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The Evolution of Remix Culture
A fantastic little video which looks at the way remix culture work as a relationship between social interaction and media manipulation (and, of course, a little bit about why some copyright rules inhibit this):
iiNet wins and urges the big studios to provide legal media options!
Resolving a court case stretching back from 2008, Australian Internet Service Provider iiNet was vindicated as the the courts found that Australian ISPs did not ‘authorize’ copyright infringement by providing the internet to customers. An obviously jubilant iiNet CEO Mike Malone used the press interest in the story to invite copyright holders to work with ISPs in Australia to provide legal avenues for downloading and viewing media, thus meeting the obvious consumer demand. Nice one! Here’s the video:
Digital Culture Links: January 27th 2010
Links for January 27th 2010:
- Terms of (Ab)Use: US and UK Consumers Dance to Different iTunes [Electronic Frontier Foundation] – Further illustration of the insanity of different national licensing agreements: “For example, as with many TOS agreements, the iTunes U.S. Terms purport to allow Apple to terminate any part of the service, including access to any music or other content available through iTunes, at any time without warning. The U.K. Terms step back from that extreme position. In particular, the U.K. Terms do not allow Apple to affect a user’s access to content already purchased. Furthermore, before terminating a user’s access to iTunes, the U.K. Terms require there at least be “strong grounds,” rather than mere “suspicion,” to believe the user has violated the agreement, and also obligates iTunes to provide notice of any planned modification, suspension, or termination to the extent possible. In other words, the U.K. Terms provide customers at least some guidance as to the grounds for termination, rather than leave them to worry their access to iTunes can be terminated at any moment for any reason.”
- Australia Set to Introduce Internet Filter that Could Block Access to Thousands of Anime, Comics, Gaming (ACG) and Slash Fan Sites by Mark McLelland, University of Wollongong [Guest Post: Confessions of an Aca-Fan] – Guest post by Mark McLelland looking at the implications of the Australian government’s forthcoming ISP-level internet filtering legislation on slash, anime, manga sites and thus fans in Australia. Outlook: poor.
- After Three Months, Only 35 Subscriptions for Newsday’s Web Site [The New York Observer] – So, how’s that paywall going? “In late October, Newsday, the Long Island daily that the Dolans bought for $650 million, put its web site, newsday.com, behind a pay wall. The paper was one of the first non-business newspapers to take the plunge by putting up a pay wall, so in media circles it has been followed with interest. Could its fate be a sign of what others, including The New York Times, might expect? So, three months later, how many people have signed up to pay $5 a week, or $260 a year, to get unfettered access to newsday.com? The answer: 35 people. As in fewer than three dozen. As in a decent-sized elementary-school class. That astoundingly low figure was revealed in a newsroom-wide meeting last week by publisher Terry Jimenez when a reporter asked how many people had signed up for the site. Mr. Jimenez didn’t know the number off the top of his head, so he asked a deputy sitting near him. He replied 35.”
- Google Doodle For Australia Day Missing Aboriginal Flag [SMH] – “An Australia Day artwork by student Jessie Du will be viewed by millions on Google’s home page today but one feature of her original design is conspicuously absent – the Aboriginal flag. Jessie’s Australia-themed version of the Google logo beat thousands of other entrants in the search giant’s Doodle 4 Google competition […] Jessie, 11, is a student at Rydalmere East Public School. Her entry fashioned the letters in Google’s logo out of native Australian animals, such as the kangaroo, koala and emu. The central “o” in the original design was the Aboriginal flag but this has been edited out of the final version that adorns Google’s home page today. The discrepancy caused much consternation on Twitter, but a Google spokeswoman explained that the editing of Jessie’s design was due to a copyright dispute. The designer of the flag, Harold Thomas, who owns the copyright to the flag, refused to give Google permission to reproduce the design on its website…”
- Stop pining for life on Pandora and come back to planet Earth [Telegraph] – Conservative London Mayor Boris Johnson on Avatar: “It is a feature of powerful military empires that they like to romanticise their victims and luxuriate guiltily in the pathos of their suffering. Think of the Roman crowds pleading for the lives of captured barbarians in the amphitheatre.[…] And I can’t believe that many of these gloomy post-Avatar Westerners, when they really think about it, would want to up sticks to Pandora and take part in Na’vi society, with its obstinate illiteracy, undemocratic adherence to a monarchy based on male primogeniture and complete absence of restaurants. The final irony, of course, is that this entrancing vision of prelapsarian innocence is the product of the most ruthless and sophisticated money-machine the world has ever seen. With a budget of $237 million and with takings already at £1 billion, this exquisite capitalist guilt trip represents one of the great triumphs of capitalism.”
Digital Culture Links: January 21st 2010
Links for January 19th 2010 through January 21st 2010:
- YouTube to test movie rental service [The Age] – “YouTube announced it will begin testing an online movie rental service on Friday to kick off the Sundance Film Festival in the US. Five independent films from the 2009 and 2010 Sundance festivals will be part of a “small collection of rental videos” to be available to US users of the popular video-sharing website in “the weeks ahead”, according to YouTube. “Making content available for rent will give our partners unprecedented control over the distribution of their work – they can decide the price of their videos and the rental duration,” YouTube said in a blog post. […] The move represents another step for Google in generating revenue from YouTube, which it bought in 2006 in a deal valued at $US1.65 billion ($A1.82 billion). YouTube will also be stepping in as a potentially formidable contender in the growing market of online distribution of films that includes videogame consoles, Apple’s iTunes shop and US DVD rental giant Netflix.”
- Open Letter From OK Go, regarding non-embeddable YouTube videos [OK Go] – Despite making their name on YouTube, OK Go’s label (EMI) won’t allow their new videos to be embeddable. This is silly, the band agrees, and tries to explain to fans: “The catch: the software that pays out those tiny sums doesn’t pay if a video is embedded. This means our label doesn’t get their hard-won share of the pie if our video is played on your blog, so (surprise, surprise) they won’t let us be on your blog. And, voilá: four years after we posted our first homemade videos to YouTube and they spread across the globe faster than swine flu, making our bassist’s glasses recognizable to 70-year-olds in Wichita and 5-year-olds in Seoul and eventually turning a tidy little profit for EMI, we’re – unbelievably – stuck in the position of arguing with our own label about the merits of having our videos be easily shared. It’s like the world has gone backwards.” [Via]
- Rock Band opens to user-created songs [Music | guardian.co.uk] – Selling user-generated content is now possible using the Rock Band online store, but the process of preparing a song for the service is complex: “submitting music to the Rock Band Network Store isn’t as easy as uploading an MP3. Acts must convert their recordings into the game’s special format, compiling an array of sound files, lyrics and tablatures, as well as instructions for camera angles, lighting and choreography. This requires specialist programming expertise or the services of a contractor, many of whom charge about £300 per minute of music. Once the files are ready, they can be listed in the Rock Band store for anywhere from 99 cents (61p) to $2.99 (£1.83) per song. Currently, user-created songs are only available to Microsoft Xbox players while the developers, MTV Games, keep 70% of the sale price. “We expected this to be an initiative that would appeal to unsigned artists,” [said] Paul DeGooyer, MTV’s senior vice president for electronic games and music”
- YouTube confirms worldwide deal for live Indian Premier League cricket [Media | guardian.co.uk] – “YouTube has confirmed its first live major sporting deal, announcing today that it will host live Indian Premier League cricket matches in the UK, and casting into doubt the value of British TV broadcast rights. The YouTube deal involves every country outside the US – a significantly larger scope than reports had suggested. It was thought that YouTube would only stream live matches to countries that did not have TV deals with the IPL. The two-year deal gives the Google-owned YouTube the exclusive rights to stream IPL matches online, with the two companies splitting revenue from sponsorship and advertising.”
- YouTube Search Accounts for Nearly 28% of All Google Searches [Reelseo] – Still wondering why Google purchased YouTube? “…YouTube not only had 50% more searches than Yahoo web search (3.918B vs 2.629B) and 180% more searches than Bing (3.918B vs 1.399B), but the number of searches at the online video giant made up almost 28% (27.95) of the total searches on Google sites for Dec. 2009.”
Digital Culture Links: January 19th 2010
Links for January 18th 2010 through January 19th 2010:
- Android Karenina [Quirk] – What a great idea of a mashup novel! "Sense and Sensibility and Sea Monsters co-author Ben H. Winters is back with an all-new collaborator, legendary Russian novelist Leo Tolstoy, and the result is Android Karenina—an enhanced edition of the classic love story set in a dystopian world of robots, cyborgs, and interstellar space travel."
- New law could block access to anime, manga and slash fan sites in Australia [fanthropology] – A look at what Australian’s proposed Internet Censorship laws could mean for slash, manga and anime fans: in short, not good!
- Call for study of threat from "offline" filesharing [The Guardian] – Anyone remember pre-internet “piracy”? Time to scan USBs and harddrives at customs 😛 "Policymakers urgently need better information on people’s attitudes to copyright law, according to a report out today warning that friends swapping hard drives and memory sticks could pose as great a piracy threat to media companies as online filesharers. The Strategic Advisory Board for Intellectual Property (Sabip): "There’s a whole big question here around what is happening offline digitally, the swapping of discs and data in that world. There’s a lot of it going on," said Sabip board member Dame Lynne Brindley. Brindley, chief executive of the British Library, said existing research did not give a clear picture of consumer behaviour. While there was some data on the proportion of people buying counterfeit CDs, DVDs and video games – estimated at between 7% and 16% of the population – Sabip was concerned that more needed to be known about other copyright breaches, such as hard-drive swapping …"
- Seven launches online catch-up, PLUS7 [TV Tonight] – "Seven today launched its online catch-up portal, PLUS7. The site offers legal streaming of Seven shows including Grey’s Anatomy, Home and Away, FlashForward, Private Practice, Heroes, Castle, Better Homes and Gardens, Parks and Recreation and more. As with the ABC’s iView, the site does not require a show to finish downloading before being available to start play. The site includes “mid-roll advertising” to show advertisements mid programme, much like commercial television. A spokesperson previously told TV Tonight they expect around 3-4 ads per show. Titles will remain online for between 7 – 28 days depending on rights. So far no ISPs are yet on board for unmetered content. The site can be viewed at au.tv.yahoo.com/plus7." (As expected, Plus7 is geo-locked, so only visible inside Australia. Sorry Brits, you’ll have to wait for Home and Away!)
Digital Culture Links: December 18th 2009
Links for December 16th 2009 through December 18th 2009:
- Privacy groups challenge Facebook on new settings [BBC News] – “Ten privacy groups in the US have filed a complaint to the Federal Trade Commission over Facebook’s new privacy settings. They argue that privacy on the social networking site has been adversely affected as the firm encourages users to open up their profiles. The company changed its privacy settings, ostensibly to make it easier for users to control their profiles. But it also made it easier for content to be shared with all Facebook users. The idea that personal photos and comments can be seen by all 350 million Facebook users has angered privacy groups. The complaint, filed by the Electronic Privacy Information Center and signed by nine other privacy groups, argues that the recent changes “adversely impact users”. Facebook’s changes to users’ privacy settings disclose personal information to the public that was previously restricted,” the complaint read. “
- Microsoft admits code theft for Chinese blog Juku [BBC News] – “Microsoft has indefinitely suspended its Chinese microblogging service MSN Juku after admitting that it “copied” code used to create the site. A vendor contracted to work for the software giant was caught lifting code from a rival Canadian start-up, Plurk. According to Plurk as much as 80% of the basecode was “stolen directly”. Microsoft apologised to Plurk, saying “we are obviously very disappointed but we assume responsibility for this situation”.”
- Child groups slam Conroy’s ISP filtering plans – internet content filtering, mandatory internet fitering, National Children’s and Youth Law Centre (NCYLC), Save the Children [Computerworld] – Children’s rights groups have spoken out against the Federal Government’s plans to introduce mandatory ISP-level filtering, saying it will not effectively protect children. International child rights group, Save the Children, said while it congratulates the government on its attempt to improve the safety of children online, an ISP-level filter is not the best way to offer protection. Child rights specialist, and organisation spokesperson, Dr Annie Pettitt, said it would be more appropriate for the government to educate children and families about appropriate and safe Internet use. “The filter could lull parents into a false sense of security thinking that it is working, but we know hackers are always ahead of those filtering technologies,” Pettitt said. “We could be left in a situation where we think that the filter is sorting out stuff, when in fact it’s not.””