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Open Access Week 2014

OASo, it’s Open Access Week this week, and just in case you’ve not been paying attention, yes, I am a fan. Open access journals like the fantastic Fibreculture ensure anyone – whether in academia or anywhere else – can  read the work published there (including my own Olympic Trolls: Mainstream Memes and Digital Discord?). Gold open access (proper, full, unrestricted) is the best, but ‘green’ open access arrangements also mean that many commercial publishers at least allow authors to share an early version of their work, so while you might not be able to access the final published version, at least a post-print (a version not formatted and edited by the journal, but still 100% the same content) can be hosted elsewhere, which is why you can read Joss Whedon, Dr. Horrible, and the Future of Web Media over at Academia.edu.

Instead of blowing my own trumpet further, though, I’d rather talk about two recent open access developments that are far more interesting. The first is a truly outstanding collaboration by a group from the Association of Internet Researchers (and the Selfies Research Network on Facebook) who’ve created an open access, Creative Commons licensed, Selfies course. Each of the six weeks covers a particular perspective or area relating to selfies, with readings, provocations, suggested assignments and, of course, selfie activities. The breadth of ideas, and structured learning activities, make this a great course in its own right, but even more impressively it’s explicitly presented as material that can be used, explored, utilised and built on by other educators across a range of disciplines and levels. This sort of collaboration and sharing epitomises the very best of open access education, and it doesn’t hurt that the people behind it are some of the smartest thinkers about online culture around today.

So, kudos and well done to the talented group who’ve created this amazing resource, namely: Theresa Senft (New York University, USA); Jill Walker Rettberg (University of Bergen, Norway); Elizabeth Losh (University of California, San Diego, USA); Kath Albury (University of New South Wales, Australia); Radhika Gajjala (Bowling Green State University, USA); Gaby David (EHESS, France); Alice Marwick (Fordham University, USA); Crystal Abidin (University of Western Australia, Australia); Magda Olszanowski (Concordia University, Canada); Fatima Aziz (EHESS, France); Katie Warfield (Kwantien University College, Canada); and Negar Mottahedeh (Duke University, USA).

I’ll be attending the preconference event Show Me Your Selfies: A pedagogy workshop where we’ll be discussing selfies and the selfies course, which should be a wonderful and stimulating morning, and a great lead in to Internet Research 15 which is in Daegu, South Korea this week.

Secondly, and speaking of amazing open access work, I was ever so pleased to get my hands on Jill Walker Rettberg’s new book Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to See and Shape Ourselves. It’s a fabulous and timely read, situating selfies, quantitifed selves and other recent phenomena with historical context, but also asking fascinating questions – and giving quite a few answers – about where these forms are going. Jill will have hardcopies of the book at IR15, but it’s completely open access, which means anyone – yes, that means you – can download and read it for free in a range of formats right now! (Update: You can read Jill’s detailed thinking behind paying for an open access monograph here.)

Looking back towards Perth, here’s a video I participated in put together by Curtin Library talking about why open access matters to researchers:

I’m the last talking head, and the bit of my interview they used is where I emphasise the importance of The Conversation using a Creative Commons open access license that explicitly gives permission for the work to be republished elsewhere. I know from first-hand experience, a piece in The Conversation can turn up in a lot of different places.

If you’re in Perth this week, there are lots of events on for Open Access Week run by Curtin Library, the details of which are here!

Enjoy Open Access Week: it’s all about sharing, after all!

[Photo by biblioteekje CC BY NC SA]

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Digital Culture Links: April 25th

Links through to April 22nd (catching up!):

  • Siri secrets stored for up to 2 years [WA Today] – “Siri isn’t just a pretty voice with the answers. It’s also been recording and keeping all the questions users ask. Exactly what the voice assistant does with the data isn’t clear, but Apple confirmed that it keeps users’ questions for up to two years. Siri, which needs to be connected to the internet to function, sends all of its users’ queries to Apple. Apple revealed the information after
    Wired posted an article raising the question and highlighting the fact that the privacy statement for Siri wasn’t very clear about how long that information is kept or what would be done with it.”
  • Now playing: Twitter #music [Twitter Blog] – Not content to be TV’s second screen, Twitter wants to be the locus of conversations about music, too: “Today, we’re releasing Twitter #music, a new service that will change the way people find music, based on Twitter. It uses Twitter activity, including Tweets and engagement, to detect and surface the most popular tracks and emerging artists. It also brings artists’ music-related Twitter activity front and center: go to their profiles to see which music artists they follow and listen to songs by those artists. And, of course, you can tweet songs right from the app. The songs on Twitter #music currently come from three sources: iTunes, Spotify or Rdio. By default, you will hear previews from iTunes when exploring music in the app. Subscribers to Rdio and Spotify can log in to their accounts to enjoy full tracks that are available in those respective catalogs.
  • Android To Reach 1 Billion This Year | Google, Eric Schmidt, Mobiles [The Age] – “Google executive chairman Eric Schmidt predicts there will be more than 1 billion Android smartphones in use by the end of the year.”
  • Soda Fountains, Speeding, and Password Sharing [The Chutry Experiment] – Fascinating post about the phenomenon of Netflix and HBO Go password sharing in the US. When a NY Times journalist admitted to this (seemingly mainstream) practice, it provoked a wide-ranging discussion about the ethics and legality of many people pooling resources to buy a single account. Is this theft? Is it illegal (apparently so)? And, of course, Game of Thrones take a centre seat!
  • “Welcome to the New Prohibition” [Andy Baio on Vimeo] – Insightful talk from Andy Baio about the devolution of copyright into an enforcement tool and revenue extraction device rather than protecting or further the production of artistic material in any meaningful way. For background to this video see Baio’s posts “No Copyright Intended” and “Kind of Screwed”.
  • Instagram Today: 100 Million People [Instagram Blog] – Instagram crosses the 100 million (monthly) user mark.
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Digital Culture Links: February 23rd

Links through February 23rd:

  • Nielsen Agrees to Expand Definition of TV Viewing [The Hollywood Reporter] – Nielsen ratings reflect that online TV ratings are growing and matter: “The Nielsen Co. is expanding its definition of television and will introduce a comprehensive plan to capture all video viewing including broadband and Xbox and iPads … By September 2013, when the next TV season begins, Nielsen expects to have in place new hardware and software tools in the nearly 23,000 TV homes it samples. Those measurement systems will capture viewership not just from the 75 percent of homes that rely on cable, satellite and over the air broadcasts but also viewing via devices that deliver video from streaming services such as Netflix and Amazon, from so-called over-the-top services and from TV enabled game systems like the X-Box and PlayStation. While some use of iPads and other tablets that receive broadband in the home will be included in the first phase of measurement improvements, a second phase is envisioned to include such devices in a more comprehensive fashion.”
  • Billboard and Nielsen Add YouTube Video Streaming to Platforms [Billboard] – The Billboard music charts in the US finally adapt to include online activity, including YouTube streaming data, and suddenly Baauer’s meme-tastic ‘Harlem Shake’ debuts at the top of the Billboard chart! The ratings, they are a-changing.
  • Why I’m Done Posting Photos of My Kid On Facebook [Chicago Now] – Short but well written piece on why parents should be more careful about what photos etc they share of their kids online. Author calls parents “online guardians”. “We all want to believe that Facebook takes parents’ concerns about privacy seriously. But the truth is that Facebook is a publicly traded company that cares first and foremost about making its shareholders happy. We have no idea how far it will go to do so, especially since the company is not extraordinarily profitable right now. But what we do know is that Facebook is pushing our boundaries now, often, to see just how much of our privacy we’re willing to give away.”
  • Instagram users begin fightback against stolen photos [Technology | guardian.co.uk] – Solid piece on the challenges of photos from Instagram (and the web in general) being used by others without permission. Copyright, theft, credit and ethics all get a mention, but the short version is: if copyright is understood on the web (often it’s not), it’s often not respected whatsoever. For the Instagram examples, I can only image this will get worse, not better, with Instagram moving more solidly onto the web proper, not just mobile devices.
  • Introducing Your Instagram Feed on the Web [Instagram Blog] – Furthering their shift to looking more and more like parent-company Facebook, Instagram have expanded the web presence associated with each username, allowing the liking, commenting and exploring of the people you follow on Instagram without use of a mobile device. The only thing you can’t do is upload an image from the web (yet).
  • Coming and Going on Facebook [Pew Research Center’s Internet & American Life Project] – “Two-thirds of online American adults (67%) are Facebook users, making Facebook the dominant social networking site in this country. And new findings from the Pew Research Center’s Internet & American Life Project indicate there is considerable fluidity in the Facebook user population: * 61% of current Facebook users say that at one time or another in the past they have voluntarily taken a break from using Facebook for a period of several weeks or more. * 20% of the online adults who do not currently use Facebook say they once used the site but no longer do so. * 8% of online adults who do not currently use Facebook are interested in becoming Facebook users in the future.”
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Digital Culture Links: January 16th

Links through to January 16th:

  • Beatles’ First Single Enters Public Domain — In Europe [Techdirt] – The Beatles remain the iconic pop group, so news on VVN/Music that their very first single has now entered the public domain is something of a landmark moment in music:
    The Beatles first single, Love Me Do / P.S. I Love You, has entered the public domain in Europe and small labels are already taking advantage of the situation.The European copyright laws grant ownership of a recorded track for fifty years, which Love Me Do just passed. That means that, starting January 1 of 2013, anyone who wants to put out the track is free to do so.
    Unfortunately, if you’re in the US, you’ll probably have to wait until 2049 or so. And things are about to get worse in Europe too. As Techdirt reported, back in 2011 the European Union agreed to increase the copyright term for sound recordings by 20 years,
  • App Store Tops 40 Billion Downloads with Almost Half in 2012 [Apple – Press Info] – Apple passes 40 billion app downloads: “Apple® today announced that customers have downloaded over 40 billion apps*, with nearly 20 billion in 2012 alone. The App Store℠ has over 500 million active accounts and had a record-breaking December with over two billion downloads during the month. Apple’s incredible developer community has created over 775,000 apps for iPhone®, iPad® and iPod touch® users worldwide, and developers have been paid over seven billion dollars by Apple.”
  • World Map of Social Networks [Vincos Blog]“December 2012, a new edition of my World Map of Social Networks, showing the most popular social networking sites by country, according to Alexa traffic data (Google Trends for Websites was shut down on September 2012). Facebook with 1 billion active users has established its leadership position in 127 out of 137 countries analyzed. One of the drivers of its growth is Asia that with 278 million users, surpassed Europe, 251 million, as the largest continent on Facebook. North America has 243 million users, South America 142 million. Africa, almost 52 million, and Oceania just 15 million (source: Facebook Ads Platform). In the latest months Zuckerberg’s Army conquered Armenia, Kyrgyzstan, Latvia and Vietnam.”
  • Over 8 million game downloads on Christmas Day! [Rovio Entertainment Ltd] – Rovio’s big Christmas download haul: “Wow, what a year! We released four critically-acclaimed bestselling mobile games, developed two top-rated Facebook games, and reached more than a billion downloads — all before our 3rd “Birdday”! Angry Birds Star Wars and Bad Piggies in particular have dominated the app charts, with Angry Birds Star Wars holding the #1 position on the US iPhone chart ever since its release! To top it all off, we had 30 million downloads during Christmas week (December 22-29) and, on Christmas Day, over 8 million downloads in 24 hours alone!”
  • R18+ game rating comes into effect [ABC News (Australian Broadcasting Corporation)] – Finally: “An R18+ video game rating has come into effect across Australia after a deal between the states and the Commonwealth last year. The change means some games that were previously unavailable to adults can go on sale, whereas others that could be accessed by children will become restricted. The issue had divided interest groups, with some claiming the new classification would protect children but others feared it would expose them to more violent games. Legislation to approve the rating was passed by the Senate in June. Under the previous classification regime, the highest rating for computer games was MA15+, meaning overseas adults-only games were either banned in Australia or given a lower classification, allowing children to obtain them.”
  • Two billion YouTube music video views disappear … or just migrate? [Technology | guardian.co.uk] – Despite rumours of massive cuts to major record labels’ YouTube channel counts, the explanation is rather more banal: “Universal and Sony have, since 2009, been moving their music videos away from their YouTube channels and over to Vevo, the music industry site the two companies own with some investors from Abu Dhabi. YouTube, meanwhile, thinks that is only right to count channel video views for videos that are still actually present on the channels – which means that whenever YouTube got round to reviewing the music majors’ channels on its site, a massive cut was always going to be in order.”
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Digital Culture Links: December 24th

Links for December 18th through December 22nd:

  • From Grumpy Cat to Gangnam Style: The Best Memes of 2012 [Wired.com] – 2012 was a big year for memes, from McKayla Is Not Impressed to Texts From Hillary. And Gangnam Style …
  • Gangnam Style Makes YouTube History: First Video to Hit 1 Billion Views [YouTube Blog] – Gangnam Style the first YouTube video to clock one billion views! “A million views? You know what’s cool? A billion views. Today, a 34-year-old K-Pop artist made online video history when his viral video, Gangnam Style, smashed our records and became the first video ever to reach one billion views. Yup, that’s right one BILLION views! PSY’s success is a great testament to the universal appeal of catchy music– and er, great equine dance moves. In the past, music distribution was mostly regional. It was more difficult to learn about great artists from around the world. But with a global platform at their fingertips, people are now discovering and sharing amazing music from all over the planet, by artists like Brazilian Michel Teló and Belgian-Australian Gotye.”
  • Your Twitter archive [Twitter Blog] – Twitter finally rolls out – for everyone – the ability to download your entire Twitter archive: “Today, we’re introducing the ability to download your Twitter archive, so you’ll get all your Tweets (including Retweets) going back to the beginning. Once you have your Twitter archive, you can view your Tweets by month, or search your archive to find Tweets with certain words, phrases, hashtags or @usernames. You can even engage with your old Tweets just as you would with current ones. Go to Settings and scroll down to the bottom to check for the option to request your Twitter archive. If you do see it, go ahead and click the button. You’ll receive an email with instructions on how to access your archive when it’s ready for you to download.”
  • i-am-cc.org – Free your Instagram photos with a Creative Commons license! – That’s a clever idea: an explicit tool for adding a Creative Commons license to your Instagram photos, and for finding Instagram photos which have Creative Commons licenses.
  • Germany orders changes to Facebook real name policy [BBC News] – “A German data protection body has ordered Facebook to end its policy of making members use their real names. The policy violates German laws that give people the right to use pseudonyms online, said the data protection agency in Schleswig-Holstein. The agency has issued a decree demanding that Facebook let people use fake names immediately. Facebook said it would fight the decree “vigorously” and that its naming policy met European data protection rules. “It is unacceptable that a US portal like Facebook violates German data protection law unopposed and with no prospect of an end,” said Thilo Weichert, head of the regional data protection office in Schleswig Holstein, in a statement. … The decree issued by the Schleswig Holstein office was “without merit” a Facebook spokeswoman told tech news site IT World adding that it planned to fight the order.”
  • Coming Soon: Nielsen Twitter TV Rating [Twitter Blog] – The second screen just got serious: “Today Nielsen announced an agreement with Twitter to create the “Nielsen Twitter TV Rating,” an industry-standard metric that is based entirely on Twitter data.  As the experience of TV viewing continues to evolve, our TV partners have consistently asked for one common benchmark from which to measure the engagement of their programming. This new metric is intended to answer that request, and to act as a complement and companion to the Nielsen TV rating. You can read more about the news on Nielsen’s site here. Ultimately, we have one goal for this new metric: to make watching TV with Twitter even better for you, the TV fan. I look forward to sharing more about this effort in the months to come.”
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Digital Culture Links: August 22nd

Links – catching up – through to August 22nd:

  • Instagram 3.0 – Photo Maps & More [Instagram Blog]– Instagram releases a substantial new update for iOS and Android, adding a new photo maps feature. If the user chooses to do so, the photo maps places all geotagged photos onto an interactive map of the globe which can be navigated by Instagram users’ contacts.
    Instagram 3.0 – Photo Maps Walkthrough from Instagram on Vimeo.

    While the maps function is being rolled out with very clear warnings about revealing locations publicly – with tools to remove geotags from some, groups or all photos – this rollout will no doubt remind (and shock many) users that the geographic tags on their photos mean that these aren’t just photos – they’re important and complex assemblages of data that can be reused and repurposed in a variety of ways.

  • Google to push pirate sites down search results [BBC – Newsbeat] – “Google is changing the way it calculates search results in an effort to make sure legal download websites appear higher than pirate sites. The world’s biggest search engine announced the change in a blog post on its website. The move has been welcomed by record companies in the UK and Hollywood film studios. Movie and music firms have complained in the past that Google should have been doing more to fight piracy. They say searching for an artist, song or film often brings up pages of illegal sites, making it hard to find a place to download a legal version. From next week, search results will take into account the number of “valid copyright removal notices”. Sites with more notices will rank lower, although Google has not said what it considers a valid notice.”
  • Gotye – Somebodies: A YouTube Orchestra [YouTube]– Fantastic remix by Gotye, using a huge range of fan remixes of Somebody that I Used to Know and mashing them together. Comes with a full credits list, too: http://gotye.com/reader/items/original-videos-used-in-somebodies-a-youtube-orchestra.html (A great example for Web Media 207.)
  • Facebook removes ‘racist’ page in Australia [BBC News] – “A Facebook page that depicted Aboriginal people in Australia as drunks and welfare cheats has been removed after a public outcry. The Aboriginal Memes page had allowed users to post jokes about indigenous people. An online petition calling for the removal of “the racist page” has generated thousands of signatures. The government has also condemned it. The page’s creator is believed to be a 16-year-old boy in Perth, reports say. “We recognise the public concern that controversial meme pages that Australians have created on Facebook have caused,” Facebook said in a statement to local media. A meme is an idea that spreads through the internet.”
  • Twitter ‘sorry’ for suspending Guy Adams as NBC withdraws complaint [Technology | guardian.co.uk] – “Twitter on Tuesday reinstated the account of a British journalist it suspended for publishing the email address of an executive at NBC, which had been attracting a significant amount of incoming fire over its Olympics coverage. The incident has not done Guy Adams of the Independent much harm. Apart perhaps from a little hurt pride, he has returned to the twittersphere with tens of thousands of new followers. For NBC, it was another blow to its already battered reputation over its coverage of the London Olympic Games. But Twitter found itself in a deeply unfamiliar situation: as the subject of one of the firestorms of indignation that characterises the platform, but which are usually directed at others.”
  • Murdoch’s tablet The Daily lays off nearly a third of its staff [Media | guardian.co.uk] – “The Daily, Rupert Murdoch’s tablet newspaper, has laid off close to a third of its staff just 18 months after its glitzy launch. Executives at the News Corp-owned title told its 170 employees on Tuesday that 50 of them would be let go. Sources told the Guardian that security staff were brought onto the Daily’s editorial floor at News Corp in New York to escort the laid-off employees out of the building. Earlier this month the paper’s editor-in-chief Jesse Angelo denied reports that the media giant had put the title “on watch” and was considering closing it. In a statement Tuesday Angelo said the title was dropping its opinion section and would be taking sports coverage from Fox Sports, also part of News Corp, and other partners. In another cost-saving move the title will also stop producing pages that can be read vertically and horizontally on a tablet, sticking to straight up and down.”
  • If Twitter doesn’t reinstate Guy Adams, it’s a defining moment [Dan Gillmor | Comment is free | guardian.co.uk] – “Once again, we’re reminded of a maxim when it comes to publishing on other people’s platforms: we publish at their sufferance. But there’s a corollary: When they take down what we publish, they take an enormous risk with their own futures.
    This time, Twitter has suspended the account of a British journalist who tweeted the corporate email address of an NBC executive. The reporter, Guy Adams of the Independent, has been acerbic in his criticisms of NBC’s (awful) performance during the Olympics in London. Adams has posted his correspondence with Twitter, which claims he published a private email address. It was nothing of the kind, as many, including the Deadspin sports blog, have pointed out. … What makes this a serious issue is that Twitter has partnered with NBC during the Olympics. And it was NBC’s complaint about Adams that led to the suspension. That alone raises reasonable suspicions about Twitter’s motives.”
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