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Yearly Archives: 2008
Creative Commons Australia – 3.0 License Drafts and more…
I’ve been meaning to post about all the exciting things Creative Commons Australia have been up to since I returned from the fabulous Building an Australasian Commons national conference (and the linked Creating Value: Between Commerce and Commons international conference), but it’s taken a few weeks so first off I want to draw your attention to the Creative Commons Australia 3.0 draft licenses which have been ported to Australia, bringing CCau up to date with the global 3.0 releases. The licenses are in draft form and open for comment now, so I’d encourage you to take a look and leave comments if any come to mind. This version is more directly based on the CCNZ 3.0 licenses which are considerably more understandable for the layperson (ie non-lawyer, like me). The public comment phase has been going for a while, and for comments to be addressed before the official release they need to be made by 1 August 2008 (yes, I should have mentioned this earlier, but go look now, you’ve still got a couple of weeks).
Equally exciting, a global project spearheaded by Creative Commons Australia has been released: the Creative Commons Case Studies project. One of the biggest challenges when explaining Creative Commons licenses to other people was the lack of examples. Sure, we can all talk about Cory Doctorow’s exemplary book licensing, but there are so many other projects out there using CC licenses to share, publicise and allow others to build upon and remix their work. Well, the Case Studies project makes life a whole lot easier, collating a wealth of examples from across the globe when groups, bands, corporations, universities and more have used CC licenses. Each case study features an overview, how the CC license is used, and the motivations for choosing a CC license; this structure ensures that we understand what CC licenses can achieve and the various philosophies behind their use (from philanthropic to purely promotional). The best part, though, is that the Case Studies project is wiki-based, meaning anyone who wants to can add an example either of their own use, or of someone else’s exemplary work under CC. I’ve got a couple of examples of past work with my students I’ll by adding soon, and I hope if you’ve been using CC licenses either in education or anywhere else, you might want to consider documenting your best examples to share with the world, too.
Links for July 18th 2008
Interesting links for July 17th 2008 through July 18th 2008:
- Michelle Obama’s blog [BlogHer] – In a canny move, Michelle Obama has begun blogging from the campaign trail. It’ll help create her own voice which, at least on the other side of the world, really hasn’t been heard yet.
- Watchmen (2009) [Apple – Trailer] – The Dark Knight has raised the bar for graphic novel adaptations, but the trailer for Watchmen looks pretty damn amazing (visually). Let’s just hope the film turns out as dark and bleak as it should. The trailer does make everything perhaps a little too crisp (Watchmen is nothing if not gritty), but I thought the CGI New York with the Twin Towers in the background looked excellent.
- Rick Trooper [YouTube] – What happens when Dark Vader goes Rickrolling? [Background here.]
The Darkest Knight
So The Dark Knight certainly lives up to its promise of being dark. Disturbingly so. The film is an outstanding collaboration on pretty much all fronts, cast and crew, but it’s already destined to be remembered as Heath Ledger’s swan song, and rightly so: Ledger is not only the best villain a superhero film has ever had, but his performance excels simply because he could because he’s not a super-villain at all. Ledger’s Joker is psychotic, but in an eerily believable way. Unlike the over-the-top efforts of the camp 60s tv show and films, or Jack Nickolson’s caricature under Tim Burton, Ledger plays a Joker that really could have emerged from the nastiest corners of contemporary society. It’s a performance to be seen and experienced – if not necessarily enjoyed – and at this stage of the year Ledger’s posthumous Academy Award looks a certainty.
Credit has to go to Christian Bale, Michael Caine and Morgan Freeman who all give strong performances but are accommodating enough to play second fiddle to Ledger’s deranged centrepiece. Gary Oldman steps up in his role as Lt Gordon, and newcomer Aaron Eckhart seems to play Harvey Dent a little too smugly until the latter section of the film where his inevitable downfall really hits home in contrast to the earlier scenes. While not really a weak link, Maggie Gyllenhaal really has the misfortune of being the least impressive in the cast, although she has the difficult task of stepping into the only role where the actor has changed (previously Katie Holmes).
Visually, the film is once again spectacular, both inside Gotham and in the scenes set elsewhere, especially an unexpected visit to the soaring heights of Hong Kong’s skyscrapers. For comic book fans, there are plenty of knowing nods along the way, but these are subtle enough not to intrude on the film for everyone else. That said, certain character arcs are a lot more tragic when you can see them coming, especially the emergence of Two-Face. There are plenty of doors left open at the end of the film for a third in the Batman series, although the tone left hanging suggests the next film would be even bleaker and its hard to imagine anything much darker than The Dark Knight being palatable at the multiplex.
Jib Jab Do Obama/McCain!
I find it amazing that it’s been four years since the first Jib Jab effort! This one’s a little less pointed, but just as much fun as the original but as it’s a little more participatory as you can stick your own face on one of the little characters!
I find it amazing that it’s been four years since the Fallout 3 … won’t be coming to Australia. It’s banned.
Continuing their tradition of banning videogames, the Office of Film and Literature Classification (OFLC) have decided that Fallout 3 isn’t going to get a classification in Australia (and thus can’t be sold legally). However, the OFLC reasoning seems inconsistent even with their own past censorship efforts, and has reignited the debate over Australia’s lack of an R18+ gaming classification. As Asher Moses reports:
The Classification Board effectively banned the role playing shooter game by refusing to issue it an age rating, citing the simulated drug use in the game. In Fallout 3, players can use drugs to augment their characters’ abilities such as stamina, health and intelligence. The ban stems from the lack of an R18+ classification for games in Australia, which means any titles that do not meet the MA15+ standard – such as those with excessive violence, drug use or sexual content – are simply banned from sale.
Gamers were outraged by the board’s decision because other games featuring a similar or higher level of drug use have passed through the censors unscathed. Game review site Gameplayer.com.au, which has begun a petition to “Save Fallout 3”, has compiled a list of 12 games with stronger drug use. They include Battlefield Bad Company, BioShock, Haze and Grand Theft Auto IV.
As the uneven hand of the OFLC becomes more obvious, surely the time is at hand to admit the practice of banning games which have less offensive content than many films needs to be curtailed and Australia finally needs an R18+ category for videogames.
Update (14 August 2008): After unspecified edits and changes were made to the game, the ban was lifted in August 2008, with the game gaining an MA15+ rating.
Dr Horrible’s International Debut Debacle
30 … 20 … 10 … nothing. That’s the experience fans outside of the US had earlier today when Joss Whedon’s web-based musical webisode experiment Dr Horrible’s Sing-Along Blog went live using Hulu, a video-streaming service geo-locked to stream to US IP addresses only:
Now, it’s not unusual for content to be limited to US internet addresses, especially television, but Dr Horrible is a different kettle of fish. Joss Whedon has done an amazing job of courting the fans and getting them on side to view promote (and eventually buy) Dr Horrible’s adventures, so it came as something of a shock to most international fans (with whom Whedon usually has a pretty good rapport) when discovered they weren’t able to get the free stream of Dr Horrible’s first act (or even buy the episodes on iTunes).
On Whedonesque – the main Joss Whedon appreciation blog (to which Joss posts from time to time) – the thread initially celebrating Dr Horrible’s release was inundated with international fans lamenting the fact that they couldn’t view the new web-based show. Dr Horrible’s Facebook page and MySpace page similarly received a vitriolic helping of international fan dismay!
Now, if Dr Horrible was an NBC or Viacom property, that would be the end of the story. However, given Joss Whedon’s track record, it seems reasonable that the geo-blocking was unintentional or accidental. And now we can see that’s exactly right … on various forums Whedon’s team have posted that they’re trying to get a globally-viewable version up. It seems that this may very well be the case that the tools for online distribution simply aren’t quite up to the demands being put on them by content creators. Ironically, this experience might actually lead to more fans working out how to circumvent Hulu’s geo-restrictions as Whedon has sided with the fans once more and in the short term the official Dr Horrible Twitter feed has linked to instructions on how to circumvent Hulu! Indeed, for long-time Whedon fans this might be reminiscent of a moment in 1999 when Whedon encouraged Canadian viewers to “bootleg that puppy” after Fox postponed the season three finale due in the wake of the Columbine shootings.
For Dr Horrible, it has been a rough start, but Whedon’s track record and the excitement from US fans who’ve already enjoyed Dr Horrible leave the rest of us waiting eagerly, knowing that Whedon and his team are doing all they can and will surely learn a lot from this experience. (And thus, I should add, we can reasonably expect that acts two and three of Dr Horrible will, indeed, get a simultaneous global release!).
Update: Drs Horrible (aka Mutant Enemy) have risen to the challenge, and the first act of Dr Horrible is now viewable by everyone! Go watch Act One (’tis funny!).
Update 2: It seems that Dr Horrible’s first day had one more obstacle: popularity. Dr Horrible’s servers were completely overloaded and the site diappeared for a while, but now they’ve moved onto “monster servers” so all should be good … or is that evil?
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