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Digital Culture Links: November 17th
Links for November 12th through November 17th:
- An Oscar for Andy? by Tama Leaver [Antenna] – My first Antenna post looks at the possibility of a synthespian in the running for an acting Oscar: “On the back of the unexpected success of Rise of the Planet of the Apes, the big news isn’t a planned sequel but rather a “a healthy seven-figure deal for Andy Serkis to reprise his role as lead ape Caesar” along with the announcement that 20th Century Fox will be mounting an Oscar campaign aimed at getting Serkis a long overdue nod for Best Supporting Actor. It’s significant, too, because we never see Andy Serkis directly in Rise; rather, Caesar was created by the meshing of Serkis’s visceral, physical acting and the state-of-the-art computer wizardry from Weta Digital. Whether you prefer the term virtual actor, synthespian (‘synthetic thespian’) or just performance capture, an Academy Award for Serkis would demonstrate a widening understanding of what ‘acting’ actually means.”
- Google Music is open for business [Official Google Blog] – Google’s competitor to Apple’s iTunes has gone live, cleverly basing itself in the Android store. Of course, it’s not yet available in Australia.
- Salman Rushdie claims victory in Facebook name battle [BBC News ] – “Author Salman Rushdie says he has won a battle with Facebook over what to call himself on his profile page on the social network. Rushdie’s dispute with Facebook began after he asked to be allowed to use his middle name Salman – the one he is known by across the world. But Facebook, which has strict real name policies, had insisted on Ahmed – the novelist’s first name. Rushdie says Facebook has “buckled” after he began tweeting about the row. “Victory! #Facebook has buckled! I’m Salman Rushdie again. I feel SO much better. An identity crisis at my age is no fun. Thank you Twitter!” wrote the British Indian author, who is known as SalmanRushdie on Twitter. “Just received an apology from The #Facebook Team. All is sweetness and light.””
- Aussie expat’s TV torrent site shut down as The Slap producers intervene [SMH] – “The producers of ABC1 drama The Slap have succeeded in shutting down a Netherlands-based piracy website that over 40,000 Australian and New Zealand expats use to illegally watch local shows. The site, diwana.org, is run by an Australian expat who started the site over five years ago and is popular with expats and others based overseas who are looking to access Australia and New Zealand TV content, which is often difficult to access internationally.[…] Despite the shutdown of Diwana.org, The Slap is still widely available on other pirate websites.”
- Exfoliate for Facebook [Android Market] – Android app to delete unwanted Facebook history: “Exfoliate automates the removal of old, forgotten, content from Facebook(tm). Old content on social networking sites is a threat to your privacy. Removing this old content by hand is tedious, and practically impossible. On your wall, Exfoliate can remove any post, comment, or like, whether made by you or by others, older than a time you specify. Exfoliate can remove your own posts, comments, and likes, from your friends’ walls too. You can choose the age of items you wish removed, and Exfoliate will remove any items that are at least as old as your selection from any of your selected content areas. It is important, though, to understand that Exfoliate truly deletes the content. It is not backed up and it is not recoverable – well, that’s kinda the point. […] Exfoliate is a network and battery hog, and there’s simply no way around this. To manage the impact, you can stop Exfoliate at any time, and restart Exfoliate later.”
- Jailbreak the Patriarchy: my first Chrome extension [Danielle Sucher] – Clever: “I just released my first Chrome extension! It’s called Jailbreak the Patriarchy, and if you’re running Chrome, you can head over here to install it. What does it do? Jailbreak the Patriarchy genderswaps the world for you. When it’s installed, everything you read in Chrome (except for gmail, so far) loads with pronouns and a reasonably thorough set of other gendered words swapped. For example: “he loved his mother very much” would read as “she loved her father very much”, “the patriarchy also hurts men” would read as “the matriarchy also hurts women”, that sort of thing. This makes reading stuff on the internet a pretty fascinating and eye-opening experience, I must say. What would the world be like if we reversed the way we speak about women and men? Well, now you can find out!”
The Ends of Online Identity – Presentation
Here are the slides and audio for my ‘The Ends of Online Identity’ paper (abstract) I’m presenting in a couple of hours here at Internet Research 12 in Seattle:
I’ll try and record the talk and if it’s decent quality, I’ll synchronise the audio and slides as soon as I get a chance. Update: the audio turned out okay, so it’s now synchronised with the slides. If you’re interested, have a listen. I’d love to hear your thoughts and responses!
The Ends of Online Identity?
In just over a week I hop on the first of three planes and head to Seattle for Internet Research 12. I’m looking forward to seeing many colleagues I rarely get to see in the flesh, and indeed adding flesh to many folks who I only really know as Twitter or Facebook profile pictures.
The paper I’m presenting is called “The Ends of Online Identity” and is the first step in a larger research project which looks at online identities before or after they are really owned by the person to which they refer. Indeed, the many varied responses to Facebook’s upcoming shift to the new Timeline which replace profiles with a curated historical story fits in perfectly with the terrain I’m exploring, which focuses on what happens to identity online when other people are responsible for shaping it (such as parents, before someone is old enough to really manage their online self, or post-mortem when someone’s profiles and digital shadow become the memorialised self). The project itself is only in the initial stages and this paper is more about establishing the parameters and scoping out the field, but I think there’s enough in there to make it an interesting conversation.
For those of you who might be interested, here’s the abstract:
The Ends of Online Identity?
While the early years of online interaction were often framed by notions of identity play, anonymity, pseudonymity and multiplicity, the last five years have seen many of these playful boundaries collapsing with online and offline identity no longer presumed to be easily separable. The dominance of Facebook as the social networking service, and their firm insistence on ‘real’ names and identities has been one of the clearest causes and indicators of this shift. However, once online and offline identity are more firmly attached to real names, an individual’s web presence becomes harder and harder to escape. Moreover, while notions like ‘Identity 2.0’ (Helmond, 2010), ‘the networked self’ (Papacharissi, 2010) and others tend to emphasise at least some degree of agency, the persistence of digital information and the permanence of names suggests it is timely to revisit the ends of identity where the agency of the named individual is less, if at all, applicable.
At one end, identity fragments can be created even before an individual is born, from Facebook updates, blogs and photos detailing attempts to get pregnant, through to ultrasounds images and the like. Early childhood too, can often be documented online by parents who embrace every recording technology possible, both capturing and often sharing online every smile, every outfit and all those initial milestones of development. While most parents consider some degree of security when posting information about children, many of these digital traces persist and can often be easily (re-)attached to the children in question later in life. This initial digital contextualisation and the power of parents and others to ‘set up’ the initial web presence of individuals before they are active participants online deserves greater attention. Victor Mayer-Schonberger (2009), for example, has proposed that information online, including social information, should come with an expiry date, after which digital identity fragments are automatically erased. While an admirable strategy, implementation of such a proposal in a widespread enough manner to be useful would be very challenging.
At the other end of identity, the question of what happens to our digital selves when we die is also increasingly important. While our corporeal forms are subject to entropy and decay, the same is not necessarily true of online identities. From blog posts and social networking profiles to photographs and more personal files, the need to ‘do something’ with digital identity fragments is increasingly pressing. In some instances the keys to digital identities (our passwords) are being left in wills as part of individuals’ estates, but far more often this question is left unasked until an individual has died. Facebook, for example, had to institute the possibility to allow family members to memorialise or delete the Facebook profiles of deceased loved ones after many people reported Facebook suggesting they ‘reconnected’ with recently deceased relatives and friends.
This paper will outline some initial ways that our ‘ends of identity’ might be conceptualised, including a brief review of current approaches, with the intention of outlining an emerging research project which examines the impact of digital identity creation which is not readily controlled by the individual whose identity is being created or transformed.
References
Helmond, A. (2010). Identity 2.0: Constructing identity with cultural software. www.annehelmond.nl , PDF: http://www.annehelmond.nl/wordpress/wp-content/uploads//2010/01/helmond_identity20_dmiconference.pdf.
Mayer-Schonberger, V. (2009). Delete: The Virtue of Forgetting in the Digital Age . Princeton University Press.
Papacharissi, Z. (Ed.). (2010). A Networked Self: Identity, Community, and Culture on Social Network Sites . Routledge.
My presentation is part of a four-paper panel entitled “Coherency, Authenticity, Plurality and the Trace” which also features papers by Erika Pearson / @erikapearson (University of Otago), Stephanie Tuszynski (Bethany College) and Brady Robards / @bradyjay (Griffith University). Our panel is currently scheduled for Tuesday, 11/Oct/2011: 4:00pm – 5:30pm in “South” if you’ll be at IR12. I hope to post the slides before our panel session and, if I get the chance, I’ll try and capture the audio and post it some time shortly thereafter.
Any comments, thoughts or questions are most welcome! 🙂
Digital Culture Links: September 21st 2011
Links for September 7th 2011 through September 21st 2011:
- Game over for Japanese teens as grey gamblers take prime slot at arcades [News.com.au] – “The country which gave the world classic arcade games such as “Space Invaders” and “PacMan” is facing a demographic crisis, with a dwindling birth rate and ever-swelling numbers of elderly people. So Japan’s amusement arcades, once an exclusive resort of youth, are increasingly becoming the abode of the old, The (London) Times said today. According to the Hello Taito game centre in the Tokyo suburb of Kameari, as many as 90 per cent of its weekday visitors are over 60 years old. In an effort to encourage elderly customers, the company is making concerted efforts to appeal to this unfamiliar demographic. Metal stools have been replaced by benches covered with old-fashioned tatami mats. Seaweed tea, popular among retired people, is provided free, as well as blankets and reading glasses. Even the deafening noises emitted by the arcade machines have been turned down to a minimum out of consideration for geriatric sensibilities.”
- Ctrl-Z new media philosophy – New broadly-themed and inclusive academic journal looking for submissions under the broad umbrella of “New Media Philosophy”.
- Harried, underpaid staff plan to flee the sector [The Australian] – *sigh* “Two in five academics under the age of 30 plan to leave Australian higher education within the next five to 10 years because of high levels of dissatisfaction caused by lack of job security, poor pay and mountains of paperwork and red tape. And for those aged between 30 and 40, the figure is one in three. Dissatisfaction and insecurity are so rife among casual and sessional staff that a new report for the Department of Education, Employment and Workplace Relations estimates that close to half the academic workforce will retire, move to an overseas university or leave higher education altogether within the next decade.”
- Online gamers crack AIDS enzyme puzzle [The Age] – Collaborative online gamers manage to crack a crucial enzyme which is key to combating HIV. This is tangible evidence of collective intelligence of game players when usefully directed and harnessed.
- danah boyd | apophenia » Guilt Through Algorithmic Association – How algorithms can make someone look guilty or attached to something, even if it’s only other searchers making that connection: “You’re a 16-year-old Muslim kid in America. Say your name is Mohammad Abdullah. Your schoolmates are convinced that you’re a terrorist. They keep typing in Google queries likes “is Mohammad Abdullah a terrorist?” and “Mohammad Abdullah al Qaeda.” Google’s search engine learns. All of a sudden, auto-complete starts suggesting terms like “Al Qaeda” as the next term in relation to your name. You know that colleges are looking up your name and you’re afraid of the impression that they might get based on that auto-complete. You are already getting hostile comments in your hometown, a decidedly anti-Muslim environment. You know that you have nothing to do with Al Qaeda, but Google gives the impression that you do. And people are drawing that conclusion. You write to Google but nothing comes of it. What do you do? This is guilt through algorithmic association.”
- Marilyn Monroe, Grace Kelly and Marlene Dietrich join Charlize Theron in new Dior J’Adore advert [Mail Online] – Marilyn Monroe, Grace Kelly and Marlene Dietrich all posthumously join Charlize Theron in a new perfume advertisement thanks to the plasticity of computer generated imagery.
Digital Culture Links: August 30th 2011
Links for August 25th 2011 through August 30th 2011:
- Academic publishers make Murdoch look like a socialist [The Guardian] – George Monbiot looks at the monopolistic world of academic publishing and finds a world where profits are soaring while the broader media landscape around them is crumbling. On the ethical side, the important question: should publicly funded reseach end up in journals that cost $20+ an article to read if you’re not attached to a university? Open access might be one answer to the problem!
- Teen hacks ex-mate’s Facebook [Toowoomba Chronicle] – “Bad blood between former teenage mates had driven one to hack into the other’s Facebook page and leave a posting that he was gay and wanted to come out of the closet, Toowoomba Magistrates Court heard yesterday. […] Woodside then hacked into the victim’s Facebook page and posted that the victim was gay and wanted to “come out of the closet”, a posting which anyone accessing the page could have read, the court heard.”
- “Does This Technology Serve Human Purposes?”: A “Necessary Conversation” with Sherry Turkle (Part Three) [Confessions of an Aca/Fan: Archives] – Sherry Turkle interviewed by Henry Jenkins, clarifying many important points from Alone Together: “My earlier enthusiasm for identity play on the Internet, […] relied heavily on the work of psychologist and psychoanalyst Erik Erikson. Erikson wrote about the developmental need for a moratorium or “time out” during adolescence, a kind of play space in which one had a chance to experiment with identity. In the mid-1990s, I wrote about the Internet as a space where anonymity was possible and where one could experiment with aspects of self in a safe environment. Today, adolescents grow up with a sense of wearing their online selves on their backs “like a turtle” for the rest of their lives. The internet is forever. And anonymity on the Internet seems a dream of another century, another technology.” [Part 1] [Part 2]
- Apple cancels iTunes TV rentals [GigaOM] – “Despite its role as a major selling point of the revamped Apple TV last fall, Apple has done away with TV show rentals. Several bloggers noticed the option to rent individual episodes missing from iTunes and Apple TV Friday, and Apple later confirmed the decision was based on lack of interest. “iTunes customers have shown they overwhelmingly prefer buying TV shows,” Apple spokesman Tom Neumayr told AllThingsD Friday. “iTunes in the Cloud lets customers download and watch their past TV purchases from their iOS devices, Apple TV, Mac or PC allowing them to enjoy their programming whenever and however they choose.” Very few TV studios were on board with the idea in the first place–only Fox and ABC–so this isn’t a huge change. But now the only option in iTunes when it comes to TV shows is to buy. You can buy a full season or “Season Pass,” or if you want to cherry pick a season, you can still buy individual episodes.”
- Case History Of A Wikipedia Page: Nabokov’s ‘Lolita’ [The Awl] – Fascinating: “Entries such as the one on Lolita demonstrate why perfection on Wikipedia remains an “unattainable” goal—when the topic is contentious, perfection will always butt heads against “is completely neutral and unbiased.” One man’s undeniable literary masterpiece is another man’s abominable pedophilic trash, and they’re both editors on Wikipedia. The edits to the Lolita page (and any Wikipedia page) can seem tedious and petty, and many of them are. But the users’ vigilance in keeping some words and changing others, and debating over content and style, does have a purpose: it keeps critical thinking alive and well. The writing, editing, rewriting and re-editing process of a Wikipedia page creates a new entity—the Lolita Wikipedia page, which is not Nabokov’s Lolita, but a work in its own right. In the collaborative editing process, any reader can use the Lolita page to challenge its meaning. In fact, he can reach right in and edit it himself, until someone else edits it again.”
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