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Tag Archives: speed
Links for January 3rd 2009 through January 5th 2009:
- Participatory Media Literacy: Why it matters [Digital Ethnography] – Michael Wesch (of The Machine is Us/ing Us fame): “Those of us striving to integrate participatory media literacy practices into our classes often face resistance. Other faculty might argue that we are turning away from the foundations of print literacy, or worse, pandering to our tech-obsessed students. Meanwhile, students might resist too, wondering why they have to learn to use a wiki in an anthropology class. The surprising-to-most-people-fact is that students would prefer less technology in the classroom (especially *participatory* technologies that force them to do something other than sit back and memorize material for a regurgitation exercise). We use social media in the classroom not because our students use it, but because we are afraid that social media might be using them – that they are using social media blindly, without recognition of the new challenges and opportunities they might create.”
- Speeding hoons in Victoria and South Australia goad police with vanity videos on YouTube [PerthNow] – “Furious police are scouring the internet for the irresponsible antics of hoon drivers and have vowed to use covert sting operations to catch them. The warning to exhibitionists who post videos of their potentially deadly stunts on website YouTube has been issued by South Australia’s police Traffic Support Branch Superintendent Mark Fairney.”We’re not taking it, we’ve had enough,” he said. A series of hoon videos made in SA has been posted on YouTube in the past six months. The footage outraged police and the RAA, with both saying innocent motorists were at risk from the stunts. In one video clip, a motor-cyclist was filmed from different angles and can be seen reaching a speed of 210km/h at Eagle on the Hill. The white-knuckle ride was filmed by a bike-mounted camera and several roadside positions. The title of the clip boasts that the rider hit 215km/h. The video, posted in July, included a Google Earth map following the route”
- Homework is fun on an iPod touch [WA Today] – “A pilot program in which teenagers used iPods for school work has increased attendance and increased enthusiasm for homework. A class of year 8 students at Shepparton High School in central Victoria are the first in Australia and among the first in the world to use iPod touches in the classroom for a global “mobile learning” project. The students use the hand-held media players to search the internet, download music, do quizzes, research and submit assignments and collaborate with a school in Singapore. Preliminary research on the program found students were more willing to come to school, did more homework and used their iPods more than laptops or desktop computers.”
- Who on earth is Matt Smith? [BBC NEWS | Entertainment] – “Matt Smith has been named as the actor who will take on the role of TV’s most famous time traveller. He may be the youngest actor to play the Doctor, but Smith has already built up an impressive CV on stage and the small screen. His biggest television role has been in BBC Two’s political drama Party Animals (2007) in which he played parliamentary researcher Danny Foster.” (New Doctor actor is youngest ever. )
- Popeye the Sailor copyright free 70 years after Elzie Segar’s death [Times Online] – ““I yam what I yam,” declared Popeye. And just what that is is likely to become less clear as the copyright expires on the character who generates about £1.5 billion in annual sales. From January 1, the iconic sailor falls into the public domain in Britain under an EU law that restricts the rights of authors to 70 years after their death. Elzie Segar, the Illinois artist who created Popeye, his love interest Olive Oyl and nemesis Bluto, died in 1938. … While the copyright is about to expire inside the EU, the character is protected in the US until 2024. US law protects a work for 95 years after its initial copyright. The Popeye trademark, a separate entity to Segar’s authorial copyright, is owned by King Features, a subsidiary of the Hearst Corporation — the US entertainment giant — which is expected to protect its brand aggressively.”