Home » Twitter (Page 22)
Category Archives: Twitter
How to Stalk Your Kids on Facebook!
Once again, those satirists at the Onion have shed a little light on the privacy issues surrounding Facebook with this little video:
Facebook, Twitter Revolutionizing How Parents Stalk Their College-Aged Kids
The Future of Journalism
On Friday evening I attended and spoke at the ‘Future of Journalism’, an event organised by the Media Alliance & Walkley Foundation which was styled as a “Blueprint for progress”, featuring healthy discussion and debate about the future of paid journalism and, amongst other topical issues, whether news consumers would actually start paying for content they’ve already been enjoying for free.
I was part of the final panel for the night, joining Ralph Nicholson (formerly with Reuters, now the publisher and editor of The Beach Times, a free newspaper in Costa Rica), Jo McManus (who has 30 years experience as a journalist and now lectures the next generation at ECU/WAAPA), and Australian political blogger William Bowe (the Poll Bludger) for a very spirited conversation chaired by Jonathan Este, the Media Alliance’s director of communication. We were briefed that the discussion would be pretty informal, which held true, but it was very wide-ranging, discussing everything from possible business models for online news through to the role of social media and blogging both by, and in opposition to, traditional journalists.
From the outset, I should by saying I have no idea what the best business model for journalism is in the online age, but I am quite certain it is not putting all content back behind a paywall. That way, I’d suggest, lies disaster, one the reasons for which I outline a little below.
There isn’t time to touch on everything that was discussed, but I wanted to re-visit three points that were raised during our panel (or earlier, and to which our panel then responded):
[1] The relationship between bloggers and paid journalists. For whatever reason, the ‘bloggers’ (or ‘amateur bloggers’ now, since so many journos write blogs) still attract the ire of professional journalists because the bloggers are seen as a vast, untrained, amateur army of low-quality content creators who aren’t bound by a code of ethics but do get read by people who should be reading proper journalism. To be fair, many of the people who spoke didn’t share this view, but at least a few did, and there were plenty of barbed asides to be heard. Let me reiterate what I said on the night: there are certainly some bloggers who write as well as journalists, are just as ethically-driven as good journalists and who can research and investigate as well as paid and trained journalists. However, the vast majority of bloggers do not consider themselves journalists, do not seek to compete with journalists and still value (and enjoy) quality journalism done by paid professionals. Despite what Rupert Murdoch might now believe, bloggers are not the enemy and those who do engage in debate with, or commentary on, professional journalism are usually amongst the strongest supporters of good journalism as a profession. Indeed, a blog post written by blogger and journalist Steven Johnson back in 2006 called ‘Five Things All Sane People Agree On About Blogs And Mainstream Journalism (So Can We Stop Talking About Them Now?)’ did a far more elegant job of making this point. Perhaps a few more people should read it.
[2] Digital media tools are not names to be feared, but rather processes than can be readily understood. There were a lot of comments from old hands in the industry about the difficulty keeping up with the latest new technology – the main mentions were MySpace to Facebook, and now to Twitter. MySpace, Facebook and Twitter all share many commonalities: they’re all about making sharing ideas, conversations, links and media (broadly defined). Rather than asking how Facebook is different from MySpace, or Twitter different from the first two, what might be more fruitful is to ask what the latest technology does that’s similar to something you are familiar with. Rather than treating Twitter as something new, and thus something alien, if it’s examined as primarily replicating the conversational style of Facebook, but without anything else from that platform (including those annoying applications) then you start to come to terms with what it is. Sure, it takes a little while to become familiar with a new tool, but starting to use these tools, rather than spending copious time fearing them and lamenting all these new-fangled technologies, is surely a better use of peoples’ time. Many journalists have embraced Twitter, for example, and it’s paying real dividends. It is, of course, important to verify any ‘facts’ gathered via Twitter, but that’s true of each and every source. During our panel I suggested that people interested in journalism can become part of the media conversation long before they become active professionals or even before any formal training using social media tools – tomorrow’s journalists can sharpen the skills they’ll need via Facebook, Twitter or whatever comes next, and that should, in my opinion, be seen as an asset.
[3] The relationship between social media and news. Many more entrenched journalists seem to think that social media tools, like blogging or Twitter, might be valuable since they let journalists talk to their audience, but they still seem to see the gap between themselves and the audience as a chasm; their audience, by contrast, is increasingly thinking of themselves as participating in a conversation, and often a conversation amongst equals. That doesn’t mean everyone thinks they’re a journalist, but the era when journalists were set apart by their training and ethics has by and large ended thanks to a lot of very bad journalism in the world and a lot of very smart people in that audience. Indeed, the word audience might just need to be rethought altogether. As Dan Gillmor, amongst others, have eloquently described the change: “Journalism is evolving from a lecture to a conversation, and the first rule of good conversation is to listen.” This, incidentally, is the main reason I think putting news behind a paywall will fail: stopping people from participating in the conversation about the news you report or create will reduce the impact and spread of that news.
A different way of thinking about this is that many people engage with news not by visiting a newspaper’s website, but by coming across a link via Google or, increasingly, a link that a friend or contact has posted using a social media tool. These are conversational contexts, and any media links posted in these contexts are seen as things to be discussed. In the coming months, this will be even more pronounced thanks to Google’s newest invention, Google Wave. As I understand it, Google Wave is about taking all of the disparate bits of conversation that can happen using online communication tools and making it possible to retain and continue the conversations, regardless of where it starts (be that email, a blog, or wherever else). Thus, for Google Wave, conversation is content. While we’ll need to see how Google Wave works once it’s officially launched, we know today that newspapers are already put in a lot of effort into trying to gain solid Google rankings. In the coming months, that may very well involve being more conscious of news as a conversation rather than a lecture. I can understand how that might sound daunting to journalists and the industry, but figuring out how to be part of more conversations may very well be part of successful business models for the quality journalists of tomorrow.
Those points aside, I must admit I enjoyed that Future of Journalism event; the very fact that the night was organised shows that news journalists in Australia are trying to figure out new, sustainable ways of plying their trade in the digital age. Moreover, while there were definitely a few dinosaurs in the room, some of the newer faces of journalism, including Tim Burrowes from mUmBrella (his response to the event here), and Stephen Brook from the Guardian, showed that many journalists are definitely already in tune with the tides of the digital world in which they operate.
[Photo: ‘Dead sea newspaper’; CC BY SA]
On the Importance of Dating Felicia Day’s Avatar in Australia!
If you’ve glanced at YouTube, or your iTunes store, or Twitter, or even Facebook in the last few days you may very well have noticed people talking about and linking to this video:
What you might not have realised if you’ve only just heard of The Guild or Felicia Day, is that this little video represents something of a leap forward in terms of indie-based web productions finding a way to make a healthy amount of money while still giving away their content predominantly for free. For those of you who’ve not come across The Guild before, it’s a comedy web series created and written by Felicia Day (of Dr Horrible and Buffy fame), looking at the ‘real’ lives of six MMO (videogame) players. The ‘game’ is never explicitly named, but the characters and situations are largely based on play in and around World of Warcraft.
Anyway, one of the most important things is that after the first season of The Guild, Day very cleverly managed to strike a deal with Microsoft which would allow them to co-produce The Guild and thus season two was initially, exclusively available via the Xbox Live, MSN and Zune websites. Significantly, Day retained all intellectual property regarding The Guild, meaning that the show remains under her ownership and control (about which Day is rightly proud). Indeed, just striking that deal is a significant business move for an indie web media creator. Of course, Day ensured that episodes also appeared on YouTube and other venues after a period of time, ensuring fans could access The Guild in whichever manner they preferred. The Guild has built a very healthy following (as has Day herself, with over a million Twitter followers) and after initially being available for free, Day released DVDs of season one and two
via Amazon, which have sold reasonably well.
However, the music video which I’m focusing on today is The Guild’s ‘(Do You Wanna Date My) Avatar’ which was written by Felicia Day, features the cast of The Guild, and was directed by Jed Whedon (one of Joss’ brothers, who also co-wrote Dr Horrible). Initially revealed at Comic-Con, the music video playfully engages with pretty much every stereotype that there is about gamers, electronically dancing a fine line between knowing parody and unadulterated fandom. Following the deal with Microsoft, ‘Avatar’ was available exclusively on the Xbox and Zune websites for a week, before hitting the rest of the web both for free on YouTube and as paid download via iTunes stores, Amazon and elsewhere. And that’s where the story gets impressive, as the music video has hit number one on the US iTunes store and on Amazon as an mp3 download. More to the point, Day has learnt from the successes and problems that Dr Horrible hit last year.
While Dr Horrible was a huge hit in the US iTunes store, there were problems even viewing Dr Horrible outside of the US for the first few days, and it took months before Australians had a legal option to purchase Dr Horrible online
. In contrast, Day seems acutely aware that The Guild’s fans are spread all across the globe and that all ‘national’ versions of the iTunes store (all of which have separate licensing agreements) should be ready to spread The Guild’s musical talents. [Update: To distribute the mp3 versions, Day used the Tunecore service which lets artists release their mp3s across a range of international stores simultaneously for a small fee.] The image visible on the left shows today’s Top Music Videos in the Australian iTunes store, with (Do You Wanna Date My) Avatar [feat. Felicia Day] sitting proudly at the top of the charts; it also topped the UK iTunes store (and elsewhere across the globe, too, I’m sure). While there was a delay of a day or so getting some versions of the music video or mp3 into particular national online stores, Day has no doubt affirmed the loyalty of fans across the globe by ensuring they have access to ‘Avatar’ for free, or to buy, on exactly the same terms as fans in the US. While we may never know exactly how much ‘Avatar’ earns (or even what the music video cost to make) even the $2.59 a pop for the music video in Australia, or $1.69 for the mp3 single, will surely combine with sales across the globe to make a very respectable amount. Indeed, I’d guess it could make more than a full season of The Guild webisodes!
Most importantly, though, Felicia Day has shown the sort of foresight that comes from being a clever media creator in the digital era: rather than bowing to the tyranny of digital distance, and letting the globe be arbitrarily cut into different regions in which different media companies can license and re-sell content, Day clearly views her loyal fans as a truly global, participative audience who all deserve equal access to the highly enjoyable media she creates! Felicia Day is someone who understands that digital media can, and should, also mean global media.
Now, after all that, if you’ve not done so already, stop listening to me, and check out ‘(Do You Wanna Date My) Avatar’!
Privacy, Power, Permanence & Politics!
One of the reasons I’ve been so quiet is that in the past few weeks I’ve started teaching two new units here at Curtin. Both of these units have been completely redeveloped and this is their first run in the new form. I’ll talk about Web Communications 101 another day, but I wanted to point out how much I’m enjoying teaching our new Internet Politics and Power unit. The unit has a healthy dose of thinking from people like Lessig and Zittrain and really tackles many of the big issues for digital culture today. So I’m now required to stay on top of many of those issues I like to blog about, like privacy and copyright, rather than having to steal a hour here or there! 🙂 There are so many issues that are relevant today, but one area which is really getting me thinking is the way that Apple, Google, Facebook and others are creating their own bounded realms of control!
A recent example that really highlights the complexity of these issues is the policing of Apple’s application store for the iPhone. Recently there was a a fairly heated discussion after Apple rejected the Ninjawords: iPhone Dictionary application ostensibly for offensive words (but words which are present in many other apps). It turns out Apple had more complex reasoning which was, among other things, wrapped up with new parental controls being introduced for apps. While this rationale is less bizzare, John Gruber still makes the very important point that the biggest issue is there needs to be "fairness, consistency, and common sense in the App Store review process" and that consistency is, thus far, sorely lacking.
Apple’s app store has also been under fire for rejecting a Google app which would allow many users to access cheaper calls and services. Elisabeth Oppenheimer, writing at Zittrain’s Future of the Internet blog, notes that Apple claimed that they rejected Google’s app since it "duplicates iPhone functionality" but in real terms many people suspect it was rejected since it threatened the monopoly AT&T have enjoyed in being the exclusive iPhone service provider in the US. Oppenheimer is "hopeful that killing Google Voice will be the one step too far that inspires consumers and regulators to sit up and work to get sensible open-access rules" but I’m not necessarily that optimistic.
Meanwhile, Rupert Murdoch is demanding Amazon hand over the details of Kindle users who subscribe to media from Murdoch’s vast empire. So far Amazon has not complied, but I wonder if they’re willing to risk their relationship with Newscorp in the long run? Along similar lines, this week Facebook purchased Friendfeed which potentially adds even more information to Facebook’s vast array of user information that they manage in, at times, curiously questionable ways.
While not quite an app, on another front the permanence of archives has come under threat from another third-party tool. While there have been concerns for a while about URL-shortening services, the upcoming closure of tr.im is the first one that I know of to go under. These services have become extremely popular, allowing people to create tiny web page addresses that can fit alongside a tweet and still fit Twitter’s 140 character limit. However, what will happen to all of the tweets which contain tr.im address? They’ll go dead, effectively making those tweets useless. While tr.im is not really to blame (really, what is the business model for a URL-shortener?), our reliance on these services leaves our tweets and related links fragile and vulnerable when a company or service collapses under the weight of their own popularity. This is less a privacy issue than an issue of utility: relying on third-party tools with no real backup function leaves the usefulness of our personal and collective archives in the hands of folks who, ultimately, may not have the resources to run these services forever!
Update: On the tr.im font there appears to be a happy ending, with the announcement that tr.im is becoming a community-developed open source project.
Update 2: Apple claim that they “did not reject an iPhone application submitted by Google and that it was still studying it, in part because of privacy concerns.”
Digital Culture Links: August 14th 2009
Links for August 6th 2009 through August 14th 2009:
- Gaiman and Doctorow Discuss Giving It Away [Tor.com / Science fiction and fantasy] – A few short questions with Doctorow and Gaimain about the usefulness (and profitability) of giving books away for free online. This quote from Neil Gaiman about giving away American Gods for a month is probably the most important: “It’s been really fun in my own slow way nudging HarperCollins out of the stone ages and into the dark ages. As far as I’m concerned the entire argument [of the validity of giving digital books away] was won at the point where I got them to put American Gods online…we gave it away for free for a month, and during the course of that month and for about four weeks after, the number of copies of all of my books…went up three hundred percent. As far as I’m concerned, that answered that question.”
- Bringing the power of Creative Commons to Google Books [Inside Google Books] – Google Books now supports Creative Commons licenses: “Rightsholders who want to distribute their CC-licensed books more widely can choose to allow readers around the world to download, use, and share their work via Google Books. Creative Commons licenses make it easier for authors and publishers to tell readers whether and how they can use copyrighted books. You can grant your readers the right to share the work or to modify and remix it. You can decide whether commercial use is okay. There’s even a license to dedicate your book to the public domain. If you’re a rightsholder interested in distributing your CC-licensed book on Google Books, you have a few different options. If you’re already part of our Partner Program, you can make your book available under CC by updating account settings. If not, you can sign up as a partner. You can select from one of seven Creative Commons licenses, and usage permissions will vary depending on the license.”
- apophenia: Teens Don’t Tweet… Or Do They? – danah boyd unpacks the claim that teens don’t tweet and finds the data lacking and misinterpreted.
- Murdoch signals end of free news [BBC NEWS | Business] – “News Corp is set to start charging online customers for news content across all its websites. The media giant is looking for additional revenue streams after announcing big losses. Mr Murdoch said he was “satisfied” that the company could produce “significant revenues from the sale of digital delivery of newspaper content”. “The digital revolution has opened many new and inexpensive methods of distribution,” he added. “But it has not made content free. Accordingly, we intend to charge for all our news websites. I believe that if we are successful, we will be followed by other media. “Quality journalism is not cheap, and an industry that gives away its content is simply cannibalising its ability to produce good reporting,” he said.” (It’s far too late to put the free genie back in the bottle … this plan could easily materialise as the move which killed NewsCorp!)
- News Corp records £2bn loss [guardian.co.uk] – “Rupert Murdoch’s global media empire, News Corporation, slumped to a [US] $3.4bn (£2bn) net loss for the 12 months to June as a combination of plunging advertising revenue, impairment charges and online losses contributed to the company’s worst year in recent memory. The group suffered hefty accounting charges related to a drop in the value of its assets. After stripping out these one-off items, its full-year operating profit dropped by 32% to $3.6bn, with growth in revenue at the group’s cable television networks failing to make up for a slump in income from films, newspapers, books, magazines and online offerings. … n the final quarter of the year, News Corp made a $203m loss, compared to a $1.1bn profit for the same period in 2008, hit by a $680m impairment charge at Fox Interactive Media – the division that includes the social networking website MySpace, which recently shed 400 staff as it struggles to compete with larger rival Facebook.”
