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We’re in a viral.
“Everything is fake.”
“Look’s good, though, doesn’t it!”
The Future Newspaper … Isn’t?
Clay Shirky’s ‘Newspapers and Thinking the Unthinkable’ has been getting a fair amount of attention in the past few days and his central point is ringing true for most people: the traditional revenue model of the newspaper is so dead that it might just be time to admit that in many cases news will need to find (a) new platform(s) of choice. It is worth noting, though, that Shirky is not downplaying the important role journalists have to play in our society; what he has resoundingly challenged is whether collecting their daily output on printed paper has much of a future. Indeed, Shirky’s conclusion is worth noting:
Society doesn’t need newspapers. What we need is journalism. For a century, the imperatives to strengthen journalism and to strengthen newspapers have been so tightly wound as to be indistinguishable. That’s been a fine accident to have, but when that accident stops, as it is stopping before our eyes, we’re going to need lots of other ways to strengthen journalism instead.
When we shift our attention from ’save newspapers’ to ’save society’, the imperative changes from ‘preserve the current institutions’ to ‘do whatever works.’ And what works today isn’t the same as what used to work.
I concur; the world at large needs good journalism, but many good journalists will need to find a new home and it’s likely a new medium, too. On March 12, the New York Times posted this visualisation:
You’ll have to click and see the enlarged version to read the text, but the brown and beige circles show declining circulation numbers for US newspapers; blue circles show increases (there are very few blue dots). The US is a country of brown and beige dots. The fact that neither Shirky nor anyone else knows what should come next is an important tension. For those currently making a living working for newspapers who are laying off staff, this is a really immediate tension and, to be honest, I’m glad I’m not in those shoes. For society more broadly, the question of where we get our news, and whether we’re willing to pay anything for it – either personally or through an organisation we support, or even through government funding – is something we do need to consider. I have to say, I’m feeling more protective than ever of the Australian Broadcasting Corporation and SBS and have no qualms whatsoever about some fraction of my taxes supporting both. And sitting at a point of convergence of the best traditional journalism and web 2.0 platforms have to offer, I’m glad that people like Margaret Simons are finding new ways to keep the fourth estate alive and well. (And to be fair, there is still a lot of quality journalism out there … it just too often gets buried behind the bleeding leads.)
For Perth folks, the paucity of our current choice in newspapers has been obvious for a long time; we only have one and it has spent almost all credibility it ever had. A new editor is on board now, but it’ll take a lot before The West holds any serious sway or has most people read it for anything other than the TV Guide and Saturday classifieds. In a well timed move, Perth’s citizen journalism advocate, Brownen Clune, has just relaunched her own web presence, hitting the ground running a provocative post entitled ‘The Emperor’s New Media’ which argues that many journalists lack credibility, and the profession overall is in disrepute, leaving little wonder why so many folks don’t want to pay to read it anymore:
Can we be so quick to blame the business models of newspapers (selling advertisements) when people won’t miss the service (news) they are providing? For years journalists have been regarded alongside used-car salesmen as the least trustworthy profession and every journalist has certainly experienced the polite disdain from strangers when you tell them what you do.
There is something very wrong with the media and the quality of journalism has a lot to do with it. “News” has become so devalued that people are not willing to pay for it.
Bronwen’s post has attracted some spirited comments from Fairfax journo Nick Miller (continuing an older debate, really) who does remind us that Perth certainly hasn’t really developed much of an alternative model as yet (and Bronwen’s PerthNorg, which is valuable, relies a great deal on filtered content created by the mainstream newspapers). But to return to Shirky’s point, we need more experiments, like PerthNorg, which are willing to try and find new ways to connect journalists of various types with audiences.
In terms of the quality of journalism out there, there’s definitely appetite for more transparent reporting and for reporting that returns more clearly to the notion of the fourth estate; keeping the average citizen informed is, after all, the aim. If nothing else, the fact that Jon Stewart and The Daily Show (a comedy show!) managed to get so many tongues wagging in the US recently when they went after CNBC’s ethics, and then Jim Cramer in particular when he took issue with Stewart’s criticism, shows that there is real desire for a more robust sense of the fourth estate (even if many people don’t recognise the term any more). As The Washington Post put it:
Jon Stewart has amassed a passionate following over the years as a sharp-edged satirist, the man who punctures the balloons of the powerful with a caustic candor that reporters cannot muster. As public furor over the economic meltdown rises, the Comedy Central star has turned not just his humor but also his full-throated outrage against financial journalists who he says aided and abetted the likes of Bear Stearns, AIG and Citigroup — especially those who work for the nation’s top business news channel. Stewart morphed into a populist avenging angel this week, demanding to know why CNBC and its most manic personality, Jim Cramer, failed to warn the public about the risky Wall Street conduct that triggered the financial crisis.
Okay, ‘avenging angel’ might be a bit over-the-top, but Stewart has, in my opinion, re-energised the question of journalistic ethics and, if nothing else, we can see responses like Fix CNBC http://fixcnbc.com/; while the sentiment is noble, perhaps, like, Fix the Newspapers, we need to hope for more?
Annotated Digital Culture Links: March 10th 2009
Links for March 10th 2009:
- Failed Negotiations – YouTube Will Block Music Videos in the UK [NYTimes.com] – “YouTube just announced that it wasn’t able to reach a new deal with the UK’s Performing Rights Society (PRS for Music), which collects licensing fees for musicians and labels in the UK. Because of this, YouTube will now block access to all premium music videos for users in the UK. According to YouTube, the licensing fees that PRS was looking for were “simply prohibitive” and Google would lose a “significant amount of money with every playback.” YouTube also bemoans that PRS was unwilling to provide it with a comprehensive list of songs that were actually included in the license. … YouTube goes out of its way to state that this move has nothing to do with the record labels. Patrick Walker, YouTube’s Director of Video Partnerships, Europe, Middle East and Africa, lays the full blame on PRS for Music – and PRS, of course, blames Google for being too greedy.”
- THRU YOU | Kutiman mixes YouTube – Remix culture hard at work – music videos created entirely out of YouTube videos – lots of samples – nicely done.
- Australians refused insurance because of poor genes [WA Today] – “Australians have been refused insurance protection because of their genetic make-up, researchers have shown in the first study in the world to provide proof of genetic discrimination. Most cases were found to relate to life insurance. In one instance, a man with a faulty gene linked to a greater risk of breast and prostate cancer was denied income protection and trauma insurance that would have let him claim if he developed other forms of cancer. The findings have led to renewed calls by experts for policies to ensure the appropriate use of genetic test results by the insurance industry.” (Gattaca!)
- Baby swinging video case warning [The Age] – “The lawyer representing an Australian charged for republishing, on a video-sharing site, a video of a man swinging a baby around like a rag doll says that if the case proceeds every Australian who surfs the net could be vulnerable to police prosecution. Chelsea Emery, of Ryan and Bosscher Lawyers in Maroochydore, represents Chris Illingworth, who was charged with accessing and uploading child abuse material. Illingworth, 61, published the three-minute clip on Liveleak, a site similar to YouTube but focused on news and current events. Illingworth has uploaded hundreds of videos to the website. The one he was charged over, thought to have been created by a Russian circus performer, had already been published widely across the internet and shown on US TV news shows. The clip can still be found online and has been viewed hundreds of thousands of times.” (I’m staggered that this case is still moving forward!)
Celebrity Twittering
I have been meaning to write a very long, complex and cerebral post about the seemingly exponential growth of Twitter in the last few months, but as my list of related bookmarks grows, the time to read them runs screaming, so I thought I’d try and capture a few thoughts in the next week or two in shortform (not 140 characters short, of course). Today’s topic: celebrity twittering (and, yes, just to get it out of your system, go and watch the Felicia Day Twittering Gaff … okay, moving on …). Now, if I were to write this properly, I’d have to start looking at Stephen Fry and his more than 250,000 followers … in 140 characters, the witty observer is king, but you can find plenty to read about Fry elsewhere. I could talk about disintermediation and who needs gossip magazines – or who really does need an agent filtering everything – when Ashton Kutcher is willing to tweet photos like this. But I just can’t bring myself to read anything else about the Moore clan. Instead, I want to talk about telepathic ex-policemen. Or, more specifically, Greg Grunberg, who plays Matt Parkman on Heroes.
Grunberg is now a Twitter regular, with some 27,000 followers, many of whom only know him for his Heroes role. He is, however, cleverly using Twitter to promote his other projects and establish his own celebrity presence as ‘Grunny’. However, what really caught my attention was Grunberg’s tweet about the end wrap-up of the current season of Heroes and how that tweet, out of context, fired off a rumour that the show had been cancelled. As Zap 2 It reported:
On Sunday morning, Grunberg tweeted the following: "Winding down shooting season 3 #Heroes. Tough to say goodbye to crew not knowing if any or all of us will return next year. Hope all." Over the next couple of days that one message set off a flood of "OMG!! Is Heroes cancelled!?!" musings on the web. … The posts all mention that Grunberg "later" or "eventually" clarified his first remark with another tweet, that reads, "Don’t get me wrong, #Heroes IS coming back next next year, but some crew take other jobs, so it’s tough… we have the Best. Crew. Ever." But they make it sound like he was responding to all the supposed controversy he created with his remarks. Here’s the thing: Grunberg’s second tweet came all of three minutes after the first one. That doesn’t sound so much like backtracking or butt-covering so much as a guy reading what he just wrote, deciding the thought wasn’t complete and then completing it. I know things move fast on the Internet, but three minutes on a Sunday morning isn’t enough time to create a controversy and then try to respond to it. The incident doesn’t seem to have soured Grunberg on Twitter, although he did comment on a "long day of rain on set and being misquoted" on Monday.
Now, as I was thinking about Grunberg’s tweets and the largely unfiltered access his followers get (albeit in tiny little parcels), I read this:
Sure, he didn’t reveal ending of the season, but this throwaway comment about an episode of Heroes which had just finished screening in the US did tell a lot of people how it ended. I’m guessing that some of his 27,000 followers didn’t watch the episode live … I wonder if anyone was annoyed by an actor giving away spoilers for a just-aired show? Certainly for me, in Australia, this episode won’t be aired for weeks so I was a little annoyed. (If the show was better scripted at the moment, I’d be even more annoyed.) Perhaps Grunberg and actors who follow suit need to start a few more tweets with #spoilerwarning hashtag. Either way, I suspect as more and more celebrities of various flavours tweet their fans directly, some new social norms will need to emerge about what is and isn’t revealed. And I wonder if this immediacy will drive more of Grunberg’s followers outside of the US to download Heroes rather than accept delays in being able to reply or (if they want to be unspoilt) read his twitter stream?
(Oh, and he’s not a celebrity, but as Boing Boing pointed out, the funniest person on Twitter is The Mime. Really.)
Annotated Digital Culture Links: February 20th 2009
Links for February 17th 2009 through February 20th 2009:
- 4chan /b/ goes after cat abusers, wins [Inquisitr] – “A video of two men abusing a cat surfaced on YouTube late last week, and members of /b/ took it upon themselves to bring the sickos to justice. The video was quickly narrowed down to prime suspects, primarily through the help of /b/, and local authorities arrested the men. Many have been quick to criticize /b/ in the past, but today at least you can’t doubt one thing: they love cats.” (While this doesn’t suddenly make /b/ a haven of good will and public mindedness, it does show that with the proper motivation 4chan can be a powerful force!)
- Macroanonymous Is The New Microfamous [Fimoculous.com] – “…I interviewed the founder of 4chan for a magazine story that never ended up running. He chatted about everything from the techincal complexities of keeping 4chan alive to the anxieties of operating the most controversial site on the internet. By the end of the interview, I was thinking “This kid has seen stuff that would make my eyes burn, but he seems so smart and sweet about it all.” (He started the site when he was 15; he just turned 21.) It seemed like insightful stuff that should run somewhere, so here it is….”
- Whisper campaigns exposed: pay per lie on YouTube [The Age] – “One of Australia’s most popular YouTube users has admitted being paid to spruik Ten’s new show Lie To Me surreptitiously in the latest example of marketers invading the popular video sharing site. Amateur video maker Hugh Thomas, 26, from Bondi, said he was asked by a mystery third party to create a video blog on Lie To Me and publish it on his popular YouTube channel, in return for payment from 20th Century Fox. He would not give more details of the whisper campaign, saying he was bound by a non-disclosure agreement.”