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Digital Culture Links: January 21st 2010

Links for January 19th 2010 through January 21st 2010:

  • YouTube to test movie rental service [The Age] – “YouTube announced it will begin testing an online movie rental service on Friday to kick off the Sundance Film Festival in the US. Five independent films from the 2009 and 2010 Sundance festivals will be part of a “small collection of rental videos” to be available to US users of the popular video-sharing website in “the weeks ahead”, according to YouTube. “Making content available for rent will give our partners unprecedented control over the distribution of their work – they can decide the price of their videos and the rental duration,” YouTube said in a blog post. […] The move represents another step for Google in generating revenue from YouTube, which it bought in 2006 in a deal valued at $US1.65 billion ($A1.82 billion). YouTube will also be stepping in as a potentially formidable contender in the growing market of online distribution of films that includes videogame consoles, Apple’s iTunes shop and US DVD rental giant Netflix.”
  • Open Letter From OK Go, regarding non-embeddable YouTube videos [OK Go] – Despite making their name on YouTube, OK Go’s label (EMI) won’t allow their new videos to be embeddable. This is silly, the band agrees, and tries to explain to fans: “The catch: the software that pays out those tiny sums doesn’t pay if a video is embedded. This means our label doesn’t get their hard-won share of the pie if our video is played on your blog, so (surprise, surprise) they won’t let us be on your blog. And, voilá: four years after we posted our first homemade videos to YouTube and they spread across the globe faster than swine flu, making our bassist’s glasses recognizable to 70-year-olds in Wichita and 5-year-olds in Seoul and eventually turning a tidy little profit for EMI, we’re – unbelievably – stuck in the position of arguing with our own label about the merits of having our videos be easily shared. It’s like the world has gone backwards.” [Via]
  • Rock Band opens to user-created songs [Music | guardian.co.uk] – Selling user-generated content is now possible using the Rock Band online store, but the process of preparing a song for the service is complex: “submitting music to the Rock Band Network Store isn’t as easy as uploading an MP3. Acts must convert their recordings into the game’s special format, compiling an array of sound files, lyrics and tablatures, as well as instructions for camera angles, lighting and choreography. This requires specialist programming expertise or the services of a contractor, many of whom charge about £300 per minute of music. Once the files are ready, they can be listed in the Rock Band store for anywhere from 99 cents (61p) to $2.99 (£1.83) per song. Currently, user-created songs are only available to Microsoft Xbox players while the developers, MTV Games, keep 70% of the sale price. “We expected this to be an initiative that would appeal to unsigned artists,” [said] Paul DeGooyer, MTV’s senior vice president for electronic games and music”
  • YouTube confirms worldwide deal for live Indian Premier League cricket [Media | guardian.co.uk] – “YouTube has confirmed its first live major sporting deal, announcing today that it will host live Indian Premier League cricket matches in the UK, and casting into doubt the value of British TV broadcast rights. The YouTube deal involves every country outside the US – a significantly larger scope than reports had suggested. It was thought that YouTube would only stream live matches to countries that did not have TV deals with the IPL. The two-year deal gives the Google-owned YouTube the exclusive rights to stream IPL matches online, with the two companies splitting revenue from sponsorship and advertising.”
  • YouTube Search Accounts for Nearly 28% of All Google Searches [Reelseo] – Still wondering why Google purchased YouTube? “…YouTube not only had 50% more searches than Yahoo web search (3.918B vs 2.629B) and 180% more searches than Bing (3.918B vs 1.399B), but the number of searches at the online video giant made up almost 28% (27.95) of the total searches on Google sites for Dec. 2009.”

Digital Culture Links: December 10th 2009

Links for December 6th 2009 through December 10th 2009:

  • Tiger Woods’s Web Site Is Drawing Attention and Scrutiny [NYTimes.com] – When Web Presence goes wrong: “In the nearly two weeks since Tiger Woods became tabloid fodder, his personal Web site has turned into a kind of town hall meeting on his reported extramarital behavior. More than 22,000 comments, many of them supportive but plenty of the finger-wagging variety, followed the Dec. 2 statement in which he admitted to vague “transgressions” and to letting his family down. The scandal over Woods’s suspected misdeeds has elevated TigerWoods.com’s traffic drastically, although not into the Internet stratosphere. In the week ending Nov. 29 — the day he issued his statement about his car accident — the number of unique users soared to 488,000 visitors, according to Nielsen Online. In that same period, it beat the 89,000 who visited BritneySpears.com.”
  • Facebook’s New Privacy Changes: The Good, The Bad, and The Ugly [Electronic Frontier Foundation] – “Although sold as a “privacy” revamp, Facebook’s new changes are obviously intended to get people to open up even more of their Facebook data to the public. The privacy “wizard” that guides users through the configuration will “recommend” — preselect by default — the setting to share the content they post to Facebook, such as status messages and wall posts, with everyone on the Internet, even though the default privacy level that those users had accepted previously was limited to “Your Networks and Friends” on Facebook […] to ensure that users don’t accidentally share more than they intend to, we do not recommend Facebook’s “recommended” settings.” (Facebook’s explanation of the new settings.)
  • Game Developer Won’t Edit ‘Aliens vs. Predator’ To Appease Australian Censors [Techdirt] – “Rose M. Welch alerts us to the news that game developer Rebellion has decided not to resubmit an edited version of its game Aliens vs. Predator after it was rejected by the Australian Classification Board for being too violent. The company stated that it agrees the game is not suitable for children: “We agree strongly that our game is not suitable for game players who are not adults… it is bloody and frightening, that was our intent.” But Australia apparently doesn’t have an option for such “mature” content, and Rebellion seems to recognize how ridiculous that is: “We will not be releasing a sanitized or cut down version for territories where adults are not considered by their governments to be able to make their own entertainment choices.” Hopefully, things like this will make Australia reconsider its censorship of such content.” (Oh, Australia is ready to reconsider our insane games rating system … some annoying guy in SA isn’t!)
  • More than 50 papers join in front-page leader article on climate change [Media | guardian.co.uk] – THE GOOD: “The Guardian has teamed up with more 50 papers worldwide to run the same front-page leader article calling for action at the climate summit in Copenhagen, which begins tomorrow. This unprecedented project is the result of months of negotiations between the papers to agree on a final text, in a process that mirrors the kind of diplomatic wrangling among the world’s governments that is likely to precede any potential deal on climate change. Fifty-six papers in 45 countries published in 20 different languages have joined the initiative, and will feature the leader in some form on their front pages.
    THE BAD: “Two Australian papers, the Age and the Sydney Morning Herald, pulled out at a late stage after the election of climate change sceptic Tony Abbott as leader of the opposition Liberal party recast the country’s debate on green issues.” (Australian media already bowing to Tony Abbott’s climate change scepticism …)
  • App Store Is a Game Changer for Apple and Cellphone Industry [NYTimes.com] – “Apple changed the view of what you can do with that small phone in your back pocket,” says Katy Huberty, a Morgan Stanley analyst. “Applications make the smartphone trend a revolutionary trend — one we haven’t seen in consumer technology for many years.” Ms. Huberty likens the advent of the App Store and the iPhone to AOL’s pioneering role in driving broad-based consumer adoption of the Internet in the 1990s. She also draws comparisons to ways in which laptops have upended industry assumptions about consumer preferences and desktop computing. But, she notes, something even more profound may now be afoot. “The iPhone is something different. It’s changing our behavior,” she says. “The game that Apple is playing is to become the Microsoft of the smartphone market.” (That last sentence is the important one: Microsoft has trouble playing with others; Apple’s increasingly having that issue, too!)

Digital Culture Links: December 6th 2009

Links for December 3rd 2009 through December 6th 2009:

  • Panic Attack and YouTube Discovery [The Chutry Experiment] – Great post from Chuck Tryon about Fede Alvarez’s sudden appearance on the Hollywood radar thanks to his YouTube short “Ataque de Pánico,” (Panic Attack!), 4 minute special effects driven extravagnaza in which a city is destroyed and a career created: “One of the underlying narratives associated with Hollywood mythology is the “discovery story,” the idea that a talented newcomer emerges by chance, out of nowhere, to become a Hollywood “star.” Lana Turner was discovered, so the legend goes, on a barstool at Schwab’s drugstore. Now, as the tools of filmmaking and film distribution have been democratized, those discovery stories have expanded to filmmakers as well. And although it is the case that such stories can be read ideologically, it is also true that YouTube and other video sharing sites still offer us the opportunity to be astonished by the talents of an aspiring filmmaker.”
  • Memories of a paywall pioneer | Media | guardian.co.uk – Scott Rosenberg reflects on Salon’s experiments with a paywall, suggesting it’s not the model for future news media: “I’m not hostile to the notion of people paying for online content. I do so myself. I’m glad people stepped up and paid for Salon. But the value of stuff online is usually tied to how deeply it is woven into the network. So locking your stuff away in order to charge for it means that you are usually making it less valuable at the moment that you are asking people to pay for it. And that’s why people so often respond with: “No thanks.””
  • Vampire Politics by Lisa Nakamura et al [Flow TV, 11.03, 2009] – “True Blood is socially conservative, gesturing towards a radical politics (or any social movement based politics) that it cannot (or will not) deliver. Likewise, the form of the medium itself is conservative. Like its vampires, True Blood is a relic – it airs on television, not the Internet, and it is broadcast rather than streamed. Though HBO claims “it’s not television, it’s HBO,” we know better. Like the credit sequence’s time-delayed decayed foxes and possums, True Blood is a memento mori – to the Civil Rights South, to broadcast television, to civil rights organizing and “unsexy” rights-based movements. True Blood pursues vampire politics, which are all about sexy self fashioning. Were it not for the exquisite Godric’s self-immolation in season two, the program’s credo might be “survival of the sexiest.””
  • Networking Families: Battlestar Galactica and the Values of Quality by Jordan Lavender-Smith [Flow TV, 11.03, 2009] – “Galactica’s interrogation of post-nuclear family mechanics and what it means to be human was potentially groundbreaking, but by the show’s end the reconstitution of the family breaks down, and a thick line is drawn between the natural and artificial, delivering an outmoded humanism through posthuman technologies.”
  • Identity Wars: Google & Yahoo! Bow to Facebook & Twitter [RW Web] – “Yahoo! announced this morning that it is adding Facebook Connect across many of its properties. This afternoon Google Friend Connect announced the inclusion of Twitter as a top-level log-in option. These moves will be convenient for users, but may not be good for the future of the web.” (This is a really interesting article looking at what happens when Facebook and Twitter become default identity authentication systems – so much power then resides in these systems, and what happens to attempts at standards like OpenID?)

Digital Culture Links: December 2nd 2009

Links for November 27th 2009 through December 2nd 2009:

  • Seven’s FlashForward “leaked” to US [TV Tonight] – “Monday night’s episode of FlashForward was the last for the year on Seven, and screened before the US which took a broadcast break for Thanksgiving. That resulted in the episode being uploaded as a torrent and now “leaked” to America. The Hollywood Reporter notes that “Australians don’t care about our guilt-tinged empire-expanding holiday traditions and didn’t take a break. Whether the US-Aussie FlashForward schedule being jolted out-of-sync will result in future episodes also being leaked isn’t known.” Presumably the episode will be downloaded across the US complete with a Channel 7 watermark. It’s all rather ironic given Disney / ABC went to great lengths to make sure Aussie media didn’t reveal information on the series in the lead-up to the premiere, insisting they attend a cinema screening and sign confidentiality clauses.” (US viewers, welcome to the other side of the tyranny of digital distance!)
  • The hits on iView [TV Tonight] – “Four Corners, United States of Tara, Good Game, Doctor Who, The Chaser’s War on Everything and Media Watch are the most popular titles on the ABC’s iView platform. The online catch-up service has been operating since July 2008. Since April this year there have been 6.2 million views of programs with an annual monthly average of 610,000 visits, up by 140% compared to last year. It averages 206,000 visitors per month, up by 60% compared to last year. In October 2009, ABC iView recorded its highest ever number of visitors and visits. 286,000 visitors and 1.054 million visits to ABC iView.” (Finally, streaming timeshifted TV is making solid inroads in Australia.)
  • Moviegoers 2010 available for download [Marketing Strategy for Entertainment and Brand Clients – Stradella Road] – “Why does movie studio tracking and research so often surprise and disappoint us? The answer experienced movie marketers gave us in private conversations was this: We still don’t know our customers/audience as well as we should.
    Where do moviegoers really spend their time? What are the social dynamics of the decision-making process? How do we synthesize the sea changes taking place with digital technologies in order to reach the right audience with the right message at the right time in the right place? We designed the Moviegoers 2010 research study to answer these questions […]
    • Moviegoers spend more time each week online (19.8 hours) than they do watching TV (14.3 hours)
    • 52% of moviegoers have digital video recorders (61% of the 30-39 demo) and, of those consumers, 71% fast-forward to skip commercials.
    [Download the full report – PDF]
  • Westfield Facebook application draws fire [mUmBRELLA] – Westfield has drawn criticism over a Facebook application that may be in breach of the social networking site’s terms and conditions, despite the two companies collaborating to develop it. The application updates a user’s status with a Westfield-branded message to promote its Gift Card. It requires the user to opt in so that their status is updated to “All I Want for Christmas is a Westfield Gift Card”, with extra copy stating that the user has now gone into the draw to win a $10,000 gift card. […] But the promotion has also attracted a backlash from other users, complaining that the promotion is taking over the social networking site as friends’ status updates that feature the Westfield branding, clutter their screens. Facebook groups have also been created in opposition to it. One group, known as If All You Want For Christmas Is A Westfield Gift Card, I Don’t Want To Know, currently has over 3,300 fans.” (Spam as a Facebook App … great marketing!)

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