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Banning ChatGPT in Schools Hurts Our Kids
As new technologies emerge, educators have an opportunity to help students think about the best practical and ethical uses of these tools, or hide their heads in the sand and hope it’ll be someone else’s problem.
It’s incredibly disappointing to see the Western Australian Department of Education forcing every state teacher to join the heads in the sand camp, banning ChatGPT in state schools.
Generative AI is here to stay. By the time they graduate, our kids will be in jobs where these will be important creative and productive tools in the workplace and in creative spaces.
Education should be arming our kids with the critical skills to use, evaluate and extend the uses and outputs of generative AI in an ethical way. Not be forced to try them out behind closed doors at home because our education system is paranoid that every student will somehow want to use these to cheat.
For many students, using these tools to cheat probably never occurred to them until they saw headlines about it in the wake of WA joining a number of other states in this reactionary ban.
Young people deserve to be part of the conversation about generative AI tools, and to help think about and design the best practical and ethical uses for the future.
Schools should be places where those conversations can flourish. Having access to the early versions of tomorrow’s tools today is vital to helping those conversations start.
Sure, getting around a school firewall takes one kid with a smartphone using it as a hotspot, or simply using a VPN. But they shouldn’t need to resort to that. Nor should students from more affluent backgrounds be more able to circumvent these bans than others.
Digital and technological literacies are part of the literacy every young person will need to flourish tomorrow. Education should be the bastion equipping young people for the world they’re going to be living in. Not trying to prevent them thinking about it at all.
[Image: “Learning with technology” generated by Lexica, 1 February 2023]
Update: Here’s an audio file of an AI speech synthesis tool by Eleven Labs reading this blog post:
Targeted PhD Projects with Scholarship in Internet Studies @ Curtin Uni (to start 2021, applications close 1 Sept 2020)
Opportunities exist to apply for a range of targeted PhD scholarships located within the Internet Studies Discipline at Curtin University. The window of opportunity for these is short, so if you’re interested, please email the contact person listed in the specific project pages as soon as you’re able!
If folks could share these opportunities with current and recent Masters and Honours completions (and those completing this year), we would be grateful!
The projects available:
1. An Ethnography of Influencers and Social Justice Cultures https://scholarships.curtin.edu.au/Scholarship/?id=4270
2. Analysing Virtual Influencers: Celebrity, Authenticity and Identity on Social Media https://scholarships.curtin.edu.au/Scholarship/?id=4324
3. Climate Action and the Internet https://scholarships.curtin.edu.au/Scholarship/?id=4285
4. Digital Disability and Disability Media https://scholarships.curtin.edu.au/Scholarship/?id=4318
5. Digital Disability Inclusion across the Lifecourse https://scholarships.curtin.edu.au/Scholarship/?id=4291
6. Digital intimacies and social media https://scholarships.curtin.edu.au/Scholarship/?id=4286
7. Diversity, Equity and Impact: Exploring the Open Knowledge performance of Universities https://scholarships.curtin.edu.au/Scholarship/?id=4341
8. Ethical and Sociocultural Impacts of AI/Autonomous Machines as Communicators https://scholarships.curtin.edu.au/Scholarship/?id=4360
9. Tracking Australia’s Research Response to the COVID Pandemic https://scholarships.curtin.edu.au/Scholarship/?id=4347
10. The Audio Internet https://scholarships.curtin.edu.au/Scholarship/?id=4322
To apply for these project opportunities applicants must submit an email to the contact Project lead listed on the project listing. The email must include their current curriculum vitae, a summary of their research skills and experience and the reason they are interested in this specific project.
The Project Lead will select one preferred applicant for this project and complete a Primary reference on their behalf.
After confirmation from the Project Lead that they will receive a primary reference for this project the applicant must submit an eApplication [https://study.curtin.edu.au/applying/research/#apply] for admission into the applicable HDR course no later than 1st September 2020.
All applicants must send an external referee template [https://scholarships.curtin.edu.au/wp-content/uploads/sites/8/2020/07/RTP2021-Round-2-External-Referee-Report.pdf] to their chosen external reference.
All references are confidential and must be submitted by the referee directly to HDRSCHfirstname.lastname@example.org no later than 1st September 2020.
Scholarship applications submitted without a primary reference or a completed application for admission will be considered incomplete.
For further information on the application process or for more RTP2021 Round 2 scholarship project opportunities visit: https://scholarships.curtin.edu.au/hdr-scholarships-funding/rtp-policy/
Thanks for sharing!
Hybrid Learning and Teaching in Higher Education Pre-Date the Pandemic
One of the most tiresome things about thought pieces on the future of universities pumping out at the moment is the constant presumption that a move to a ‘hybrid’ model of teaching (ie mixing face-to-face and online learning) is something new to everyone. It’s not. As just one example, Internet Studies has taught both face-to-face and online versions of all the units in our major for more than 15 years, both at Curtin University and via Open Universities Australia. Students have *chosen* whichever mode fit their lives best, and students can excel in either.
Also deeply disheartening is the presumption that online teaching is intrinsically less impactful than face-to-face. It’s not. But it takes significant work in curriculum design and learning & teaching modes (yes, even via lectures) to engage online learners. Despite workload models that presume the opposite, teaching units online well takes more time, not less, & it’s rare that just one platform (or ‘learning’ management system) offers enough to encompass that learning. Multiple tools work if there is sufficient support for each. Shifting learning material online at very short notice (because of a pandemic) does not equal online learning, it’s making the best of a bad situation (& colleagues across the sector have done so much more than that), but this isn’t the benchmark against which online learning should be judged.
And despite unprecedented pandemic times, hybrid teaching, online teaching, or even face-to-face teaching that is mindful of the complicated context learners are living in, can clearly be better designed by consulting the mountains of work & research on each of these modes. The pandemic has challenged higher education in profound ways, but we have to do what we do best: build our responses on the research, scholarship & best practice that already exist. We know better than reinventing the wheel in any other context, let’s remember it in this one, too.
Edit: On Facebook Mark Pegrum pointed me to work that frames going online for teaching during the pandemic as ERT, or emergency remote teaching, which is quite compelling terminology. I particularly like this quote:
In contrast to experiences that are planned from the beginning and designed to be online, emergency remote teaching (ERT) is a temporary shift of instructional delivery to an alternate delivery mode due to crisis circumstances.
Doing Cultural Studies 2013 Roundtable: Academic Career Practice
On 3 December 2013 I had the pleasure of participating in the Doing Cultural Studies: Interrogating ‘Practice’ symposium backed by the CSAA and Swinburne University, and very professionally organised and run by the postgraduate trio Jenny Kennedy, Emily van der Nagel and James Meese. The day highlighted some impressive emerging work by postgraduate students and early career researchers in cultural studies, and featured an outstanding Keynote provocation by Katrina Schlunke (video here).
For a taste of the many excellent paper presentations, Jenny Kennedy created a Storify which curates many of the tweets from the day.
My contribution was as part of a panel addressing Academic Career Practice which was addressed more practical questions about balancing research, careers and teaching. The panellists were myself, Esther Milne and Brendan Keogh, with Ramon Lobato chairing. A recording of the panel discussion is below:
National Teaching Award!
At an amazing ceremony and dinner at the National Gallery in Canberra tonight I was surprised, flattered and delighted to receive an Australian Award for University Teaching in the Humanities and Arts. This is a huge honour, and I’m extremely grateful to have my approaches to learning and teaching acknowledged in this manner. That said, I’m incredibly conscious that no one teaches in a vacuum, and in Internet Communications I am but one cog in a very complex and well-maintained machine, so this award is at least as much testimony to all of our team at Curtin University as it is to me.
Most importantly, though, I wanted to publicly thank the students who offered their thoughts and feedback about my teaching. We live in an era where students get asked to fill in an awfully large number of feedback forms, surveys and evaluations, so adding even one more thing to that pile is a big ask. So, THANK YOU to all of my students, current and past, whose kind words led to this award.
I’d also like to think that this award is a reminder that despite the huge media attention being paid to MOOCs and so forth, quality online education has been available and refined over more than a decade, and our Internet Communications program is one such example. I truly hope that as this next generation of online learning matures, close attention will be paid to successful examples already available! Successful learning and teaching is, after all, built on understanding the successes and failures of the past.