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Battlestar Galactica Videomaker Toolkit

As part of their ever-expanding interaction with the fan community, the producers of Battlestar Galactica have announced a competition allowing fans access to selected BSG clips, sounds and music which they can mix with their own footage to create new videos. As their instructions explain:

Be a part of Battlestar Galactica!

We’re giving you sound and visual effects and music clips that you can use to create and share your own four-minute Battlestar videos.

Create your own mock commercials, short scenes or even mini-episodes — funny or dramatic. Choose from more than 30 visual effects, 20-plus audio effects and cuts from the show’s soundtrack, specially selected to help give your videos the Battlestar look and sound. Use them to make your video, add the required promo clip at the end, and send it to us!

Battlestar Galactica executive producer David Eick will choose one video to broadcast in full on SCI FI Channel during an upcoming Battlestar episode.

This sounds fantastic off the bat. Certainly I’d love to have a play and try out my sorely under-used editing skills. However, the instructions also come with these rules:

Your video can’t be longer than four minutes. Don’t use footage you don’t create yourself or that you didn’t get from the Battlestar Videomaker Toolkit.

Do not use any music for which you don’t have the rights.
Do not include images, photos, logos or artwork that you did not create or to which you don’t hold the rights (such as pictures from magazines, books and other Web sites).

No inappropriate content. If we can’t show it on network TV in prime time, don’t put it in your video.

Do not post your film on other sites, such as YouTube, MySpace, Google, etc.

You must be a legal resident of the United States and over the age of 18.

So, once again, the Battlestar Galactica franchise is treated as a purely US property. While I sympathise with the demands and difficulties of copyright, I have to concur with the forums in my disappointment that these wonderful fan-engaging opportunities are not open to the wider, global BSG community. This is another instance of what I have called the tyrrany of digital distance.

Also problematic is the notion that these videos can’t be uploaded elsewhere – be it YouTube, MySpace or similar. I imagine such restrictions disuade some fans or simply get ignored (and its not like YouTube currently lacks BSG fan-made films).

All of that said, I commend the producers of BSG for this initiative, I just hope they can widen both the level of participation and allow fans broader rights to distribute (not profit from, just distribute) the fan films they’ll be creating.

[Via Rex]

Alex Malik on TV downloading in Australia

The Age has a revealing article on work done by Alex Malik which concludes that the delay between the US/UK and Australia release dates for television are one of the primary reasons what people turn to bittorrent:

Huge delays in airing overseas TV shows locally are turning Australians into pirates, says a study conducted by technology lawyer and researcher Alex Malik. It took an average of 17 months for programs to be shown in Australia after first airing overseas, a gap that has only increased over the past two years, the study found. The findings were based on a “representative sample of 119 current or recent free-to-air TV series or specials”, said Malik, who is in the final stages of a PhD in law at the University of Technology Sydney. […]

Malik admitted there had been some signs of progress recently – programs such as The O.C. air within days of being shown in the US – but he insisted the overall delays had become longer. “Over the past two years, average Australian broadcast delays for free-to-air television viewers have more than doubled from 7.6 to 16.7 months,” the study reads. Malik also studied comments by TV viewers on various internet forums, and concluded: “These delays are one of the major factors driving Australians to use BitTorrent and other internet-based peer-to-peer programs to download programs illegally from overseas, prior to their local broadcast.”

Malik’s findings are perfectly in line with the idea of the tyranny of digital distance which I’ve written about before (see “The Tyranny of Digital Distance” and “The Battlestar Galactica Webisodes & The Tyranny of Digital Distance“). Malik’s study is further evidence that as long as media distributors continue to enforce ridiculous national/geographic-based release dates in an era of global information (and promotion, and fan actvitity), then bittorrent will continue to be a major source of TV for Australians. However, if we could legally download episodes at the same times as our US and UK neighbours, then media companies may very well discover that they could make more money, not less, by giving Australian consumers the choices we want!

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