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The Dark Knight: Why So Serious?

The new poster for the 2008 Batman Begins sequel, The Dark Knight, looks really good!

dark_knight_whysoserious_poster

As you might imagine, the lead villain this time is the Joker. [Via]

Update: Read my review of The Dark Knight here.

I’m Making Waffles in The United States of Sparta!

I’m entrenched in marking first-year Flash animation projects today, and so have been thinking about creativity in various ways, but without much time to blog. So, I thought I’d share two YouTube clips which have made me laugh this morning, instead.

The first clip is 1776 … which is what the US War of Independence would look like if produced by the creative team behind 300.  Apparently this was created by the Robot Chicken folks. It’s very funny.  “Tonight we dine in VIR-GIN-I-A!” [Via Cynical-C]

The second is a wonderful mashup of Shrek and The Queen which tells the tale of a most unlikely romance: 
Thanks to Gregg Rossen for the link to this Queen and Donkey clip!

Blade Runner: The Final Cut

bladerunnerfinalcutc

The US release date for the much anticipated Blade Runner: The Final Cut DVD has been set at 18 December 2007 (I hope the same date will be true for Australia, but I can’t find anything to confirm that yet). There are sets from 2 to 5 discs in size, including the package pictured, which comes in briefcase in the style of one holding the the Voight-Kampff test in the film. It all looks very exciting, and, unlike, say, George Lucas’ Star Wars Special Editions, the Blade Runner sets will contain all the versions of the film, from the 1982 release, the first Director’s Cut, the new Final Cut and, for those getting the 5-disc pack, a work-print (which I’ve never seen) which has all sorts of changes that never made it to any cinema screens at any time.

One of the best parts of this collection will have to be the new ‘Dangerous Days’ documentary which seeks to be a ‘definitive’ look at the film, but really will just add more to the film’s ongoing mythology. Yahoo! has a few preview clips up, which include footage showing new interviews with most of the cast and crew, including James Edward Olmos and Harrison Ford. I thought the previous Blade Runner documentary put together by Mark Kermode was pretty good, so I’m hoping to be dazzled by ‘Dangerous Days’ if it has even more to show about the film and its cultural impact.

I’m quite pleased this set is on its way – when I was lecturing earlier this year on Blade Runner I was really starting to think it would be the last time this film would seem relevant to students, but I think this re-release will spark further interest in the film, its peppered production history and the importance of the questions it provokes. Yes, I think Deckard is a replicant in every cut, but I’d be pleased to hear why you disagree … or agree! 🙂 [Via AICN]

For Harrison Ford fans, you can also check out the Comicon report from Ford, Spielberg and others from the set of Indiana Jones 4!

Update: Blade Runner: The Final Cut will get a cinematic premiere on September 1st at the 64th Venice Film Festival!

Five Second Films!

I confess, I’m addicted to short, sharp edits that are representative of whole films.  The ‘Re-Enacted in 30 seconds with bunnies” series, but I think I’ve not found a new addiction … the 5 second film.  So far, my absolute favourite is the 2001: A Space Odyssey re-cut:

But, I must admit, the Fargo effort is pretty funny, too:

What’s your favourite?

[Via Jason Mittell]

Spider-Man 2.1

Having dedicated the final chapter of my doctoral thesis to examining the first two Spider-Man films as an exemplar of Artificial Culture, I really had to buy and watch the new Spider-Man 2.1 DVD, despite my constant annoyance at how these just-before-the-sequel extended edition DVD releases tend to disappoint. The 2.1 DVD set is advertised as having a new ‘Extended Cut’ of Spider-Man 2 with eight minutes new footage, while the second disc sports a bunch of ‘all-knew’ features. Sadly, the features on the extras DVD really don’t justify the creation of an disc. The ‘sneak peak’ and trailer for Spider-Man 3 don’t show anything not already floating around the legitimate parts of the internet, while the ‘VFX Breakdown’ is quite a laborious walk-through of the meshing of live-action, miniature and digital effects. I guess it’s hard to make these technical mini-docos all that interesting, but the Lord of the Rings DVDs did show it’s possible! I have the feeling VFX piece was shot for the original Spider-Man 2 DVD but cut since they’re just really dull.

Of more interest, the eight minutes of extra footage do change the tone of the film in important places. There’s a lot of extra character development for Harry and Mary-Jane; Harry’s friendship is reinforced in an extended version of Peter’s birthday party, while a new sequence between Mary-Jane and her friend highlights the fact that MJ is settling in her marriage rather than following her true love. Also, probably of more interest to the target audience, there are additional, CGI-heavy, shots added into Spider-Man’s fight sequences with Doctor Octopus. However, apart from some extra punches and scrapes, these don’t add anything notable to the story. Indeed, it’s worth pointing out this extended version isn’t labeled a ‘Director’s Cut’ as I suspect Rami was quite happy with the theatre-released version.

However, just when I thought the DVD was really quite a waste of money, I found myself laughing out loud at one unexpected sequence in which J Jonah Jameson “celebrates” Spider-Man’s retirement and The Bugle’s acquisition of the Spider-suit in an entirely unexpected but unforgettably funny way! Of course, the J Jonah Jameson clip is on YouTube: Be warned, though, this scene is much funnier in the context of the film. Forewarned, then, watching this clip by itself may prove less funny …

Since you’re no doubt just watched the clip anyway, I’d recommend against buying 2.1 – there’s nothing more to see.

300: An Online Marketing Hit

There’s been a lot of talk about 300, which is now, financially at least, the first big blockbuster of 2007. Leaving aside Iran’s outrage at the film’s depiction of their history, one of the most interesting elements of the film was the clever and canny marketing strategies which found success in online arenas where many others have tried, but failed. Deborah Netburn’s article in the LA Times points out that 300 succeeded where others (most notably Snakes on a Plane) only appeared to work until the people voted with their feet at the box office:

Fanboy buzz is not enough to sell a film — “Snakes on a Plane,” anyone? — but Garabedian points out that while the online community was obsessively talking about “Snakes” they were ultimately making fun of it. The people who were driving the chatter around “300” were genuinely excited about the film, especially the way it looked. And after Comic-Con, Warner Bros. marketing department made sure that the fanboys got the usual dribs and drabs of movie art and trailers just to keep their excitement up.

The marketing folks also took full advantage of MySpace. There was of course the requisite MySpace page for the film (now standard for all movies) — featuring a ferocious looking muscle man in a metal helmet plus tons of video clips, wallpapers and links to the film’s official website. But the stroke of genius came when the studio sponsored a feature upgrade to the site that told users they could store 300 photos on their profile thanks to the movie “300.” (Previously the limit had been 12). That started Jan. 2 and was incredibly popular with teens. The result was billions of ad impressions and 8 million viewings of the trailer. Is it any wonder that the 52% of the people who saw “300” were under 25?

There are also mundane reasons “300” might have done well. A generally warm weekend across the country encouraged people to get out of the house and brave long lines, and no other major film was released against “300,” so it didn’t have much competition. And while the critics have been lukewarm on the film — faulting it for poor dialogue and a thin story — nobody has said anything negative about the visuals. And to a generation of kids who have grown up with the lush worlds of video games, “300” was a familiar visual masterpiece.

The ‘300 images’ idea is definitely a clever one, and shows that marketing online really has to think outside the box of traditional hype-building.

On a differrent note, 300 is also interesting in that it was entirely edited on Apple Macs. For the tech details, visit the Raw Feed.

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