News & the Net: Two Steps Backwards …
Local citizen journalism evangelist, Bronwen Clune, often describes the news media corporations and mechanisms as ‘control media’. While this is certainly a striking expression, and no doubt fair when thinking about the likes of Rupert Murdoch, I’ve wondered if it’s at times a bit of a harsh brush with which to paint the news media in general . However, the Associated Press (AP) seems to be doing out its way to take the idea of control media literally, which has not been embraced by the interwebs at large; AP recently described a system of Digital Rights Management (DRM) to police the uses of its news content online. Their explanatory graphic and been, how shall we say, reinterpreted by the public they’re expecting to pay for AP’s services:
[Source for the top half of the image: AP’s Press Release “Associated Press to build news registry to protect content”; source for the full image: “What the AP really meant to convey”. Via Boing Boing]
At the same time, Chris Anderson on the promotion trail for his new book Free, has been enjoying himself by being as provocative as possible in interviews (conducted, oddly enough, by journalists). For example:
In the past, the media was a full-time job. But maybe the media is going to be a part-time job. Maybe media won’t be a job at all, but will instead be a hobby. There is no law that says that industries have to remain at any given size. Once there were blacksmiths and there were steelworkers, but things change. The question is not should journalists have jobs. The question is can people get the information they want, the way they want it? The marketplace will sort this out. If we continue to add value to the Internet we’ll find a way to make money. But not everything we do has to make money.
While change is definitely in the air, suggesting that journalism is a redundant profession is going too far. We need good journalism; we need people who are willing to take risks and invest huge amounts of time into investigative reporting; and they need to be paid. I’m not suggesting the status quo even means anything any more, and the last few years have definitely forced the news industry to decide whether it’s just an entertainment business or something more, but amongst all of that I think we need to try and figure out sustainable models that support journalism (but not sensationalism). I think unpaid citizen journalism and random acts of journalism by netizens will definitely play a significant role in the news media landscape that’s developing, but I don’t every think the culmination of citizen journalism will ever be enough by itself. I can’t live without the ABC or SBS, and I’m delighted they’re mainly government funded, but I know that’s not the only answer. And I also realise that answers aren’t readily available yet. We should, however, be looking for them. While the news industry is definitely having a rough time, and the future is uncertain, I also don’t think AP’s approach hard core ‘lock it all up’ approach, or Anderson’s dismissive suggestion the all journalists need to get real jobs and write news as a hobby, are really helping the debate. Not one little bit.
Digital Culture Links: July 22nd 2009
Links for July 14th 2009 through July 22nd 2009:
- How-To: Read George Orwell’s 1984 on your Kindle [Make Online] – “Citizen! If you bought a copy of George Orwell’s “Nineteen Eighty-four,” (1984) for your Kindle it was deleted. It appears that the publisher changed its mind about digital versions (update, they were never allowed to publish them in the first place) and Amazon reached in and removed it from your reader. Sorry for the inconvenience! So, what to do? Let’s assume you’re going to go on a nice trip, like Australia, and you really wanted to read 1984 – once you get there, you can easily reload your Kindle with a copy of 1984.” (Yes, under Australian copyright law, 1984 is in the public domain!) [Via BBoing]
- Australia’s Digital Economy: Future Directions [Federal Government] – “The Australian Government released the Australia’s Digital Economy: Future Directions paper on 14 July 2009 which outlines: * why the digital economy is important for Australia * the current state of digital economy engagement in Australia and why current metrics point to a need for strategic action * the elements of a successful digital economy * the role for the Government in developing Australia’s digital economy, and * case studies of Australians who have successfully engaged with the digital economy from a diversity of industries including content, e-health, maps, banking, education, smart technology and citizen journalism.”
- SharePod – Nifty freeware application for backing up music FROM your iPod/iPhone to your PC. Especially useful if your computer dies and you want to restore your library from your iPod rather than ripping the music of 200+ CDs!
- Iran – The Rebellion Network [Foreign Correspondent – ABC] – Foreign Correspondent Story: ‘The Rebellion Network’ originally broadcast 07/07/2009, reporter: Eric Campbell. A solid overview of the role of social media in the post-election protests and other social movements in Iran (with particular mention of Twitter).
Twitter thoughts and blog neglect
I realised today that this blog has been rather neglected and while there are the usual way-too-busy reasons (all of which remain true!) I’ve noticed I’m spending more and more time looking at Twitter and less and less actually writing anything here; actually, I’m a fairly tweet-low Twitterer, too, I think – I read a lot more than I write. As I was pondering this, the core value of Twitter – it’s immediacy – really hit home as I found out about the major earthquake off the cost of New Zealand’s South Island (near Dunedin, where I was born and where my grandparents still live) via Twitter, and the ensuing Tsunami Warning (which makes an earthquake seem a lot scarier!). It took any mainstream news media, or blogs, that I read more than half an hour, and more than an hour for most, to break this story. By then, I’d had my little worried moment, reassured myself that the Tsunami (which, thankfully, never happened) wouldn’t hit my grandparents since they live up a hill, and returned to work. By then ‘New Zealand’ and ‘Tsunami Warning’ were both Trending Topics, second only to Harry Potter on the back of the film debut of the sixth feature. Of course, following the links from the Trending Topics, I also accidentally hit spoilers regarding tonight’s episode of the Master Chef finals; time to go Justine, it seems (like the US, the East Coast of Australia, is 2 hours ahead those of us in the West, so Twitter is a rather potent spoiler source).
In turn, I suspect Twitter is rapidly becoming normalised as part of the everyday conversation for all sorts of folks, not just social media addicts. Indeed, I was amused to read Melissa Gregg’s post about an episode of Desperate Housewives including a character who fails to get a job due to their lack of Twitter-knowledge! Perhaps in a future episode said character might change their fortune by stumbling across this useful History(ish) of Twitter diagram. In the mean time, I’ll see if I can work out a better balance between the lifestreaming deluge of Twitter and my neglected but still loved blog.
Annotated Digital Culture Links: July 14th 2009
Links for July 10th 2009 through July 14th 2009:
- ‘Bruno’: Did Twitter Reviews Hurt Movie at Box Office? [TIME, 13 July 2009] – “In the old days — like, until yesterday — movie studios judged the success of their big pictures by how much they grossed on the opening weekend. But in the age of Twitter, electronic word-of-mouth is immediate, as early moviegoers tweet their opinions on a film to millions of “followers.” Instant-messaging can make or break a film within 24 hours. Friday is the new weekend. … Brüno’s box-office decline from Friday to Saturday indicates that the film’s brand of outrage was not the sort to please most moviegoers — and that their tut-tutting got around fast. Brüno could be the first movie defeated by the Twitter effect.” (Can bad word of mouth, amplified and aggregated by Twitter, will a new movie in hours rather than the usual week for bad reviews?)
- I want my cyborg life [apophenia] – danah boyd’s thoughts on backchannels, the potential omnipresence of searchable information and the presumption that technologies tend to fragment attention rather than foster it.
- PingWire – A public feed of the latest Twitpic pictures. Hypnotic windows on everyday life and popular culture, but as the warning says: “Evidently, there are people who post photos which may be inappropriate for viewers under 18 years of age. You’ve been warned.”
- Flic.kr Greasemonkey Script – Useful little Greasemonkey Script to make use of Flickr’s URL-shortening service (Flic.kr). Great for using Flickr with Twitter and the like.
- Find Creative Commons images with Image Search [Official Google Blog] – Google’s Image Search adds support for Creative Commons licenses. Searching for CC material continues to get easier and easier! Just click on Advanced Search.
Dr Horrible, Brisbane & ANZCA 2009
Just to reassure you all that I’ve not turned into a automated link-posting robot, I thought I’d make an actual post since I’m about to head to Brisbane for The Australian and New Zealand Communication Association 2009 conference, held at QUT this week. It should be a great conference, with a number of my Internet Studies colleagues presenting, lots of great sounding papers and the Oxford Internet Summer Doctoral Programme folks also around QUT at present, making for a pretty vibrant atmosphere, I’m sure!
For those of you interested (or looking at the 5 parallel streams of papers, trying to decide which one looks interesting) here is the abstract for my talk, ‘What Dr Horrible Can Teach Media Creators About Participatory Culture’:
During the 2007/2008 US Writer’s Guild of America strike writer-director Joss Whedon came up with the notion of a one-off online “show” made outside of the studio system, on a miniscule budget, and entirely publicised using the web and social networks. Thus, Dr Horrible’s Sing-Along Blog, a three-act online musical comedy centred on a flawed supervillian, was conceived. In promoting Dr Horrible, Whedon and his team used both official websites and presences on Facebook, MySpace, Twitter, Digg as well as engaging with Whedon’s existing legion of fans via fansites such as Whedonesque.com. Moreover, far from using these websites purely as one-way advertising delivery platforms, the producers, writers and some Dr Horrible actors engaged fans in meaningful dialogue via these platforms.
Fan discussion and remixing of the show emerged rapidly; within weeks of its release there were hundreds of fan sing-along videos on YouTube, joined by everything from fan-created artwork and wallpaper to unofficial sheet music. Far from shunning these unofficial creations, the Dr Horrible producers actively congratulated and promoted the best fan creations. Despite Dr Horrible initially being available for free in its first week, subsequent sales via the iTunes store, and later on DVD, at times rivaled all but the most successful Hollywood blockbusters. Thus, in an era where media companies and startups are increasingly becoming concerned about brand loyalty, not just Nielsen ratings, Dr Horrible may serve as a model for producers and fans interacting in mutually beneficial ways as part of participatory culture. This paper will attempt to examine the way Whedon and his team utilised participatory culture in promoting Dr Horrible, asking which elements built on the foundation of Whedon’s past successes, but even more importantly what lessons Dr Horrible has for both existing and emerging media creators.
And here are the slides I’ll be using:
I’ll probably be Twittering from the conference (Wed – Fri) and I think the default Twitter hashtag will be #anzca2009.
Annotated Digital Culture Links: July 5th 2009
Links for June 30th 2009 through July 5th 2009:
- Tories 'distressed' Facebook blew MI6 cover [ABC News (Australian Broadcasting Corporation)] – "Opposition politicians in Britain have raised concerns about security after a newspaper revealed that personal information about the newly-appointed head of Foreign Intelligence Service MI6 had been posted on Facebook. Sir John Sawers' wife's Facebook page had no privacy protection, allowing anyone to see photos of him playing frisbee on a beach or posing dressed as Santa. Also exposed was information about the couple's children, their flat and high profile-friendships." (Could their be a more timely reminder about the importance of using privacy settings carefully, even with Facebook's immensely confusing privacy controls?)
- Twitter your Flickr [Flickr Blog] – You can now Twitter your Flickr pictures with one click. Really, is there anything you can't put in your Twitterstream these days?
- China cracks down on virtual cash [BBC NEWS | Technology] – "Cash earned in games in China can no longer be spent on real world goods. The Chinese Ministry of Commerce policy aims to limit the impact of game currencies on real-world markets. In the future, any cash earned by Chinese gamers can only be spent to acquire items or equipment in that particular game. The move is widely seen as a crackdown on so-called "gold farming" in which players amass virtual money and then sell it to other players for real cash."
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