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Links for August 8th 2008

Interesting links for August 7th 2008 through August 8th 2008:

  • Steal This Hook? Girl Talk Flouts Copyright Law [NYTimes.com] – “Girl Talk, whose real name is Gregg Gillis, makes danceable musical collages out of short clips from other people’s songs; there are more than 300 samples on “Feed the Animals,” the album he released online at illegalart.net in June. He doesn’t get the permission of the composers to use these samples, as United States copyright law mostly requires, because he maintains that the brief snippets he works with are covered by copyright law’s “fair use” principle …Girl Talk’s rising profile has put him at the forefront of a group of musicians who are challenging the traditional restrictions of copyright law along with the usual role of samples in pop music.” Girl Talk’s latest album Feed the Animals can be downloaded for whatever price users choose to pay (including choosing to pay nothing).
  • MisUnderstanding YouTube by Joshua Green [Flow TV 8.05] – “… popularity on [YouTube] revolves as much around what is “Most Discussed” or “Most Responded” as it does what is “Most Viewed.” … Understanding this is crucial to effectively accounting for YouTube as a diverse media space. This is not to suggest everyone comes to the site to post a video blog, but rather to come to terms with the fact that YouTube is built as much through practices of audience-ing as it is practices of publishing, and to realize the two as intimately linked. As much as the video blog, YouTube is ruled by the clip and the quote — the short grab or edited selection; these videos are evidence or demonstration of active audience-hood.”
  • Human rights group broadcast ‘pirate’ radio show in Beijing [Radio Australia] – “A human rights group has broken China’s tight control of the media by broadcasting a radio show calling for freedom of expression in Beijing. At 8.08am local time, the Paris based group Reporters Without Borders began a twenty minute pirate broadcast on Beijing’s airwaves.” [Via @mpesce]
  • It’s public so what’s the privacy issue with Google’s Street View? [The Courier-Mail] – Peter Black tells it like it (legally) is regarding Google Streetview in Australia: “What Google did was perfectly legal. They took photographs of houses, buildings and streets from a public place. If anyone can legally walk up and down your street taking photographs of houses, why can’t Google? They can. Once this is accepted, the argument then becomes one about people randomly caught in the lens of the camera. “Surely they don’t have a right to take a photo of me?” Yes they do. You can have no reasonable expectation of privacy, let alone a right to privacy, when you are in a public area, such as your street.”

Links for August 6th 2008

Interesting links for August 5th 2008 through August 6th 2008:

  • Thailand bans Grand Theft Auto IV [BBC] – “Copies of Grand Theft Auto IV have been pulled in Thailand after a teenager confessed to murdering a taxi driver. The 18-year-old high school student is accused of stabbing the cab driver to death by trying to copy a scene from the game. The biggest video game publisher in the south-east Asian country, New Era Interactive Media, has told retailers to stop selling GTA IV. “
  • Trees die as first iPhone bills released [SMH] – Australian “Environmentalists have railed against mobile carriers for sending iPhone bills to customers that, depending on the plan, could contain more than 100 pages of non-recycled paper. The high page count stems from Optus and Telstra unnecessarily itemising each individual piece of web data downloaded using the phone, instead of having a single usage figure for each day.”
  • When Google Owns You [chrisbrogan.com] – A cautionary tale about Google, power and losing your life in the cloud: “Nick Saber isn’t happy now. Monday afternoon, after lunch, Nick came back from lunch to find out that he couldn’t get into his Gmail account. Further, he couldn’t get into anything that Google made (beside search) where his account credentials once worked. When attempting to log in, Nick got a single line message: Sorry, your account has been disabled. [?] That’s it. ” (After much drama, Nick’s account was eventually restored after he managed to accurately complete this insane form.)
  • Current Analysis and Future Research Agenda on “Gold Farming”: Real-World Production in Developing Countries for the Virtual Economies of Online Games [ Development Informatics Working Paper No. 32 ] – Abstract: “…a new form of employment has emerged in developing countries. It employs hundreds of thousands of people and earns hundreds of millions of dollars annually. Yet it has been almost invisible to both the academic and development communities. It is the phenomenon of “gold farming”: the production of virtual goods and services for players of online games. China is the employment epicentre but the sub-sector has spread to other Asian nations and will spread further as online games-playing grows. It is the first example of a likely future development trend in online employment. It is also one of a few emerging examples in developing countries of “liminal ICT work”; jobs associated with digital technologies that are around or just below the threshold of what is deemed socially-acceptable and/or formally-legal. This paper reviews what we know so far about gold farming, seeking to provide the first systematic analysis of the sub-sector. …”

Perth’s Channel 31 Leave the Airwaves

access31_offair

In sad news for Community Television in Australia, and in Perth in particular, it seems that community broadcaster Access 31 has shut its doors in Western Australia. As TV Tonight reports:

Access 31, Perth’s community television station, has this afternoon gone off air. The closure follows ongoing financial difficulties for the volunteer-run station. Despite promises of government support and securing of a financial backer, today it closed its doors at 5pm. TV Tonight understands a number of staff have been resigning in recent weeks, leaving the place dangerously under-manned. … Sources say none of the independent program producers, who comprise the bulk of production, were informed ahead of time.

Oddly, though, despite the goodbye message currently being broadcast, the Access 31 website still makes it look like they’re open for business.

Update: There is a vitriolic article on PerthNorg today, suggesting the Board may have played a large role in Access 31’s demise.

Links for July 30th 2008

Interesting links for July 28th 2008 through July 30th 2008:

Links for July 26th 2008

Interesting links for July 25th 2008 through July 26th 2008:

Creative Commons Australia – 3.0 License Drafts and more…

ccauv3.0-feedback

I’ve been meaning to post about all the exciting things Creative Commons Australia have been up to since I returned from the fabulous Building an Australasian Commons national conference (and the linked Creating Value: Between Commerce and Commons international conference), but it’s taken a few weeks so first off I want to draw your attention to the Creative Commons Australia 3.0 draft licenses which have been ported to Australia, bringing CCau up to date with the global 3.0 releases.  The licenses are in draft form and open for comment now, so I’d encourage you to take a look and leave comments if any come to mind.  This version is more directly based on the CCNZ 3.0 licenses which are considerably more understandable for the layperson (ie non-lawyer, like me).  The public comment phase has been going for a while, and for comments to be addressed before the official release they need to be made by 1 August 2008 (yes, I should have mentioned this earlier, but go look now, you’ve still got a couple of weeks).

Equally exciting, a global project spearheaded by Creative Commons Australia has been released: the Creative Commons Case Studies project.  One of the biggest challenges when explaining Creative Commons licenses to other people was the lack of examples.  Sure, we can all talk about Cory Doctorow’s exemplary book licensing, but there are so many other projects out there using CC licenses to share, publicise and allow others to build upon and remix their work.  Well, the Case Studies project makes life a whole lot easier, collating a wealth of examples from across the globe when groups, bands, corporations, universities and more have used CC licenses.  Each case study features an overview, how the CC license is used, and the motivations for choosing a CC license; this structure ensures that we understand what CC licenses can achieve and the various philosophies behind their use (from philanthropic to purely promotional).  The best part, though, is that the Case Studies project is wiki-based, meaning anyone who wants to can add an example either of their own use, or of someone else’s exemplary work under CC.  I’ve got a couple of examples of past work with my students I’ll by adding soon, and I hope if you’ve been using CC licenses either in education or anywhere else, you might want to consider documenting your best examples to share with the world, too.

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