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Digital Culture Links: October 30th 2011

Links for October 30th 2011:

  • Cashing In on Your Hit YouTube Video [NYTimes.com] – In the unlikely but not impossible event of a YouTube video going unexpectedly viral, here’s a quick guide from the New York Times on how to act quickly and make the most of your possible revenue and exposure.
  • When I died on Wikipedia | David McKie [The Guardian] – Amusing and insightful column from David McKie who Wikipedia incorrectly claimed, was dead. McKie points out that the Wikipedia is far from the first media service to prematurely announce people’s demise: “It was disconcerting to learn recently from a much used reference source that I had died on Friday August the 26th. True, one’s memory gets more fitful as one grows older, but I didn’t remember this happening. When I looked that day up in my diary, I found that I had noted it down as “a very empty day” when it rained and nothing much happened. Empty, perhaps, but not as empty as that. Still, there it was, in all its bleak finality, in a summary on Wikipedia: “David McKie (1935 – 26 August 2011) was a British journalist and historian.” […] Wikipedia, I see, welcomes corrections. Indeed, its section on premature obituaries accepts it is incomplete and appeals for more, well-sourced, entries. So now I shall write to correct their error …”
  • Untangling the web: how the internet has changed the way we treat death [Technology | The Observer] – Good overview by Aleks Krotoski looking at death in a networked, digital world: “Death in the age of the web reminds us how much the technology has become part of the fabric of our personal and social identities. Once we’re gone, what we leave behind is a rich resource of who we are. We may not survive beyond the release of the next social network, but our inevitable ends are being extended by our digital lives.”
  • @AlanJoyce abused on Twitter, but he’s not the Qantas boss [Perth Now] – “An American science student who shares his name with the CEO of Qantas has found himself the target of a deluge of abuse on Twitter. The unfortunate American, whose name is Alan Joyce and who holds the name @alanjoyce on Twitter, is currently studying computer science at Stanford University, as well as having written two guidebooks to the Disneyland Resort in California. To clarify his identity the American replied to one accusation: “I’m glad to see someone appreciating my impeccable American accent, but I’m guessing you’re looking for a different Alan Joyce.” […] The American Alan Joyce first responded to the attacks after @DognutsTom tweeted, “Well I’m stuck at home with broken wheelchair thanks to QANTAS! You think @alanjoyce CEO of QANTAS could work it out right?” Alan replied, “Sorry about your wheelchair, but I’m no more CEO of Qantas than @willsmith is a famous movie actor.””
  • Q&A;: Felicia Day, from ‘The Guild’ to ‘Dragon Age’ [latimes.com] – “Playing” Felicia Day: “And when Electric Arts [makers of Dragon Age] called, that was the first call in years that was really like, “Oh!” They asked, “What would you like to do?” and I said, “What properties do you have?” And when Dragon Age came up I was, like, “Yes!” Because when am I ever going to be able to be in a medieval world as an actor? Probably never. So I’ll help create it myself. This will be the first time that a video game property is a Web series; and the elf is an actual playable character. So my character will be a DLC [downloadable content] piece; if people own Dragon Age II, they’ll be able to purchase an extension pack and play with my character. It’s full motion capture with me, full facial capture, full vocal acting. It’s pretty much the coolest thing I could ever imagine: Not only am I in a game, but it’s as a character I created.”

Digital Culture Links: October 17th 2011

Links for October 5th 2011 through October 17th 2011 (catching up on a backlog of good links!):

  • New YouTube features for music artists [YouTube Blog] – YouTube gets even further on the disintermediation bandwagon (ie cutting out the middle people), letting bands and music partners offer merchandising, concert tickets and link to digital sales (including iTunes) from their music videos. It’s all about the integration!
  • Amazon Rewrites the Rules of Book Publishing [NYTimes.com] – “Amazon.com has taught readers that they do not need bookstores. Now it is encouraging writers to cast aside their publishers. Amazon will publish 122 books this fall in an array of genres, in both physical and e-book form. It is a striking acceleration of the retailer’s fledging publishing program that will place Amazon squarely in competition with the New York houses that are also its most prominent suppliers. It has set up a flagship line run by a publishing veteran, Laurence Kirshbaum, to bring out brand-name fiction and nonfiction. It signed its first deal with the self-help author Tim Ferriss. Last week it announced a memoir by the actress and director Penny Marshall, for which it paid $800,000, a person with direct knowledge of the deal said. Publishers say Amazon is aggressively wooing some of their top authors. And the company is gnawing away at the services that publishers, critics and agents used to provide.”
  • Buyers dodge court’s Samsung tablet ban [The Age] – Surprising no one: “Australians are making a mockery of a Federal Court injunction banning the sale of Samsung Galaxy Tab 10.1 tablets in Australia by ordering them from online stores. Meanwhile, in the US, Samsung’s own lawyers were left red-faced after being unable to differentiate between Samsung’s and Apple’s tablets in court. Samsung has been forbidden by Federal Court Justice Annabelle Bennett from selling or marketing the device in Australia until a full hearing in its patent infringement case with Apple, which isn’t expected to take place until next year. Justice Bennett said Apple had a prima facie case that Samsung infringed two of its patents. But online sellers on eBay, and web stores such as MobiCity.com.au, Expansys, Techrific and dMavo, are bypassing Samsung Australia and obtaining stock from other countries, such as Hong Kong.”
  • Google Announces Third Quarter 2011 Financial Results (GooglePlus = 40 million+) [Google Investor Relations] – In their third quarter financial resuts, Larry Page announces that Goole+ has passed 40 million users.
  • Lady Gaga bans Lady Goo Goo song [BBC News] – Given Lady Gaga’s rhetoric about respecting her fans ignoring (her) copyright and that this effort seems like parody to me, I’ll be interested to see how this is justified: “Lady Gaga has won an injunction at London’s High Court to stop animated character Lady Goo Goo from releasing a single, its makers have said. Lady Goo Goo, a baby with a long blonde fringe from the Moshi Monsters online game – owned by UK firm Mind Candy – released The Moshi Dance on YouTube. But Lady Gaga’s injunction has stopped its full release, Mind Candy said. Law firm Mishcon de Reya confirmed it had represented Lady Gaga but said it could not comment further.”
  • A fall sweep [Official Google Blog] – Google is killing off a number of poorly performing products. Google Buzz is the most notable closure. Hopefully Google learnt a lot from Buzz, especially about privacy.
  • Felicia Day turns to Hangouts to promote new show [NewTeeVee – Online Video News] – “Web series veteran Felicia Day will promote her new online show Dragon Age: Redemption with a unique twist on Google+ Hangouts: The actress will be experimenting with something she dubbed Hangout Housecalls this coming Tuesday. Day is promising to visit as many Hangouts of her fans within a three-hour window as possible. She announced the house calls on Google+, where she explained: I’ll answer questions about the show and we can even pose for a photo that you can screencap and post later! Cool? Cool. The Dragon Age: Redemption house calls will kick off with a post on Day’s Google+ profile on Tuesday at 10 a.m. PST that will ask viewers to post links to their Hangouts in the comments. Day will then click through those links, visiting one Hangout after another.”
  • The Guild turns product placement into merchandising gold [NewTeeVee – Online Video News] – Good wrap-up of the many, many different types of merchandise now available surrounding Felicia Day’s web series The Guild. Also interesting are both the careful deals – finding merchandise options which don’t threaten existing sponsorship from Microsoft and Sprint – but also how a lot of merchandise was strategically linked to Comic Conventions so that, eventually, they could be integrated into Season Five of The Guild which is largely set at a con. Day really is a canny business person and shows how far a recognisable web series can the deployed to make money across a wide range of products and tie-ins.
  • 200 million Creative Commons photos and counting! [Flickr Blog] – Flickr users have now explicitly licensed and shared over 200 million photos using Creative Commons licenses. This is a fantastic and valuable resource. However, given there are more than 5 billion photos on Flickr, surely there could be more under CC licenses if the world was really spread? After all, being able to specify your license is one of the key things that Facebook really can’t do right now/
  • Barcode Scanner for Zotero [Android App] – Android barcode scanning app for Zotero. If the barcode links to a book metadata, you can automatically add it to your Zotero library. “Scanner For Zotero brings Zotero’s magic wand tool out into the physical world. Scan the ISBN barcode on any book, and Scanner For Zotero will fetch that item’s bibliographic info from the web and allow you to add it to your Zotero library.That’s pretty cool.”
  • Facebook’s privacy lie: Aussie exposes ‘tracking’ as new patent uncovered [The Age] – “Facebook has been caught telling porkies by an Australian technologist whose revelations that the site tracks its 800 million users even when they are logged out have embroiled Facebook in a global public policy – and legal – nightmare. Facebook’s assurances that “we have no interest in tracking people” have been laid bare by a new Facebook patent, dated this month, that describes a method “for tracking information about the activities of users of a social networking system while on another domain”.”

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