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Digital Culture Links: September 1st 2009

Links for August 25th 2009 through September 1st 2009:

  • Twitter is Now Bigger than MySpace in the UK [Mashable] – "According to Hitwise UK, Twitter has overtaken MySpace for the first time on the list of most visited UK websites. Last week, Twitter was the 27th most visited website in the UK, while MySpace was 28th. Looking at social networks alone, Facebook was the biggest UK site, followed by YouTube (YouTube) and Bebo, with Twitter in the 4th place and MySpace in the 5th. And that doesn’t even take into account all the visitors that used one of the many 3rd party Twitter applications such as TweetDeck (TweetDeck) or Seesmic Desktop (Seesmic Desktop). "
  • Bad news for newspapers, great news for journalism [bronwen clune] – Bronwen looks beyond the paywall: "Of course the argument for paid content is about defending commercial news organisations and not journalism. Problem is the two aren’t mutually exclusive anymore. For starters, it excludes the competition from government subsidised media – SBS and ABC – who probably can’t wait for News Corp and Fairfax to start charging for their content. A senior news person at SBS told me just yesterday that he “WANTS those sites to charge!” – not because he believes in paid content, he doesn’t, but because it certainly brightens his future."
  • ABC most reliable network, Nine worst -readers [TV Tonight] – "The ABC is the most reliable network -according to readers of TV Tonight- and Nine the least. In the Audience Inventory, the public broadcaster was a clear winner in the key question of starting TV programmes on time by a huge 55% win. It was followed by Foxtel (22%), SBS (11%), TEN (7%), Seven (3%) and Nine (2%). The question was completed by 99% of the survey respondents, which totalled over 800." (That certainly matches with my thoughts!)
  • Murdoch attack on 'dominant' BBC [BBC NEWS | Business] – "News Corporation's James Murdoch has said that a "dominant" BBC threatens independent journalism in the UK. The chairman of the media giant in Europe, which owns the Times and Sun, also blamed the UK government for regulating the media "with relish". "The expansion of state-sponsored journalism is a threat to the plurality and independence of news provision," he told the Edinburgh Television Festival. The scope of the BBC's activities and ambitions was "chilling", he added. Organisations like the BBC, funded by the licence fee, as well as Channel 4 and Ofcom, made it harder for other broadcasters to survive, he argued." (Or: if the BBC stays free and Newscorp puts everything they create behind a paywall, James is rightly concerned people will just read the free BBC stuff instead!)
  • Wikipedia Will Limit Changes on Articles About Living People [NYTimes.com] – "… as the English-language version of Wikipedia has just surpassed three million articles, that freewheeling ethos is about to be curbed. Officials at the Wikimedia Foundation, the nonprofit in San Francisco that governs Wikipedia, say that within weeks, the English-language Wikipedia will begin imposing a layer of editorial review on articles about living people. The new feature, called “flagged revisions,” will require that an experienced volunteer editor for Wikipedia sign off on any change made by the public before it can go live. Until the change is approved — or in Wikispeak, flagged — it will sit invisibly on Wikipedia’s servers, and visitors will be directed to the earlier version. The change is part of a growing realization on the part of Wikipedia’s leaders that as the site grows more influential, they must transform its embrace-the-chaos culture into something more mature and dependable." (With great power comes great(er) responsibility?)

The Future of Journalism

800px-Dead_sea_newspaper On Friday evening I attended and spoke at the ‘Future of Journalism’, an event organised by the Media Alliance & Walkley Foundation which was styled as a “Blueprint for progress”, featuring healthy discussion and debate about the future of paid journalism and, amongst other topical issues, whether news consumers would actually start paying for content they’ve already been enjoying for free.

I was part of the final panel for the night, joining Ralph Nicholson (formerly with Reuters, now the publisher and editor of The Beach Times, a free newspaper in Costa Rica), Jo McManus (who has 30 years experience as a journalist and now lectures the next generation at ECU/WAAPA), and Australian political blogger William Bowe (the Poll Bludger) for a very spirited conversation chaired by Jonathan Este, the Media Alliance’s director of communication.  We were briefed that the discussion would be pretty informal, which held true, but it was very wide-ranging, discussing everything from possible business models for online news through to the role of social media and blogging both by, and in opposition to, traditional journalists.

From the outset, I should by saying I have no idea what the best business model for journalism is in the online age, but I am quite certain it is not putting all content back behind a paywall.  That way, I’d suggest, lies disaster, one the reasons for which I outline a little below. 

There isn’t time to touch on everything that was discussed, but I wanted to re-visit three points that were raised during our panel (or earlier, and to which our panel then responded):

[1] The relationship between bloggers and paid journalists.  For whatever reason, the ‘bloggers’ (or ‘amateur bloggers’ now, since so many journos write blogs) still attract the ire of professional journalists because the bloggers are seen as a vast, untrained, amateur army of low-quality content creators who aren’t bound by a code of ethics but do get read by people who should be reading proper journalism.  To be fair, many of the people who spoke didn’t share this view, but at least a few did, and there were plenty of barbed asides to be heard.  Let me reiterate what I said on the night: there are certainly some bloggers who write as well as journalists, are just as ethically-driven as good journalists and who can research and investigate as well as paid and trained journalists. However, the vast majority of bloggers do not consider themselves journalists, do not seek to compete with journalists and still value (and enjoy) quality journalism done by paid professionals.  Despite what Rupert Murdoch might now believe, bloggers are not the enemy and those who do engage in debate with, or commentary on, professional journalism are usually amongst the strongest supporters of good journalism as a profession.  Indeed, a  blog post written by blogger and journalist Steven Johnson back in 2006 called ‘Five Things All Sane People Agree On About Blogs And Mainstream Journalism (So Can We Stop Talking About Them Now?)’ did a far more elegant job of making this point. Perhaps a few more people should read it.

[2] Digital media tools are not names to be feared, but rather processes than can be readily understood.  There were a lot of comments from old hands in the industry about the difficulty keeping up with the latest new technology – the main mentions were MySpace to Facebook, and now to Twitter.  MySpace, Facebook and Twitter all share many commonalities: they’re all about making sharing ideas, conversations, links and media (broadly defined).  Rather than asking how Facebook is different from MySpace, or Twitter different from the first two, what might be more fruitful is to ask what the latest technology does that’s similar to something you are familiar with.  Rather than treating Twitter as something new, and thus something alien, if it’s examined as primarily replicating the conversational style of Facebook, but without anything else from that platform (including those annoying applications) then you start to come to terms with what it is.  Sure, it takes a little while to become familiar with a new tool, but starting to use these tools, rather than spending copious time fearing them and lamenting all these new-fangled technologies, is surely a better use of peoples’ time. Many journalists have embraced Twitter, for example, and it’s paying real dividends.  It is, of course, important to verify any ‘facts’ gathered via Twitter, but that’s true of each and every source. During our panel I suggested that people interested in journalism can become part of the media conversation long before they become active professionals or even before any formal training using social media tools – tomorrow’s journalists can sharpen the skills they’ll need via Facebook, Twitter or whatever comes next, and that should, in my opinion, be seen as an asset.

[3] The relationship between social media and news. Many more entrenched journalists seem to think that social media tools, like blogging or Twitter, might be valuable since they let journalists talk to their audience, but they still seem to see the gap between themselves and the audience as a chasm; their audience, by contrast, is increasingly thinking of themselves as participating in a conversation, and often a conversation amongst equals.  That doesn’t mean everyone thinks they’re a journalist, but the era when journalists were set apart by their training and ethics has by and large ended thanks to a lot of very bad journalism in the world and a lot of very smart people in that audience. Indeed, the word audience might just need to be rethought altogether. As Dan Gillmor, amongst others, have eloquently described the change: “Journalism is evolving from a lecture to a conversation, and the first rule of good conversation is to listen.” This, incidentally, is the main reason I think putting news behind a paywall will fail: stopping people from participating in the conversation about the news you report or create will reduce the impact and spread of that news.

A different way of thinking about this is that many people engage with news not by visiting a newspaper’s website, but by coming across a link via Google or, increasingly, a link that a friend or contact has posted using a social media tool.  These are conversational contexts, and any media links posted in these contexts are seen as things to be discussed. In the coming months, this will be even more pronounced thanks to Google’s newest invention, Google Wave.  As I understand it, Google Wave is about taking all of the disparate bits of conversation that can happen using online communication tools and making it possible to retain and continue the conversations, regardless of where it starts (be that email, a blog, or wherever else).  Thus, for Google Wave, conversation is content.  While we’ll need to see how Google Wave works once it’s officially launched, we know today that newspapers are already put in a lot of effort into trying to gain solid Google rankings. In the coming months, that may very well involve being more conscious of news as a conversation rather than a lecture.  I can understand how that might sound daunting to journalists and the industry, but figuring out how to be part of more conversations may very well be part of successful business models for the quality journalists of tomorrow.

Those points aside, I must admit I enjoyed that Future of Journalism event; the very fact that the night was organised shows that news journalists in Australia are trying to figure out new, sustainable ways of plying their trade in the digital age.  Moreover, while there were definitely a few dinosaurs in the room, some of the newer faces of journalism, including Tim Burrowes from mUmBrella (his response to the event here), and Stephen Brook from the Guardian, showed that many journalists are definitely already in tune with the tides of the digital world in which they operate.

[Photo: ‘Dead sea newspaper’; CC BY SA]

Digital Culture Links: August 20th 2009

Links for August 15th 2009 through August 20th 2009:

  • iiNet uses Telecommunications Act to boost copyright case [Australian IT] – "iiNet has put two new lines of legal defence before the Federal Court in its bid to stop a group of entertainment companies suing it for copyright infringement. … barrister Richard Cobden today ventured a new defence in which he revealed the ISPs intent to argue that bowing to AFACT's demands to disconnect the customers for "unproven allegations of copyright breaches" would itself be in breach of privacy provisions of the Telecommunications Act. Mr Cobden also told the court that the ISP intended to argue that any steps AFACT required it to take could not be considered reasonable unless its rivals in the telecommunications sector were also asked to pursue them. … iiNet said: "There are very good public policy reasons why ISPs cannot use their customers' information in the manner AFACT has demanded. "The existing law currently provides a process for investigating copyright theft or any other illegal activity using the internet, requiring court orders, warrants and due process."
  • Liskula Cohen Forces Google To Reveal Anonymous 'Skank' Blogger's Identity [SMH] – "A former Vogue Australia cover girl has won a landmark court battle to reveal the identity of an anonymous blogger who called her a "skank" and an "old hag". Model Liskula Cohen sued Google in January in the hope of forcing the company to reveal the person responsible for allegedly defamatory comments on a blog called Skanks in NYC, which was hosted by Google's Blogger service." (While I don't believe anyone is really anonymous online, I'm not sure that I'm comfortable with the precedent this sets with Google being forced to release user details.)
  • Video gamers 'older than thought' [BBC NEWS | Technology] – "The average age of an adult video game player is 35 – higher than previously thought, a US study suggests."

Digital Culture Links: August 5th 2009

Links for August 5th 2009:

  • Women comprise 55% of Twitter users [SheSpotter] – “A new study released in Harvard Business publishing examines gender trends in Twitter.
    Highlights include: Females hold a slight majority on Twitter: men comprise 45% of Twitter users, while women represent 55%. ” While there are slightly more women using Twitter, there are a lot less young people Tweeting according to Mashable.
  • Music off the menu as licensing row heats up [SMH] – “The fee paid by restaurants and cafes for background music is due to skyrocket if a new licensing proposal goes ahead. For Stuart Knox, the owner of the 55-seat Fix St James restaurant in the city, it means his annual licence fee would rise from $69 to more than $5500. ‘‘For that sort of fee, I’d prefer to buy my customers an iPod each and they can listen in private at their table,” he says. There is widespread concern in the restaurant industry that new tariffs suggested by the Phonographic Performance Company of Australia will make the cost of playing music prohibitive.” (If costs get too out of hand, I wonder if someone will collate a whole range of Creative Commons Attribution – CC BY – music and point Australian restaurants to it – they wouldn’t need to pay a cent!)
  • Apple tries to silence owner of exploding iPod with gagging order [Times Online] – “Apple attempted to silence a father and daughter with a gagging order after the child’s iPod music player exploded and the family sought a refund from the company. The Times has learnt that the company would offer the family a full refund only if they were willing to sign a settlement form. The proposed agreement left them open to legal action if they ever disclosed the terms of the settlement.”
  • 2009 Social Network Analysis – Social Network Demographics – Social Network Geographic Data [Ignite Social Media] – Useful 2009 snapshot of the demographics and for: Badoo.com, Bebo.com, Digg.com, Facebook.com, Fark.com, Flickr.com, Flixster.com, Friendster.com, Gather.com, Habbo.com, Hi5.com, Iambored.com, Identi.ca, IndianPad.com, Last.fm, Linkedin.com, Livejournal.com, Meetup.com, Metafilter.com, Mixx.com, Multiply.com, Myspace.com, Netlog.com, Newsvine.com, Ning.com, Plaxo.com, Plurk.com, Pownce.com, Propeller.com, Reddit.com, Reunion.com, Shoutwire.com, Skyrock.com, Stumbleupon.com, Tribe.net, Tuenti.com, Twitter.com, Wayn.com, Xanga.com, Yelp.com, YouTube.com.

Digital Culture Links: July 22nd 2009

Links for July 14th 2009 through July 22nd 2009:

  • How-To: Read George Orwell’s 1984 on your Kindle [Make Online] – “Citizen! If you bought a copy of George Orwell’s “Nineteen Eighty-four,” (1984) for your Kindle it was deleted. It appears that the publisher changed its mind about digital versions (update, they were never allowed to publish them in the first place) and Amazon reached in and removed it from your reader. Sorry for the inconvenience! So, what to do? Let’s assume you’re going to go on a nice trip, like Australia, and you really wanted to read 1984 – once you get there, you can easily reload your Kindle with a copy of 1984.” (Yes, under Australian copyright law, 1984 is in the public domain!) [Via BBoing]
  • Australia’s Digital Economy: Future Directions [Federal Government] – “The Australian Government released the Australia’s Digital Economy: Future Directions paper on 14 July 2009 which outlines: * why the digital economy is important for Australia * the current state of digital economy engagement in Australia and why current metrics point to a need for strategic action * the elements of a successful digital economy * the role for the Government in developing Australia’s digital economy, and * case studies of Australians who have successfully engaged with the digital economy from a diversity of industries including content, e-health, maps, banking, education, smart technology and citizen journalism.”
  • SharePod – Nifty freeware application for backing up music FROM your iPod/iPhone to your PC. Especially useful if your computer dies and you want to restore your library from your iPod rather than ripping the music of 200+ CDs!
  • Iran – The Rebellion Network [Foreign Correspondent – ABC] – Foreign Correspondent Story: ‘The Rebellion Network’ originally broadcast 07/07/2009, reporter: Eric Campbell. A solid overview of the role of social media in the post-election protests and other social movements in Iran (with particular mention of Twitter).

Dr Horrible, Brisbane & ANZCA 2009

anzca2009

Just to reassure you all that I’ve not turned into a automated link-posting robot, I thought I’d make an actual post since I’m about to head to Brisbane for The Australian and New Zealand Communication Association 2009 conference, held at QUT this week.  It should be a great conference, with a number of my Internet Studies colleagues presenting, lots of great sounding papers and the Oxford Internet Summer Doctoral Programme folks also around QUT at present, making for a pretty vibrant atmosphere, I’m sure!

For those of you interested (or looking at the 5 parallel streams of papers, trying to decide which one looks interesting) here is the abstract for my talk, ‘What Dr Horrible Can Teach Media Creators About Participatory Culture’:

During the 2007/2008 US Writer’s Guild of America strike writer-director Joss Whedon came up with the notion of a one-off online “show” made outside of the studio system, on a miniscule budget, and entirely publicised using the web and social networks. Thus, Dr Horrible’s Sing-Along Blog, a three-act online musical comedy centred on a flawed supervillian, was conceived. In promoting Dr Horrible, Whedon and his team used both official websites and presences on Facebook, MySpace, Twitter, Digg as well as engaging with Whedon’s existing legion of fans via fansites such as Whedonesque.com. Moreover, far from using these websites purely as one-way advertising delivery platforms, the producers, writers and some Dr Horrible actors engaged fans in meaningful dialogue via these platforms.

Fan discussion and remixing of the show emerged rapidly; within weeks of its release there were hundreds of fan sing-along videos on YouTube, joined by everything from fan-created artwork and wallpaper to unofficial sheet music. Far from shunning these unofficial creations, the Dr Horrible producers actively congratulated and promoted the best fan creations. Despite Dr Horrible initially being available for free in its first week, subsequent sales via the iTunes store, and later on DVD, at times rivaled all but the most successful Hollywood blockbusters. Thus, in an era where media companies and startups are increasingly becoming concerned about brand loyalty, not just Nielsen ratings, Dr Horrible may serve as a model for producers and fans interacting in mutually beneficial ways as part of participatory culture. This paper will attempt to examine the way Whedon and his team utilised participatory culture in promoting Dr Horrible, asking which elements built on the foundation of Whedon’s past successes, but even more importantly what lessons Dr Horrible has for both existing and emerging media creators.

And here are the slides I’ll be using:

I’ll probably be Twittering from the conference (Wed – Fri) and I think the default Twitter hashtag will be #anzca2009.

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