There’s an app for that, too.
Sometimes the simplest parodies are the most effective. Case in point: Adam Sacks’ brilliant, satirical take on the power of a range of Apple iPhone applications.
The Future of Journalism
On Friday evening I attended and spoke at the ‘Future of Journalism’, an event organised by the Media Alliance & Walkley Foundation which was styled as a “Blueprint for progress”, featuring healthy discussion and debate about the future of paid journalism and, amongst other topical issues, whether news consumers would actually start paying for content they’ve already been enjoying for free.
I was part of the final panel for the night, joining Ralph Nicholson (formerly with Reuters, now the publisher and editor of The Beach Times, a free newspaper in Costa Rica), Jo McManus (who has 30 years experience as a journalist and now lectures the next generation at ECU/WAAPA), and Australian political blogger William Bowe (the Poll Bludger) for a very spirited conversation chaired by Jonathan Este, the Media Alliance’s director of communication. We were briefed that the discussion would be pretty informal, which held true, but it was very wide-ranging, discussing everything from possible business models for online news through to the role of social media and blogging both by, and in opposition to, traditional journalists.
From the outset, I should by saying I have no idea what the best business model for journalism is in the online age, but I am quite certain it is not putting all content back behind a paywall. That way, I’d suggest, lies disaster, one the reasons for which I outline a little below.
There isn’t time to touch on everything that was discussed, but I wanted to re-visit three points that were raised during our panel (or earlier, and to which our panel then responded):
[1] The relationship between bloggers and paid journalists. For whatever reason, the ‘bloggers’ (or ‘amateur bloggers’ now, since so many journos write blogs) still attract the ire of professional journalists because the bloggers are seen as a vast, untrained, amateur army of low-quality content creators who aren’t bound by a code of ethics but do get read by people who should be reading proper journalism. To be fair, many of the people who spoke didn’t share this view, but at least a few did, and there were plenty of barbed asides to be heard. Let me reiterate what I said on the night: there are certainly some bloggers who write as well as journalists, are just as ethically-driven as good journalists and who can research and investigate as well as paid and trained journalists. However, the vast majority of bloggers do not consider themselves journalists, do not seek to compete with journalists and still value (and enjoy) quality journalism done by paid professionals. Despite what Rupert Murdoch might now believe, bloggers are not the enemy and those who do engage in debate with, or commentary on, professional journalism are usually amongst the strongest supporters of good journalism as a profession. Indeed, a blog post written by blogger and journalist Steven Johnson back in 2006 called ‘Five Things All Sane People Agree On About Blogs And Mainstream Journalism (So Can We Stop Talking About Them Now?)’ did a far more elegant job of making this point. Perhaps a few more people should read it.
[2] Digital media tools are not names to be feared, but rather processes than can be readily understood. There were a lot of comments from old hands in the industry about the difficulty keeping up with the latest new technology – the main mentions were MySpace to Facebook, and now to Twitter. MySpace, Facebook and Twitter all share many commonalities: they’re all about making sharing ideas, conversations, links and media (broadly defined). Rather than asking how Facebook is different from MySpace, or Twitter different from the first two, what might be more fruitful is to ask what the latest technology does that’s similar to something you are familiar with. Rather than treating Twitter as something new, and thus something alien, if it’s examined as primarily replicating the conversational style of Facebook, but without anything else from that platform (including those annoying applications) then you start to come to terms with what it is. Sure, it takes a little while to become familiar with a new tool, but starting to use these tools, rather than spending copious time fearing them and lamenting all these new-fangled technologies, is surely a better use of peoples’ time. Many journalists have embraced Twitter, for example, and it’s paying real dividends. It is, of course, important to verify any ‘facts’ gathered via Twitter, but that’s true of each and every source. During our panel I suggested that people interested in journalism can become part of the media conversation long before they become active professionals or even before any formal training using social media tools – tomorrow’s journalists can sharpen the skills they’ll need via Facebook, Twitter or whatever comes next, and that should, in my opinion, be seen as an asset.
[3] The relationship between social media and news. Many more entrenched journalists seem to think that social media tools, like blogging or Twitter, might be valuable since they let journalists talk to their audience, but they still seem to see the gap between themselves and the audience as a chasm; their audience, by contrast, is increasingly thinking of themselves as participating in a conversation, and often a conversation amongst equals. That doesn’t mean everyone thinks they’re a journalist, but the era when journalists were set apart by their training and ethics has by and large ended thanks to a lot of very bad journalism in the world and a lot of very smart people in that audience. Indeed, the word audience might just need to be rethought altogether. As Dan Gillmor, amongst others, have eloquently described the change: “Journalism is evolving from a lecture to a conversation, and the first rule of good conversation is to listen.” This, incidentally, is the main reason I think putting news behind a paywall will fail: stopping people from participating in the conversation about the news you report or create will reduce the impact and spread of that news.
A different way of thinking about this is that many people engage with news not by visiting a newspaper’s website, but by coming across a link via Google or, increasingly, a link that a friend or contact has posted using a social media tool. These are conversational contexts, and any media links posted in these contexts are seen as things to be discussed. In the coming months, this will be even more pronounced thanks to Google’s newest invention, Google Wave. As I understand it, Google Wave is about taking all of the disparate bits of conversation that can happen using online communication tools and making it possible to retain and continue the conversations, regardless of where it starts (be that email, a blog, or wherever else). Thus, for Google Wave, conversation is content. While we’ll need to see how Google Wave works once it’s officially launched, we know today that newspapers are already put in a lot of effort into trying to gain solid Google rankings. In the coming months, that may very well involve being more conscious of news as a conversation rather than a lecture. I can understand how that might sound daunting to journalists and the industry, but figuring out how to be part of more conversations may very well be part of successful business models for the quality journalists of tomorrow.
Those points aside, I must admit I enjoyed that Future of Journalism event; the very fact that the night was organised shows that news journalists in Australia are trying to figure out new, sustainable ways of plying their trade in the digital age. Moreover, while there were definitely a few dinosaurs in the room, some of the newer faces of journalism, including Tim Burrowes from mUmBrella (his response to the event here), and Stephen Brook from the Guardian, showed that many journalists are definitely already in tune with the tides of the digital world in which they operate.
[Photo: ‘Dead sea newspaper’; CC BY SA]
Digital Culture Links: August 20th 2009
Links for August 15th 2009 through August 20th 2009:
- iiNet uses Telecommunications Act to boost copyright case [Australian IT] – "iiNet has put two new lines of legal defence before the Federal Court in its bid to stop a group of entertainment companies suing it for copyright infringement. … barrister Richard Cobden today ventured a new defence in which he revealed the ISPs intent to argue that bowing to AFACT's demands to disconnect the customers for "unproven allegations of copyright breaches" would itself be in breach of privacy provisions of the Telecommunications Act. Mr Cobden also told the court that the ISP intended to argue that any steps AFACT required it to take could not be considered reasonable unless its rivals in the telecommunications sector were also asked to pursue them. … iiNet said: "There are very good public policy reasons why ISPs cannot use their customers' information in the manner AFACT has demanded. "The existing law currently provides a process for investigating copyright theft or any other illegal activity using the internet, requiring court orders, warrants and due process."
- Liskula Cohen Forces Google To Reveal Anonymous 'Skank' Blogger's Identity [SMH] – "A former Vogue Australia cover girl has won a landmark court battle to reveal the identity of an anonymous blogger who called her a "skank" and an "old hag". Model Liskula Cohen sued Google in January in the hope of forcing the company to reveal the person responsible for allegedly defamatory comments on a blog called Skanks in NYC, which was hosted by Google's Blogger service." (While I don't believe anyone is really anonymous online, I'm not sure that I'm comfortable with the precedent this sets with Google being forced to release user details.)
- Video gamers 'older than thought' [BBC NEWS | Technology] – "The average age of an adult video game player is 35 – higher than previously thought, a US study suggests."
On the Importance of Dating Felicia Day’s Avatar in Australia!
If you’ve glanced at YouTube, or your iTunes store, or Twitter, or even Facebook in the last few days you may very well have noticed people talking about and linking to this video:
What you might not have realised if you’ve only just heard of The Guild or Felicia Day, is that this little video represents something of a leap forward in terms of indie-based web productions finding a way to make a healthy amount of money while still giving away their content predominantly for free. For those of you who’ve not come across The Guild before, it’s a comedy web series created and written by Felicia Day (of Dr Horrible and Buffy fame), looking at the ‘real’ lives of six MMO (videogame) players. The ‘game’ is never explicitly named, but the characters and situations are largely based on play in and around World of Warcraft.
Anyway, one of the most important things is that after the first season of The Guild, Day very cleverly managed to strike a deal with Microsoft which would allow them to co-produce The Guild and thus season two was initially, exclusively available via the Xbox Live, MSN and Zune websites. Significantly, Day retained all intellectual property regarding The Guild, meaning that the show remains under her ownership and control (about which Day is rightly proud). Indeed, just striking that deal is a significant business move for an indie web media creator. Of course, Day ensured that episodes also appeared on YouTube and other venues after a period of time, ensuring fans could access The Guild in whichever manner they preferred. The Guild has built a very healthy following (as has Day herself, with over a million Twitter followers) and after initially being available for free, Day released DVDs of season one and two
via Amazon, which have sold reasonably well.
However, the music video which I’m focusing on today is The Guild’s ‘(Do You Wanna Date My) Avatar’ which was written by Felicia Day, features the cast of The Guild, and was directed by Jed Whedon (one of Joss’ brothers, who also co-wrote Dr Horrible). Initially revealed at Comic-Con, the music video playfully engages with pretty much every stereotype that there is about gamers, electronically dancing a fine line between knowing parody and unadulterated fandom. Following the deal with Microsoft, ‘Avatar’ was available exclusively on the Xbox and Zune websites for a week, before hitting the rest of the web both for free on YouTube and as paid download via iTunes stores, Amazon and elsewhere. And that’s where the story gets impressive, as the music video has hit number one on the US iTunes store and on Amazon as an mp3 download. More to the point, Day has learnt from the successes and problems that Dr Horrible hit last year.
While Dr Horrible was a huge hit in the US iTunes store, there were problems even viewing Dr Horrible outside of the US for the first few days, and it took months before Australians had a legal option to purchase Dr Horrible online. In contrast, Day seems acutely aware that The Guild’s fans are spread all across the globe and that all ‘national’ versions of the iTunes store (all of which have separate licensing agreements) should be ready to spread The Guild’s musical talents. [Update: To distribute the mp3 versions, Day used the Tunecore service which lets artists release their mp3s across a range of international stores simultaneously for a small fee.] The image visible on the left shows today’s Top Music Videos in the Australian iTunes store, with (Do You Wanna Date My) Avatar [feat. Felicia Day] sitting proudly at the top of the charts; it also topped the UK iTunes store (and elsewhere across the globe, too, I’m sure). While there was a delay of a day or so getting some versions of the music video or mp3 into particular national online stores, Day has no doubt affirmed the loyalty of fans across the globe by ensuring they have access to ‘Avatar’ for free, or to buy, on exactly the same terms as fans in the US. While we may never know exactly how much ‘Avatar’ earns (or even what the music video cost to make) even the $2.59 a pop for the music video in Australia, or $1.69 for the mp3 single, will surely combine with sales across the globe to make a very respectable amount. Indeed, I’d guess it could make more than a full season of The Guild webisodes!
Most importantly, though, Felicia Day has shown the sort of foresight that comes from being a clever media creator in the digital era: rather than bowing to the tyranny of digital distance, and letting the globe be arbitrarily cut into different regions in which different media companies can license and re-sell content, Day clearly views her loyal fans as a truly global, participative audience who all deserve equal access to the highly enjoyable media she creates! Felicia Day is someone who understands that digital media can, and should, also mean global media.
Now, after all that, if you’ve not done so already, stop listening to me, and check out ‘(Do You Wanna Date My) Avatar’!
Google Opt Out Feature!
Speaking of privacy issues, The Onion has once again hit the nail on the head with their “Google Opt Out Feature Lets Users Protect Privacy By Moving To Remote Village” video:
Google Opt Out Feature Lets Users Protect Privacy By Moving To Remote Village