Hangout Housecalls this coming Tuesday. Day is promising to visit as many Hangouts of her fans within a three-hour window as possible. She announced the house calls on Google+, where she explained: I’ll answer questions about the show and we can even pose for a photo that you can screencap and post later! Cool? Cool. The Dragon Age: Redemption house calls will kick off with a post on Day’s Google+ profile on Tuesday at 10 a.m. PST that will ask viewers to post links to their Hangouts in the comments. Day will then click through those links, visiting one Hangout after another.”
  • The Guild turns product placement into merchandising gold [NewTeeVee – Online Video News] – Good wrap-up of the many, many different types of merchandise now available surrounding Felicia Day’s web series The Guild. Also interesting are both the careful deals – finding merchandise options which don’t threaten existing sponsorship from Microsoft and Sprint – but also how a lot of merchandise was strategically linked to Comic Conventions so that, eventually, they could be integrated into Season Five of The Guild which is largely set at a con. Day really is a canny business person and shows how far a recognisable web series can the deployed to make money across a wide range of products and tie-ins.
  • 200 million Creative Commons photos and counting! [Flickr Blog] – Flickr users have now explicitly licensed and shared over 200 million photos using Creative Commons licenses. This is a fantastic and valuable resource. However, given there are more than 5 billion photos on Flickr, surely there could be more under CC licenses if the world was really spread? After all, being able to specify your license is one of the key things that Facebook really can’t do right now/
  • Barcode Scanner for Zotero [Android App] – Android barcode scanning app for Zotero. If the barcode links to a book metadata, you can automatically add it to your Zotero library. “Scanner For Zotero brings Zotero’s magic wand tool out into the physical world. Scan the ISBN barcode on any book, and Scanner For Zotero will fetch that item’s bibliographic info from the web and allow you to add it to your Zotero library.That’s pretty cool.”
  • Facebook’s privacy lie: Aussie exposes ‘tracking’ as new patent uncovered [The Age] – “Facebook has been caught telling porkies by an Australian technologist whose revelations that the site tracks its 800 million users even when they are logged out have embroiled Facebook in a global public policy – and legal – nightmare. Facebook’s assurances that “we have no interest in tracking people” have been laid bare by a new Facebook patent, dated this month, that describes a method “for tracking information about the activities of users of a social networking system while on another domain”.”

Flickr Android App: It’s all about getting there before Instagram!

FlickrAndroidApp_2FlickrAndroidApp_1  FlickrAndroidApp_3

Barely rating a mention since it’s not a new tablet (hello Amazon), Flickr relatively quietly launched their official app for Android today. The app itself isn’t bad, pretty seamlessly uploading photos, with a set of basic filters, tagging and some rudimentary tools to engage with your Flickr connections (or ‘friends’ if we were speaking Facebook). However, as the few commentaries have noted, it’s very close to too little, too late. There are a lot of photography-based apps, ranging from Instagram, which is iOS-only for now but clearly the major player there, through to Android equivalents like PicPlz or the ubiquitous photo uploading with Facebook.

Now, don’t get me wrong, I’ve been a huge fan of Flickr for a long time. I’ve been posting my photos to Flickr since September 2004 — there’s more than 3000 on there now — with over half a million views collectively. I’ve also been a paid member “Flickr Pro” for most of that time, and while a few years ago $25/year seemed reasonable for unlimited uploads and the ability to share 90-second HD video, I can only imagine it’s a much tougher sell today (indeed, I suspect most Flickr Pro accounts are maintained by folks like me not wanting to lose their archive rather than any new sign-ups). All of that said, Flickr has summarily failed to embrace mobile devices and tablets. To some extent this has been countered by great APIs which have meant the vast majority of photography apps at least have the option to upload a copy to Flickr. However, it has also meant that Flickr isn’t the destination, it’s the cupboard. Whatever app people have been using, a secondary copy on Flickr means it’s there for the long haul, but the activity has been in the new app ecology, of which Instagram is the exemplar. And I suspect the main reason for the app’s launch now is to try and carve out a space on Android devices before Instagram arrives.

For an application with, lets be fair, a rubbish presence on the web, Instagram has done incredibly well focusing on building their core business: a great photo-sharing app that makes everyone feel like an artful photographer and, more importantly, builds a curational community who love to look at each other’s photos. Instagram is a light-weight app in many ways, but every single feature is the right one; the LIKE button is central, commenting is central, and tagging was lifted wholesale from Twitter and reinforces the seamlessness with which Instagram photos appear in social media streams. And they’ve done so well that within 12 month Instagram have clocked up 10 million users. But Instagram hasn’t arrived on Android yet and none of the various Android-based clones have stood out enough to reign supreme.

For the Flickr Android app, then, the question is how well it compares to Instagram. Now, with the basic filters, tagging, geo-tagging and photo uploading, they are on an even level. Flickr, however, needs to learn very quickly that interacting with photos in a Like Economy means that if you need to open a new menu to Like or Favourite a photo (which you currently do – it’s not on the same initial screen as the photos) then the odds of people liking and sharing pictures is greatly reduced. Flickr also need to radically re-vitalise the community nature of photo-sharing via their app. At the moment, interactions feel cold and forced, compared to the socialability and vibrance of sharing and commenting on Instagram. If Flickr can learn and push out a new version within a few weeks, perhaps they can become the shining light in the Yahoo crown they once were (it’s not like much else in the Yahoo world is getting much attention at the moment).

That said, Flickr does have the advantage of a robust and rich interface on the web. Indeed, I still cherish many of the fine-grain controls offered by Flickr on the web, such as the ability to explicitly chose Creative Commons licenses, and a rich set of tools for grouping and sharing photos in various ways. These tools aren’t widely replicated in apps, and I suspect its the richness of Flickr on the web which might be harnessed to encourage the app users, and build a bridge between the app and the web versions of Flickr. Only time will tell, but I can guarantee if Flickr aren’t monitoring feedback closely and already building a new version of the app, their one shot at establishing themselves in the app ecology will be lost.

Oh, today Flickr also launched “Photo Session” which basically looks like the Hangouts from Google Plus, but based around images, not videos. I can’t imagine Photo Session will find much of a crowd, but we’ll have to see.

You can download the Flickr Android App from the Android Marketplace.

FlickrApp_BeforeInstagram

Digital Culture Links: January 5th 2011

Links for January 5th 2011:

  • Billionaires take a turn at initiating ‘brand’ damage [SMH] – The Australian retail industry has jumped the shark. In an effort to ‘combat’ consumers getting better deals online, the retail giants have banded together to lobby the government to remove an exclusion that means purchases for overseas goods totally under $1000 don’t have the GST added. Customers, in turn, have pointed out very loudly that they shop online because of the terrible state of retail shops in Australia. Whoever thought up a PR campaign that basically tells consumers that the rich retail giants want consumers to be taxed more because they’re becoming too savvy and demanding better choice clearly failed Marketing 101!
  • How iTunes buyers are ripped off [Perth Now] – Australians are sick of the tyranny of digital distance: “Australian music fans are forging foreign iTunes accounts to make big savings on their purchases. The practice, which is a direct breach to iTunes terms and conditions, has exposed the inflated price that Australians pay to access songs off the popular music and entertainment site. By creating an American iTunes account through the use of a US credit card or gift card, users are saving up to 80c per song and $7 per album. The recently released Beatles box set collection can be bought with a saving of more than $A100. […] Numerous forums have surfaced on the net explaining the details of how to access the store which include creating a fake American billing address. Some have even used the address of the Apple corporation in the US to gain access.”
  • Facebook Users Uploaded A Record 750 Million Photos Over New Year’s [Tech Crunch] – “It doesn’t come as a huge surprise, but it’s still staggering to think about: over the New Year’s weekend, Facebook saw 750 million photo uploads from its users. That’s a lot of celebrating, and it sets a new Facebook record. The stat was just tweeted by Facebook marketing director Randi Zuckerberg (who is also founder Mark Zuckerberg’s sister). We’ve reached out to Facebook to ask what the last record was, but I’m guessing it was set over Halloween, which has historically been the biggest day for Facebook Photos. To give some context to that number, in July Facebook said that more than 100 million photos get uploaded every day (that average is higher now, obviously).”
  • Angry Birds launch for Sony’s Playstation 3 and PSP [BBC – Newsbeat] – Angry Birds makes the jump from mobile gaming to the consoles: “Sony has announced that Angry Birds is going to be released on its PlayStation 3 and PSP consoles. The game was originally developed for smart phones and proved a huge success with iPhone and Android users. Since being released in late 2009 it’s been downloaded nearly 40 million times. But with the Japanese entertainment giant now firmly on board developers Rovio have high hopes about bringing the game to a new audience. Released on January 5th it will be available to download for £2.49. “
  • What Could Have Been Entering the Public Domain on January 1, 2011? [Center for the Study of the Public Domain] – “Waiting for . . . Waiting for Godot and Lord of the Flies, The Doors of Perception, Rear Window, Seven Samurai, Creature from the Black Lagoon, the first issues of Sports Illustrated, Horton Hears a Who! . . . . Current US law extends copyright protections for 70 years from the date of the author’s death. (Corporate “works-for-hire” are copyrighted for 95 years.) But prior to the 1976 Copyright Act (which became effective in 1978), the maximum copyright term was 56 years (an initial term of 28 years, renewable for another 28 years). Under those laws, works published in 1954 would be passing into the public domain on January 1, 2011. What might you be able to read or print online, quote as much as you want, or translate, republish or make a play or a movie from? How about William Golding’s Lord of the Flies?”
  • You might do a job on yourself [The Age] – Recruiters and interview panels are increasingly examining web presences: “Thank twice before uploading another photo or status update if you are about to have a job interview – employers are watching you. In an age of oversharing online, with a third of the Australian population on Facebook, many recruiters and companies cannot resist the temptation to screen potential candidates via social media. US employers have taken screening one step further, asking some job candidates to log in to their Facebook pages during the interview. There is no sign of this happening in Australia, recruiters say. But employers were interested in looking beyond a person’s resumé, said Kate Kendall, who specialises in recruitment via social media. “Companies are more interested in a holistic view of who they are hiring,” she said. “You can’t really try to hide.””
  • Instagram Quickly Passes 1 Million Users [NYTimes.com] – “Instagram, a social photo-sharing company that opened its shutters to iPhone owners just two months ago, announced Tuesday that it passed a major milestone of 1 million registered users. The company began offering its simple photo service in mid-October that allows people to share images from a mobile phone and then add unique and fun filters. Since then, Instagram has quickly become the talk of the tech community as people have flocked to the service even with stiff competition from a number of well-financed competitors, including PicPlz, Flickr and Path.”

Digital Culture Links: October 12th 2010

Links for October 10th 2010 through October 12th 2010:

  • Simpsonic Business as Usual? [Antenna] – Jonathan Gray’s excellent piece discussing the tensions evident in Bansky’s Simpsons’ opening sequence: “… it leaves us with uncomfortable questions about Groening and co. How are they complicit, and are they simply making this a joke so that they and we can say, “Oh yes, that is bad, isn’t it? But we know about it, so it’s all okay. Let’s just get back to business as usual, shall we? Pass the Cheetos”? I was left with many conflicting responses here myself, on one hand thinking it was a brilliant statement, on the other hand feeling deeply uncomfortable that this is the show’s response to its labor practices – making an opening credit sequence rather than actually fucking doing something about them. Yet, the contestation of authorship in which the sequence engages leaves us wondering whether the American animators (who are largely responsible for the couch gags, by the way – these rarely involve the writers) can do anything about The Simpsons Factory.”
  • Traditional developers look to Facebook games for inspiration [WA Today] – The rise of casual gaming: “While casual games might seem like innocuous time wasters, the sort of drop-in, drop-out games played on Facebook, mobile phones and through web portals have seen revenue grow from $US300 million in 2005 to at least $US3 billion ($3.05 billion) today. The real-time farming simulation game, FarmVille, made for Facebook and smartphones by the developer Zynga, has more than 62 million active users, which is equivalent to about 10 per cent of Facebook users. […] While console-game developers charge a large upfront fee, casual-games revenue is derived through micro-transactions. “You may see 90 per cent or more of your audience never pay you a dime,” Kozik says. “They engage in the game absolutely free and can see if it is something that appeals to them or not. Then the 10 per cent or less who do pay more than justifies the continued expansion of the game.” Casual and social games are less expensive to develop than console games.”
  • Apple Awarded Trademark for “There’s an App for That” [Mashable] – There’s a trademark for that: “Apple has filed a trademark application for the company’s now ubiquitous catchphrase, “There’s an app for that.” Apple filed for the trademark back in December 2009, citing first commercial use of the phrase on January 26, 2009, per trademark documentation. The trademark was filed in the Advertising, Business and Retail Services, Computer and Software Services and Scientific Services categories. The trademark applies to “retail store services featuring computer software provided via the Internet (Internet) and other computer and electronic communication networks; retail store services featuring computer software for use on handheld mobile digital electronic devices and other consumer electronics.””
  • The Search – Is Your Web Identity Hurting Your Employment Chances? [NYTimes.com] – Web presences as (un)intended CVs: “You looked wonderful on your résumé. Your references raved about you. The interview went swimmingly. Yet you didn’t get the job. Oh, no: did they see that Facebook photo of you dancing on a table? Or find out that you’re six months behind on your mortgage payment? You may never know why you weren’t hired, but be aware that background checks can make or break a job application. And in a data-rich world, the person with the fewest red flags may get the job. Little hard research has been done on how hiring managers use the Internet to vet applicants. But you should assume that they are at least looking you up on search engines. So it’s wise to review the results of a quick search of your name. It is very hard to remove anything questionable about yourself from a search engine, but you can at least push it lower by adding positive entries, said Barbara Safani, owner of Career Solvers, a career management business in New York. “
  • Short Attention Spans for Web Videos [NYTimes.com] – I suspect the quality of the content matters, too! “After watching an online video for a full minute, 44.1 percent of viewers will have clicked away, according to Visible Measures. But an outsize slice of that loss occurs in the first 10 seconds, during which 19.4 percent of a video’s audience defects. This phenomenon, known as “viewer abandonment,” is of intense interest to those who make online videos or advertise alongside them. Visible Measures studied the abandonment rate of 40 million videos over seven billion viewings. Music videos had especially high rates of abandonment, as did videos slow to reach a punchline — for example, a Budweiser ad about a man humiliated while buying pornography, which loses nearly 40 percent of viewers in the first 10 seconds. “It took a shocking 12 seconds to get to the conceit,” said Matt Cutler, the head of research at Visible Measures.”
  • Keeping Our Distance, the Facebook Way [NYTimes.com] – It’s all about the weak ties: “Facebook is the best distancing tool since the creation of the Christmas card. Sending holiday greeting cards began in the 1850s in England and spread quickly as a way to stay in touch with far-flung friends and relatives. The cards, whether religious or not in theme, went to people you rarely wrote to and even more rarely spoke to, but for whom you still had a measure of affection — or curiosity. You wanted to know what was going on in their lives, and one exchange a year did the trick. The cards kept the people in your social network at a distance, while maintaining ties to them. I recall my parents sending and receiving Christmas cards. I did it for a year after I married, but I stopped because it was just too much work. Facebook, which tries to replicate our real-world relationships online, now helps me maintain those connections. But it does cards one better. It preserves the weak ties in my social network without creating obligations.”
  • 10 Unbelievable Twitter Stories [Oddee.com] – A bit silly, but some useful extreme stories of what Twitter communication is very good for (and very bad for).
  • Bathurst delay angers viewers [The Age] – Interesting idea; I don’t think a social media blackout would work, but there are definitely issues to sort out: “A social media blackout is needed when watching so-called live sport. The poor TV networks just can’t win when it comes to sport. They regularly get canned for cutting away from the action to screen ads. But Sunday’s Bathurst 1000 race was so tight that Seven claims it didn’t want to risk missing too much of the action. Instead, the network started pausing the coverage to drop in ad breaks. As a result, the broadcast was almost half an hour behind the race by the time the cars crossed the finish line. […] Rather than treat viewers like idiots, perhaps the networks should start treating them like a precious commodity that will dry up if not handled with care. This means being honest when live sport isn’t really live.”

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