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Dr Horrible, Brisbane & ANZCA 2009
Just to reassure you all that I’ve not turned into a automated link-posting robot, I thought I’d make an actual post since I’m about to head to Brisbane for The Australian and New Zealand Communication Association 2009 conference, held at QUT this week. It should be a great conference, with a number of my Internet Studies colleagues presenting, lots of great sounding papers and the Oxford Internet Summer Doctoral Programme folks also around QUT at present, making for a pretty vibrant atmosphere, I’m sure!
For those of you interested (or looking at the 5 parallel streams of papers, trying to decide which one looks interesting) here is the abstract for my talk, ‘What Dr Horrible Can Teach Media Creators About Participatory Culture’:
During the 2007/2008 US Writer’s Guild of America strike writer-director Joss Whedon came up with the notion of a one-off online “show” made outside of the studio system, on a miniscule budget, and entirely publicised using the web and social networks. Thus, Dr Horrible’s Sing-Along Blog, a three-act online musical comedy centred on a flawed supervillian, was conceived. In promoting Dr Horrible, Whedon and his team used both official websites and presences on Facebook, MySpace, Twitter, Digg as well as engaging with Whedon’s existing legion of fans via fansites such as Whedonesque.com. Moreover, far from using these websites purely as one-way advertising delivery platforms, the producers, writers and some Dr Horrible actors engaged fans in meaningful dialogue via these platforms.
Fan discussion and remixing of the show emerged rapidly; within weeks of its release there were hundreds of fan sing-along videos on YouTube, joined by everything from fan-created artwork and wallpaper to unofficial sheet music. Far from shunning these unofficial creations, the Dr Horrible producers actively congratulated and promoted the best fan creations. Despite Dr Horrible initially being available for free in its first week, subsequent sales via the iTunes store, and later on DVD, at times rivaled all but the most successful Hollywood blockbusters. Thus, in an era where media companies and startups are increasingly becoming concerned about brand loyalty, not just Nielsen ratings, Dr Horrible may serve as a model for producers and fans interacting in mutually beneficial ways as part of participatory culture. This paper will attempt to examine the way Whedon and his team utilised participatory culture in promoting Dr Horrible, asking which elements built on the foundation of Whedon’s past successes, but even more importantly what lessons Dr Horrible has for both existing and emerging media creators.
And here are the slides I’ll be using:
I’ll probably be Twittering from the conference (Wed – Fri) and I think the default Twitter hashtag will be #anzca2009.
A Little more on Susan Boyle
I thought Natalie Tran’s take on the Susan Boyle phenomenon was rather to the point:
If you prefer your commentary a little more academic, Henry Jenkins has useful points (including why her Boyle’s success is not an example of viral video) in his post ‘How Susan Spread and What It Means’.
Annotated Digital Culture Links: April 21st 2009
Links for April 17th 2009 through April 21st 2009:
- Courts throw Facebook at digital navel gazers [WA Today] – “Const Robert Hogan claimed he was just playing around outside a nightclub when an off-duty military commando bit his face so hard that he drew blood and a five-centimetre gash. A judge ultimately punished his assailant with a suspended jail sentence but not before Constable Hogan’s private life was tendered to court as evidence, courtesy of his Facebook site. … These digital collections are so convincing to a jury, fed a constant diet of television forensics, that a Sydney University law professor, Mark Findlay, believes it is leading to cases being increasingly won on circumstantial evidence. “You are going to see a trend in trials away from oral evidence to documentary trials,” Professor Findlay said. Such a trend was concerning because documentary evidence was easier to fabricate than that provided by a witness, he said. Juries were also less likely to doubt the quality of the information. For example, they do not doubt that a text belongs to the owner of the mobile phone.”
- Telstra cracks down on Twitter, Facebook mischief [ABC News (Australian Broadcasting Corporation)] – “Telstra is the first major Australian company to tell its employees how to behave on social media like Twitter, Facebook and Myspace …. there’s a decidedly old-fashioned flavour to its “3 Rs” document. It’s not reading, writing and arithmetic in this case though – Telstra employees are implored to observe responsibility, respect and representation. The guidelines tell employees who are using social media for personal use – a far more common and risky situation for the company – to include a disclaimer if they talk about Telstra. They say if someone plans to comment regularly about the company then they should post a permanent disclaimer but if they post infrequently they should use one on a case-by-case basis. A disclaimer would be similar to those attached to company emails, with words to the effect of “the views in this post are my own and do not necessarily reflect those of Telstra”. The guidelines are backed up with the threat of disciplinary action.”
- With Oprah Onboard, Twitter Grows [NYTimes.com] – “One small message from Oprah, one giant leap for Twitter. On Friday morning, Twitter received the blessing of Oprah Winfrey, one of Middle America’s most influential tastemakers, when Ms. Winfrey tapped out her inaugural message using the microblogging service as the cameras of her talk show cameras rolled. “HI TWITTERS,” Ms. Winfrey wrote, using all capital letters in the Internet equivalent of shouting. “THANK YOU FOR A WARM WELCOME. FEELING REALLY 21st CENTURY.”” (Good to see Shaq calling her out for using caps! And how can Twitter remain kewl now? :P)
- House, FB: A Consideration of Convergence Marketing [Jacqueline Vickery / Flow 9.11] – Fascinating look at how the death of a character on House in the US was followed by a seemingly real commemoration page on Facebook. After a thoughtful article, Vickery notes: “Once users were on Facebook however, Fox was provided with an instant demographic snapshot of House viewers – their gender, age, location, sexuality, and probably even their political and religious affiliations (since all of this information is privileged as “basic demographics” at the top of a Facebook profile). It is important to note that this snapshot is of course limiting and limited (by those with computers, internet access, and maybe a higher level of fan motivation), but nonetheless extremely valuable to Fox.”
Facebook Manners and You
There’s some good advice here Facebook friends and foes …
Annotated Digital Culture Links: April 17th 2009
Links for April 14th 2009 through April 17th 2009:
- Digging up dirt: Facebook spies for hire [The Age] – “Large companies and government departments are employing a new Sydney-based company to dig up dirt on staff by spying on Facebook, MySpace, Twitter and YouTube posts. SR7 specialises in “online risk and reputation management” and claims to be the only company in Australia that actively monitors social networking sites on behalf of companies. It was formed about eight months ago in response to the growing trend for people to take conversations they would have traditionally had with mates at the pub on to their social network profiles. Few people realise these seemingly private sites are still public spaces. If controversial posts leak to the media, it can lead to brands suffering immense damage to their reputations. SR7 director James Griffin said business was booming following recent public relations disasters sparked by the stupid social network behaviour of a few rogue employees.” (The golden rule: if it’s online, presume it’s public!)
- Twitter activist goes into hiding [The Age] – “The woman behind the mass protests which rocked the capital of Moldova last week has gone into hiding after the so-called “Twitter Revolution” forced a recount of the general election. Natalia Morar, 25, a Moldovan who has already been banned from Russia for opposing the Kremlin, feared arrest after organising a flash mob which ended with 20,000 people storming the parliament building. Protests began after a conversation between Ms Morar and six friends in a cafe in Chisinau, Moldova’s tiny capital, on Monday, April 6, the day after the parliamentary elections. The elections brought a larger-than-expected victory for the incumbent Communist Party. Suspecting vote-rigging, “we decided to organise a flash mob for the same day using Twitter, as well as networking sites and SMS,” …With no recent history of mass protests in Moldova, “we expected at the most a couple of hundred friends, friends of friends, and colleagues”, she said. “When we went to the square, there were 20,000 people””
- Twitter Gets the Oprah Treatment [Bits Blog – NYTimes.com] – “It is the universal sign of a new idea going mainstream: Oprah Winfrey is bestowing her endorsement on Twitter. The woman who can single-handedly send a new product or book flying off the shelves has just joined Twitter.” I can’t wait for Oprah’s tweet of the month … 😛
- Disney Templates is Today’s BIG Thing – APR 07, 2009 [Video] – “Looks like the Disney Vault has a purpose after all – to keep us from realizing how similar our favorite classic Disney movies truly are. According to this video, Disney only ever made one movie, and they’ve been tracing it ever since.” [Via]
Annotated Digital Culture Links: April 9th 2009
Links for April 6th 2009 through April 9th 2009:
- on url shorteners [joshua’s blog] – “… URL shorteners are bad for the rest of us. The worst problem is that shortening services add another layer of indirection to an already creaky system. A regular hyperlink implicates a browser, its DNS resolver, the publisher’s DNS server, and the publisher’s website. With a shortening service, you’re adding something that acts like a third DNS resolver, except one that is assembled out of unvetted PHP and MySQL, without the benevolent oversight of luminaries like Dan Kaminsky and St. Postel. There are three other parties in the ecosystem of a link: the publisher (the site the link points to), the transit (places where that shortened link is used, such as Twitter or Typepad), and the clicker (the person who ultimately follows the shortened links). Each is harmed to some extent by URL shortening.” (While I understand URL shortening for Twitter, I think they tend to obscure the actual destination and make evaluating a link very difficult!)
- Facebook Blocks All Pirate Bay Links [TorrentFreak] – “… [in] March The Pirate Bay added new functionality to reach out to millions of Facebook users. Just over a week later and the world’s largest social networking site has blocked all links to torrents on the world’s largest and most infamous BitTorrent tracker. It was less than two weeks ago when The Pirate Bay implemented a new feature making it easier for site users to post links to torrents on their Facebook profile… The entertainment industries were not happy with the new feature, but since The Pirate Bay is not exclusively used to spread copyrighted material, there wasn’t much they could do about it. Facebook users responded positively and many began posting torrent links in their profile. This integration of the world’s largest tracker and the world’s largest social networking site generated hundreds of news articles and excitement. But it wasn’t to last. This morning Facebook … blocked not only the feature, but all links to Pirate Bay’s torrents.”
- Flutter: The New Twitter [YouTube] – When the 140 characters of Twitter get too much, the nanoblogging revolution of Flutter might be right for you! 😉
