Digital Culture Links: May 10th

Links – catching up – through to May 7th:

  • YouTube’s content explosion: 60 hours of video every minute [Online Video News] – ““More video is uploaded to YouTube in one month than the 3 major US TV networks created in 60 years.” Hunter Walk, YouTube Director of Product Management, Google in a tweet. Google told TechCrunch Monday that YouTube users now upload 60 hours of video every minute.” (That’s almost 10 years of content uploaded each day. Wowzers!)
  • Angry Birds maker Rovio reports £60.8m revenues for 2011 [Technology | guardian.co.uk] – Angry Birds has generated hundreds of millions of downloads for Finnish mobile games firm Rovio Entertainment, but the company’s financial results for 2011 reveal just how lucrative the franchise was that year. The company has reported total revenues of €75.4m (£60.8m) for 2011, with earnings before tax of €48m (£38.7m). 30% of Rovio’s revenues for the year came from its consumer products business, which includes merchandising and licensing income. Rovio says that the total number of Angry Birds game downloads reached 648m by the end of 2011, with 200m monthly active users (MAUs) across all platforms. As context for that figure, social games publisher Zynga had 21m MAUs at the end of March 2012, while also acquiring US developer OMGPOP, whose Draw Something mobile game currently has 33.9m MAUs.
  • Angry Birds Space rockets to 50m downloads in 35 days [Technology | guardian.co.uk] – “Angry Birds Space, the latest mobile game from Finnish developer Rovio, has reached the 50m downloads mark just 35 days after its release on 22 March. The publisher claims on its blog that this makes its tile “the fastest growing mobile game yet”, beating all previous records for the Angry Birds series. The announcement may be a deliberate reminder to challengers like Draw Something of the scale of Angry Birds. Draw Something was released on 1 February, notched up 35m downloads in its first seven weeks – yes, a similar time period to that required for Rovio’s new milestone – and was promptly acquired by Zynga for $180m. Draw Something passed 50m downloads in early April, while another recently-released game, Temple Run, is also past that milestone. “While numbers like this certainly say something about the popularity of Angry Birds, for us the main goal is to keep creating fun new experiences that everybody can enjoy,” explains Rovio on its blog.”
  • London 2012: Olympic photo ban ‘unenforceable’ [BBC News] – “Olympic bosses have admitted their ban on spectators posting videos and images on websites will be unenforceable. In the terms and conditions of ticket purchases for the London 2012 Games it states ticket holders cannot publish images, video or sound online. However, Sir Keith Mills, deputy chairman of organisers Locog, said “we live in an internet world… and there’s not much we can do about it”. He said a “common sense approach” would be used to protect media rights. Spectators will be able to watch many events, including the cycle road race, triathlon and marathon, without a ticket. But the ticket conditions as they currently stand prohibit ticket holders from posting photos and personal footage of the Olympics on sites such as Facebook, Twitter and YouTube.”
  • British ISPs forced to block The Pirate Bay [WA Today] – “Britain’s High Court has ordered the country’s internet service providers to block file-sharing website The Pirate Bay. A High Court judge told Sky, Everything Everywhere, TalkTalk, O2 and Virgin Media to prevent access to the Swedish site, which helps millions of people download copyrighted music, movies and computer games. Music industry group BPI welcomed the order by justice Richard Arnold that the service providers block the site within the next few weeks. BPI chief executive Geoff Taylor said sites like The Pirate Bay “destroy jobs in the U.K. and undermine investment in new British artists.” The service providers said they would comply with the order. A sixth provider, BT, has been given several weeks to consider its position, but BPI said it expected BT would also block the website. Providers who refuse could find themselves in breach of a court order, which can carry a large fine or jail time.”
  • Google Drive- Google’s cloud storage drive – the GDrive or Google Drive – has arrived, offering 5Gb for free, with the option to upgrade storage to 25GB for $2.49/month, 100GB for $4.99/month or 1TB for $49.99/month. While Google’s entry is a late entry to the cloud storage arena, the integration with Google’s other products, and Android in particular, will probably see the GDrive rapidly rise in popularity.
  • Man jailed over nude Facebook photos [WA Today] – “A jilted boyfriend who put nude pictures of his former lover on Facebook has been sentenced to six months jail – a landmark social media-related conviction for Australia and one of just a handful in the world. Ravshan ”Ronnie” Usmanov told police: ”I put the photos up because she hurt me and it was the only thing [I had] to hurt her.” … Privacy experts say Usmanov’s case has exposed the ”tip of the iceberg” of online offences that are rarely punished.
    In sentencing the 20-year-old, NSW Deputy-Chief Magistrate Jane Mottley said she was ”deterring both the offender and the community generally from committing similar crimes”. ”New-age technology through Facebook gives instant access to the world … Incalculable damage can be done to a person’s reputation by the irresponsible posting of information through that medium. With its popularity and potential for real harm, there is a genuine need to ensure the use of this medium to commit offences of this type is deterred,”.”
  • The Filtered Network – Mark Zuckerberg of facebook buying Instagram for $1 BILLION [YouTube] – Fun remix of the trailer for The Social Network, playing with the question of what exactly Facebook purchased for a billion dollars!
  • Introducing Facebook Offers [YouTube] – Facebook Offers = Facebook’s answer to Scoopon.
  • 4% Of Children On Facebook Are Under 6 Years [AllFacebook] – I’m a bit suspicious of these statistics since they’re generated by a company that markets tools allowing parents to monitor the social networking of their kids, but the numbers certainly warrant attention: “Kids are learning to use computers at ever younger ages, and some are figuring out how to lie about their age to access Facebook. The site has a minimum age requirement of 13, yet four percent of children using the site are under age six. That’s the most startling statistic in the infographic compiled by Minor Monitor, one of the newer entrants into the already crowded market for surveiling kids’ activity online. According to the vendor, barely half of parents use technology to keep a digital eye on children, despite worries about sexual predators and bullying.”
  • Google+ redesigns and says 100m of its 170m users used it in past 30 days [Technology | guardian.co.uk] – “Google says 170m people have registered for its Google+ service since it was launched 10 months ago – and that 100m have “engaged” with the service at least once in the past 30 days and 50m have engaged with the service at least once a day in the past month.”
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Digital Culture Links: April 11th

Links for April 11th:

  • Hillary Clinton Responds to Her Meme … With a Meme [The Atlantic] – Hillary Clinton responds to the Texts from Hillary Tumblr/meme by penning her own version and meeting with the two guys who started the Tumblr. Hilarity ensues, and Clinton’s online credibility goes up about 5000%. The pundits are impressed, too.
  • Selling You on Facebook [WSJ.com] – Useful article from the Wall Street Journal looking at how Facebook and Facebook apps utilise user’s data: “This appetite for personal data reflects a fundamental truth about Facebook and, by extension, the Internet economy as a whole: Facebook provides a free service that users pay for, in effect, by providing details about their lives, friendships, interests and activities. Facebook, in turn, uses that trove of information to attract advertisers, app makers and other business opportunities.”
  • Angry Birds animated TV series to premiere in Autumn 2012 [Technology | guardian.co.uk] – “Rovio Mobile is launching a series of 52 shortform animations for its Angry Birds in Autumn, but has ruled out a movie until after 2014. “We’re going to roll out a weekly animation series later this year of shortform content,” said Rovio’s head of animation Nick Dorra, speaking at the MIPTV conference in Cannes. The series will consist of 52 episodes lasting between two-and-a-half and three minutes each. “We’re going to roll it out on all possible devices,” said Dorra. “We’re looking at building a video app for that, and we’re also looking at partnerships and so on… We want to be on all screens.” Those partnerships include a deal with Samsung announced in January 2012 that involves an app for the company’s range of Smart TV internet-connected televisions.”
  • Twitter UK boss says social TV happens whether broadcasters like it or not [Technology | guardian.co.uk] – “Twitter’s UK general manager Tony Wang expects broadcasters to start using the microblogging service in more “artful” ways beyond showing hashtags and account handles on-air. “Broadcasters are not the ones to choose whether to have social TV. It happens whether they like it or not. But they have a choice about how to harness that social TV energy,” he told the MIPCube conference in Cannes. Wang cited stats showing that 80% of under-25s are using a second screen to communicate with friends while watching TV, while 72% of them are using Twitter, Facebook and other mobile apps to comment on the shows they watch. He added that Twitter sees three distinct strategies from broadcasters when it comes to social TV: some are doing nothing, others are doing something, and a few are doing “artful” things on-air. “It’s the past, present and future of social TV.”"
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If I’ve taught you in the last three years, please read this …

If I’ve taught you at Curtin or via Open University Australia in the last three years, please read this …

Curtin University has invited me to put my name forward for this year’s Australian Awards for University Teaching in the ‘Humanities and the Arts’ category. This is hugely flattering, but also involves a bit of work to gather ‘evidence’ of my teaching quality. That’s, hopefully, where you come in. Rather than blanket email spamming everyone I’ve taught over the last 3 years (which, thanks to Web Communications 101 and Web Media 207 would be well over 1000 people), I’m asking past students of mine who’re interested in commenting on my teaching to get in touch.

If you’re happy to offer your thoughts on my teaching, could please email me (t.leaver@curtin.edu.au), or comment below, leaving (1) your full name (this is so Curtin can confirm that you were, indeed, enrolled in a unit that I taught) and (2) your current preferred email address. Once I’ve gathered the contact details of enough people (the award requires feedback from 30 students) then I’ll pass them onto Curtin’s Office of Teaching and Learning who will get in touch with a Student Feedback Questionnaire. I gather the questionnaires aren’t overly long, so hopefully they shouldn’t take up much of your time.

Please note: this process is entirely invisible to me; I’ll never know who said what, as the Office of Teaching and Learning collates and forwards all the questionnaires that are returned, and I never see them. So, you’re free to say what you really think! Oh, and feedback needs to be from students I’ve taught over the last three years. So, if I’ve taught you as a lecturer, tutor or unit coordinator at any time during 2009, 2010 and 2011 and I made sufficient of an impression that you’d be willing to fill in a short questionnaire about my teaching, that’d be great.

Thanks in advance to anyone willing to comment! Smile

-Tama

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Digital Culture Links: March 30th

Links for March 26th through March 30th:

  • The Dark Knight Rises Trailer 2: IN LEGO [YouTube] – Beautifully put together Lego version of the new Dark Knight trailer. “LEGO Dark Knight Rises Movie Trailer By ParanickFilmz. http://paranickfilmz.co.nr/ Thanks to Adviceversas for the mouth animation and JediMasterSoda for the CGI. Movie (2012) HD.”
  • CBS Blocks Use of Unused ‘Star Trek’ Script by Spinrad [NYTimes.com] – “For “Star Trek” fans it was like finding a lost Shakespeare play — only to have it snatched away by the playwright’s heirs.Last fall an unused script for the cult 1960s television show turned up after being forgotten for years. Its author, the science-fiction writer Norman Spinrad, announced that it would become an episode of a popular Web series, “Star Trek New Voyages: Phase II,” which features amateur actors in the classic roles of Capt. James T. Kirk, Mr. Spock and other crew members of the starship Enterprise. But then another player stepped in: CBS, which said it owned the script and blocked a planned Web production of it. Trekkies were appalled. “These executives should be phasered on heavy stun,” said Harmon Fields of Manhattan, who called himself “a ‘Star Trek’ fan of galactic proportions.” … By all indications CBS is within its rights. In the entertainment industry the paid writer of a teleplay generally cedes the rights to the material, even if it remains unproduced.”
  • Shitter: Social Media has never been so disposable – Online service that prints a twitter feed onto toilet paper. I suppose such a thing was inevitable.
  • Pay TV piracy hits News [AFR] – A detailed investigative report accuses NewsCorp of actively promoting and facilitating the piracy of competitors pay TV network content: ” A secret unit within Rupert Murdoch’s News Corporation promoted a wave of high-tech piracy in Australia that damaged Austar, Optus and Foxtel at a time when News was moving to take control of the Australian pay TV industry.” These are hugely important accusations both in terms of NewsCorp but also in terms of how piracy is framed and understood.
  • What book publishers should learn from Harry Potter — Tech News and Analysis – Useful post detailing the DRM-free release of the Harry Potter ebooks and audio books for sale on J K Rowling’s Pottermore website. The lesson here is that DRM really isn’t necessary, and you’re more likely to reach a wider audience without it. Admittedly Rowling has unprecedented clout in managing her own books in electronic form, and has already made so much money off these books there’s no real risk involved, but the strategy is an important one nevertheless.
  • Angry Birds Space gets 10m downloads in three days [BBC] – The latest version of the Angry Birds game notched up 10 million download in its first three days of release, says its developer Rovio. Angry Birds Space only came out on 22 March, but in a tweet on Monday Rovio announced the game’s swift success. … The new Angry Birds instalment features 60 initial levels and six new characters and has what Rovio calls a “unique twist in a variable gravity environment”. As well as Google Android and Apple iOS devices, last week also saw the game released simultaneously on PC and Mac. Nasa was also involved in promoting the game, posting a video showing an astronaut on the International Space Station explaining the laws of physics using Angry Bird characters.
    The space agency called it “an exciting way to get people engaged with Nasa’s missions of exploration and discover”.
  • Google ordered to suspend autocomplete function over cyber-harassment [The Japan Times Online] – “The Tokyo District Court approved a petition demanding that Google Inc. suspend its autocomplete search feature for Internet browsers after a man alleged that it breached his privacy and got him fired, his lawyer said Sunday. Google is refusing to suspend the feature, saying that its headquarters in the United States will not be regulated by Japanese law and that the case does not warrant deleting the autocomplete suggestions related to the petition under its in-house privacy policy, lawyer Hiroyuki Tomita said. The case, which was adjudicated on March 19, is believed to be the first to order the suspension of the Web search feature, which attempts to instantly anticipate and list the words or phrases a person will type into a browser’s search box, Tomita said. [..] The man discovered that when people type his name into Google’s search engine, words suggesting criminal acts, which he is unfamiliar with, appear.”
  • Facebook Asserts Trademark on Word ‘Book’ in New User Agreement [Threat Level | Wired.com] – “Facebook is trying to expand its trademark rights over the word “book” by adding the claim to a newly revised version of its “Statement of Rights and Responsibilities,” the agreement all users implicitly consent to by using or accessing Facebook.”
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Digital Culture Links: March 16th through March 22nd

Links for March 16th through March 22nd:

  • The Hunger Games Game [CollegeHumor Video] – A parody video from College Humor, turning The Hunger Games into a tween-girl fantasy boardgame focusing on the love-triangle, to great comic effect. On some level, though, this is also a pretty decent critique of the way a film which and certain elements of the fandom around it miss the core critique of authority and a media culture, reducing it to a vapid romance tale.
  • Dragon Tattoo Has Unique DVD Design – Sony’s DVD release of The Girl with the Dragon Tattoo has confused some people because it’s designed to look like a ripped copy and, sporting letters which look like they’re written in felt-tip pen on a DVD-R. Confusing messages you’re sending there, Sony!
  • Twitter turns six [Twitter Blog] – On the sixth anniversary of Twitter’s launch, the service has reached 140 million users, with 340 million tweets made daily. That said, since most active users seem to tweet a lot more than 3 times a day, a significant proportion of users don’t actually seem to tweet much.
  • Game sales surpassed video in UK, says report [BBC News] – “Sales of computer games in the UK have surpassed those of videos for the first time, new figures suggest. The Electronic Retailers Association (ERA) said sales of £1.93bn in 2011 made the gaming industry the country’s biggest entertainment sector. By contrast, sales of DVDs and other video formats totalled £1.80bn, while music pulled in £1.07bn.”
  • Will The Real Mitt Romney Please Stand Up (feat. Eminem) – YouTube – Clever political mashup video in search of the ‘real’ Mitt Romney featuring Romney and Obama in the style of Eninem’s Slim Shady.
  • Rob Reid: The $8 billion iPod | Video on TED.com – Fantastic TED parody explanation of the logic behind copyright lawsuits and litigation: copyright maths. From TED: “Comic author Rob Reid unveils Copyright Math (TM), a remarkable new field of study based on actual numbers from entertainment industry lawyers and lobbyists. Rob Reid is a humor author and the founder of the company that created the music subscription service Rhapsody”
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Artificial Culture (my first book!)

While I set up a page for my new book, and told Twitter and Facebook a while ago, I realised I never actually blogged about my book finally coming out! So, without any ado at all, here’s the announcement:

Artificial Culture: Identity, Technology, and Bodies (Routledge, 2012)
Tama Leaver, Curtin University

Amazon http://amzn.to/wRe4PN
Routledge: http://bit.ly/mivLzx

Artificial Culture is an examination of the articulation, construction, and representation of "the artificial" in contemporary popular cultural texts, with a focus on science fiction films and novels, but also addressing digital culture more broadly including analysis of Wikileaks, the Visible Human Project and the emergence of synthespians. The book argues that today we live in an artificial culture due to the deep and inextricable relationships between people and technology, with human bodies as a key marker of these symbiotic connections. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which it is possible in some respects to measure what it might mean to be human. More importantly, the artificial often blurs the boundary between humans, technology and the environment at large in often purposefully unsettling ways.

The core texts analysed in the book are: 2001 A Space Odyssey; the four Terminator films; Greg Egan’s novels Permutation City and Diaspora; The Visible Human Project; William Gibson’s bridge trilogy (Virtual Light, Idoru, and All Tomorrow’s Parties); Wikileaks; The Matrix films and franchise; WETA’s digital effects in the Lord of the Rings films, with a particular focus on the synthespian Gollum; the Spider-Man trilogy; Wall-E; and Avatar.

Contents:

Part1: Artificial Intelligence
   1. Early Artificial Intelligence Films: ‘When are you going to let me out of this box?
   2. "I am a machine!": Artificial Intelligences in Contemporary Cinema
Part 2: Artificial Life
   3. From Digital Genesis to the Artificial Other
   4. Diasporic Subjectivities: Not Quite ‘Beyond the Infinite’
Part 3: Artificial Space
   5. The Fortification of Place in the Digital Age
   6. Resistance is Spatial
   7. The Infinite Plasticity of the Digital?
Part 4: Artificial Culture
   8. Matrices of Embodiment
   9. The Symbiosis of Special Effects
Part 5: Artificial Culture
   10. Before the Mourning
   11. Artificial Mourning: Spider-Man, Special Effects and September 11

For slightly more information (and colour versions of the images used in the book) please visit http://www.tamaleaver.net/artificial-culture/ . My apologies that the book on the expensive side; if you have access to a university library, perhaps recommend they purchase it in the first instance.

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Digital Culture Links: March 14th

Links for March 11th through March 14th:

  • A Sign of the Times: Encyclopaedia Britannica to End Its Print Run [The Atlantic] – “After nearly two-and-a-half centuries in print, the publishers of the Encyclopaedia Britannica are expected to announce tomorrow that they are stopping their presses … As Wikipedia emerged over the past decade, the question has always been, but how does it compare to the Encyclopaedia Britannica? (Answer: mostly favorably, with bonus points for breadth and accessibility.) … Recent years have seen a sharp decline: The 1990 edition sold 120,000 editions in the United States — the most ever — but the 2010 edition sold just 8,000. Four thousand copies are still in a warehouse, waiting for owners. Today, the printed encyclopedia accounts for less than one percent of the company’s revenues. Britannica, as a whole, is not moribund, though: a half a million people pay $70 each year for complete access online.”
  • Apple Reveals New “All-Time Top Apps” Following 25 Billion Downloads [Mac Stories] – Following the downloading of the 25 billionth app from the App Store, Apple have release top-downloads of all time charts for iPhone and iPad, breaking them down into free and paid lists. Angry Birds features prominently on all lists!
  • The Story of Keep Calm and Carry On [YouTube] – Well-made little video which tells the history of the now iconic and meme-ready ‘Keep Calm and Carry On’ poster which was originally designed and produced in England during the Second World War.
  • A Show with Ze Frank by Ze Frank [Kickstarter] – Ze Frank (of ‘The Show with Ze Frank’) uses Kickstarter to ask fans to contribute to a new version of The Show, aiming to raise $50,000 to do The Show for a year. Instead, he raised $146,752, with over 3,900 backers (with one parting with $4000 … that’s a LOT of love for The Show)!
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Digital Culture Links: March 8th

Links for March 4th through March 8th:

  • Animated GIFs: The Birth of a Medium [Off Book | PBS - YouTube] – Nifty little video looking at the history of the GIF (Graphics Interchange Format) image, from the 1987 creation (pre-web) through tothe Under Construction GIFs the were prevalent on the early web, the disappearance of GIFS, and their resurgence as an art-form (cinemagraphs) and a memey means of expression (Tumblr!).
  • Tweet a Link, Save a Link [Delicious Blog] – Delicious adds a native Twitter connector, with which you can save tweets, links in tweets, and filter by a specific hashtag.
  • Coles Twitter campaign goes down, down gurgler [WA Today] – “A social media experiment has backfired for Coles, exposing the supermarket to a flood of negative comments on Twitter. The supermarket is the latest company to have a social media marketing exercise go terribly wrong, following blunders from Qantas and Coca-Cola. The official Coles account last night urged followers to complete the sentence “in my house it’s a crime not to buy…..” But the PR exercise quickly fizzled as Twitter users inundated the supermarket’s account with negative comments. User @Pollytics wrote, “Food from markets while Coles exploits mental illness via pokies.” Other users raised concerns about the supermarket not giving farmers a fair price for their produce. @TaraMacca wrote, “In my house, its a crime not to buy LOCALLY- and I don’t mean from a @coles supermarket.” “In my house it’s a crime not to buy…BREAD AND MILK AT PRICES THAT ALLOW PRIMARY PRODUCERS TO SURVIVE,” said @downesy.”
  • Apple passes 25bn iPhone and iPad app downloads milestone [Technology | guardian.co.uk] – “Apple’s App Store has passed 25 billion downloads, with Disney’s iOS game Where’s My Water? Free nudging it past the milestone. Apple had been running a counter on its website and store, so the 25bn mark was actually reached over the weekend. The company has now revealed which app was the 25 billionth, as well as the name of the downloader: Chunli Fu in Qingdao, China. Late chief executive Steve Jobs would surely have approved of both. He was Disney’s largest shareholder in his later years, after it acquired his Pixar Animation Studios. Meanwhile, China has been an important growth market for Apple in the last year, as the iPhone went on sale there. [...] As a comparison, Google recently announced that its Android Market store is generating 1bn monthly app downloads.”
  • Lego blondes [thinking with my fingers] – Torill Mortensen looks at the differences between normal Lego figure (minifigs) and the new ‘for girls’ Lego. The fact that ‘girl’ lego figures are incompatible with the ‘normal’ accessories and parts is telling. :(
  • Kevin Allocca: Why videos go viral [TED - YouTube] – Seven minute TED talk by Kevin Allocca explaining why he (on behalf of YouTube) thinks videos ‘go viral’.
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Digital Culture Links: March 2nd

Links for February 23rd through March 2nd:

  • Angry Birds’ Mighty Eagle: ‘We have expanded the market for games’ [Technology | guardian.co.uk] – They may be familiar, but the stats around Angry Birds remain startling, starting with the franchise’s 700m downloads across all platforms – a figure likely to top 1bn sometime in 2012. The original iPhone game is the biggest-selling paid app ever on both the UK and US App Stores according to Apple, with follow-ups Angry Birds Seasons and Angry Birds Rio also in the top 10 in both countries.More than 1m people have reviewed the Android version of Angry Birds on Google’s Android Market, and Rovio has sold 25m plush toys so far. On the back of that, there are now more than 20,000 licensed Angry Birds products on sale [...] Next up is Angry Birds Space, with a 22 March launch that will include a game, animated content, physical products and books. Rovio is working with NASA on the project, and National Geographic on the book, with more products to come. “It’s the first time we have everything available on launch day: animation, toys, books, candy, everything,” says Vesterbacka.”
  • Zynga Seeks to Broaden Reach With New Gaming Platform [NYTimes.com] – “Zynga, the creator of FarmVille, Words With Friends, Mafia Wars and other popular social games, is going to start supplying friends for those who are lacking. The company announced a new gaming platform on Thursday that will match up players who do not know one another but who have a mutual interest in getting the crops in and spelling words with J, Q and X. The goal is to make social gaming, which was pretty easy to begin with, even easier for everyone. The platform will be introduced in a trial version on Zynga.com later this month. The move is likely to reduce Zynga’s reliance on Facebook, something analysts have said the company needs to do. Most Zynga games are played on that social network, which derives 12 percent of its revenue from Zynga. In the future, hard-core players will most likely go to Zynga’s own site, finding not only Zynga games but also offerings from independent developers.”
  • The dirty job of keeping Facebook clean [Culture Digitally] – Fascinating post looking at Facebook’s leaked content moderation manual “Abuse Standards 6.1: Operation Manual for Live Content Moderators” which reveals a great deal about how Facebook decides what to delete and what to effectively sanction. As Gillespie says:”Facebook or otherwise, it’s hard not to be struck by the depravity of some of the stuff that content moderators are reviewing. It’s a bit disingenuous of me to start with camel toes and man-man foreplay, when what most of this document deals with is so, so much more reprehensible: child pornography, rape, bestiality, graphic obscenities, animal torture, racial and ethnic hatred, self-mutilation, suicide. There is something deeply unsettling about this document in the way it must, with all the delicacy of a badly written training manual, explain and sometimes show the kinds of things that fall into these categories.”
  • BBC iPlayer Booms in Australia [The Next Web] – “Two months after BBC Worldwide launched its global iPlayer app to 11 Western European countries in July, the app arrived in Australia, followed swiftly by Canada and then Scandinavia. The global BBC iPlayer app is a Video-on-Demand (VoD) pilot (paid) subscription service that differs from the UK version of iPlayer, in that it gives international users access to an extensive archive of classic and contemporary British TV programmes. Whilst it was initially restricted to iPads, it was finally rolled out to the iPhone and iPod Touch too. Australia is now the biggest market for global iPlayer, and is giving BBC Worldwide, the commercial arm of the BBC, significant consumer insight as the company begins to look beyond the current pilot phase. Access to BBC iPlayer content in Australia costs AU$9.49 a month, or AU$89.99 a year, and an equivalent figure in Euros and Canadian dollars.”
  • Capture full page – Screenshot Full web page – Capture full web page – Useful tool, lets you take a screenshot of an entire webpage by simply entering the URL.
  • Author raises $1m to self-publish Order of the Stick webcomic book [Books | guardian.co.uk] – “The author of a self-published webcomic about a band of heroes in a fantasy role-playing world has raised more than $1m (£600,000) from fans on “crowdfunding” website Kickstarter to bring his stories back into print, making The Order of the Stick the richest creative work in the crowdfunding site’s history. Author and illustrator Rich Burlew launched The Order of the Stick online in 2003. Following the comic fantasy adventures of a collection of stick figures in a role-playing game world as they struggle with enemies and the rules of the game, much of the story is available online for free, but Burlew also began self-publishing parts of it in paper format in 2005. When the costs of keeping it in print proved too high, Burlew turned to Kickstarter following repeated demands from readers, launching a project in January to raise the $57,750 he needed to rerelease the books in print. Yesterday, he closed his fundraising project with 14,952 backers and $1,254,120 raised …”
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Digital Culture Links: February 15th

Links for through to February 15th:

  • Westpac in Facebook crackdown [The Age] – A case-study in how mis-manage community relations on Facebook: “WESTPAC is censoring criticism on social media sites amid growing public fury over its decision to retrench staff and raise interest rates independently of the Reserve Bank of Australia. Negative comments posted on Westpac’s Facebook page over the past week have been deleted within minutes, which has prompted accusations of a ”propaganda campaign” by the bank. But Westpac has defended the practice, claiming that ”partisan views” could deter customers from researching its financial products on social media sites.”
  • Anger for Path Social Network After Privacy Breach [NYTimes.com] – “Last week, Arun Thampi, a programmer in Singapore, discovered that the mobile social network Path was surreptitiously copying address book information from users’ iPhones without notifying them. David Morin, Path’s voluble chief executive, quickly commented on Mr. Thampi’s blog that Path’s actions were an “industry best practice.” He then became uncharacteristically quiet as the Internet disagreed and erupted in outrage.[...] Mr. Morin eventually did bow to pressure with an earnest apology on the company’s blog. He said that Path would begin asking for permission before grabbing address books and that the company would destroy the data collected. [...] At Mr. Morin’s last job at Facebook, his boss Mark Zuckerberg apologized publicly more than 10 times for privacy breaches. It seems the management philosophy of “ask for forgiveness, not permission” is becoming the “industry best practice.” And based on the response to Mr. Morin, tech executives are even lauded for it.”
  • Lessons from Path and Pinterest: Tell users everything [GigaOm] – “Path and Pinterest are probably two of the hottest social services right now, racking up millions of users and generating an ocean of favorable coverage. But both have gotten tripped up by the same thing that has made the social web a minefield for both Facebook and Google: namely, decisions that put their interests ahead of their users and a lack of disclosure about what was going on behind the scenes or under the hood of their services. Will these missteps spell doom for either company? Probably not. But the backlash is a welcome reminder that for social apps, the trust of users is not something to be toyed with. Path, a mobile photo-sharing app that expanded to become a full-fledged mobile social app when it relaunched a couple of months ago, was co-founded and is run by Dave Morin, an early Facebook staffer.”
  • Amazon Publishing bookshop boycott grows [Books | guardian.co.uk] – “The cold war between north American booksellers and Amazon has hotted up this week, with the booksellers joining together to announce that they will not be selling any of the titles published by the online retailer. The opening salvo was fired last week by America’s biggest book chain Barnes & Noble, when it announced that it would not be stocking Amazon Publishing’s books. The website publishes a large range of titles, with imprints covering everything from romance to thrillers, and major authors including Deepak Chopra and self-help guru Timothy Ferriss. “Our decision is based on Amazon’s continued push for exclusivity with publishers, agents and the authors they represent,” said Jaime Carey, chief merchandising officer, in a statement.”
  • Over 3 years later, “deleted” Facebook photos are still online [Ars Technica] – Despite the issue being raised over 3 years ago, Facebook still does not immediately (or even quickly) remove deleted photos from Facebook. While the ability to access these photos is removed, the photo itself can linger on for years, still accessible to anyone who has the direct link. When asked, once again, when this would be fixed, Facebook have commented that they’ve almost moved to a new system that should delete photos within 45 days. That’s still a long time after the remove button is pressed!
  • How Much Can a Celebrity Make for Tweeting? [NY Mag] – “The weirdest thing about the rumor that Kim Kardashian gets paid $10,000 for a Twitter endorsement is that it’s true. (She recently plugged ShoeDazzle.com*, for instance.) The biggest player in the pay-to-tweet market is Ad.ly, a social-media advertorial clearinghouse pairing brands with celebs to inject highly personalized advertising into their Twitter streams.
    The pay rate for endorsing companies like Old Navy, Toyota, Best Buy, and American Airlines is determined by the size of a celeb’s following and how that group responds to his tweets with shares and retweets. On that sliding scale, Snoop Dogg (6.3 million followers) is in the top tier of payments, on the upside of $8,000 apiece, while Paula Abdul (2.2 million followers) falls somewhere in the middle, in the $5,000-each range, and Whitney Port (800,000 followers) falls in the bottom tier, making around $2,500 per tweet.”
  • What if Facebook Timeline was read instead of your CV? [guardian.co.uk] – If the thought irks you, make sure your privacy settings are set appropriately on Facebook as Timeline rolls out: “It’s all change at Facebook in the next few weeks as its timeline feature is rolled out to all users – whether they want it or not. This will make it easier for people to dig into your past from your homepage in an unprecedented manner. Pull up someone’s profile with Timeline enabled and you can scroll back through their entire Facebook history. Click on a year (say, 2008) and you can see everything they did in those 12 months, including status updates, photos, and wall posts.[...] Does this matter from an employment point of view? Well, yes it does. Numerous surveys have shown that employers are using Facebook and other social media sites to vet job applicants. In January 2010, a survey for Careerbuilder.co.uk found that more than half of employers used social networking sites to research job candidates.”
  • Man charged over YouTube driving [News.com.au] – “A P-PLATE driver who posted video of his antics on YouTube faces eight dangerous driving charges and losing his car forever.
    The 22-year-old from Kadina, on South Australia’s Yorke Peninsula, has had his Holden Commodore impounded for 28 days, police said today. He was nabbed after footage of his alleged driving offences was uploaded to YouTube and police learned about his alleged behaviour on roads near Kadina. “
  • Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com] – “When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking Twitter messages with a hashtag, “#grandiosenewt”, encouraging voters to add their own examples of occasions when they felt Mr. Gingrich had been “grandiose.” Within minutes, the hashtag was trending on Twitter. Reporters picked up on it, sending out their own Twitter posts and writing their own articles. The result: for at least one news cycle, the Romney campaign had stamped a virtual “grandiose” on Mr. Gingrich’s forehead. If the 2008 presidential race embraced a 24/7 news cycle, four years later politicos are finding themselves in the middle of an election most starkly defined by Twitter, complete with 24-second news cycles and pithy bursts. With 100 million active users, more than 10 times as many as in the 2008 election, Twitter has emerged as a critical tool for political campaigns, allowing them to reach voters, gather data and respond …”
  • Google CEO Larry Page: Identity Is A ‘Deep, Deep Part Of What We’re Doing’ [Huffington Post] – “Watch out: Google is getting personal. CEO Larry Page emphasized that Google is determined to deliver online experiences tailored to each individual’s interests and social circles, an ambitious goal that requires the web giant to learn even more about its users’ preferences and personal information. “Engaging with users, really deeply understanding who they are, and delivering things that make sense for them is really, really important. We’re at the early stages of that and Google+ is a big effort,” said Page during an earnings call Thursday. “This notion of identity is a deep, deep part of what we’re doing and an example of how we can make all our products better by understanding people.” Though Google already knows a great deal about the people who use its services, from what YouTube videos they’ve watched to whom they email most on Gmail, the web giant still lusts after the treasure trove of personal data Facebook has accumulated over the past eight years …”
  • Google Will Start Country-Specific Censorship for Blogs – “Google figured out Twitter‘s trick for avoiding universally censoring content weeks ago, but it managed to go unnoticed — for a while. That is, until TechDows wrote about Blogger‘s plan for country-specific URLs Tuesday. At some point “over the coming weeks,” Google’s Blogger will begin redirecting users to country-specific domain names — think Google.fr in France rather than Google.com — to avoid universally removing content that would not be tolerated in specific jurisdictions. A Blogger support post, “Why does my blog redirect to a country-specific URL?,” last updated Jan. 9, explains that Google is using the method to limit the impact of censored content. Readers will be redirected to sites with their own country’s domain name when they try to visit blogs recognized as foreign, as determined by their IP addresses. If you would like to see a non-affected page, you can direct to google.com/ncr (NCR stands for “no country redirect”) …”
  • Twitter uncloaks a year’s worth of DMCA takedown notices, 4,410 in all [Ars Technica] – “On almost any given day, Twitter receives a handful of requests to delete tweets that link to pirated versions of copyrighted content—and quickly complies by erasing the offending tweets from its site. That fact itself is probably unsurprising to people familiar with the Digital Millennium Copyright Act (DMCA) takedown process, which gives sites like Twitter a “safe harbor” against lawsuits related to user behavior and uploads—so long as the sites don’t knowingly tolerate pirated material or links to such material. But Twitter has taken the unusual step of making DMCA takedown notices public, in partnership with Chilling Effects, a project of the Electronic Frontier Foundation and several universities. [...] Scrolling through recent takedown notices, you’ll see names like Magnolia Pictures, Simon and Schuster, Warner Music Group, Universal Music Group, among those of many other media companies.”
  • Tweets still must flow [Twitter Blog] – Twitter starts blocking tweets nationally: “As we continue to grow internationally, we will enter countries that have different ideas about the contours of freedom of expression. Some differ so much from our ideas that we will not be able to exist there. Others are similar but, for historical or cultural reasons, restrict certain types of content, such as France or Germany, which ban pro-Nazi content. Until now, the only way we could take account of those countries’ limits was to remove content globally. Starting today, we give ourselves the ability to reactively withhold content from users in a specific country — while keeping it available in the rest of the world. We have also built in a way to communicate transparently to users when content is withheld, and why. We haven’t yet used this ability, but if and when we are required to withhold a Tweet in a specific country, we will attempt to let the user know, and we will clearly mark when the content has been withheld.”
  • Google Will Start Country-Specific Censorship for Blogs – “Google figured out Twitter‘s trick for avoiding universally censoring content weeks ago, but it managed to go unnoticed — for a while. That is, until TechDows wrote about Blogger‘s plan for country-specific URLs Tuesday. At some point “over the coming weeks,” Google’s Blogger will begin redirecting users to country-specific domain names — think Google.fr in France rather than Google.com — to avoid universally removing content that would not be tolerated in specific jurisdictions. A Blogger support post, “Why does my blog redirect to a country-specific URL?,” last updated Jan. 9, explains that Google is using the method to limit the impact of censored content. Readers will be redirected to sites with their own country’s domain name when they try to visit blogs recognized as foreign, as determined by their IP addresses. If you would like to see a non-affected page, you can direct to google.com/ncr (NCR stands for “no country redirect”) …”
  • Man charged over YouTube driving [News.com.au] – “A P-PLATE driver who posted video of his antics on YouTube faces eight dangerous driving charges and losing his car forever.
    The 22-year-old from Kadina, on South Australia’s Yorke Peninsula, has had his Holden Commodore impounded for 28 days, police said today. He was nabbed after footage of his alleged driving offences was uploaded to YouTube and police learned about his alleged behaviour on roads near Kadina. “
  • What if Facebook Timeline was read instead of your CV? [guardian.co.uk] – If the thought irks you, make sure your privacy settings are set appropriately on Facebook as Timeline rolls out: “It’s all change at Facebook in the next few weeks as its timeline feature is rolled out to all users – whether they want it or not. This will make it easier for people to dig into your past from your homepage in an unprecedented manner. Pull up someone’s profile with Timeline enabled and you can scroll back through their entire Facebook history. Click on a year (say, 2008) and you can see everything they did in those 12 months, including status updates, photos, and wall posts.[...] Does this matter from an employment point of view? Well, yes it does. Numerous surveys have shown that employers are using Facebook and other social media sites to vet job applicants. In January 2010, a survey for Careerbuilder.co.uk found that more than half of employers used social networking sites to research job candidates.”
  • Angry Birds boss: ‘Piracy may not be a bad thing: it can get us more business’ [Technology | guardian.co.uk] – “Rovio Mobile learned from the music industry’s mistakes when deciding how to deal with piracy of its Angry Birds games and merchandise, chief executive Mikael Hed told the Midem conference in Cannes this morning. “We have some issues with piracy, not only in apps, but also especially in the consumer products. There is tons and tons of merchandise out there, especially in Asia, which is not officially licensed products,” said Hed. “We could learn a lot from the music industry, and the rather terrible ways the music industry has tried to combat piracy.” Hed explained that Rovio sees it as “futile” to pursue pirates through the courts, except in cases where it feels the products they are selling are harmful to the Angry Birds brand, or ripping off its fans. When that’s not the case, Rovio sees it as a way to attract more fans, even if it is not making money from the products. “Piracy may not be a bad thing: it can get us more business at the end of the day.”"
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