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iCloud: Winners & Losers

Apple_iCloud

Today Apple made some big announcements about their desktop operating system OS X Lion and their mobile iOS 5, and most importantly the service which will more intimately bind these two: iCloud. Globally, news services will continue their iFetish and splash reports everywhere, so I’ll leave you to catch the full details elsewhere. However, the iCloud is interesting for all sorts of reasons, not least of all because Apple, Google and Amazon are all dancing around the same territory, so I thought I’d take a minute and consider who (apart from Apple, of course) are the obvious winners and losers in the wake of the iCloud announcements.

The Big Winners:

  • The Big Music Companies. Here’s Apple’s description of iMatch service, part of the iCloud:

    iTunes determines which songs in your collection are available in the iTunes Store. Any music with a match is automatically added to your iCloud library for you to listen to anytime, on any device. Since there are more than 18 million songs in the iTunes Store, most of your music is probably already in iCloud. All you have to upload is what iTunes can’t match. Which is much faster than starting from scratch. And all the music iTunes matches plays back at 256-Kbps iTunes Plus quality — even if your original copy was of lower quality.

    Those songs that iTunes can’t match may very well be unauthorised downloads, but once you’ve paid $25 to use iTunes in the cloud, you’ve got access to it on any Apple device. And where is that money going? Estimates suggest the bulk is going to the music labels, with Apple keeping their customary 30% (which might just pay for the service, but this item by itself is probably going to be making a loss, especially for people who have huge music libraries).  As Mashable note, Apple Has Just Monetized Pirated Content. The music labels are once again getting paid for ‘pirated’ music – a big win for them!

  • Twitter: iOS 5 integrates Twitter into almost everything, making Apple the Twitter OS of choice (and implicitly waving goodbye to Apple’s failed music social network, Ping). As the official Twitter blog celebrates: “Building Twitter into iOS 5 truly creates the easiest way to share everything that’s happening in your world. Take a picture, tap “Tweet”. Tweeting has never been simpler.”
  • And, of course, “The Cloud”: while the cloud and cloud computing are nebulous terms, Sony’s recent PlayStation Network hacks have really dampened the reputation of web-based storage and services, especially in terms of security. Now that Apple have stuck and ‘i’ in front of the cloud, Steve Jobs’ “it just works” magic will no doubt ensure the cloud stays cool and secure (even their brushed metal iCloud logo emphasises strength and security).

The Big Losers:

  • PC manufacturers and Microsoft: iOS 5, and the cloud-based services, will all be available on Apple devices (iPhones, iPads ,touchscreen iPods) without needing to connect to a PC. These devices can now be activated on their own terms, working using cloud services, and for many people may do away with the need for a PC altogether. A big plus for Apple hardware sales, but a really clear slap in the face to standard PC manufacturers. I wonder, though, if this will force PC makers to form more robust alliances with Google (or maybe Amazon) to keep a competitive edge? Perhaps PC manufacturers will suddenly be falling over themselves to create Chromebooks. None of this will help Microsoft, because these conversations don’t involve anyone needing to run Windows anymore!
  • Amazon/Google: Apple is almost certainly running iMatch and the iTunes in the cloud services  as a loss-leader (ie making little or no profit), using these services to drive hardware sales. Google and Amazon have both been trying to carve out the same cloud-based music sharing (and other services) but don’t have the core hardware sales business to offset the cost of keeping the music labels on side.  It’s hard to see how they’ll compete without having to at least match Apple’s costs and security imperatives.
  • Point’n’click camera manufacturers: a smaller change in iOS 5, but a big one of you rely on your iPhone for photography, is that you can go straight to the iPhone camera from the locked phone in one click. This makes photography a lot easier, and avoids the clicks through the navigation screens. This does seems a small change, but for many folks the only reason to carry a point’n’click camera and an iPhone was that the camera could get to the point of actually taking a shot faster – it really doesn’t look like that’ll be the case soon.

One to watch: I’m really curious how Apple’s End User License Agreements will shape the iCloud. If users are really going to rely on Apple to make mp3s available via the cloud, regardless of whether there is any evidence of a legal purchase or otherwise, Apple will own an vast and important database of what people actually possess. While the big music labels are implicitly supporting the iCloud and iMatch service for now, what happens if the relationship sours? How will Apple react to lawsuits demanding individually identifiable information, especially, say, for music which is leaked or not legally available in one country or another? Even the date of access would be enough to show unauthorized file-sharing  in action and do we really trust Apple to be a custodian of that information? (For those interested in this issue, you should really read Jonathan Zittrain’s The Future of the Internet and How to Stop It.)

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Digital Culture Links: May 25th 2011

Links for May 14th 2011 through May 25th 2011:

  • Lady Gaga Fans Swamp Amazon for a Cut-Rate Copy of a New Album [NYTimes.com] – “Lady Gaga has made herself a paragon of pop ambition and a spokeswoman for equal rights, but on Monday she became an unwitting symbol for something else: the pitfalls of cloud computing. “Born This Way” (Interscope), her new album, arrived with a blitz of marketing, and Amazon surprised the singer’s fans by offering a one-day sale of the MP3 version of the album for 99 cents, a full $11 less than its price at iTunes, the Web’s dominant music retailer. The discount was widely seen as a way for Amazon to promote its new Cloud Drive service, which allows users to store music files on remote servers and stream them over the Internet to their computer or smartphone. But Amazon may have underestimated the zeal (or thrift) of Lady Gaga’s fans. By early afternoon the company’s servers stalled, and many users were unable to download or listen to the album in full. Frustrated customers quickly took to Twitter and to Amazon’s user review page for “Born This Way.” “
  • Lady Gaga’s $0.99 Album Download Overwhelms Amazon [Mashable] – “Lady Gaga fans were delighted Monday to learn that they could download her new album, Born This Way, from Amazon for a mere $0.99 — until, of course, technical difficulties set in. Downloads of the album are delayed, leaving folks unable to get the entire album immediately upon purchase. Amazon issued the following statement: “Amazon is experiencing high volume and downloads are delayed. If customers order today, they will get the full Lady Gaga, Born This Way album for $0.99. Thanks for your patience.” However, the damage has already been done, as users are meting out one-star ratings in droves, most of which deal with Amazon’s slow service as opposed to the quality of the music …”
  • How to Use Your Android as a Photo Tool + Top 10 Apps | Photojojo – Good list of current, useful Android photo apps. Still no Instagram, but getting close.
  • Zuckerberg: Kids under 13 should be allowed on Facebook [Fortune Tech] – Mark Zuckerberg wants under-13s to be legally able to join Facebook due to the educational value of social networking. There are much better spaces online and offline, to learn these lessons! “Zuckerberg said he wants younger kids to be allowed on social networking sites like Facebook. Currently, the Children’s Online Privacy Protection Act (COPPA) mandates that websites that collect information about users (like Facebook does) aren’t allowed to sign on anyone under the age of 13. But Zuckerberg is determined to change this. “That will be a fight we take on at some point,” he said. “My philosophy is that for education you need to start at a really, really young age.” But just how would Facebook’s social features be used by younger children? “Because of the restrictions we haven’t even begun this learning process,” Zuckerberg said. “If they’re lifted then we’d start to learn what works. We’d take a lot of precautions to make sure that they [younger kids] are safe.””
  • Angry Birds: 200m downloads are the tip of the mobile gaming iceberg [guardian.co.uk] – “The Angry Birds phenomenon shows no sign of slowing up. Developer Rovio Mobile says that the franchise has now generated more than 200m downloads across all platforms, with its latest incarnation Angry Birds Rio racking up 35m since its launch in March. Depending which report you read, Rovio is now making preparations for an IPO sometime in the next two to three years, or planning to launch location-based services around the Angry Birds brand. The company’s executives also have a fairly transparent strategy of talking Rovio up as a potential Disney. Angry Birds is now a cross-platform success, with a big share of its last 100m downloads coming from Android devices …”
  • How Viral PDFs Of A Naughty Bedtime Book Exploded The Old Publishing Model [Fast Company] – Did the massive online distribution of a ‘pirated’ PDF lead to satirical kids book for adults _Go The Fuck To Sleep_ hitting the #1 spot on Amazon’s book sales list even before the official publication date? Looks like it.
  • NCIS, Idol Top TVGuide.com’s List of the Most Social Shows [TVGuide.com] – A TVGuide.com (of 1586 people) reports significant use of social media to discuss TV shows both before, during and after, although conversations during shows being the least active of these three periods. Twitter users are more likely to talk about the shows they are watching (50% of the time) than Facebook users (35% of the time). More results and graphs at the TVGuide website.(This survey was conducted in April 2011 on TVGuide.com, with 1,586 respondents. )
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Digital Culture Links: May 12th 2011

Links for April 29th 2011 through May 12th 2011:

  • Millions of Facebook users under 10 [The Age] – “Some 7.5 million of the 20 million US minors who used Facebook in the past year were younger than 13, and a million of them were bullied, harassed or threatened on the site, an American study shows. More than 5 million Facebook users were aged 10 or younger, and they were allowed to use Facebook largely without parental supervision, the State of the Net survey by Consumer Reports found.”
  • chrome-angry-birds [Nelson’s Weblog] – Angry Birds comes in HTML5, too! “One of Google’s big announcements this week was the launch of Chrome Angry Birds, a port of the hugely popular mobile game to Google’s browser. But calling it “Chrome Angry Birds” is missing the point because what’s really interesting is that it’s a real-time multimedia cross-platform HTML 5 app. It runs fine in MSIE 9 and Firefox on Windows (sound and save games included) and I’ve heard reports it works in Safari on Macs, too. And because the game is based on open browser technologies, we can easily pull it apart and see how it’s built just like we’ve been pulling apart web pages since 1993 via the magic of “view source”. [Play.]
  • Chromebook – Google partners to release Chromebooks, cloud-centric computers which boot amazingly fast are are designed to operate with everything in and from the cloud. Built upon the Chrome ‘browser’ (or OS) technology.
  • Introducing Music Beta by Google [YouTube] – Google introduces “Music Beta”, their entry into the cloud music services, allowing individuals to upload their music collection, then use Google or Android to stream that music to portable and fixed devices. (Currently invitation-only and US-only.)
  • Zynga goes Gaga! Lady Gaga and Zynga team up to celebrate new album “Born This Way” [Zynga] – Well, Zynga and Gaga get points for an original combination of media elements, at least: “Lady Gaga and Zynga today announced a partnership to launch the mega-artist’s new album “Born this Way.” Launching May 17, the first-of-its-kind program gives “little monsters” throughout the world a first listen to exclusive un-released songs from the upcoming when they visit GagaVille, a uniquely designed neighboring farm in FarmVille (There will be unicorns and crystals. Enough said.). The full album also comes bundled as a free download with the purchase of a special Zynga $25 game card, available exclusively at Best Buy. The program reaches across Zynga games and across platforms. Words With Friends, the popular mobile social game available iPhone, iPad, as well as Android devices, will feature a daily “Words with Gaga” contest …”
  • Google Launches Movie Rentals on Android Market: Online Video News [GigaOm] – Android rentals: “Google announced a new cloud movie service for Android that will be available as part of the Android Market. At its Google I/O developers conference Tuesday, the company said the service will have “thousands of movies available,” with titles including Inception, The King’s Speech and Despicable Me, and rentals starting at $1.99. Users will be able to rent titles on the Android Market’s website and then watch them on the web, stream them to Android devices and even download them to play on the go where no network connectivity is available.”
  • Watching Together: Twitter and TV [Twitter Blog] – “Last week, Twitter enjoyed its widest television integration to date via the live coverage of the royal wedding, as Chloe Sladden from our media team discusses on the Twitter Media blog. During the wedding, users interacted with ABC News’ coverage by using the hashtags #RoyalSuccess and #RoyalMess to voice their opinion about the events unfolding in London. They shared their thoughts with CNN by including the hashtag #CNNTV in their Tweets, causing #CNNTV to trend early in the event. And as audiences around the world watched the events live on TV, they posted millions of Tweets, peaking at 16,000 Tweets per minute between 5 and 6 a.m. EST. The royal wedding is just one example of how real-time Twitter integration can enhance TV coverage and help drive viewership …” [ Related YouTube clip: http://youtu.be/Jc8TQppzORE ]
  • Obi Wan Obama, Bin Laden’s Death, and Tumblr [Unmuzzled Thoughts] – Kelli Marshall looks at the memes and reactions emerging on Tumblr after US president Barack Obama announced that long saught terrorist leader Osama Bin Laden had been killed by US forces in Pakistan. (The post includes a useful archive of images.)
  • Corporate Rule of Cyberspace – Slavoj Žižek [ Inside Higher Ed] – Slavoj Žižek Vs Cloud Computing: “To put it simply, Steve Jobs is no better than Bill Gates: whether it be Apple or Microsoft, global access is increasingly grounded in the virtually monopolistic privatization of the cloud which provides this access. The more an individual user is given access to universal public space, the more that space is privatized. Apologists present cloud computing as the next logical step in the “natural evolution” of the Internet, and while in an abstract-technological way this is true, there is nothing “natural” in the progressive privatization of global cyberspace. There is nothing “natural” in the fact that two or three companies in a quasi-monopolistic position can not only set prices at will but also filter the software they provide to give its “universality” a particular twist depending on commercial and ideological interests.”
  • South Korea bans youngsters from playing online games after midnight [News.com.au] – “Young South Koreans will be banned from playing online video games later than midnight after lawmakers passed a new curfew law. Yonhap news agency reported the new law – which bans anyone under 16 from playing online into the early hours – was passed by lawmakers worried about growing levels of addiction to gaming among youngsters. Gaming companies fiercely contested the legislation but the Youth Protection bill passed late Friday.”
  • Superman threatens to renounce US citizenship [Books | guardian.co.uk] – “After years of declaring he stood for “truth, justice and the American way,” Superman has provoked the ire of rightwingers by threatening to renounce his US citizenship. In the latest issue of Action Comics, which went on sale on Wednesday, the Man of Steel decides to take the step after he intervenes in a protest against the Iranian government. After the Islamic regime brands his non-violent protest as an act of war taken on behalf of the US president, the DC comic hero says he will renounce his citizenship before the United Nations. “I’m tired of having my actions construed as instruments of US policy,” he says. Although Superman never actually renounces his citizenship in the story, conservative commentators reacted with disgust.”
  • Instagram Spawns a Photo Ecosystem [NYTimes.com] – “Instagram, the social-meets-photos app for the iPhone that transforms plain cellphone pictures into vintage-looking works of art, has attracted millions of users. In recent months, it has also begun to draw entrepreneurs who are eager to capitalize on its growing popularity. In particular, people are creating services that revolve around bringing Instagram photos, typically viewed on a phone screen, into the real world. Keepsy lets people quickly build a photobook of their favorite Instagram pictures and share it on Facebook and Twitter. They can then print a hard copy of the photobook for about $30. There is also Postagram, which lets its users mail a postcard created from an Instagram photo to a recipient of their choice for 99 cents. And Hatchcraft will frame favorite Instagram pictures in hand-carved bamboo shadow boxes that can be hung on a wall.”
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Digital Culture Links: April 12th 2011

Links for April 5th 2011 through April 12th 2011:

  • Logies 2011: Twitter Banned [The Age] – “When Australian television’s biggest stars walk the Logies red carpet on May 1, there will be one notable absence. This year, Twitter is not invited to the party. Having snaffled back-to-back awards for Most Attention-Seeking Performance in 2009 and 2010, Twitter has been effectively blackballed by organisers of this year’s awards. Invitations to the ceremony at Crown carry, in very small print, the words: ”Please note, mobiles will not be permitted. Your co-operation is appreciated.”” Unsurprisingly, tweeting celebs and followers alike are unimpressed.
  • Google ‘to boost spend on original YouTube content’ [Technology | guardian.co.uk] – Broadcast YourTV just doesn’t have the same ring to it: “Google is strengthening its relationship with Hollywood and online programme-makers in an attempt to reposition YouTube for the rise of internet-connected TV. The world’s most popular video website will invest tens of millions of dollars in professionally-produced original programming as more viewers watch YouTube from their living room. Google is also reported to be planning a “major overhaul” of YouTube this year, with the introduction of channels for topics such as arts and sports. About 20 of these channels would feature several hours of professional programming a week, according to the Wall Street Journal. The move would represent a big shift away from the user-generated video that made YouTube the third most-popular site on the planet.”
  • ‘School asked us to airbrush class photo,’ company says [The Age] – “A photographic company that digitally altered the school portraits of six Melbourne students says the girls’ college at the centre of the controversy specifically requested for the images to be airbrushed. Parents were outraged yesterday when their daughters returned home from Our Lady of Sion College in Box Hill with school photographs that had been touched up to change hairstyles, hide ears and eliminate earrings. Several students’ had their ponytails removed, while one parent, Mary, said her 16-year-old daughter had hair drawn across her ears and ended up sporting a ridiculous ‘‘bouffant’’. ‘‘It didn’t even look like her in the end, it just didn’t look like her at all,’’ said Mary, who did not want to reveal her name to protect the identity of her daughter. ‘‘My daughter said to me, ‘What was wrong with me mum? Why did they need to do that?’ It’s just sending the wrong message to the girls. Their self-esteem isn’t the best at that age.’’”
  • Amazon’s new Cloud Drive rains on everyone’s parade [Technology | The Observer] – A solid piece which explains why Google, Apple and the music companies are probably feeling a little threatened by Amazon’s new Cloud Drive and, more importantly, the CloudPlayer which makes Amazon purchased music or any other music you own accessible on smartphones and other mobile media devices as streaming media.
  • ‘Angry Birds Rio’ a Big Hit: 10 Million Downloads in 10 Days – “Angry Birds fans can’t get enough of the bird-hurling application and game franchise from mobile developer Rovio. Angry Birds Rio, the latest iOS and Android edition of the game, features a theme based on the upcoming FOX animated motion picture Rio. The app saw ten million downloads in its first ten days after release. The milestone metric spans all free and paid versions available in the App Store, Android Marketplace and Amazon Appstore. The stat was first announced on Rovio’s Twitter account.”
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Digital Culture Links: April 2nd 2011

Links for April 3rd 2011:

  • Google +1 Button – +1 = Google’s answer to Facebook’s “Like” button, bringing social recommendations thundering into Google (opt-in for now).
  • GoDaddy CEO Shoots Elephant, Injures Brand [Mashable] – “GoDaddy CEO Bob Parsons may have achieved a new social media equivalent of jumping the shark. Call it “shooting the elephant.” A video of Parsons shooting an elephant in Zimbabwe made the rounds Thursday, causing the domain registry company to become a Google Hot Topic and the subject of criticism. Leading the charge is PETA, the animal rights group, which has closed its account with GoDaddy and is asking others to follow suit. Parsons, a Vietnam vet known for his brash image, brought on the publicity by posting the video on his blog. The video shows the damage elephants caused by trampling a farmer’s sorghum field. Parsons and his fellow hunters are shown waiting at night for the elephants to return. Then Parsons shoots and kills one of the elephants. […] . Anticipating a backlash, GoDaddy competitor NameCheap.com has already swooped in. The company is running a transfer from GoDaddy to Namecheap.com […] domains for $4.99 with 20% of the proceeds going to SaveTheElephants”
  • Facebook ban for boy accused of eliciting webcam porn [WA Today] – “A teenage boy has been barred from social networking sites while he awaits court proceedings for which he has been accused of pressuring girls into performing sexual acts in front of a webcam and posting the videos on Facebook. The 16-year-old boy, who cannot be identified for legal reasons, was charged with encouraging a child aged 13 to 16 to commit an indecent act, procuring a child aged 13 to 16 to commit an indecent act, producing child exploitation material and distributing child exploitation material. […] Today the boy briefly fronted the Perth Children’s Court with both his parents, but was not required to enter a plea as he had not yet sought legal advice. He was remanded on bail to appear again in April. The state prosecutor successfully sought to have his bail conditions tightened, which already banned his use of Facebook and other social media, to include a ban preventing him from any form of contact with either girl.”
  • Pediatrics Gets it Wrong about ‘Facebook Depression’ [World of Psychology] – “You know it’s not good when one of the most prestigious pediatric journals, Pediatrics, can’t differentiate between correlation and causation. And yet this is exactly what the authors of a “clinical report” did in reporting on the impact of social media on children and teens. Especially in their discussion of “Facebook depression,” a term that the authors simply made up to describe the phenomenon observed when depressed people use social media. Shoddy research? You bet. That’s why Pediatrics calls it a “clinical report” — because it’s at the level of a bad blog post written by people with a clear agenda. […] The problem now is that news outlets suggesting not only that it exists, but that researchers have found the online world somehow “triggers” depression in teens. Pediatrics and the American Academy of Pediatrics should be ashamed of this shoddy clinical report, and retract the entire section about “Facebook depression.”
  • A new book, more or less accidental [Observations on film art] – As David Bordwell and Kristin Thompson’s new book Minding Movies: Observations on the Art, Craft, and Business of Film is published, collecting a number fo essays and observations from their blog, the pair reflect on blogging and publishing, the relationship between the two and beyond. For scholars who blog (or might blog) these thoughts are well worth reading. I truly hope their book sells well and moves from ‘experiment’ to ‘successful experiment’ with blog-based publication.
  • Amazon Cloud Player goes live, streams music on your computer and Android [Engadget] – Amazon’s new cloud-based music and storage service, just released for users in the US only (for now): “Look who just ate Apple’s and Google’s lunch here? Amazon has just pushed out its very own music streaming service, which is conveniently dubbed the Amazon Cloud Player. Existing customers in the US can now upload their MP3 purchases to their 5GB cloud space — upgradable to a one-year 20GB plan for free upon purchasing an MP3 album, with additional plans starting at $20 a year — and then start streaming on their computers or Android devices. Oh, and did we mention that this service is free of charge as well? Meanwhile, someone will have some catching up to do, but we have a feeling it won’t take them too long.” [Amazon Mp3 CloudDrive]
  • The impact of social media use on children, adolescents and families – Kathleen Clarke-Pearson, Gwenn Schurgin O’Keeffe, American Academy of Pediatrics [Australian Policy Online] – “Using social media Web sites is among the most common activity of today’s children and adolescents. Any Web site that allows social interaction is considered a social media site, including social networking sites such as Facebook, MySpace, and Twitter; gaming sites and virtual worlds such as Club Penguin, Second Life, and the Sims; video sites such as YouTube; and blogs. Such sites offer today’s youth a portal for entertainment and communication and have grown exponentially in recent years. For this reason, it is important that parents become aware of the nature of social media sites, given that not all of them are healthy environments for children and adolescents. Pediatricians are in a unique position to help families understand these sites and to encourage healthy use and urge parents to monitor for potential problems with cyberbullying, “Facebook depression,” sexting, and exposure to inappropriate content.” [PDF]
  • Australians buy 1 million mobile phones monthly: IDC [The Australian] – AUSTRALIANS’ love affair with mobile phones shows no sign of abating with more than 1 million units purchased each month last year. This means just over 34,000 mobile phones were sold every day in 2010. In coming months Google Android will unseat Nokia’s Symbian as the leading smartphone platform in Australia, IDC predicts. However, despite intense pressure from rivals, Nokia retained its number-one position in overall mobile phone sector after aggressively slashing prices to woo customers. […] According to statistics from IDC Australia, 12.74 million mobiles were sold last year, a sharp increase from 10.99 million in 2009. The research house combines mobile phone sales from two categories: smartphones and feature phones. According to IDC, smartphones — unlike feature phones — run on a standalone operating system such as Apple iOS, Google Android, BlackBerry OS and Windows Phone. Smartphones accounted for around 57 per cent of mobile phones sold last year …”
  • Rebecca Black’s First-Week Sales: Not Bad, But Not In The Millions … [Billboard.biz] – “…Rebecca Black is not netting hundreds of thousands of dollars from the more than 33 million YouTube views of her uber-viral video “Friday” or its digital sales. However, she’s not doing badly. The 13-year-old is netting roughly $24,900 per week from track sales of her surprise hit song, according to my calculations. It’s the start of a great college fund, but she’s not making the kind of money from iTunes sales that some writers have estimated. Forbes.com erroneously reported her digital iTunes sales at 2 million, a figure that was picked up by other publications (Forbes has since posted a correction). So how many tracks is she selling? I’d estimate less than 40,000 in the U.S. last week and probably more this week. […] Black appears to own the copyright to her sound recordings — the label is listed as “2011 Rebecca Black” on iTunes and Amazon MP3 lists “2011 Rebecca Black” in the “copyright” field of the song page.” (I’m impressed she kept the copyright! )
  • High-Tech Flirting Turns Explicit, Altering Young Lives [NYTimes.com] – A cautionary tale from the New York Times about teens, ‘sexting’ and the long-term impact of digital reputation.
  • The Curious Case of Benjamin Sniddlegrass and the Cauldron of Penguins Tama Leaver / Curtin University [Flow 13.10, March 2011] – Short article about the Australian-made Benjamin Sniddlegrass and the Cauldron of Penguins which began life as a throw-away one line comment in a film review on a radio show and a year later was a fan-made feature film complete with digital download a niche cinema screenings. Convergence, digitisation and all that.
  • Lady Gaga first to have nine million Twitter followers [BBC – Newsbeat] – Twitter goes GaGa for GaGa: “Lady Gaga is the first person to have nine million followers on Twitter. The American singer, 24, became the most popular person on the social networking site last August overtaking Britney Spears when they both had just over 5.7 million followers. She joined Twitter in 2008 with her first Tweet saying she was rehearsing for the Just Dance video. Justin Bieber is the second most popular celebrity on the site, with just over 8.3 million followers.”
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Creepy: Educational Tool or Privacy Nightmare?

Like Please Rob Me and I Can Stalk U before it, Creepy is an application which lives up to its name.  It’s a recently-released basic desktop application (Windows or Linux) which scrapes Twitter and a bunch of image sharing services, including Flickr, TwitPic and yFrog, and builds a diary and map of someone’s movements and the times these were logged. Now, Creepy only accesses data which is public, data which is shared online but, like Please Rob Me or I Can Stalk U, it presents this data is a way which isn’t conventionally available.  More to the point, when confronted with a map of your day-to-day activity, plotted on the basis of social media activity, it can be quite confronting.  The tool is described thus on the website:

creepy is an application that allows you to gather geolocation related information about users from social networking platforms and image hosting services. The information is presented in a map inside the application where all the retrieved data is shown accompanied with relevant information (i.e. what was posted from that specific location) to provide context to the presentation.

Additionally, the FAQ adds this detail and rationale:

1) Dude, this app is disturbing , what were you thinking ?

Well, I don’t think that the fact that your geolocation information can be gathered and aggregated is disturbing. The fact that you were publishing it in the first place , is , on the other hand. Just to be clear, the intention behind creating creepy was not to help stalkers or promote/endorse stalking. It was to show exactly how easy it is to aggregate geolocation information and make you think twice next time you opt-in for geolocation features in twitter, or hitting “allow” in the “this application wants to use your current location” dialog on your iphone.

So Creepy does explicitly claim to be an educational tool in the ‘here, look what you’ve already done, now change your habits’ kind of way. Running Creepy just based on my own Twitter information produced a rudimentary map of my logged activity in Perth (clearly Creepy is following data from FourSquare and Flickr images which I posted with my Twitter account):

Creepy_Perth

However, when I zoom in a long way, for example onto my workplace, there’s certainly a quite explicit level of geographic information:

creepy_Curtin

Now, I’m well aware of the data trail my Twitter, FourSquare and Flickr photos generate and acknowledge that if someone wanted to they could aggregate that information and build a reasonable picture of my activity.  The point, though, is that many people aren’t that aware of the data trails they are leaving and that’s what Creepy purports to fix: it’s a very visible, confronting and explicit visualized map of the data trail you’re leaving. It’s not a technical privacy violation, but it might feel like an invasion of sorts.  If it does feel that way, perhaps it’s time to think a little more about how, when and where you share information about yourself on social media and what data is actually embedded in your photos.

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Digital Culture Links: March 25th 2011

Links for March 21st 2011 through March 25th 2011:

  • Record Industry: Limewire Could Owe $75 Trillion – Judge: “Absurd” [Crunch Gear] – “… this is beyond ridiculous. This is… sublime. The record companies suing Limewire were asked to estimate the damages that should be paid by the file-sharing service. Their estimate? $400 Billion on the low end, and at the high end — $75 trillion dollars. That’s more than the GDP of the entire world. The judge, in a refreshing stroke of good sense, deemed these potential damages “absurd” and the plaintiff’s approach “untenable”. The $75tn figure relies on an interpretation of copyright law that provides statutory damages for each instance of copying, and with the numbers of downloads and individual songs the industry is alleging, the money adds up quickly. Even the $400bn figure is certainly grossly inflated, however “conservative” it may appear to Virgin, Atlantic, Sony, and so on. It was decided that an interpretation of copyright law enabling the music industry to sue for more money than they’ve made in the history of recorded music was necessarily wrong…”
  • Troll jailed for posting child porn on tribute pages for dead children [News.com.au] – A MAN charged over Facebook vandalism for plastering child pornography over sites set up to pay tribute to two slain schoolchildren has been jailed. The Brisbane District Court was told Bradley Paul Hampson, 29, posted offensive messages and photographs on Facebook “RIP tribute” pages for a 12-year-old boy stabbed at a Brisbane school and a nine-year-old Bundaberg girl abducted and murdered in February last year. Hampson, of Tarragindi, on Brisbane’s southside, today pleaded guilty to two counts using a carriage service, the internet, to cause offence and one each of distributing and possessing child exploitation material between February 14 and June 4 last year. […] Judge Kerry O’Brien jailed Hamspon for three years, but ordered he be released after serving 12 months. Judge O’Brien ordered Hampson be placed on a two-year probation order upon his release from jail.”
  • Tweeting with the telly on [BBC News] – Twitter TV – it can be more than just #qanda! “The days of families reverentially gathered around the box may be long gone but the doom-mongers who said that on-demand would kill linear TV completely may also be somewhat off the mark. A new generation of viewers is watching what has been dubbed social TV – a synthesis between TV and social networking. A recent study from marketing agency Digital Clarity found that 80% of under-25s used a second screen to communicate with friends while watching TV and 72% used Twitter, Facebook or a mobile app to comment on shows. Currently it is little more sophisticated than watching TV with one eye on Twitter or Facebook, but that is beginning to change as TV executives start to experiment with greater social networking integration. In New Zealand, TVNZ has just launched a new youth channel which sees Facebook heavily integrated to create an interactive entertainment and music show.”
  • Amazon Appstore: what does it mean for developers? [guardian.co.uk] – Amazon launch their new Android App store. Testimony to the choice available on an open system. However, launching it US-only seems ridiculous. Rovio’s ‘Angry Birds Rio’ is free for the first day of Amazon’s App Store, but no one in the US can ‘buy’ it (ie download it) at all. Not a terribly auspicious start. (Oh, and Apple are going to sue them for use of ‘App’ in the name of their App Store.)
  • Piracy: are we being conned? [The Age] – A thoroughly research article which rebukes some of the ridiculous claims in several recent industry-backed “piracy” scare reports: “This month, a new lobbying group, the Australian Content Industry Group (ACIG), released new statistics to The Age, which claimed piracy was costing Australian content industries $900 million a year and 8000 jobs. The report claims 4.7 million Australian internet users engaged in illegal downloading and this was set to increase to 8 million by 2016. By that time, the claimed losses to piracy would jump to $5.2 billion a year and 40,000 jobs. But the report, which is just 12 pages long, is fundamentally flawed. It takes a model provided by an earlier European piracy study (which itself has been thoroughly debunked) and attempts to shoe-horn in extrapolated Australian figures that are at best highly questionable and at worst just made up.”
  • Google accuses China of interfering with Gmail email system [The Guardian] – Google vs China, round two: “Google has accused the Chinese government of interfering with its popular Gmail email system. The move follows extensive attempts by the Chinese authorities to crack down on the “jasmine revolution” – an online dissident movement inspired by events in the Middle East. According to the search giant, Chinese customers and advertisers have increasingly been complaining about their Gmail service in the past month. Attempts by users to send messages, mark messages as unread and use other services have generated problems for Gmail customers. In the wake of the catastrophic earthquake in Japan, Google set up an application to help people find relatives and friends lost in the disaster. This service too seems to have been compromised. “Relating to Google there is no issue on our side. We have checked extensively. This is a government blockage carefully designed to look like the problem is with Gmail,” said a Google spokesman.”
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Digital Culture Links: March 20th 2011

Links for March 16th 2011 through March 20th 2011:

  • Why Curation Is Just as Important as Creation [Mashable] – “The folks who run the online galleries — the curators — aren’t asking permission or giving a revenue share, which means that content creators need to get comfortable with the idea that in the new world of the link economy, curating and creating aren’t mutually exclusive. Exhibit A: Seth Godin. He is one of the web’s best-known marketing wizards. […]. And he says that content creators can’t ignore curation any longer. “We don’t have an information shortage; we have an attention shortage,” Godin said. “There’s always someone who’s going to supply you with information that you’re going to curate. The Guggenheim doesn’t have a shortage of art. They don’t pay you to hang paintings for a show — in fact you have to pay for the insurance. […] As Godin sees it, power is shifting from content makers to content curators: “If we live in a world where information drives what we do, the information we get becomes the most important thing. The person who chooses that information has power.””
  • Why Do We Hate Rebecca Black? [Brow Beat] – “It’s Fri-ee-day! Here in New York, where the long-awaited sunshine is making everyone slightly loopy, “Friday”—Rebecca Black’s so-awful-it’s-kind-of-genius viral sensation—makes for a highly appropriate soundtrack. Like her lyricists, I, too, can barely form coherent sentences, because we-we-we so excited about all the fun ahead of us tonight. A quick recap, for anyone who’s missed the frenzy: Rebecca Black, an eighth-grader from Orange County, recorded a song and produced a video with vanity label Ark Music Factory, which specializes in tweenybopper “artists.” Last week, Black’s video starting ricocheting around the Web, to the delight and horror of millions of viewers. No one, it seems, can believe that anything this terrible could possibly exist. […] So her parents paid $2,000 for her to pretend to be a star. […] and for an unexpected dose of media training.
  • xxx marks the spot [SMH] – “The group in charge of internet addresses has opened the door for adult-content websites ending with .xxx but delayed deciding whether to open the floodgates for other suffixes. The non-profit internet Corporation for Assigned Names and Numbers (ICANN) board voted to approve a petition to add .xxx to the list of “generic top-level domains” – endings that include .com, .net and .org. […] The request had been rejected about five years ago and was reconsidered after an appeal.”
  • Bullying Video’s “Little Zangief” A Hero Online [WA Today] – “It was inevitable. The Sydney boy who retaliated against a younger student at school after an apparent bullying attack has been transformed from a victim to an online hero. Since video of the incident at a western Sydney school this week was posted online, it immediately went viral. The 16-year-old “victim” has been dubbed “Little Zangief” – a character from the Street Fighter video game – and likened to the Incredible Hulk and The Punisher, with websites, mash-up videos and even a Twitter account set up in his honour. The video, which has since been featured on US and British news sites, shows a smaller 12-year-old boy punching the bigger boy. The bigger boy then picks up his tormentor and throws him to the ground. The issue dominated talkback radio after it happened.” [More at Know Your Meme] [More Remixes]
  • 40th anniversary of the computer virus [Net Security] – “1971: Creeper: catch me if you can. While theories on self-replicating automatas were developed by genius mathematician Von Neumann in the early 50s, the first real computer virus was released “in lab” in 1971 by an employee of a company working on building ARPANET, the Internet’s ancestor. Intriguing feature: Creeper looks for a machine on the network, transfers to it, displays the message “I’m the creeper, catch me if you can!” and starts over, thereby hoping from system to system. It was a pure proof of concept that ties the roots of computer viruses to those of the Internet.”
  • The Rise of Twitter Poetry [NYTimes.com] – “… there’s evidence that the literary flowering of Twitter may actually be taking place. The Twitter haiku movement — “twaiku” to its initiates — is well under way. Science fiction and mystery enthusiasts especially have gravitated to its communal immediacy. And even litterateurs, with a capital L, seem to be warming to it. For two years, John Wray, the author of the well-regarded novel “Lowboy,” has been spinning out a Twitter story based on a character named Citizen that he cut from the novel, a contemporary version of the serialization that Dickens and other fiction writers once enjoyed. “I don’t view the constraints of the format as in any way necessarily precluding literary quality,” he said. “It’s just a different form. And it’s still early days, so people are still really trying to figure out how to communicate with it, beyond just reporting that their Cheerios are soggy.””
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Digital Culture Links: March 14th 2011

Links for March 8th 2011 through March 14th 2011:

  • Twitter angers third-party developers with ‘no more timelines’ urging [Technology | guardian.co.uk] – “Twitter has amazed and outraged developers by warning them that it will severely curtail their ability to build apps that use its output. The announcement on Twitter’s development mailing list – which has notably not been repeated or referred to on its company blog – comes from Ryan Sarver, the head of platform and API at Twitter. The site, which has grown from 48m to 140m tweets per day in the last year, and which celebrated its fifth birthday on Sunday night, now says that it is going in effect to take over the process of writing “the best client” for connecting to Twitter. The move follows the temporary suspension last month of a number of Twitter apps for “violating Twitter’s terms of service” But for the dozens of third-party apps which hook into Twitter’s API, and which fund themselves and their ongoing development through adverts, payments, or a combination of both, the announcement is a threat to their existence.”
  • Twitter Libel Case | First Twitter Libel Case [The Age] – “A former Welsh mayor became the first Briton to be ordered to pay libel damages over a Twitter entry after a political rival sued him in the high court, a report said at the weekend. Colin Elsbury, a former mayor in the south Wales town of Caerphilly had tweeted ahead of a council election that his independent challenger Eddie Talbot had been “forcibly removed” from a polling station by police before realising that it was a case of mistaken identity, The Times newspaper said. Although Elsbury later tried to correct the tweet, Talbot took him to court in the Welsh capital Cardiff where a judge on Friday handed down a fine of £3,000 ($4751) and ordered him to pay costs of around £50,000 ($79,196) as well as apologise publicly to Talbot on his Twitter feed.”
  • The once mighty medium of television is on its last legs [The Punch] – “Here’s a simple statistic that TV executives are happy you didn’t know. Back in the 1980s the population of Australia was about 14 million. A good TV show would rate about 5 million viewers. Fast forward to 2011. Australia’s population has grown to 20 million and TV execs are dancing on their mini-bars if their show attracts over 1.2 million viewers.The population has doubled, the viewers have halved. The maths is not good. “Masterchef” peaked last year with over 3.5 million viewers. Proportionally, based on 1980’s viewing habits, Masterchef should have rated nine million viewers. The velocity of the decline is increasing. For an industry that was once a sizable chunk of the life and breath of Australian culture, the Australian free TV industry is “circling the drain”. That’s cop show talk for dying. It’s not just competition from DVD’s, pay TV and on-line. Woeful staff management and lack of vision has seen free TV become embittered and as irrelevant to the next generation …”
  • From “Businesses” To “Tools”: The Twitter API ToS Changes [TechCrunch] – “Yesterday, Twitter made a swift and sweeping move to alter their ecosystem. In an email to developers, Twitter laid out the new rules. Essentially, third-party developers should no longer try to compete with Twitter on clients; instead they should focus on things like data and specific verticals for tweets. Not surprisingly, there’s quite a bit of backlash against this maneuver.”
    [TOS] January 3 version: “We want to empower our ecosystem partners to build valuable businesses around the information flowing through Twitter.”
    March 11 version: “We want to empower our ecosystem partners to build valuable tools around the information flowing through Twitter.” Now perhaps you see why the ecosystem, the “partners”, are so enraged.
  • I hope these people aren’t your friends [Pharyngula] – Horrible, offensive comments in the wake of Japan’s recent earthquake and tsunami devastation. Surely these people have never ever thought about the longevity of their comments online: “Japan has a tragic and devastating earthquake. American responses follow a range of attitudes. […] And then there’s a third reaction. I was sent a collage of messages posted on Facebook in the last day or so, and these make me ashamed to share a culture with these wretched people. I may be about to ruin your morning. Don’t click on this compilation of facebook entries unless you’re one of those cynical people who already has low expectation of the worst of Americans.” (The same rubbish can be found on Twitter, too.)
  • It’s the (virtual) economy, stupid [SMH] – “Mark Pincus has amassed a $US1 billion fortune selling bits and bytes that have no intrinsic value to an army of virtual farmers and city planners. Every month, 275 million people sign on to one of Pincus’ addictive games, paying real money to buy virtual seeds and crops in Farmville, construct fake buildings in CityVille or expand their criminal empire in Mafia Wars. Pioneers of the “virtual goods” market, Pincus’ company Zynga – just three years old – earned $850 million in revenue last year and is now valued between $US7 billion and $US9 billion, according to The Wall Street Journal. It’s not a new phenomenon – for years people have been spending real money to buy their own virtual islands and toys in the online world Second Life and others have spent thousands on rare items in online games like World of Warcraft. Last year, a virtual space station in Entropia Universe sold for $US330,000. But with Zynga, virtual goods have hit the mainstream …”
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