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Interstellar: It’s About Hope, Not Just Science!
[Significant plot spoilers for the film Interstellar below.]
Director Christopher Nolan’s Interstellar opens with a poignant pan across a bookshelf, showing heavy dust falling atop a toy NASA spaceshuttle, symbolic of the near-future world of the film, where climate change has wrought havoc and people have turned their backs on science. “It’s like we’ve forgotten who we are: explorers, pioneers; not caretakers,” pilot-turned-farmer protagonist Cooper (Matthew McConaughey) laments. “We used to look up at the sky and wonder at our place in the stars. Now we just look down and worry about our place in the dirt.”
Perhaps because of this quite clear dialogue with contemporary politics, many critics have attackedInterstellar’s scientific credibility. Nolan has also weighed into this debate, largely defending his science, and scientific advisor Kip Thorne. But picking the film apart for its lack of fidelity to quantum theory or astrophysics is doing the experience of Interstellar a great injustice.
The film is far from perfect. For such a gifted visual storyteller, Nolan frustrates as he insists on joining the dots with unnecessarily clunky dialogue. For all the visual nods to Kubrick’s 2001: A Space Odyssey, Nolan refuses to follow Kubrick’s lead and let the cinematography or visual effects speak for themselves. And there’s something about a misunderstood heroic white man from Middle America saving the human race that looks all too familiar.
But Interstellar’s real value is as an exploration of memory, of hope, and of the power of dreaming of a better tomorrow for our kids.
Let’s take the none-too-subtly named Dr Mann (Matt Damon), for example. Continually referred to as the best, brightest, and bravest humanity has to offer, his improbable appearance in the latter half of the film is one of the first truly hopeful moments, only for that to come dramatically crashing down. The fall of Mann provokes a rather chilling conclusion: it’s not just what’s on the inside, but fundamentally human sociality that keeps us who we are, or at least the version of ourselves compatible with contemporary ethics and values. Staring into the abyss long enough and it’s not the abyss looking back: it’s the realisation that extreme solitude and loneliness breaks even the best of us.
The question of what happens in the final moment of life refracts through the film, and it’s how this moment unfurls for Cooper that shifts the meaning of the film.
One interpretation is, of course, literal: that enabled by future-science so far removed from our understanding it’s incomprehensible, Cooper is able to communicate across the barriers of time and space to his now grown daughter and send her the key to unlocking the secrets of the universe, and save all of humanity. And in an improbable footnote, he also somehow finds his way back to her.
Alternatively, if we can give Nolan’s science the benefit of the doubt long enough to get Cooper into the black hole, then that entire final sequence may just be the adrenalin induced final spark of human imagination before it ceases to be. For a film about the power of imagination, what more satisfying reading can there be than the idea that we get to experience futures where we resolve the differences we’ve had with our children, and along the way play a central role in saving everyone?
Science fiction author Arthur C Clarke once noted that “any sufficiently advanced technology is indistinguishable from magic”; the magic in Nolan’s film is not science, it’s the imagination.
One of the most heartbreaking early scenes comes as Cooper is chastised by schoolteachers because his daughter, Murphy (Mackenzie Foy), refuses to accept their ‘updated’ textbooks which explain that the Apollo missions were faked, to trick the USSR into a fatally bankrupting space race. As someone who dreamt of going to the moon, and beyond, as a child, Nolan’s film feels like a total immersion in that exact youthful sense of wonder. A sense of wonder a new generation might just be sharing as they watch the Philae lander touch down on a comet hurtling through space.
Interstellar’s insistence on looking upward, to the stars, to the future, beyond the confines of what we concretely know: this makes the film more than worth your time.
In the final sequence, Cooper awakens in Cooper Station, and presumes it’s named after him. It’s not. It’s named after his daughter, Murphy Cooper. Murphy and Brand (Anne Hathaway), the daughters of the supposed great men, are the real heroes of the film. They make the scientific data work, and they save humanity; it’s their dreams which ensure our future. Or, at least, that’s the hope.
Originally published in Antenna: Response to Media & Culture. Cross-posted on Medium.
Twenty Years Ago: Terminator 2 …
Apparently Terminator 2 was released 20 years ago for the US Fourth of July weekend. I’ve been writing about the four Terminator films recently, but realising this film is older than half of my students makes me feel old! At least Terminator humour is still current:
[Image by zero-lives]
Digital Culture Links: June 24th 2011
Links for June 7th 2011 through June 24th 2011:
- Harry Potter and the amazing exploding book industry [GigaOM] – “Despite the obvious demand, Harry Potter author J.K. Rowling has adamantly refused to offer electronic versions of her phenomenally popular series for young adults — until now. As part of Thursday’s launch of an interactive website called Pottermore, the billionaire writer also announced that e-book versions of the novels will be available directly through the site for all major platforms. In one fell swoop, Rowling has cut both her publishers and booksellers such as Amazon out of the picture. Not everyone has that kind of power, of course, but Rowling’s move shows how the playing field in publishing continues to be disrupted. The author said the Pottermore site will offer extra content that she has written about the characters in the books … There will also be a social network of sorts built into the site that allows readers to connect with each other, play games and share their thoughts about the novels and their characters.”
- Google to be formally investigated over potential abuse of web dominance [guardian.co.uk] – “US regulators are poised to launch a formal investigation into whether Google has abused its dominance on the web, according to reports. The Federal Trade Commission (FTC) is days away from serving subpoenas on the internet giant in what could be the biggest investigation yet of the search company’s business, according to The Wall Street Journal. Both Google and the FTC declined to comment. A wide-ranging investigation into Google has been discussed for months. Google has faced several antitrust probes in recent years, and is already the subject of a similar investigation in Europe. In the US inquiries have so far largely been limited to reviews of the company’s mergers and acquisitions. The inquiry will examine the heart of Google’s search-advertising business, and the source of most of Google’s revenue. Google accounts for around two-thirds of internet searches in the US …”
- Kind of Screwed [Waxy.org] – The really sad story of how Andy Baio ended up paying over $US30,000 for a pixel-art cover on an homage album because a photographer (and his lawyers) don’t believe it’s fair use: “Last year, I was threatened with a lawsuit over the pixel art album cover for Kind of Bloop. Despite my firm belief that I was legally in the right, I settled out of court to cut my losses. This ordeal was very nerve-wracking for me and my family, and I’ve had trouble writing about it publicly until now.”
- The Social Network’s Aaron Sorkin quits Facebook [guardian.co.uk] – “Aaron Sorkin, 50, was speaking at the Cannes Lions International Festival of Creativity at a session alongside David Simon, creator of The Wire and Treme. His admission came as part of a discussion of the downsides of sites such as Twitter. Sorkin described himself as “this side of being a Luddite”, and said he had been on Facebook while he making the film, but had since given up his account. “I have a lot of opinions on social media that make me sound like a grumpy old man sitting on the porch yelling at kids,” he said. Sorkin’s scepticism of social media was shared by the film’s star, Jesse Eisenberg, who joined Facebook under a false name while in production but left soon afterwards, unnerved by the experience. “[I] was sent a message from Facebook suggesting people I should befriend,” Eisenberg said last October. “One of them was a girl my sister was friends with in high school. I don’t know how they found her, no idea. I signed off right then.””
- “Teen Sexting and Its Impact on the Tech Industry” – Provocative talk well worth reading: “Most of you have probably read the panic-laden stories about teens who got caught sexting. You may even have read the salacious stories about teachers who sext with students. And, unless you’ve been on a remote island this month, you’ve probably heard countless jokes about Anthony Weiner’s recent sexting scandal. While most Americans had never heard of the term “sexting” a few years ago, it’s hot news these days. And while you might have read these stories in the press, you might not realize how relevant they are to you. More than any other teen phenomenon, more than Justin Bieber or cute cats, teen sexting is something that you need to deal with. And you need to deal with it ASAP, both because it’s the right thing to do and because you face serious legal liabilities if you don’t. When first coined by Australian press only a few short years ago …” (boyd, danah. 2011 Read Write Web 2WAY conference.New York, NY, June 13)
- Facebook Changes Privacy Settings to Enable Facial Recognition [NYTimes.com] – “Facebook is pushing the privacy line once again, according to a new report from a security and antivirus company. According to the report, from Sophos, Facebook recently began changing its users’ privacy settings to automatically turn on a facial recognition feature that detects a user’s face in an image. Once the person’s face is detected, the Web site then encourages Facebook friends to tag them. Facebook introduced this feature last year for its North American users; it is now rolling it out globally. Facebook also doesn’t give users the option to avoid being tagged in a photo; instead, people who don’t want their name attached to an image must untag themselves after the fact. In response to a reporter’s inquiry, posted on a Facebook blog, the company said, “We should have been more clear with people during the roll-out process when this became available to them.””
- Apple’s new iOS5 features – really that new? [Ausdroid] – A quick comparison of Apple’s new iOS 5 mobile and the current offering from Android. Good points on both sides, but no clear “winner”.
Digital Culture Links: May 30th 2011
Links for May 26th 2011 through May 30th 2011:
- China used prisoners in lucrative internet gaming work [guardian.co.uk] – Chinese prisons used as gold farms (ie playing games to earn virtual gold to sale): “As a prisoner at the Jixi labour camp, Liu Dali would slog through tough days breaking rocks and digging trenches in the open cast coalmines of north-east China. By night, he would slay demons, battle goblins and cast spells. Liu says he was one of scores of prisoners forced to play online games to build up credits that prison guards would then trade for real money. The 54-year-old, a former prison guard who was jailed for three years in 2004 for “illegally petitioning” the central government about corruption in his hometown, reckons the operation was even more lucrative than the physical labour that prisoners were also forced to do.”
- Better Facebook – Browser Extension – Nifty browser extension that makes Facebook more useful – including tracking comments, far more detailed filtering options, unfriend tracking, themes and so forth. Works on most browsers except IE.
- “Literally Unbelievable” – The extremely odd, disheartening and worrying Tumblr blog which captures people’s reactions to stories in The Onion without realising they’re parody and satire. All a little worrying.
- The Tunnel – The Tunnel is an Australian horror film released in May 2011 which took the unique approach of officially and legally releasing the entire film exclusively as a Bittorrent file, while offering other ways to support the film (buy stills and various types of DVDs and extras), betting that working with p2p communities rather than against them would win fans and financial support in the long run. There’s a quick write-up in the SMH and some fascinating background: IMDb initially refused to let the film be listed since it wasn’t using any recognised channels for release (eventually IMDb bowed to fan pressure and it’s listed there now).
- Thanks, YouTube community, for two BIG gifts on our sixth birthday! [YouTube Blog] – YouTube turns six with some amazing stats: “Today, more than 48 hours (two days worth) of video are uploaded to the site every minute, a 37% increase over the last six months and 100% over last year. […] We’re amazed that over this last weekend, you drove YouTube past the 3 billion views a day mark, a 50% increase over last year. That’s the equivalent of nearly half the world’s population watching a YouTube video each day, or every U.S. resident watching at least nine videos a day.”Last year YouTube celebrated their 5th birthday with a dedicated channel page and a 5-year YouTube timeline which are still useful, too.
Digital Culture Links: May 12th 2011
Links for April 29th 2011 through May 12th 2011:
- Millions of Facebook users under 10 [The Age] – “Some 7.5 million of the 20 million US minors who used Facebook in the past year were younger than 13, and a million of them were bullied, harassed or threatened on the site, an American study shows. More than 5 million Facebook users were aged 10 or younger, and they were allowed to use Facebook largely without parental supervision, the State of the Net survey by Consumer Reports found.”
- chrome-angry-birds [Nelson’s Weblog] – Angry Birds comes in HTML5, too! “One of Google’s big announcements this week was the launch of Chrome Angry Birds, a port of the hugely popular mobile game to Google’s browser. But calling it “Chrome Angry Birds” is missing the point because what’s really interesting is that it’s a real-time multimedia cross-platform HTML 5 app. It runs fine in MSIE 9 and Firefox on Windows (sound and save games included) and I’ve heard reports it works in Safari on Macs, too. And because the game is based on open browser technologies, we can easily pull it apart and see how it’s built just like we’ve been pulling apart web pages since 1993 via the magic of “view source”. [Play.]
- Chromebook – Google partners to release Chromebooks, cloud-centric computers which boot amazingly fast are are designed to operate with everything in and from the cloud. Built upon the Chrome ‘browser’ (or OS) technology.
- Introducing Music Beta by Google [YouTube] – Google introduces “Music Beta”, their entry into the cloud music services, allowing individuals to upload their music collection, then use Google or Android to stream that music to portable and fixed devices. (Currently invitation-only and US-only.)
- Zynga goes Gaga! Lady Gaga and Zynga team up to celebrate new album “Born This Way” [Zynga] – Well, Zynga and Gaga get points for an original combination of media elements, at least: “Lady Gaga and Zynga today announced a partnership to launch the mega-artist’s new album “Born this Way.” Launching May 17, the first-of-its-kind program gives “little monsters” throughout the world a first listen to exclusive un-released songs from the upcoming when they visit GagaVille, a uniquely designed neighboring farm in FarmVille (There will be unicorns and crystals. Enough said.). The full album also comes bundled as a free download with the purchase of a special Zynga $25 game card, available exclusively at Best Buy. The program reaches across Zynga games and across platforms. Words With Friends, the popular mobile social game available iPhone, iPad, as well as Android devices, will feature a daily “Words with Gaga” contest …”
- Google Launches Movie Rentals on Android Market: Online Video News [GigaOm] – Android rentals: “Google announced a new cloud movie service for Android that will be available as part of the Android Market. At its Google I/O developers conference Tuesday, the company said the service will have “thousands of movies available,” with titles including Inception, The King’s Speech and Despicable Me, and rentals starting at $1.99. Users will be able to rent titles on the Android Market’s website and then watch them on the web, stream them to Android devices and even download them to play on the go where no network connectivity is available.”
- Watching Together: Twitter and TV [Twitter Blog] – “Last week, Twitter enjoyed its widest television integration to date via the live coverage of the royal wedding, as Chloe Sladden from our media team discusses on the Twitter Media blog. During the wedding, users interacted with ABC News’ coverage by using the hashtags #RoyalSuccess and #RoyalMess to voice their opinion about the events unfolding in London. They shared their thoughts with CNN by including the hashtag #CNNTV in their Tweets, causing #CNNTV to trend early in the event. And as audiences around the world watched the events live on TV, they posted millions of Tweets, peaking at 16,000 Tweets per minute between 5 and 6 a.m. EST. The royal wedding is just one example of how real-time Twitter integration can enhance TV coverage and help drive viewership …” [ Related YouTube clip: http://youtu.be/Jc8TQppzORE ]
- Obi Wan Obama, Bin Laden’s Death, and Tumblr [Unmuzzled Thoughts] – Kelli Marshall looks at the memes and reactions emerging on Tumblr after US president Barack Obama announced that long saught terrorist leader Osama Bin Laden had been killed by US forces in Pakistan. (The post includes a useful archive of images.)
- Corporate Rule of Cyberspace – Slavoj Žižek [ Inside Higher Ed] – Slavoj Žižek Vs Cloud Computing: “To put it simply, Steve Jobs is no better than Bill Gates: whether it be Apple or Microsoft, global access is increasingly grounded in the virtually monopolistic privatization of the cloud which provides this access. The more an individual user is given access to universal public space, the more that space is privatized. Apologists present cloud computing as the next logical step in the “natural evolution” of the Internet, and while in an abstract-technological way this is true, there is nothing “natural” in the progressive privatization of global cyberspace. There is nothing “natural” in the fact that two or three companies in a quasi-monopolistic position can not only set prices at will but also filter the software they provide to give its “universality” a particular twist depending on commercial and ideological interests.”
- South Korea bans youngsters from playing online games after midnight [News.com.au] – “Young South Koreans will be banned from playing online video games later than midnight after lawmakers passed a new curfew law. Yonhap news agency reported the new law – which bans anyone under 16 from playing online into the early hours – was passed by lawmakers worried about growing levels of addiction to gaming among youngsters. Gaming companies fiercely contested the legislation but the Youth Protection bill passed late Friday.”
- Superman threatens to renounce US citizenship [Books | guardian.co.uk] – “After years of declaring he stood for “truth, justice and the American way,” Superman has provoked the ire of rightwingers by threatening to renounce his US citizenship. In the latest issue of Action Comics, which went on sale on Wednesday, the Man of Steel decides to take the step after he intervenes in a protest against the Iranian government. After the Islamic regime brands his non-violent protest as an act of war taken on behalf of the US president, the DC comic hero says he will renounce his citizenship before the United Nations. “I’m tired of having my actions construed as instruments of US policy,” he says. Although Superman never actually renounces his citizenship in the story, conservative commentators reacted with disgust.”
- Instagram Spawns a Photo Ecosystem [NYTimes.com] – “Instagram, the social-meets-photos app for the iPhone that transforms plain cellphone pictures into vintage-looking works of art, has attracted millions of users. In recent months, it has also begun to draw entrepreneurs who are eager to capitalize on its growing popularity. In particular, people are creating services that revolve around bringing Instagram photos, typically viewed on a phone screen, into the real world. Keepsy lets people quickly build a photobook of their favorite Instagram pictures and share it on Facebook and Twitter. They can then print a hard copy of the photobook for about $30. There is also Postagram, which lets its users mail a postcard created from an Instagram photo to a recipient of their choice for 99 cents. And Hatchcraft will frame favorite Instagram pictures in hand-carved bamboo shadow boxes that can be hung on a wall.”
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