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Links for June 11th 2008

Interesting links for June 8th 2008 through June 11th 2008:

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Annotating YouTube

annotatetub

Even thought Viddler already does it, and does it better, I’m still quite excited by YouTube’s addition of annotation tools.  I’ve got 28 groups of students creating Digital Media Projects at the moment and one of the stipulations was that they have to examine the videosharing websites out there and select one to host their work: 27 of 28 groups selected YouTube (most of them rely on the simple point that YouTube gets the eyeballs … and, for now, they’re right).  From an educational perspective, critically engaging with digital video becomes a lot more fun when annotations, references and links can be added to existing video!  Even though they’re pretty crude at this point, the annotation tools for YouTube also mark a shift from treating YouTube as slices of TV (in video terms) toward an environment where the hypertextuality of digital video comes to the in to play.  A bit like what Quicktime already facilitates so brilliantly.

Of course, YouTube’s annotations are all in beta at this point (and proper, not perpetual, beta … you can’t embed annotations in external sites yet, and I’m presuming that eventually YouTube will allow optional viewer annotations, too), so the toolkit may very well evolve.  Until then, I can’t wait until I’ve got a cohort of students annotating away to critique and comment on digital video … what fun could be had with speak bubbles, I wonder?

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Videogames, Storytelling and Sex … all in 10 minute animated lectures!

Thanks to Boing Boing, I’ve just discovered two excellent animated mini-lectures from Daniel Floyd looking at story-telling and sex in videogames. The first one argues that videogames have an extremely exciting potential to be story-telling spaces, but that potential is rarely fulfilled and, at present, is largely discouraged by game distributors:

The second animated min-lecture is sure to prove a little controversial as it argues that in order to be taken seriously as an artistic medium, videogames need to have more sex in them. Floyd isn’t arguing for more sensationalised and sleazy games, but in contrast points out that every notable artistic medium is full of explorations of sexuality. If videogames normalised sex as part of character development and stopped using extremely large-breasted women killing things as a marketing tool, then sex would become part of the fabric of games, normalised not demonised (Floyd also reminds us that many gamers are adults; he’s not suggesting sex has to be part of all games):

I really like these videos: they’re an accessible and entertaining entry point for thinking about some big concepts in relation to videogames and they’re creative ways of engaging students on a topic beyond the traditional lecture style.

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Best of Student News

On Tuesday, the students from my Digital Media class, as well a few invited guests and colleagues, enjoyed a screening of the Best 8 Student News Projects from the unit. This project, the first major assignment for the unit, takes place after 4 weeks of workshops which introduce digital video cameras, sound recording and (very) basic lighting, non-linear editing and copyright in media production. It’s a bit of a whirlwind, but the culmination of these workshop is a project in which students, working in groups of 4 or 5, get exactly one week to produce a 3 minute news story on the basis of pre-assigned topics (all of which are based on relevant local issues).

Once the projects are completed, part of the feedback process is not just comments from myself or Christina (who is tutoring half of the classes, I’m tutoring the other half) – although we do give a fair bit of written feedback – but we also have a reflective seminar where the projects completed by the groups in these seminars (there are 4 groups in each seminar) are viewed and the other members of the seminar offer written and verbal feedback. I find this is always a very rewarding process, as students often engage more directly with peer feedback. To top it off, at the end of each seminar (there are 8 ) each seminar votes and the best project, along with the top from the other seminars, become those which make up the Best of Student News screening. While I am a little hesitant to place too much weight on the ‘best’ projects – learning is, after all, not a competition – students nevertheless respond well to this voting process. I suspect the idea of them deciding the best projects rather than the course staff is very appealing! Then, in the Best of Student News screening, the students get to vote once more and select their choice for the Best Student News Project of the year.

I have to say, I think the level at which students produced their projects this year has been outstanding. Even though most of them have learnt their media production skills over 4 one and a half hour workshops, many of these projects can stand up against the work of professionals who’ve had 3 year of training. The Best Project for the year, as selected by their peers, shows that humour – when used properly – really is one of the universally appealing elements of media. So, without any further ado, this year’s Best Student Project takes a comical look at the role of community radio in the era of media conglomeration.

Community Radio

At the screening, there is also a Staff Award given the the project which got the highest overall mark. This award went to the group behind a technically outstanding project which explored whether Australia’s young Olympians are adequately prepared to be thrust into the media spotlight at the Beijing Olympics.

Young Olympians and the Media Spotlight?

There are two other projects from the screening I wanted share: one takes a look at the proposed redevelopment of the Perth inner city foreshore, and the other asks to what extent Earth Hour is a genuine attempt at ecological change.

Perth Foreshore Redevelopment

Earth Hour 2008

One other noteworthy aspect of these projects, and of many others students created for the course, is that after our discussions on copyright, each of the projects above has selected to place their finished work under a Creative Commons license. Among other things, this suggests that far from the end of the conversation, some of these student projects may, indeed, have an interesting life being screened and remixed in different settings.

The students in this unit are now working hard on their second project, which is explores more specifically the affordances of digital video on the web, and I have to say, having just heard their Pitches for these projects, I’m really exciting to see the next projects as they’re completed!

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Student Creativity and Writing (on) the Web

One of the things I’ve been thinking about a lot this semester has been the way my teaching does – or doesn’t – encourage my students to develop that elusive, highly ambiguous but universally sought-after quality of creativity. I’ve been running two units – Digital Media, which is a relatively large second year unit (about 140 students) with a fairly hefty hands-on component; and a far smaller honours unit called Creative Selves which is specifically about exploring the way creativity is thought about, situated and can ultimately be harnessed in the world of work (or, at least, the world outside of formal education).

Even though creativity is often associated with the romantic ideal of the lone creative genius, one of the contradictions I’ve been quite aware of, and something that has come up in both units, is that both individual and group creativity is often meaningfully enhanced and provoked when students are thinking about the audience that might ultimately view/experience/interact with their creative work. This really shouldn’t come as a surprise since over the last 4 years I’ve often encouraged (and occasionally mandated) that students blog their work for just that reason. In so many cases, when the potential audience for a work – written, audio, video or whatever else – stops being just the marker or examiner and starts being a potentially global community, students tend to push themselves to work that little bit harder. Occasionally one or two students have suggested this is unnecessarily stressful, but 99% of the time when students are faced with the large potential audience that the internet provides, they step up to the challenge.  There are other clear advantages of getting students to create in the public sphere, too, such as those outlined by Jason Mittell:

One of my pet peeves about teaching is that often you get wonderful student work that is, by design, written for an audience of one, and has no lingering presence beyond the semester. By asking students to blog, share, and otherwise publish their work, it both raises the bar for their own sense of engaging a community with their ideas, as well as offers an opportunity for faculty to publicize their excellent work.

Mittell has written a series of posts showcasing some of the impressive work students have made as part of his Media Technology course this past semester.  They range from podcasts which interrogate something specific about audio, to video-games based shorts (sort of machinima, but not in the Red Vs Blue sense – more videos which mix and match game footage in different ways to highlight a particular critical or creative point).  One assignment I particularly liked was the use of video remixes, or mashups, which included one student effort which remixed current blockbuster trailers – and a ubiquitous iPhone ad – to create an overhyped trailer for technological convergence itself:

ShakeGirlCov

Another student collaboration I’ve come across recently is Shake Girl, The Graphic Novel.  This graphic novel was a collaboration between 17 Stanford creative writing, art and design students who’ve produced a moving and provocative story which ultimately ends up being a heart-wrenching tale highlighting the terrible phenomenon of acid attacks on women in Cambodia.  This is no two-dimensional moral rant, though: it’s a thoroughly engaging story, with sophisticated characterisation which envelops the reader in the story only to shock them with the protagonist’s fate.  In their About section, one note rang particularly true for me, regarding the challenges but also the substantial rewards which come from successful creative collaborations between students:

The process of collaboration – we think all of our students will agree – was both one of the most frustrating and exciting experiences of our lives. A lot of the first in the first two weeks, much of the second in the last four. Those of us writing the script seemed to trip over one another in the early stages. We wrote, researched, rewrote, tossed drafts aside, argued, yelled sometimes, tossed our hands up in the air, and then started over. The illustrators waited patiently, until patience ran out, and we were finally left with this mission statement: 1. We want to get this project completed, and 2. We want to make everyone moderately happy.

And with that, we made the jump to light speed. How many late-night hours did we draw, redraw, rewrite, design, redesign, and mostly… really enjoy each others company, efforts, and camaraderie?

All I can say is that Shake Girl definitely highlights an impressively successful student collaboration! [Via BBoing]

This graphic novel also reminds me on one idea for a small-scale creative project I’ve always wanted to do especially with a large first-year class.  Many of you will recall the fabulous Theory.org.uk Theorist Trading Cards, which were essentially bubblegum cards featuring well-known cultural theorists.  In a large first-year class where new theorists, ideas and concepts are introduced for the first time, I suspect that if students generated their own cards as part of tutorial presentations, this would be a great way to creatively get them reading and thinking about the main features, and differences, between the writers and works they encounter.  As an added bonus, these trading cards could be collated online and serve, to some extent, as useful prompts when students are revising for exams.

Restricted Knowledge? University Bandwidth Regulation and Facebook World.

Along a similar line, this week my Digital Media students are presenting a pitch, outlining an idea for a short video which will critically explore some aspect of digital culture loosely based on arguments about either convergence or citizen journalism, so I hope I’ll be able to post a few of the results in a few weeks time.

Until then, I wanted to end this post by pointing to the very cool and very virally popular video Apple Mac Music Video by Dennis Liu.  While not really student work (Lui has just finished formal education, but has been working professionally for a while; read an interview here) this is video is inspirational.  It’s a brilliant reminder that under the hood of an Apple Mac (or even a decent PC) is more than enough power to make some truly inspiring and amazing creative work …

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Building an Australasian Commons – June 24, 2008: Brisbane

ccauconftopbanner

To explore, expand and expound upon the emerging Australasian Commons, the Creative Commons Australia team have organised a free one-day symposium which investigates a range of activities, programme and philosophies driving open access and the cultural commons across Australia, New Zealand and South-East Asia.  I’ll be there, participating in a panel on the Creative Commons and Education, as well joining the team facilitating a workshop on ‘Building Knowledge: Open Education Resources (OER) and Research Materials’.  Here are all the details:

… are proud to announce that registration is now officially open for the Creative Commons ‘Building an Australasian Commons’ Conference. The conference will be held on Tuesday 24th June 2008 from 8.30am – 5pm at the State Library of Queensland, South Brisbane, and is proudly supported by Creative Commons Australia (http://creativecommons.org.au), the ARC Centre of Excellence for Creative Industries and Innovation (http://www.cci.edu.aau), and the State Library of Queensland (http://www.slq.qld.gov.au).

This event provides an opportunity for those interested in the free internet to come together to exchange ideas, information and inspiration. It brings together experts from Australasia to discuss the latest developments and implementations of Creative Commons in the region. The conference aims to be an open forum where anyone can voice their thoughts on issues relating to furthering the commons worldwide.

The current programme detailing the array of presentations, workshops and round table discussions can be found at http://creativecommons.org.au/australasiancommons. Attendance is free and open to all comers. However, places are limited, so if you’re interested in attending please register ASAP. Registration closes 9  June 2008. You can download the registration form at http://creativecommons.org.au/materials/ccauconf08/
australasian_commons_conference_registration.pdf
and return it via email to Elliott@creativecommons.org.au.

The conference will be followed on the day at 6pm by the second CCau ccSalon, a showcase of Creative Commons music, art, film and text from Australia and the region.  This will be a great opportunity to mingle and relax after the day’s events while experiencing CC works in action. We look forward to welcoming you at ‘Building an Australasian Commons’.

Keep in mind, it’s a completely free event, so if you’re interested and can be in sunny Brisbane on 24 June, I’ll see you there!

[Image based on Them colors… by jurek d CC BY]

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Mayer and Bettle are back!

Anyone who has ever tried to explain the importance of Creative Commons licenses to a new audience has probably played them the wonderful CC Mayer and Bettle Animation which was created back in 2005 by Pete Foley and others gathered together by CC Australia. The video features two animated characters whose adventures in downloading, copyright and content creation lead them to explore the utility of CC licenses for creators and for audiences. It’s also quite funny (featuring “the best song in the world!!”).

The great news is that the two central characters, Mayer and Bettle are back, joined this time by a new player in the game – Flick – in a new animated tale. This one looks at CC licenses in more depth, with a focus on making money off content creation while still using CC licensing. You really need to watch the original animation first for this sequel to make sense, but it’s another fine effort from CCau, making CC licenses understandable and accessible to a general (non-lawyerish) audience!

Here you go:

Update: For more info and a higher quality download, check out the official CCau blog. [Via Elliot’s CC Blog]

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CC+

One of the big announcements at the celebrations of Creative Commons’ fifth birthday was the release of the CC+ (CCPlus) licensing arrangement which combines existing CC licenses with ability to also explicitly point to additional licensing (for example, terms for commercial use on an NC CC license).  From the CC blog:

CC+ is a protocol to enable a simple way for users to get rights beyond the rights granted by a CC license. For example, a Creative Commons license might offer noncommercial rights. With CC+, the license can also provide a link to enter into transactions beyond access to noncommercial rights — most obviously commercial rights, but also services of use such as warranty and ability to use without attribution, or even access to physical media.

“Imagine you have all of your photos on Flickr, offered to the world under the CC Attribution-NonCommercial license,” said Lawrence Lessig, CEO of Creative Commons. “CC+ will enable you to continue offering your work to the public for noncommercial use, but will also give you an easy way to sell commercial licensing rights to those who want to use your work for profit.”

While CC+ isn’t exactly new – it was always possible legally – the simplification of this arrangement is sure to see a lot more people explicating the terms under which they’d released material commercially and, hopefully, this encourage commercial producers to use material in this form. 

In case you prefer you explanations to be more engaging, here’s a video explaining CC+:

If the video is a little hard to watch at this size, head to the full-size version on blip.tv or download a QuickTime movie version (56Mb).  Alternatively, you can check the CC+ page or download the explanatory PDF.

One of the reasons I really like CC+ is that I can really see its value for media produced by students; CC licenses really encourage others to view and share, but having commercial uses spelt out means that if what students create is good enough, they could also see it making money for them!

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From YouTube to UniTube?

It would appear that the University of New South Wales (UNSW) has the dubious honours of being the first Australian university to have their own YouTube channel.  In the past couple of months, there have been a number of reports of US universities setting up on YouTube.  For example, this article from News.com on UC Berkeley’s channel:

YouTube is now an important teaching tool at UC Berkeley.

The school announced on Wednesday that it has begun posting entire course lectures on the Web’s No.1 video-sharing site.

Berkeley officials claimed in a statement that the university is the first to make full course lectures available on YouTube. The school said that over 300 hours of videotaped courses will be available at youtube.com/ucberkeley.

Berkeley said it will continue to expand the offering. The topics of study found on YouTube included chemistry, physics, biology and even a lecture on search-engine technology given in 2005 by Google cofounder Sergey Brin.

“UC Berkeley on YouTube will provide a public window into university life, academics, events and athletics, which will build on our rich tradition of open educational content for the larger community,” said Christina Maslach, UC Berkeley’s vice provost for undergraduate education in a statement.

Similarly excited press has greeted other US universities, this article on the University of Southern California’s channel (Via).  However, the I think educational administrator and web 2.0 aficionado Greg Whitby notes probably wins the most excited prize for his take on the UNSW channel (Via):

While it’s a great marketing strategy, it recognises where today’s students are.  Although the channel will broadcast some lecturers in an attempt to reach potential students, it captures the ubquitous nature and popularity of Web 2.0.  

This is the democratisation of knowledge – no longer contained within lecture theatres or classrooms but shared.  Learning becomes accessible, anywhere, anytime.  Transportable, transparent, relevant and exciting.

The University of NSW is to be applauded but we still lag behind.  iTunes has developed a store dedicated to education called University.  It’s ‘the campus that never sleeps’ –  allowing universities across the US to upload audio/video lectures, interviews, debates, presentations for students – any age, anywhere.  And it’s free. It’s astounding and exciting to think that a cohort of students and teachers from a school western Sydney can watch a biology lecture from MIT. 

The challenge for us is to open our K-12 classrooms to a new audience – to share knowledge as professionals and to showcase quality learning and teaching as we move from isolated classrooms to a connected global learning environment.

Readers of any of my blogs will know I’m also an advocate for integrating certain web 2.0 tools into learning and teaching.  However, these announcements seem oddly familiar to me – it’s just like the press that came out as pretty much every university in the world embraced podcasting one after another, each pushing out press releases about embracing the future.  However, what didn’t happen half as readily was the pedagogical discussion about how podcasting should or could be used in education.  Nor, I have to say, are we seeing much interrogation of the use of online video via YouTube or other services.  Let me be clear: there is certainly value in using YouTube in particular ways in education.  However, as I argued about podcasting in the past, it’s probably more important to focus on working out new ways to engage students (such as having them create content for podcasting or to post on YouTube) rather than primarily just replicating the top-down structures of lecture delivery. (I don’t have a problem with recorded lectures, I should add, I just don’t think that’s all we should worry about.)

It’s also worth keeping in mind that YouTube is a two-way street as demonstrated by clips of teachers at their worst appearing on YouTube.

[Cross-posted from my eLearning blog.]

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Reflections on the Australian Blogging Conference and Blogging in Education

As readers of this blog will know, I spent Friday at the Australian Blogging Conference at QUT’s Creative Industries Precinct in Brisbane. It was a fabulous, stimulating and intellectually rich conference and a great end to Tama’s-month-o-conferencing. I was the facilitator for the ‘Blogging and Education’ session so thought, in the spirit of the conference, I’d better get my notes up here:

Blogs and Education

The session ran for two hours, with a good balance between K-12 educators and those of us from the Higher Ed sector. After a brief (well, brief for me) introduction, the session was loosely structured around three main questions…

Why blog in education?

The Pros

* Allowing students to connect with community, family and an intellectual arena beyond the boundaries of the classroom.
* While most educational institutions have some sort of Learning Management System (such as Blackboard), the architecture of these systems tends to be inward-focusing, getting students thinking that everything they need is inside the walls of the black box. Blogging, by contrast, is outwardly-focused and keeps students focused on the broader (potential) public or audience they may be writing for. Thus, if we’re teaching life-long skills, blogs are often better platforms, due to their openness, than other closed systems.
* Blogs can meaningfully extend the educational experience, giving students a space to engage, write and communicate beyond the tutorial room. The uptake of this opportunity will often be uneven, but it’s often the less confident students who flourish in blogged communication.
* in certain contexts, blogs can become ‘student property’ once a particular unit of course is over, thus allowing students to continue to build and use their blogs (this clearly differs depending on the context and aim of an educational blog, and on the age of the participants).
* Blogging as an ethos is about sharing knowledge, building ties and acknowledging the input of others – all key characteristics of good pedagogy!

The Cons

* Having purchased the (usually quite expensive) Learning Management System, the majority of schools and universities invest most of the training, support and infrastructure costs to maintain the hardware and use of this system. Blogging is thus often done using peripheral tools which educators must teach themselves to use rather than getting central support.
* Many institutions desire to contain and control everything that students are producing, both in terms of protecting student privacy and in terms of protecting institutional intellectual property or even just keeping work away from outside scrutiny. While this can be overcome, it’s often IT and central policies which have to be convinced and converted to make the use of blogs (and other web 2.0 tools) feasible.
* At times education in Australia is still focused on the idea of a digital divide – where the aim is to get every student access to a computer – whereas the meaningful discussion needs, really, to shift to the idea of the participation gap – where the focus needs to be on ensuring all students are familiar with network and digital literacies, thus being able the meaningfully utilise social software and other tools, which is a lot more than just having occasional access to the internet.
* The mythos of the digital natives tends to scare many educators because it suggests that many younger people (dubbed digital natives as they’ve never know a world without the internet) will always have more familiarity than their teachers (who are dubbed digital immigrants since the web appeared at some point during their lifetime) and thus teachers are worried about not being knowledgeable in these areas.

Examples and reflections?

K-12 Examples

* Year one ‘Little Gems’ blog – Amanda Rablin demonstrated this outstanding blog by year one students (!) which not only broadened their classroom experience, but also showed a level of reflexivity well beyond the primary school level!
* PodKids Australia – From a year 4/5 class in a WA country town who have used podcasting (and their blog) to communicate with their parents and the wider world in a sensible, thoughtful and safe manner.

Higher Ed Examples

* Self.Net Tutorial (Monday 2pm) blog – An example of a blog used to expand the engagement of students in the tutorial process, and extend their potential interaction beyond the confines of the classroom.
* iGeneration Honours Unit blogs – A full university unit where the entire curriculum is online (collaboratively constructed by the unit coordinator and the students) as well as all of the students work – which include critical evaluations of blogs and podcasts as the major assessment item – and the week-by-week tutorials in the course.
* Communication Studies 1101 link blog – the least exciting of all the examples, but nevertheless useful, this blog is simply a series of links to useful material for students in a first-year Communication Studies course at UWA.

(All three Higher Ed examples use Creative Commons licenses to make legally explicit the intention that students’ content can be build-upon by others, on the condition of citation. I was particularly pleased to see both Elliott Bledscoe and Jessica Coates from Creative Commons Australia in this session!)

Missing from these examples was the best use of blogging as per blogging as a participatory cultural form which is a course-length blog maintained across the three to five years of a degree. One good example I’ve found now that the session is over is Sarah Demicoli’s Looking Up? blog; notably Sarah is a student in Adrian Miles’ Labsome Honours cohort.

Should academics blog?

This question ended up being divided into two parts: should K-12 teachers blog, and should academics (and doctoral students) blog? The first question proved far more complicated in that there is an expectation that teachers in the K-12 environment will share less of their personal lives with the world. The accountability that comes with being a teacher – especially from parental expectations – means it’s something of a challenge to share too much of a teacher’s life publicly, less it be seen and critiqued by parents or students. Likewise, the important line between teachers and students was one of those areas where teachers need to be especially careful when using social networks like Facebook or MySpace because ‘friending’ students might inadvertently be read as entering into a social dynamic with students which is generally something of a taboo. Some folks felt this was particularly complicated since some teachers using social networks might be less familiar with the social norms of the platforms and accidentally cross a line – or be perceived to cross a line – by accident. Sadly, excessive accountability seems to be one of the major reasons that teachers would be hesitant to blog – or at least only blog on a narrow band of topics. That said, there was still a sense that teachers would blog if they found the right reason or topic, but that the boundaries as to what other personal information would find its way online would be a very solid boundary indeed!

On the ‘should academics blog?’ front, things were decidedly more optimistic. There was a strong sense that academic blogs were a rich source of information, insight and commentary and that these were often far more accessible than other forms of academic writing. I asked a particularly loaded question – should academics feel obliged to blog since in publicly funded institutions the onus is to share our thoughts, research and ideas with the public, not just a our peers via peer viewed gatekeeping – and a few people were enthused by this idea, although there were a few comments about the need to have peer review before academic ideas escape into the world. The confusion surrounding danah boyd’s MySpace/Facebook class paper, and her subsequent reflections on the process, proved a useful example. That said, the biggest boundary to academic blogging seemed to be the amount of time it might take, but most people in the session thought it was time well spent!

I should add that these notes are re-constituted from rather poorly recorded keywords during the session, so further reflections, comments and notes on this session are most definitely welcome!

The Rest of the Conference

I don’t have terribly detailed notes from the other sessions I attended (which might be a blessing since caught the red-eye from Perth the night before the conference was thus a little less than coherent in the morning sessions), but thankfully being a blogged event, there are plenty of posts about the conference worth reading. Reflections well worth reading include those from Senator Andrew Bartlett, Australia’s most web-savvy politician. Derek Barry has posted three detailed reports on the Morning Panel discussion, The Politics of Blogging session and the panel on Citizen Journalism. Mark Bahnisch, one of the Politics of Blogging facilitators, has also posted on the ‘state of political blogging’ specifically for that session. Robyn Rebollo has notes from the conference which include reflections on the Legal Issues and Blogs session. Nick Hodge was one of the facilitators for the Business Blogging session and has posted both his notes and powerpoint slides. Likewise, Joanne Jacobs has some useful notes from The Future of Blogging closing session, and Kate Davis’ notes from the parallel ‘Building a Better Blog’ session are useful, too. Conference notes and reports keep emerging, so watch the blogoz tag on Technorati for more.

I should say, as well, that I was fortunate enough to catch up with a whole bunch of folk I’ve known through blogging, social networks, shared research interests and so on, but never actually met in the flesh before. It was great chatting with Brian Fitzgerald, Jessica Coates and Rachel Cobcroft, as well as Elliot Bledscoe who I met a few weeks earlier, all of whom are part of the Creative Commons Australia team, which Brian leads. Given their enthusiasm and energy, I’m sure CC Australia has a lot going on in the future, and with any luck I’ll be involved with some of the CC and Education things as they emerge. I also chatted to Melissa Gregg, Jean Burgess and Axel Bruns, all of whom are blogosphere friends who its nice to see annually (or thereabouts) at conferences. Quite unexpectedly, I ran into Sarah Xu who I’ve met through local fannish events, but I hadn’t realised she’d landed in sunny BrisVegas to write her doctorate, which is creatively exploring the important question: “how can cyberfeminist practice and Web 2.0 applications be used to recode gendered representations of women on the Internet?” Sounds like a thesis worth watching!

Finally, a huge congratulations to Peter Black who put the conference together and assembled a fascinating group of people to participate in some really meaningful exchanges! Time to start planning for next year …

Update: Peta Hopkins also has some notes from the Blogging in Education session, including a several things I’d forgotten we’d talked about (including ebublogs.org).

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