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Digital Culture Links: April 2nd 2011

Links for April 3rd 2011:

  • Google +1 Button – +1 = Google’s answer to Facebook’s “Like” button, bringing social recommendations thundering into Google (opt-in for now).
  • GoDaddy CEO Shoots Elephant, Injures Brand [Mashable] – “GoDaddy CEO Bob Parsons may have achieved a new social media equivalent of jumping the shark. Call it “shooting the elephant.” A video of Parsons shooting an elephant in Zimbabwe made the rounds Thursday, causing the domain registry company to become a Google Hot Topic and the subject of criticism. Leading the charge is PETA, the animal rights group, which has closed its account with GoDaddy and is asking others to follow suit. Parsons, a Vietnam vet known for his brash image, brought on the publicity by posting the video on his blog. The video shows the damage elephants caused by trampling a farmer’s sorghum field. Parsons and his fellow hunters are shown waiting at night for the elephants to return. Then Parsons shoots and kills one of the elephants. […] . Anticipating a backlash, GoDaddy competitor NameCheap.com has already swooped in. The company is running a transfer from GoDaddy to Namecheap.com […] domains for $4.99 with 20% of the proceeds going to SaveTheElephants”
  • Facebook ban for boy accused of eliciting webcam porn [WA Today] – “A teenage boy has been barred from social networking sites while he awaits court proceedings for which he has been accused of pressuring girls into performing sexual acts in front of a webcam and posting the videos on Facebook. The 16-year-old boy, who cannot be identified for legal reasons, was charged with encouraging a child aged 13 to 16 to commit an indecent act, procuring a child aged 13 to 16 to commit an indecent act, producing child exploitation material and distributing child exploitation material. […] Today the boy briefly fronted the Perth Children’s Court with both his parents, but was not required to enter a plea as he had not yet sought legal advice. He was remanded on bail to appear again in April. The state prosecutor successfully sought to have his bail conditions tightened, which already banned his use of Facebook and other social media, to include a ban preventing him from any form of contact with either girl.”
  • Pediatrics Gets it Wrong about ‘Facebook Depression’ [World of Psychology] – “You know it’s not good when one of the most prestigious pediatric journals, Pediatrics, can’t differentiate between correlation and causation. And yet this is exactly what the authors of a “clinical report” did in reporting on the impact of social media on children and teens. Especially in their discussion of “Facebook depression,” a term that the authors simply made up to describe the phenomenon observed when depressed people use social media. Shoddy research? You bet. That’s why Pediatrics calls it a “clinical report” — because it’s at the level of a bad blog post written by people with a clear agenda. […] The problem now is that news outlets suggesting not only that it exists, but that researchers have found the online world somehow “triggers” depression in teens. Pediatrics and the American Academy of Pediatrics should be ashamed of this shoddy clinical report, and retract the entire section about “Facebook depression.”
  • A new book, more or less accidental [Observations on film art] – As David Bordwell and Kristin Thompson’s new book Minding Movies: Observations on the Art, Craft, and Business of Film is published, collecting a number fo essays and observations from their blog, the pair reflect on blogging and publishing, the relationship between the two and beyond. For scholars who blog (or might blog) these thoughts are well worth reading. I truly hope their book sells well and moves from ‘experiment’ to ‘successful experiment’ with blog-based publication.
  • Amazon Cloud Player goes live, streams music on your computer and Android [Engadget] – Amazon’s new cloud-based music and storage service, just released for users in the US only (for now): “Look who just ate Apple’s and Google’s lunch here? Amazon has just pushed out its very own music streaming service, which is conveniently dubbed the Amazon Cloud Player. Existing customers in the US can now upload their MP3 purchases to their 5GB cloud space — upgradable to a one-year 20GB plan for free upon purchasing an MP3 album, with additional plans starting at $20 a year — and then start streaming on their computers or Android devices. Oh, and did we mention that this service is free of charge as well? Meanwhile, someone will have some catching up to do, but we have a feeling it won’t take them too long.” [Amazon Mp3 CloudDrive]
  • The impact of social media use on children, adolescents and families – Kathleen Clarke-Pearson, Gwenn Schurgin O’Keeffe, American Academy of Pediatrics [Australian Policy Online] – “Using social media Web sites is among the most common activity of today’s children and adolescents. Any Web site that allows social interaction is considered a social media site, including social networking sites such as Facebook, MySpace, and Twitter; gaming sites and virtual worlds such as Club Penguin, Second Life, and the Sims; video sites such as YouTube; and blogs. Such sites offer today’s youth a portal for entertainment and communication and have grown exponentially in recent years. For this reason, it is important that parents become aware of the nature of social media sites, given that not all of them are healthy environments for children and adolescents. Pediatricians are in a unique position to help families understand these sites and to encourage healthy use and urge parents to monitor for potential problems with cyberbullying, “Facebook depression,” sexting, and exposure to inappropriate content.” [PDF]
  • Australians buy 1 million mobile phones monthly: IDC [The Australian] – AUSTRALIANS’ love affair with mobile phones shows no sign of abating with more than 1 million units purchased each month last year. This means just over 34,000 mobile phones were sold every day in 2010. In coming months Google Android will unseat Nokia’s Symbian as the leading smartphone platform in Australia, IDC predicts. However, despite intense pressure from rivals, Nokia retained its number-one position in overall mobile phone sector after aggressively slashing prices to woo customers. […] According to statistics from IDC Australia, 12.74 million mobiles were sold last year, a sharp increase from 10.99 million in 2009. The research house combines mobile phone sales from two categories: smartphones and feature phones. According to IDC, smartphones — unlike feature phones — run on a standalone operating system such as Apple iOS, Google Android, BlackBerry OS and Windows Phone. Smartphones accounted for around 57 per cent of mobile phones sold last year …”
  • Rebecca Black’s First-Week Sales: Not Bad, But Not In The Millions … [Billboard.biz] – “…Rebecca Black is not netting hundreds of thousands of dollars from the more than 33 million YouTube views of her uber-viral video “Friday” or its digital sales. However, she’s not doing badly. The 13-year-old is netting roughly $24,900 per week from track sales of her surprise hit song, according to my calculations. It’s the start of a great college fund, but she’s not making the kind of money from iTunes sales that some writers have estimated. Forbes.com erroneously reported her digital iTunes sales at 2 million, a figure that was picked up by other publications (Forbes has since posted a correction). So how many tracks is she selling? I’d estimate less than 40,000 in the U.S. last week and probably more this week. […] Black appears to own the copyright to her sound recordings — the label is listed as “2011 Rebecca Black” on iTunes and Amazon MP3 lists “2011 Rebecca Black” in the “copyright” field of the song page.” (I’m impressed she kept the copyright! )
  • High-Tech Flirting Turns Explicit, Altering Young Lives [NYTimes.com] – A cautionary tale from the New York Times about teens, ‘sexting’ and the long-term impact of digital reputation.
  • The Curious Case of Benjamin Sniddlegrass and the Cauldron of Penguins Tama Leaver / Curtin University [Flow 13.10, March 2011] – Short article about the Australian-made Benjamin Sniddlegrass and the Cauldron of Penguins which began life as a throw-away one line comment in a film review on a radio show and a year later was a fan-made feature film complete with digital download a niche cinema screenings. Convergence, digitisation and all that.
  • Lady Gaga first to have nine million Twitter followers [BBC – Newsbeat] – Twitter goes GaGa for GaGa: “Lady Gaga is the first person to have nine million followers on Twitter. The American singer, 24, became the most popular person on the social networking site last August overtaking Britney Spears when they both had just over 5.7 million followers. She joined Twitter in 2008 with her first Tweet saying she was rehearsing for the Just Dance video. Justin Bieber is the second most popular celebrity on the site, with just over 8.3 million followers.”

Creepy: Educational Tool or Privacy Nightmare?

Like Please Rob Me and I Can Stalk U before it, Creepy is an application which lives up to its name.  It’s a recently-released basic desktop application (Windows or Linux) which scrapes Twitter and a bunch of image sharing services, including Flickr, TwitPic and yFrog, and builds a diary and map of someone’s movements and the times these were logged. Now, Creepy only accesses data which is public, data which is shared online but, like Please Rob Me or I Can Stalk U, it presents this data is a way which isn’t conventionally available.  More to the point, when confronted with a map of your day-to-day activity, plotted on the basis of social media activity, it can be quite confronting.  The tool is described thus on the website:

creepy is an application that allows you to gather geolocation related information about users from social networking platforms and image hosting services. The information is presented in a map inside the application where all the retrieved data is shown accompanied with relevant information (i.e. what was posted from that specific location) to provide context to the presentation.

Additionally, the FAQ adds this detail and rationale:

1) Dude, this app is disturbing , what were you thinking ?

Well, I don’t think that the fact that your geolocation information can be gathered and aggregated is disturbing. The fact that you were publishing it in the first place , is , on the other hand. Just to be clear, the intention behind creating creepy was not to help stalkers or promote/endorse stalking. It was to show exactly how easy it is to aggregate geolocation information and make you think twice next time you opt-in for geolocation features in twitter, or hitting “allow” in the “this application wants to use your current location” dialog on your iphone.

So Creepy does explicitly claim to be an educational tool in the ‘here, look what you’ve already done, now change your habits’ kind of way. Running Creepy just based on my own Twitter information produced a rudimentary map of my logged activity in Perth (clearly Creepy is following data from FourSquare and Flickr images which I posted with my Twitter account):

Creepy_Perth

However, when I zoom in a long way, for example onto my workplace, there’s certainly a quite explicit level of geographic information:

creepy_Curtin

Now, I’m well aware of the data trail my Twitter, FourSquare and Flickr photos generate and acknowledge that if someone wanted to they could aggregate that information and build a reasonable picture of my activity.  The point, though, is that many people aren’t that aware of the data trails they are leaving and that’s what Creepy purports to fix: it’s a very visible, confronting and explicit visualized map of the data trail you’re leaving. It’s not a technical privacy violation, but it might feel like an invasion of sorts.  If it does feel that way, perhaps it’s time to think a little more about how, when and where you share information about yourself on social media and what data is actually embedded in your photos.

Three Big Pigs: Angry Birds/Disney Middle East Mashup

As Ethan Zuckerman says: “There’s something very 2011 about a Russian video using a soundtrack from American cartoons and characters from a Finnish mobile phone game (based on an English fairytale) to satirize North African politics.”

Digital Culture Links: March 25th 2011

Links for March 21st 2011 through March 25th 2011:

  • Record Industry: Limewire Could Owe $75 Trillion – Judge: “Absurd” [Crunch Gear] – “… this is beyond ridiculous. This is… sublime. The record companies suing Limewire were asked to estimate the damages that should be paid by the file-sharing service. Their estimate? $400 Billion on the low end, and at the high end — $75 trillion dollars. That’s more than the GDP of the entire world. The judge, in a refreshing stroke of good sense, deemed these potential damages “absurd” and the plaintiff’s approach “untenable”. The $75tn figure relies on an interpretation of copyright law that provides statutory damages for each instance of copying, and with the numbers of downloads and individual songs the industry is alleging, the money adds up quickly. Even the $400bn figure is certainly grossly inflated, however “conservative” it may appear to Virgin, Atlantic, Sony, and so on. It was decided that an interpretation of copyright law enabling the music industry to sue for more money than they’ve made in the history of recorded music was necessarily wrong…”
  • Troll jailed for posting child porn on tribute pages for dead children [News.com.au] – A MAN charged over Facebook vandalism for plastering child pornography over sites set up to pay tribute to two slain schoolchildren has been jailed. The Brisbane District Court was told Bradley Paul Hampson, 29, posted offensive messages and photographs on Facebook “RIP tribute” pages for a 12-year-old boy stabbed at a Brisbane school and a nine-year-old Bundaberg girl abducted and murdered in February last year. Hampson, of Tarragindi, on Brisbane’s southside, today pleaded guilty to two counts using a carriage service, the internet, to cause offence and one each of distributing and possessing child exploitation material between February 14 and June 4 last year. […] Judge Kerry O’Brien jailed Hamspon for three years, but ordered he be released after serving 12 months. Judge O’Brien ordered Hampson be placed on a two-year probation order upon his release from jail.”
  • Tweeting with the telly on [BBC News] – Twitter TV – it can be more than just #qanda! “The days of families reverentially gathered around the box may be long gone but the doom-mongers who said that on-demand would kill linear TV completely may also be somewhat off the mark. A new generation of viewers is watching what has been dubbed social TV – a synthesis between TV and social networking. A recent study from marketing agency Digital Clarity found that 80% of under-25s used a second screen to communicate with friends while watching TV and 72% used Twitter, Facebook or a mobile app to comment on shows. Currently it is little more sophisticated than watching TV with one eye on Twitter or Facebook, but that is beginning to change as TV executives start to experiment with greater social networking integration. In New Zealand, TVNZ has just launched a new youth channel which sees Facebook heavily integrated to create an interactive entertainment and music show.”
  • Amazon Appstore: what does it mean for developers? [guardian.co.uk] – Amazon launch their new Android App store. Testimony to the choice available on an open system. However, launching it US-only seems ridiculous. Rovio’s ‘Angry Birds Rio’ is free for the first day of Amazon’s App Store, but no one in the US can ‘buy’ it (ie download it) at all. Not a terribly auspicious start. (Oh, and Apple are going to sue them for use of ‘App’ in the name of their App Store.)
  • Piracy: are we being conned? [The Age] – A thoroughly research article which rebukes some of the ridiculous claims in several recent industry-backed “piracy” scare reports: “This month, a new lobbying group, the Australian Content Industry Group (ACIG), released new statistics to The Age, which claimed piracy was costing Australian content industries $900 million a year and 8000 jobs. The report claims 4.7 million Australian internet users engaged in illegal downloading and this was set to increase to 8 million by 2016. By that time, the claimed losses to piracy would jump to $5.2 billion a year and 40,000 jobs. But the report, which is just 12 pages long, is fundamentally flawed. It takes a model provided by an earlier European piracy study (which itself has been thoroughly debunked) and attempts to shoe-horn in extrapolated Australian figures that are at best highly questionable and at worst just made up.”
  • Google accuses China of interfering with Gmail email system [The Guardian] – Google vs China, round two: “Google has accused the Chinese government of interfering with its popular Gmail email system. The move follows extensive attempts by the Chinese authorities to crack down on the “jasmine revolution” – an online dissident movement inspired by events in the Middle East. According to the search giant, Chinese customers and advertisers have increasingly been complaining about their Gmail service in the past month. Attempts by users to send messages, mark messages as unread and use other services have generated problems for Gmail customers. In the wake of the catastrophic earthquake in Japan, Google set up an application to help people find relatives and friends lost in the disaster. This service too seems to have been compromised. “Relating to Google there is no issue on our side. We have checked extensively. This is a government blockage carefully designed to look like the problem is with Gmail,” said a Google spokesman.”

Digital Culture Links: March 20th 2011

Links for March 16th 2011 through March 20th 2011:

  • Why Curation Is Just as Important as Creation [Mashable] – “The folks who run the online galleries — the curators — aren’t asking permission or giving a revenue share, which means that content creators need to get comfortable with the idea that in the new world of the link economy, curating and creating aren’t mutually exclusive. Exhibit A: Seth Godin. He is one of the web’s best-known marketing wizards. […]. And he says that content creators can’t ignore curation any longer. “We don’t have an information shortage; we have an attention shortage,” Godin said. “There’s always someone who’s going to supply you with information that you’re going to curate. The Guggenheim doesn’t have a shortage of art. They don’t pay you to hang paintings for a show — in fact you have to pay for the insurance. […] As Godin sees it, power is shifting from content makers to content curators: “If we live in a world where information drives what we do, the information we get becomes the most important thing. The person who chooses that information has power.””
  • Why Do We Hate Rebecca Black? [Brow Beat] – “It’s Fri-ee-day! Here in New York, where the long-awaited sunshine is making everyone slightly loopy, “Friday”—Rebecca Black’s so-awful-it’s-kind-of-genius viral sensation—makes for a highly appropriate soundtrack. Like her lyricists, I, too, can barely form coherent sentences, because we-we-we so excited about all the fun ahead of us tonight. A quick recap, for anyone who’s missed the frenzy: Rebecca Black, an eighth-grader from Orange County, recorded a song and produced a video with vanity label Ark Music Factory, which specializes in tweenybopper “artists.” Last week, Black’s video starting ricocheting around the Web, to the delight and horror of millions of viewers. No one, it seems, can believe that anything this terrible could possibly exist. […] So her parents paid $2,000 for her to pretend to be a star. […] and for an unexpected dose of media training.
  • xxx marks the spot [SMH] – “The group in charge of internet addresses has opened the door for adult-content websites ending with .xxx but delayed deciding whether to open the floodgates for other suffixes. The non-profit internet Corporation for Assigned Names and Numbers (ICANN) board voted to approve a petition to add .xxx to the list of “generic top-level domains” – endings that include .com, .net and .org. […] The request had been rejected about five years ago and was reconsidered after an appeal.”
  • Bullying Video’s “Little Zangief” A Hero Online [WA Today] – “It was inevitable. The Sydney boy who retaliated against a younger student at school after an apparent bullying attack has been transformed from a victim to an online hero. Since video of the incident at a western Sydney school this week was posted online, it immediately went viral. The 16-year-old “victim” has been dubbed “Little Zangief” – a character from the Street Fighter video game – and likened to the Incredible Hulk and The Punisher, with websites, mash-up videos and even a Twitter account set up in his honour. The video, which has since been featured on US and British news sites, shows a smaller 12-year-old boy punching the bigger boy. The bigger boy then picks up his tormentor and throws him to the ground. The issue dominated talkback radio after it happened.” [More at Know Your Meme] [More Remixes]
  • 40th anniversary of the computer virus [Net Security] – “1971: Creeper: catch me if you can. While theories on self-replicating automatas were developed by genius mathematician Von Neumann in the early 50s, the first real computer virus was released “in lab” in 1971 by an employee of a company working on building ARPANET, the Internet’s ancestor. Intriguing feature: Creeper looks for a machine on the network, transfers to it, displays the message “I’m the creeper, catch me if you can!” and starts over, thereby hoping from system to system. It was a pure proof of concept that ties the roots of computer viruses to those of the Internet.”
  • The Rise of Twitter Poetry [NYTimes.com] – “… there’s evidence that the literary flowering of Twitter may actually be taking place. The Twitter haiku movement — “twaiku” to its initiates — is well under way. Science fiction and mystery enthusiasts especially have gravitated to its communal immediacy. And even litterateurs, with a capital L, seem to be warming to it. For two years, John Wray, the author of the well-regarded novel “Lowboy,” has been spinning out a Twitter story based on a character named Citizen that he cut from the novel, a contemporary version of the serialization that Dickens and other fiction writers once enjoyed. “I don’t view the constraints of the format as in any way necessarily precluding literary quality,” he said. “It’s just a different form. And it’s still early days, so people are still really trying to figure out how to communicate with it, beyond just reporting that their Cheerios are soggy.””

Understanding Creative Commons for Education

Late last year I was interviewed about online teaching by the team UNSW’s COFA team for their Learning to Teach Online project which aims to build a rich library of resources for teachers working online in various forms.  You can find my talking head peppered throughout a number of their video episodes, but the main one, and one I’m really pleased to see up, is all about Understanding Creative Commons for education. I’ve embedded the video below, but you can also get a printable resources hand-out over and the Learning to Teaching Online page.

Incidentally, it’s worth mentioning that this video is about both how teachers and use Creative Commons licenses, but also, and quite importantly, about how students can use CC licenses when producing their own worth, be that text, photos, video or other combinations of media. If you’re an educator interested in this area, you might also enjoy the short paper I wrote a few years ago called ‘The Creative Commons: An Overview for Educators’.

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