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Digital Culture Links: April 12th 2011

April 12, 2011

Links for April 5th 2011 through April 12th 2011:

  • Logies 2011: Twitter Banned [The Age] – “When Australian television’s biggest stars walk the Logies red carpet on May 1, there will be one notable absence. This year, Twitter is not invited to the party. Having snaffled back-to-back awards for Most Attention-Seeking Performance in 2009 and 2010, Twitter has been effectively blackballed by organisers of this year’s awards. Invitations to the ceremony at Crown carry, in very small print, the words: ”Please note, mobiles will not be permitted. Your co-operation is appreciated.”” Unsurprisingly, tweeting celebs and followers alike are unimpressed.
  • Google ‘to boost spend on original YouTube content’ [Technology | guardian.co.uk] – Broadcast YourTV just doesn’t have the same ring to it: “Google is strengthening its relationship with Hollywood and online programme-makers in an attempt to reposition YouTube for the rise of internet-connected TV. The world’s most popular video website will invest tens of millions of dollars in professionally-produced original programming as more viewers watch YouTube from their living room. Google is also reported to be planning a “major overhaul” of YouTube this year, with the introduction of channels for topics such as arts and sports. About 20 of these channels would feature several hours of professional programming a week, according to the Wall Street Journal. The move would represent a big shift away from the user-generated video that made YouTube the third most-popular site on the planet.”
  • ‘School asked us to airbrush class photo,’ company says [The Age] – “A photographic company that digitally altered the school portraits of six Melbourne students says the girls’ college at the centre of the controversy specifically requested for the images to be airbrushed. Parents were outraged yesterday when their daughters returned home from Our Lady of Sion College in Box Hill with school photographs that had been touched up to change hairstyles, hide ears and eliminate earrings. Several students’ had their ponytails removed, while one parent, Mary, said her 16-year-old daughter had hair drawn across her ears and ended up sporting a ridiculous ‘‘bouffant’’. ‘‘It didn’t even look like her in the end, it just didn’t look like her at all,’’ said Mary, who did not want to reveal her name to protect the identity of her daughter. ‘‘My daughter said to me, ‘What was wrong with me mum? Why did they need to do that?’ It’s just sending the wrong message to the girls. Their self-esteem isn’t the best at that age.’’”
  • Amazon’s new Cloud Drive rains on everyone’s parade [Technology | The Observer] – A solid piece which explains why Google, Apple and the music companies are probably feeling a little threatened by Amazon’s new Cloud Drive and, more importantly, the CloudPlayer which makes Amazon purchased music or any other music you own accessible on smartphones and other mobile media devices as streaming media.
  • ‘Angry Birds Rio’ a Big Hit: 10 Million Downloads in 10 Days – “Angry Birds fans can’t get enough of the bird-hurling application and game franchise from mobile developer Rovio. Angry Birds Rio, the latest iOS and Android edition of the game, features a theme based on the upcoming FOX animated motion picture Rio. The app saw ten million downloads in its first ten days after release. The milestone metric spans all free and paid versions available in the App Store, Android Marketplace and Amazon Appstore. The stat was first announced on Rovio’s Twitter account.”

Three Big Pigs: Angry Birds/Disney Middle East Mashup

March 30, 2011 / 2 Comments on Three Big Pigs: Angry Birds/Disney Middle East Mashup

As Ethan Zuckerman says: “There’s something very 2011 about a Russian video using a soundtrack from American cartoons and characters from a Finnish mobile phone game (based on an English fairytale) to satirize North African politics.”

Digital Culture Links: March 20th 2011

March 20, 2011

Links for March 16th 2011 through March 20th 2011:

  • Why Curation Is Just as Important as Creation [Mashable] – “The folks who run the online galleries — the curators — aren’t asking permission or giving a revenue share, which means that content creators need to get comfortable with the idea that in the new world of the link economy, curating and creating aren’t mutually exclusive. Exhibit A: Seth Godin. He is one of the web’s best-known marketing wizards. […]. And he says that content creators can’t ignore curation any longer. “We don’t have an information shortage; we have an attention shortage,” Godin said. “There’s always someone who’s going to supply you with information that you’re going to curate. The Guggenheim doesn’t have a shortage of art. They don’t pay you to hang paintings for a show — in fact you have to pay for the insurance. […] As Godin sees it, power is shifting from content makers to content curators: “If we live in a world where information drives what we do, the information we get becomes the most important thing. The person who chooses that information has power.””
  • Why Do We Hate Rebecca Black? [Brow Beat] – “It’s Fri-ee-day! Here in New York, where the long-awaited sunshine is making everyone slightly loopy, “Friday”—Rebecca Black’s so-awful-it’s-kind-of-genius viral sensation—makes for a highly appropriate soundtrack. Like her lyricists, I, too, can barely form coherent sentences, because we-we-we so excited about all the fun ahead of us tonight. A quick recap, for anyone who’s missed the frenzy: Rebecca Black, an eighth-grader from Orange County, recorded a song and produced a video with vanity label Ark Music Factory, which specializes in tweenybopper “artists.” Last week, Black’s video starting ricocheting around the Web, to the delight and horror of millions of viewers. No one, it seems, can believe that anything this terrible could possibly exist. […] So her parents paid $2,000 for her to pretend to be a star. […] and for an unexpected dose of media training.
  • xxx marks the spot [SMH] – “The group in charge of internet addresses has opened the door for adult-content websites ending with .xxx but delayed deciding whether to open the floodgates for other suffixes. The non-profit internet Corporation for Assigned Names and Numbers (ICANN) board voted to approve a petition to add .xxx to the list of “generic top-level domains” – endings that include .com, .net and .org. […] The request had been rejected about five years ago and was reconsidered after an appeal.”
  • Bullying Video’s “Little Zangief” A Hero Online [WA Today] – “It was inevitable. The Sydney boy who retaliated against a younger student at school after an apparent bullying attack has been transformed from a victim to an online hero. Since video of the incident at a western Sydney school this week was posted online, it immediately went viral. The 16-year-old “victim” has been dubbed “Little Zangief” – a character from the Street Fighter video game – and likened to the Incredible Hulk and The Punisher, with websites, mash-up videos and even a Twitter account set up in his honour. The video, which has since been featured on US and British news sites, shows a smaller 12-year-old boy punching the bigger boy. The bigger boy then picks up his tormentor and throws him to the ground. The issue dominated talkback radio after it happened.” [More at Know Your Meme] [More Remixes]
  • 40th anniversary of the computer virus [Net Security] – “1971: Creeper: catch me if you can. While theories on self-replicating automatas were developed by genius mathematician Von Neumann in the early 50s, the first real computer virus was released “in lab” in 1971 by an employee of a company working on building ARPANET, the Internet’s ancestor. Intriguing feature: Creeper looks for a machine on the network, transfers to it, displays the message “I’m the creeper, catch me if you can!” and starts over, thereby hoping from system to system. It was a pure proof of concept that ties the roots of computer viruses to those of the Internet.”
  • The Rise of Twitter Poetry [NYTimes.com] – “… there’s evidence that the literary flowering of Twitter may actually be taking place. The Twitter haiku movement — “twaiku” to its initiates — is well under way. Science fiction and mystery enthusiasts especially have gravitated to its communal immediacy. And even litterateurs, with a capital L, seem to be warming to it. For two years, John Wray, the author of the well-regarded novel “Lowboy,” has been spinning out a Twitter story based on a character named Citizen that he cut from the novel, a contemporary version of the serialization that Dickens and other fiction writers once enjoyed. “I don’t view the constraints of the format as in any way necessarily precluding literary quality,” he said. “It’s just a different form. And it’s still early days, so people are still really trying to figure out how to communicate with it, beyond just reporting that their Cheerios are soggy.””

Understanding Creative Commons for Education

March 18, 2011 / 2 Comments on Understanding Creative Commons for Education

Late last year I was interviewed about online teaching by the team UNSW’s COFA team for their Learning to Teach Online project which aims to build a rich library of resources for teachers working online in various forms.  You can find my talking head peppered throughout a number of their video episodes, but the main one, and one I’m really pleased to see up, is all about Understanding Creative Commons for education. I’ve embedded the video below, but you can also get a printable resources hand-out over and the Learning to Teaching Online page.

Incidentally, it’s worth mentioning that this video is about both how teachers and use Creative Commons licenses, but also, and quite importantly, about how students can use CC licenses when producing their own worth, be that text, photos, video or other combinations of media. If you’re an educator interested in this area, you might also enjoy the short paper I wrote a few years ago called ‘The Creative Commons: An Overview for Educators’.

Chatroulette Love Song

March 17, 2011

While it’s hard to look away from the many disasters still devastating Japan, sometimes we all need a lift, and this little Chatroulette Love Song certainly fits the bill for four minutes:

It’s all rather reminiscent of Merton’s Piano Improv, but that doesn’t mean it won’t warm your heart. 

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