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Do Free Online Books Make Money?

Does making a book freely available online hurt or enhance the sales of the hardcopy?  Advocates suggest that if you read a bit of the book online you’re more likely to buy the hardcopy if you like it and finish reading it on paper.  You’re also more likely to recommend it to friends who might buy it, too.  Those against think that free only equals more free, and no one is going to buy a book if you get given the whole thing at no cost.  Neil Gaiman and his publisher have been experimenting with this question, and Gaiman’s American Gods has been available for free online for a month (it disappears again in a few days).  So, it’s definitely interesting to see who many people read the book, and how hardcopy sales appear to have been effected. So: the initial stats from Neil Gaiman’s blog:

It’s worth drawing people’s attention to the fact that the free online reading copy of American Gods is now in its last six days online (it ends 31 March 08). I learned this from an email from Harper Collins, which also told me the latest batch of statistics.

For American Gods:

68,000 unique visitors to the book pages of American Gods

3,000,000 book pages viewed in aggregate

And that the weekly book sales of American Gods have apparently gone up by 300%, rather than tumbling into the abyss. (Which is — the rise, not the tumble — what I thought would happen. Or at least, what I devoutly hoped would happen.)

The book is up at This URL, if you’re interested, or want to pass it along to a friend.

While this example isn’t exactly necessarily a template for new authors – Gaiman’s existing reputation as an author and his well-read blog both come into play in looking at the figures (not to mention that American Gods is an excellent read) – the overall figures are definitely encouraging and hopefully we’ll see more experiments like this one in the future (and, yes, I realise this isn’t the first such experiment – hello Cory Doctorow – but it’s still a noteworthy one).

Hillary Clinton and the perils of stock footage

We’ve been talking about all sorts of things to do with media production these past few weeks in my Digital Media unit, including some conversations about stock footage.  So, it’s rather timely to see that, as has been widely blogged elsewhere, one of Hillary Clinton’s campaign advertisements has turned back on her due to the use of purchased stock footage.  This is the advertisement in question, about the Red Phone ringing at 3am:

 

However, it turns out that the little girl supposedly afraid in her bed has grown up since that footage was shot, and Casey Knowles is no fan of Hillary Clinton as she explains in this rebuttal on YouTube:

Casey Knowles’ point that she “reject the politics of fear” is powerful given the message the stock footage of her younger self was being used to convey.  It’s one of the perils of using stock footage that the people in that footage may very well have a life and opinion of their own.  There’s nothing more effective that that last line:  “I’m Casey Knowles and I approve this message. And not the other one.  Something worth remembering both in politics and when sourcing stock footage from archives. [Via Barry]

Make A Cylon?!?

makecylon2

First thought: if we’ve learnt anything at all from Battlestar Galactica, shouldn’t we know better than to make a Cylon? (Intelligent machines evolving and rising up against their human oppressors and so on…)

That said, when MAKE, DVICE and the SciFi Channel team up and recruit Cylon actors Tricia Helfer (Number Six) and Grace Park (Boomer) to judge a competition in which entrants must physically construct (not just photoshop) a Cylon, I’m intrigued to see what emerges!  Let’s just hope the entries aren’t too realistic. Details here.

Tale of Mighty Rudd Ascension

As the description tells us, “Short propaganda philosophy tells tale of mighty Rudd ascension” …

Without a doubt, one of the best political satires, and mashups, of the 2007 Federal Election campaign thus far.  And, yes, for those who watch The 7.30 Report, I am getting YouTube pointers from Michael Brissenden these days.  After all, he’s a keen YouTube watcher himself now; as last night’s report said:

The 2007 election will be remembered as the YouTube campaign – the first time the internet became a real force. Both sides are exploiting cyber space relentlessly but as we have seen already, the net is not always such a comfortable place for politicians.

Bring on the political discomfort! 🙂

Update: NineMSN staff writers seem to like this clip, too.

Dove’s Onslaught

Last year as part of Dove’s ‘Real Beauty’ campaign they produced the important and memorable Evolution video which graphically illustrated the many, many steps between a photograph being taken and the image based on that photograph ending up on a billboard or fashion magazine cover. This year Dove have, in my opinion, produced another fine clip which looks at the tirade of body images and messages young girls and women encounter through various media in their everyday life. It’s called Onslaught:

Incidentally, while I know these viral videos are something of a marketer’s dream, I don’t think that distracts from the message one little bit.

Which WitchBlade?

A few months ago I wrote about my disappointment with a statuette of Mary-Jane Watson from the Spider-Man comics which showed her basically washing Peter Parker’s Spider-Suit whilst standing in an overly provocative pose. There was substantial community dismay at this overtly objectifying piece (especially since MJ has, at times, been one of the stronger women in the Spider-Man franchise). It seems this dismay has had little sway, evinced by this new “limited-edition Witchblade Schoolgirl” piece hitting the shelves:

schoolgirl

I could rant further, but I think this response over at Occasional Superheroine is probably the most apt one.

Of course, the comic book industry (or the associated model market) are far from alone in extremely problematic and sexist representations as this Boing Boing post on hyper-sexualized advertising reminds us.

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