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Digital Culture Links: November 17th

Links for November 12th through November 17th:

  • An Oscar for Andy? by Tama Leaver [Antenna] – My first Antenna post looks at the possibility of a synthespian in the running for an acting Oscar: “On the back of the unexpected success of Rise of the Planet of the Apes, the big news isn’t a planned sequel but rather a “a healthy seven-figure deal for Andy Serkis to reprise his role as lead ape Caesar” along with the announcement that 20th Century Fox will be mounting an Oscar campaign aimed at getting Serkis a long overdue nod for Best Supporting Actor. It’s significant, too, because we never see Andy Serkis directly in Rise; rather, Caesar was created by the meshing of Serkis’s visceral, physical acting and the state-of-the-art computer wizardry from Weta Digital. Whether you prefer the term virtual actor, synthespian (‘synthetic thespian’) or just performance capture, an Academy Award for Serkis would demonstrate a widening understanding of what ‘acting’ actually means.”
  • Google Music is open for business [Official Google Blog] – Google’s competitor to Apple’s iTunes has gone live, cleverly basing itself in the Android store. Of course, it’s not yet available in Australia.
  • Salman Rushdie claims victory in Facebook name battle [BBC News ] – “Author Salman Rushdie says he has won a battle with Facebook over what to call himself on his profile page on the social network. Rushdie’s dispute with Facebook began after he asked to be allowed to use his middle name Salman – the one he is known by across the world. But Facebook, which has strict real name policies, had insisted on Ahmed – the novelist’s first name. Rushdie says Facebook has “buckled” after he began tweeting about the row. “Victory! #Facebook has buckled! I’m Salman Rushdie again. I feel SO much better. An identity crisis at my age is no fun. Thank you Twitter!” wrote the British Indian author, who is known as SalmanRushdie on Twitter. “Just received an apology from The #Facebook Team. All is sweetness and light.””
  • Aussie expat’s TV torrent site shut down as The Slap producers intervene [SMH] – “The producers of ABC1 drama The Slap have succeeded in shutting down a Netherlands-based piracy website that over 40,000 Australian and New Zealand expats use to illegally watch local shows. The site, diwana.org, is run by an Australian expat who started the site over five years ago and is popular with expats and others based overseas who are looking to access Australia and New Zealand TV content, which is often difficult to access internationally.[…] Despite the shutdown of Diwana.org, The Slap is still widely available on other pirate websites.”
  • Exfoliate for Facebook [Android Market] – Android app to delete unwanted Facebook history: “Exfoliate automates the removal of old, forgotten, content from Facebook(tm). Old content on social networking sites is a threat to your privacy. Removing this old content by hand is tedious, and practically impossible. On your wall, Exfoliate can remove any post, comment, or like, whether made by you or by others, older than a time you specify. Exfoliate can remove your own posts, comments, and likes, from your friends’ walls too. You can choose the age of items you wish removed, and Exfoliate will remove any items that are at least as old as your selection from any of your selected content areas. It is important, though, to understand that Exfoliate truly deletes the content. It is not backed up and it is not recoverable – well, that’s kinda the point. […] Exfoliate is a network and battery hog, and there’s simply no way around this. To manage the impact, you can stop Exfoliate at any time, and restart Exfoliate later.”
  • Jailbreak the Patriarchy: my first Chrome extension [Danielle Sucher] – Clever: “I just released my first Chrome extension! It’s called Jailbreak the Patriarchy, and if you’re running Chrome, you can head over here to install it. What does it do? Jailbreak the Patriarchy genderswaps the world for you. When it’s installed, everything you read in Chrome (except for gmail, so far) loads with pronouns and a reasonably thorough set of other gendered words swapped. For example: “he loved his mother very much” would read as “she loved her father very much”, “the patriarchy also hurts men” would read as “the matriarchy also hurts women”, that sort of thing. This makes reading stuff on the internet a pretty fascinating and eye-opening experience, I must say. What would the world be like if we reversed the way we speak about women and men? Well, now you can find out!”
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Digital Culture Links: November 6th through November 8th

Links for November 6th through November 8th:

  • It’s as easy as d.me [Delicious] – As the new owners, Avos make some useful changes to Delicious, add Posterous-like email updating and d.me as a permanent shorturl.
  • Screen Time Higher Than Ever for Children, Study Finds [NYTimes.com] – “Despite the American Academy of Pediatrics’ longstanding recommendations to the contrary, children under 8 are spending more time than ever in front of screens, according to a study scheduled for release Tuesday. The report also documents for the first time an emerging “app gap” in which affluent children are likely to use mobile educational games while those in low-income families are the most likely to have televisions in their bedrooms. The study, by Common Sense Media, a San Francisco nonprofit group, is the first of its kind since apps became widespread, and the first to look at screen time from birth. It found that almost half the families with incomes above $75,000 had downloaded apps specifically for their young children, compared with one in eight of the families earning less than $30,000. More than a third of those low-income parents said they did not know what an “app” — short for application — was.”
  • Google eBooks arrive Down Under [Official Google Australia Blog] – Google eBooks are now for sale in Australia.
  • State of the Blogosphere 2011 [Technorati] – Using a survey of just over 4000 self-identified bloggers, Technorati has produced this year’s statistical snapshot of blogging. Interestingly, as with last year, they’ve not mad any attempt to quanify how many blogs are out there. Notable stats:
    * 82% of blogger surveyed are using Twitter.
    * 89% use Facebook.
    * Unsurprisingly, Facebook and Twitter were the services that most effective drove traffic back to blogs.
    * Just over 60% use Google+ (demonstrating exactly who was likely to respond to this sort of survey!).
    * Significantly, even amongst people who identify as bloggers, only 54% had blogged in the past 3 months, and only 11% in the last 24 hours.
    * Blogging is dominated by the middle-aged, not the young.
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Digital Culture Links: October 31st through November 4th

Links for October 31st through November 4th:

  • Anonymous online comments [The Age] – “Online news readers should be forced to reveal their identity when commenting on a story, a parliamentarian has argued while complaining about West Australian’s poor online behaviour. WA Labor MP Andrew Waddell called on news websites, including this one, to publish readers’ names with their post. “It has become an unfortunate fact that there is a group of cowards who, hiding behind the veil of anonymity, abuse their right to free speech to perpetuate lies, abuse others, commit hate crimes, libel others and behave in an unacceptable manner,” Mr Waddell told parliament yesterday. “It is often possible to post a comment on a very public site without there being any need to provide real validated identification. This gives … courage to those who may not otherwise be willing to stand behind their comments and face the consequences of their opinions. “A vibrant society has a healthy ongoing political debate … [but] vicious, nasty, anonymous trolls have no place in that debate.”
  • Man jailed for posting sex images of ex-partner online [BBC News] – “”A Nottingham man who posted sexual images of his former girlfriend online as he stalked her via social networking sites has been jailed for four months. Shane Webber, 23, of Hodgkin Close in Clifton, sent photographs and personal details about Ruth Jeffery, 22, to her family and strangers. Webber admitted one count of harassment at an earlier hearing at Southampton Magistrates’ Court. Miss Jeffery said she was devastated by Webber’s actions. Outside court she said even if Webber had received the maximum jail sentence magistrates could impose – six months – it would not have made up for the hurt she had been caused. She said: “I am extremely pleased with the outcome. The maximum sentence in a magistrates’ court will never make up for the hurt he had put me through but I am pleased I can now put it behind me.”
  • Q&A: Felicia Day, from ‘The Guild’ to ‘Dragon Age’ [latimes.com] – “Playing” Felicia Day: “And when Electric Arts [makers of Dragon Age] called, that was the first call in years that was really like, “Oh!” They asked, “What would you like to do?” and I said, “What properties do you have?” And when Dragon Age came up I was, like, “Yes!” Because when am I ever going to be able to be in a medieval world as an actor? Probably never. So I’ll help create it myself. This will be the first time that a video game property is a Web series; and the elf is an actual playable character. So my character will be a DLC [downloadable content] piece; if people own Dragon Age II, they’ll be able to purchase an extension pack and play with my character. It’s full motion capture with me, full facial capture, full vocal acting. It’s pretty much the coolest thing I could ever imagine: Not only am I in a game, but it’s as a character I created.”
  • Angry Birds smashes half a billion downloads! [YouTube] – Cute little video with statistics about Angry Birds including the big one: half a billion downloads so far. That’s an awful lot! (Personally, I can account for 5 of those – 3 on Android, 2 on the iPad!)
  • Plagiarism [Common Craft] – Basic but very accessible and useful video explaining plagiarism: “While Plagiarism can be intentional, it is more often caused by misunderstanding.  Avoiding it means understanding the role of intellectual property and what makes plagiarism wrong.  This video teaches: Why giving credit to others is necessary; A definition of plagiarism; Steps to avoiding plagiarism; Types of ideas and media that can be plagiarized”
  • BBC News – Man jailed for posting sex images of ex-partner online – “A Nottingham man who posted sexual images of his former girlfriend online as he stalked her via social networking sites has been jailed for four months. Shane Webber, 23, of Hodgkin Close in Clifton, sent photographs and personal details about Ruth Jeffery, 22, to her family and strangers. Webber admitted one count of harassment at an earlier hearing at Southampton Magistrates’ Court. Miss Jeffery said she was devastated by Webber’s actions. Outside court she said even if Webber had received the maximum jail sentence magistrates could impose – six months – it would not have made up for the hurt she had been caused. She said: “I am extremely pleased with the outcome. The maximum sentence in a magistrates’ court will never make up for the hurt he had put me through but I am pleased I can now put it behind me.”
  • Angry Birds developer Rovio to open stores in China [BBC News] – Angry Birds maker Rovio has announced plans to open stores in China within 12 months. Unofficial merchandise connected to the videogame has already proved popular in the country. The company’s chief marketing officer, Peter Vesterbacka, made the announcement at the Techcrunch conference in Beijing. He said he was targeting $100m (£62m) in sales from the shops in their first year of operation. “On the physical side, we don’t have a lot of our officially licensed products out here, so we have ourselves to blame,” he told the conference. Mr Vesterbacka said he had been to China many times “checking out the Angry Birds’ presence”. He told delegates he was unhappy with the quality of the unofficial products, but had also gained “a lot of inspiration from the copyists”. The comment drew laughter from the audience.”
  • Qantas’ Social Media Response Rapped For Bad Service [The Age] – “Qantas has been criticised for its mechanical, impersonal social media response to the grounding of its fleet and the ensuing customer chaos. The announcement sparked a torrent of posts on Twitter, with independent social media analyst Thomas Tudehope noting that, at its peak, “Alan Joyce”, “Qantas” and “Anthony Albanese” were all trending worldwide – indicating in excess of a thousand tweets per minute. “This is particularly remarkable given that Australia only has an estimated 2 million Twitter accounts compared to a global audience pushing towards 250 million accounts,” Tudehope said. […] Several Twitter accounts have sprung up lampooning Qantas and its CEO, Alan Joyce, including @AlanJoyceCEO and @Qantas_VH_OQA.”
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takethislollipop.com: Creepy Personalised Facebook Stalker Short Film!

Fullscreen capture 20102011 23544 PM.bmp

Just in time for All Hallow’s Eve comes takethislollipop.com an extremely clever and deeply unsettling personalised short film experience. The short asks you to share your Facebook data, then imports images, personal details and geographic information to customize a stalking experience just for you! The resulting short (which takes just a few seconds to generate) uses very clever graphics and a recognisable but well-shot set-up that would be right at home in one of the endless torture porn movies gracing cinemas in the last few years. It’s all about you, and a very creepy guy who has decided to come and find you …

Fullscreen capture 20102011 23650 PM.bmp

I can’t imagine Take This Lollipop will do much to ease fears about cyberstalking, nor will it win fans who hold privacy concerns (the film DOES access all of your Facebook data – they promise not to keep it, but I revoked the app’s access as soon as I’d seen the short). It is, however, VERY effective.  It’s also fun to imagine this stalker is an advertising executive who works closely with Facebook … Smile with tongue out

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Digital Culture Links: October 17th 2011

Links for October 5th 2011 through October 17th 2011 (catching up on a backlog of good links!):

  • New YouTube features for music artists [YouTube Blog] – YouTube gets even further on the disintermediation bandwagon (ie cutting out the middle people), letting bands and music partners offer merchandising, concert tickets and link to digital sales (including iTunes) from their music videos. It’s all about the integration!
  • Amazon Rewrites the Rules of Book Publishing [NYTimes.com] – “Amazon.com has taught readers that they do not need bookstores. Now it is encouraging writers to cast aside their publishers. Amazon will publish 122 books this fall in an array of genres, in both physical and e-book form. It is a striking acceleration of the retailer’s fledging publishing program that will place Amazon squarely in competition with the New York houses that are also its most prominent suppliers. It has set up a flagship line run by a publishing veteran, Laurence Kirshbaum, to bring out brand-name fiction and nonfiction. It signed its first deal with the self-help author Tim Ferriss. Last week it announced a memoir by the actress and director Penny Marshall, for which it paid $800,000, a person with direct knowledge of the deal said. Publishers say Amazon is aggressively wooing some of their top authors. And the company is gnawing away at the services that publishers, critics and agents used to provide.”
  • Buyers dodge court’s Samsung tablet ban [The Age] – Surprising no one: “Australians are making a mockery of a Federal Court injunction banning the sale of Samsung Galaxy Tab 10.1 tablets in Australia by ordering them from online stores. Meanwhile, in the US, Samsung’s own lawyers were left red-faced after being unable to differentiate between Samsung’s and Apple’s tablets in court. Samsung has been forbidden by Federal Court Justice Annabelle Bennett from selling or marketing the device in Australia until a full hearing in its patent infringement case with Apple, which isn’t expected to take place until next year. Justice Bennett said Apple had a prima facie case that Samsung infringed two of its patents. But online sellers on eBay, and web stores such as MobiCity.com.au, Expansys, Techrific and dMavo, are bypassing Samsung Australia and obtaining stock from other countries, such as Hong Kong.”
  • Google Announces Third Quarter 2011 Financial Results (GooglePlus = 40 million+) [Google Investor Relations] – In their third quarter financial resuts, Larry Page announces that Goole+ has passed 40 million users.
  • Lady Gaga bans Lady Goo Goo song [BBC News] – Given Lady Gaga’s rhetoric about respecting her fans ignoring (her) copyright and that this effort seems like parody to me, I’ll be interested to see how this is justified: “Lady Gaga has won an injunction at London’s High Court to stop animated character Lady Goo Goo from releasing a single, its makers have said. Lady Goo Goo, a baby with a long blonde fringe from the Moshi Monsters online game – owned by UK firm Mind Candy – released The Moshi Dance on YouTube. But Lady Gaga’s injunction has stopped its full release, Mind Candy said. Law firm Mishcon de Reya confirmed it had represented Lady Gaga but said it could not comment further.”
  • A fall sweep [Official Google Blog] – Google is killing off a number of poorly performing products. Google Buzz is the most notable closure. Hopefully Google learnt a lot from Buzz, especially about privacy.
  • Felicia Day turns to Hangouts to promote new show [NewTeeVee – Online Video News] – “Web series veteran Felicia Day will promote her new online show Dragon Age: Redemption with a unique twist on Google+ Hangouts: The actress will be experimenting with something she dubbed Hangout Housecalls this coming Tuesday. Day is promising to visit as many Hangouts of her fans within a three-hour window as possible. She announced the house calls on Google+, where she explained: I’ll answer questions about the show and we can even pose for a photo that you can screencap and post later! Cool? Cool. The Dragon Age: Redemption house calls will kick off with a post on Day’s Google+ profile on Tuesday at 10 a.m. PST that will ask viewers to post links to their Hangouts in the comments. Day will then click through those links, visiting one Hangout after another.”
  • The Guild turns product placement into merchandising gold [NewTeeVee – Online Video News] – Good wrap-up of the many, many different types of merchandise now available surrounding Felicia Day’s web series The Guild. Also interesting are both the careful deals – finding merchandise options which don’t threaten existing sponsorship from Microsoft and Sprint – but also how a lot of merchandise was strategically linked to Comic Conventions so that, eventually, they could be integrated into Season Five of The Guild which is largely set at a con. Day really is a canny business person and shows how far a recognisable web series can the deployed to make money across a wide range of products and tie-ins.
  • 200 million Creative Commons photos and counting! [Flickr Blog] – Flickr users have now explicitly licensed and shared over 200 million photos using Creative Commons licenses. This is a fantastic and valuable resource. However, given there are more than 5 billion photos on Flickr, surely there could be more under CC licenses if the world was really spread? After all, being able to specify your license is one of the key things that Facebook really can’t do right now/
  • Barcode Scanner for Zotero [Android App] – Android barcode scanning app for Zotero. If the barcode links to a book metadata, you can automatically add it to your Zotero library. “Scanner For Zotero brings Zotero’s magic wand tool out into the physical world. Scan the ISBN barcode on any book, and Scanner For Zotero will fetch that item’s bibliographic info from the web and allow you to add it to your Zotero library.That’s pretty cool.”
  • Facebook’s privacy lie: Aussie exposes ‘tracking’ as new patent uncovered [The Age] – “Facebook has been caught telling porkies by an Australian technologist whose revelations that the site tracks its 800 million users even when they are logged out have embroiled Facebook in a global public policy – and legal – nightmare. Facebook’s assurances that “we have no interest in tracking people” have been laid bare by a new Facebook patent, dated this month, that describes a method “for tracking information about the activities of users of a social networking system while on another domain”.”
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The Ends of Online Identity – Presentation

Here are the slides and audio for my ‘The Ends of Online Identity’ paper (abstract) I’m presenting in a couple of hours here at Internet Research 12 in Seattle:

I’ll try and record the talk and if it’s decent quality, I’ll synchronise the audio and slides as soon as I get a chance. Update: the audio turned out okay, so it’s now synchronised with the slides. If you’re interested, have a listen. I’d love to hear your thoughts and responses!

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Digital Culture Links: October 3rd 2011

Links for September 27th 2011 through October 3rd 2011:

  • How Social Networking Is Reviving Communal TV Viewing [The Next Web] – Real-time TV viewing is on the rise once more thanks to cleverly design related apps and strategic use of related #hashtags: “There are some signs that TV’s re-engaging its most coveted viewers. According to Nielsen, tech-savvy 12-24 year-olds are more connected and therefore more adept at using mobile devices to watch shows. This doesn’t bode well for the networks or for advertisers since, sometimes, the ads can be skipped. However, by turning TV programming into a true two-screen experience, it changes the equation. It makes the live experience more valuable, especially for the younger set. The data show that 18-34 year-olds are the most active demographic on social networks.”
  • Facebook sued over claims it tracks users’ activity [The Age] – “Facebook is being sued by a group of users over claims it tracks their online activity after they log off. […] On Friday, 10 public interest groups asked the US Federal Trade Commission to investigate Facebook’s tracking of internet users after they log off. They urged the commission to examine whether Facebook’s new ticker and timeline features increased privacy risks for users by combining biographical information in an easily accessible format. The lawsuit – filed by Perrin Aikens Davis, of Illinois – seeks class status on behalf of other Facebook users in the US. Davis seeks unspecified damages and a court order blocking the tracking based on violations of federal laws, including restrictions on wiretapping, as well as computer fraud and abuse statutes.”
  • Peers, review your actions [Times Higher Education ] – Interesting proposition: academics should boycott doing peer review (for free) for journals which aren’t open access (ie charge a lot to be viewed).
  • Princeton goes open access to stop staff handing all copyright to journals – unless waiver granted [The Conversation] – Princeton University policy prevents their academics from publishing in journals which demand full copyright over their work (unless explicit permission is sought from the institution). A bold move to try and reign in the big copyright holders and publishers who currently have a strangle-hold over a great deal of academic work!
  • BBC iPlayer launches on iPad in Australia [TV Tonight] – The BBC iPlayer comes to Australia, for a fee. For $10 a month you can access more than 1000 hours of BBC archives (at launch, growing regularly) but NOT current TV shows. In part this is probably due to existing contracts with local networks (why would the ABC bother to screen Doctor Who if it was available via iPlayer before broadcast), but this really doesn’t then address the problem of the tyranny of digital distance. This is a clever commercial move, but is unlikely to address the issue of unauthroised downloading of UK TV shows in Australia.
  • A New Flavor…Still Delicious [AVOS] – AVOS launch the re-imagined Delicious. Being a long-term Delicious user, I’ve got to admit I find the new version a bit confronting, especially the changes to tag clouds and so forth. And I really don’t want “stacks” – that’s what something like Pinterest is for (and I don’t use that much, either). However, I’m delighted Delicious lives on, so I’ll give it a go!
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Facebook’s New Timeline & Perceptions of Privacy

Everyone’s Facebook profile will disappear in 6 October 2011, December 2011 replaced with a Timeline. Here are my thoughts and concerns about that Timeline, and some suggestions about managing your Timeline when it arrives …

I’ve been testing out Facebook’s new Timeline which will shortly replace profiles for all 800 million Facebook users. I have some concerns which I’ll outline in a minute, but I have to give credit where credit is due: Timeline looks amazing. I think this is the first time Facebook has stopped looking like a direct descendant of the profiles found on online dating websites! The new cover image, which is separate from your avatar or profile picture, stretches across the entire screen and is much more richly visual experience, combined with far better navigation tools for exploring the entirety of someone’s Facebook history, not just their current statuses and photos. Here’s what the top of my Timeline looks like:

New_FB_public_1

The tools which allow you to emphasise certain events on your timeline let individuals build an engaging and carefully curated story of themselves. And in a move which deliberately situates Facebook as telling the story of your life, Timeline actively encourages users to add in missing details. When I look at the notification of my 2000 university graduation, Timeline suggests I add to the story and post a picture, enriching the tale visually. If I add a picture, then the event ‘looks’ more interesting and is more engaging than a bit of text in an ‘Info’ box. However, in moving from being primarily about current communication to adding the archival/historical emphasis, a number of privacy-related issues arise.

My Timeline image above is missing a lot of detail since it’s the view that the public can see – ie someone who I’m not connecting to at all – and my privacy settings are high (almost everything is ‘Friends Only’; incidentally, once your Timeline is visible you can use the right-hand setting indicator – the one that looks like a wheel – and select ‘View as …’ to check how your Timeline will look to anyone else, including the public view). It’s notable, then, that the cover photo — the big one, at the top of your Timeline, which isn’t your profile photo — joins your profile photo as an image that you can’t make private; if you can be found on Facebook, it’s there. (I presume this might disappear if you prevented your profile being found in searches, but I can’t say that definitively.) Profile pictures have been unavoidably public for a while, so we just need to remember this about cover photos, too.

If you scroll down my Timeline (which, as I said, is now absurdly easy with the right hand date-based navigation tools) this is what you can see for 2011 and 2010 (there’s not much there, but take a look at what is visible):

New_FB_public2

New_FB_public3

On some abstract level, I was aware that when I ‘voted’ or clicked ‘Attending’ I was committing to something that was visible beyond my immediate ‘friend’ network (notable for me since, due to my privacy settings, not much else is). However, most of these actions or events had, from my perspective, long since ‘disappeared’ to the extent that, in order to find them, someone would have to click to ‘load more’ on my Facebook profile page 20 times or more to see anything. Timeline changes that. Now my voting and the public events I attended are very prominent since that’s pretty much the only thing public. And while these were largely very quick responses, these little bits of information suddenly ‘say’ a great deal about me; indeed, for the public, these are the main bits of the story Facebook tells about me.

Now, some of the things I’ve said I’ve attended are pretty trivial, but some are political (it’s very clear what my political views are) and others are on the boundary of personal and political. When I voted ‘Yes’ to ‘Should Same Sex Marriage Be Legal In Australia’ I was stating something publicly, but I’d never considered that my response would be so prominent on Facebook (it wasn’t on my profile page very long, for example). Now, for me, this isn’t a big issue; I’ve got sufficient workplace security that I can’t imagine these views would jeopardise my employment, and I stand by my politics proudly. I suspect, though, this won’t be the case for everyone. I can think of numerous scenarios where this information might be misused by other people and I strongly recommend folks take a look at their Timeline view from the public perspective as soon as it’s available to them.

From what I can see, it is possible to remove certain items from Timeline, or at least reduce their prominence, but you have to do it from your view (not the public view I used to generate the above images) so if you’re a prolific Facebook user, it’ll take a while to find these items and reduce their visibility.

Now, I’m not suggesting Facebook ‘made public’ something that was private. This information may have felt private, but that was based on use, not on a technical sense of security. Indeed, danah boyd expressed this problem in her paper ‘Facebook’s Privacy Trainwreck: Exposure, Invasion, and Social Convergence’ explaining:

The tech world has a tendency to view the concept of ‘private’ as a single bit that is either 0 or 1. Data are either exposed or not. When companies make a decision to make data visible in a more ‘efficient’ manner, it is often startling, prompting users to speak of a disruption of ‘privacy’.

Technically, the information above was always public, but my experience of it meant it felt largely private. My example is extremely banal, but for other people, the sudden prominence of certain information may make it feel a lot more public than they ever intended. While I acknowledge Facebook has started to provide more robust privacy tools, I’ve seen nothing in the hype around Timeline to warn folks about the way their Timeline will tell a different story about them (and a different story to different people – your Friends will see one ‘you’, but the public may see a quite different one). If Facebook is going to be an ongoing repository, the always-being-edited ‘This Is Your Life’, then Facebook and those of us teaching about these tools need to ensure folks have a much better understanding about Timeline and similar changes. When your life story is a series of entries in a database, then the line between public and private is a single setting. However, that database, as we can see, can always be sorted, ordered and presented in very different ways.

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The Ends of Online Identity?

In just over a week I hop on the first of three planes and head to Seattle for Internet Research 12. I’m looking forward to seeing many colleagues I rarely get to see in the flesh, and indeed adding flesh to many folks who I only really know as Twitter or Facebook profile pictures.

The paper I’m presenting is called “The Ends of Online Identity” and is the first step in a larger research project which looks at online identities before or after they are really owned by the person to which they refer. Indeed, the many varied responses to Facebook’s upcoming shift to the new Timeline which replace profiles with a curated historical story fits in perfectly with the terrain I’m exploring, which focuses on what happens to identity online when other people are responsible for shaping it (such as parents, before someone is old enough to really manage their online self, or post-mortem when someone’s profiles and digital shadow become the memorialised self).  The project itself is only in the initial stages and this paper is more about establishing the parameters and scoping out the field, but I think there’s enough in there to make it an interesting conversation.

For those of you who might be interested, here’s the abstract:

The Ends of Online Identity?

FB_BornWhile the early years of online interaction were often framed by notions of identity play, anonymity, pseudonymity and multiplicity, the last five years have seen many of these playful boundaries collapsing with online and offline identity no longer presumed to be easily separable. The dominance of Facebook as the social networking service, and their firm insistence on ‘real’ names and identities has been one of the clearest causes and indicators of this shift. However, once online and offline identity are more firmly attached to real names, an individual’s web presence becomes harder and harder to escape. Moreover, while notions like ‘Identity 2.0’ (Helmond, 2010), ‘the networked self’ (Papacharissi, 2010) and others tend to emphasise at least some degree of agency, the persistence of digital information and the permanence of names suggests it is timely to revisit the ends of identity where the agency of the named individual is less, if at all, applicable.

At one end, identity fragments can be created even before an individual is born, from Facebook updates, blogs and photos detailing attempts to get pregnant, through to ultrasounds images and the like. Early childhood too, can often be documented online by parents who embrace every recording technology possible, both capturing and often sharing online every smile, every outfit and all those initial milestones of development. While most parents consider some degree of security when posting information about children, many of these digital traces persist and can often be easily (re-)attached to the children in question later in life. This initial digital contextualisation and the power of parents and others to ‘set up’ the initial web presence of individuals before they are active participants online deserves greater attention. Victor Mayer-Schonberger (2009), for example, has proposed that information online, including social information, should come with an expiry date, after which digital identity fragments are automatically erased. While an admirable strategy, implementation of such a proposal in a widespread enough manner to be useful would be very challenging.

At the other end of identity, the question of what happens to our digital selves when we die is also increasingly important. While our corporeal forms are subject to entropy and decay, the same is not necessarily true of online identities. From blog posts and social networking profiles to photographs and more personal files, the need to ‘do something’ with digital identity fragments is increasingly pressing. In some instances the keys to digital identities (our passwords) are being left in wills as part of individuals’ estates, but far more often this question is left unasked until an individual has died. Facebook, for example, had to institute the possibility to allow family members to memorialise or delete the Facebook profiles of deceased loved ones after many people reported Facebook suggesting they ‘reconnected’ with recently deceased relatives and friends.

FB_LostALovedOneThis paper will outline some initial ways that our ‘ends of identity’ might be conceptualised, including a brief review of current approaches, with the intention of outlining an emerging research project which examines the impact of digital identity creation which is not readily controlled by the individual whose identity is being created or transformed.

References

Helmond, A. (2010). Identity 2.0: Constructing identity with cultural software. www.annehelmond.nl , PDF: http://www.annehelmond.nl/wordpress/wp-content/uploads//2010/01/helmond_identity20_dmiconference.pdf.

Mayer-Schonberger, V. (2009). Delete: The Virtue of Forgetting in the Digital Age . Princeton University Press.

Papacharissi, Z. (Ed.). (2010). A Networked Self: Identity, Community, and Culture on Social Network Sites . Routledge.

My presentation is part of a four-paper panel entitled “Coherency, Authenticity, Plurality and the Trace” which also features papers by Erika Pearson / @erikapearson (University of Otago), Stephanie Tuszynski (Bethany College) and Brady Robards / @bradyjay (Griffith University). Our panel is currently scheduled for Tuesday, 11/Oct/2011: 4:00pm – 5:30pm in “South” if you’ll be at IR12. I hope to post the slides before our panel session and, if I get the chance, I’ll try and capture the audio and post it some time shortly thereafter.

Any comments, thoughts or questions are most welcome! 🙂

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Digital Culture Links: September 7th 2011

Links for September 2nd 2011 through September 7th 2011:

  • 28% of American adults use mobile and social location-based services [Pew Research Center’s Internet & American Life Project] – Pew research, September 2011: “More than a quarter (28%) of all American adults use mobile or social location-based services of some kind. This includes anyone who takes part in one or more of the following activities:
    * 28% of cell owners use phones to get directions or recommendations based on their current location—that works out to 23% of all adults.
    * A much smaller number (5% of cell owners, equaling 4% of all adults) use their phones to check in to locations using geosocial services such as Foursquare or Gowalla. Smartphone owners are especially likely to use these services on their phones.
    * 9% of internet users set up social media services such as Facebook, Twitter, or LinkedIn so that their location is automatically included in their posts on those services. That works out to 7% of all adults.” [Full PDF Report]
  • Random thoughts about piracy [Social Media Collective] – boyd on the culturally-specific takes on media piracy: “I was absolutely enthralled with how the discourse around piracy in India was radically different than anything I had seen elsewhere. In India, piracy is either 1) a point of pride; or 2) a practical response to an illogical system. There is no guilt, no shame. I loved hearing people talk about mastering different techniques for pirating media, software, and even infrastructural needs (like water, electricity, even sewage…) There was a machismo involved in showing off the ability to pirate. To pay was to be cheated, which was decidedly un-masculine. Of course, getting caught is also part of the whole system, but the next move is not to feel guilty; it is to bribe the person who catches you. Ironically, people will often pay more to bribe inspectors than it would’ve cost them to pay for the service/item in the first place. Again, we’re back to pride/masculinity. Pirating was an honorable thing to do; not pirating is to be cheated.”
  • Practise the web safety you teach [SMH] – Important little piece reminder K-12 schools that they need to practice what they are starting to preach. It’s great to give students and parents tips on protecting their identity online, but when schools post photographs of students with full names online – often without getting parental or student consent – that’s hardly reinforcing the privacy-aware message.
  • The Fall of WikiLeaks: Cablegate2, Assange and Icarus [techPresident] – One (of many) takes on how Julian Assange and Wikileaks went too far in releasing entirely unedited records unedited. They’ve not only lost the moral highground, but tarnished past partners and ensured anyone in a position to leak something in the future would be even less likely to do so: “WikiLeaks has now indiscriminately dumped the whole cable set into the public arena, and in doing so it has tossed away whatever claim it might have had to the moral high ground. The argument that others were doing it already, or that bad actors were already getting access to the leaked master file and thus this was a mitigating step to reduce coming harms, or that it’s somehow The Guardian’s fault for publishing what it thought was a defunct password, doesn’t absolve WikiLeaks of its large share of responsibility for this dump. People are human; to err is human. But refusing to admit error, that is hubris. Assange, like Icarus, thought he could fly to the sun.”
  • AFACT Uncle Sam’s puppet in iiNet trial [SMH] – “US copyright police are pulling AFACT’s strings as it drags iiNet through Australian courts, but is anyone really surprised? The Motion Picture Association of America is driving AFACT’s legal attack on Australian ISP iiNet, bringing in Village Roadshow and the Seven Network to avoid the impression of US bullying, according to US diplomatic cables released by Wikileaks. It seems the MPAA deliberately avoided picking a fight with the more powerful Telstra, instead hoping for a quick victory against the smaller iiNet which could set a national and perhaps even international legal precedent to aid the Americans in their global fight against piracy. The undertones of American imperialism and Australian subservience are disturbing …”
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