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Tag Archives: networks
Links for December 3rd 2009 through December 6th 2009:
- Panic Attack and YouTube Discovery [The Chutry Experiment] – Great post from Chuck Tryon about Fede Alvarez’s sudden appearance on the Hollywood radar thanks to his YouTube short “Ataque de Pánico,” (Panic Attack!), 4 minute special effects driven extravagnaza in which a city is destroyed and a career created: “One of the underlying narratives associated with Hollywood mythology is the “discovery story,” the idea that a talented newcomer emerges by chance, out of nowhere, to become a Hollywood “star.” Lana Turner was discovered, so the legend goes, on a barstool at Schwab’s drugstore. Now, as the tools of filmmaking and film distribution have been democratized, those discovery stories have expanded to filmmakers as well. And although it is the case that such stories can be read ideologically, it is also true that YouTube and other video sharing sites still offer us the opportunity to be astonished by the talents of an aspiring filmmaker.”
- Memories of a paywall pioneer | Media | guardian.co.uk – Scott Rosenberg reflects on Salon’s experiments with a paywall, suggesting it’s not the model for future news media: “I’m not hostile to the notion of people paying for online content. I do so myself. I’m glad people stepped up and paid for Salon. But the value of stuff online is usually tied to how deeply it is woven into the network. So locking your stuff away in order to charge for it means that you are usually making it less valuable at the moment that you are asking people to pay for it. And that’s why people so often respond with: “No thanks.””
- Vampire Politics by Lisa Nakamura et al [Flow TV, 11.03, 2009] – “True Blood is socially conservative, gesturing towards a radical politics (or any social movement based politics) that it cannot (or will not) deliver. Likewise, the form of the medium itself is conservative. Like its vampires, True Blood is a relic – it airs on television, not the Internet, and it is broadcast rather than streamed. Though HBO claims “it’s not television, it’s HBO,” we know better. Like the credit sequence’s time-delayed decayed foxes and possums, True Blood is a memento mori – to the Civil Rights South, to broadcast television, to civil rights organizing and “unsexy” rights-based movements. True Blood pursues vampire politics, which are all about sexy self fashioning. Were it not for the exquisite Godric’s self-immolation in season two, the program’s credo might be “survival of the sexiest.””
- Networking Families: Battlestar Galactica and the Values of Quality by Jordan Lavender-Smith [Flow TV, 11.03, 2009] – “Galactica’s interrogation of post-nuclear family mechanics and what it means to be human was potentially groundbreaking, but by the show’s end the reconstitution of the family breaks down, and a thick line is drawn between the natural and artificial, delivering an outmoded humanism through posthuman technologies.”
- Identity Wars: Google & Yahoo! Bow to Facebook & Twitter [RW Web] – “Yahoo! announced this morning that it is adding Facebook Connect across many of its properties. This afternoon Google Friend Connect announced the inclusion of Twitter as a top-level log-in option. These moves will be convenient for users, but may not be good for the future of the web.” (This is a really interesting article looking at what happens when Facebook and Twitter become default identity authentication systems – so much power then resides in these systems, and what happens to attempts at standards like OpenID?)