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Annotated Digital Culture Links: January 11th 2009

Links for January 11th 2009:

Annotated Digital Culture Links: November 25th 2008

Links for November 23rd 2008 through November 25th 2008:

  • Film studios to become ‘police, judge, executioner’ [The Age] – “Internet users would have their connections terminated summarily on the whim of the film and TV industry should it win its landmark legal battle against iiNet, legal experts have warned. Seven of the world’s biggest film studios and the Seven Network last week filed suit against iiNet, Australia’s third largest ISP, in the Federal Court. They claim iiNet authorised copyright infringement by failing to prevent its users from downloading pirated movies and TV shows. iiNet, and the industry body, the Internet Industry Association, say ISPs should not be required to take action against any customers until they have been found guilty of an offence by the courts. ISPs argue that, like Australia Post with letters, they are just providing a service and should not be forced to become copyright police.” (No, they really shouldn’t!)
  • de_vangogh – A Van Gogh Counterstrike Mod [YouTube] – Running around in a level of Counterstrike entirely made out of Van Gogh paintings? Tripping, and actually visually quite amazing! [Via]
  • Journalists warned of two years of carnage ahead [The Australian] – “Journalists have been warned they cannot be spectators if they are to survive the new world of media fragmentation and digitalisation … . “A report, Life in the Clickstream: The Future of Journalism, released today by the Media, Entertainment and Arts Alliance, warns that the Western media industry faces “two years of carnage”, squeezed by the global economic meltdown and the unravelling of traditional economic models. The report reveals that more than 12,000 journalists worldwide have lost their jobs so far this year…. While newspaper circulation in Australia is “holding up remarkably well” with aggregate circulation of metropolitan dailies falling only slightly in the past six years, television remained the dominant source of news for most Australians. The country also boasts one of the highest percentages of online news visitors in the world. … new technology and shrinking workforces has resulted in more than 70 per cent of journalists reporting increased workloads…”
  • SF Sunday: Happy 45th Anniversary, Doctor Who! [Hoyden About Town] – “Yes, it’s 45 years since the world first saw a man travelling through time in a wooden box.” (Happy Birthday Doctor Who! I hate to think how many hours I’ve spent watching, discussing and generally being a fan of the good Dr … although I’ve enjoyed every minute. Well, except a few of the Colin Baker hours … :P) io9 also have an amusing (if a bit random) top 45 moments in Dr Who … 33 was, to say the least, amusing!

Annotated Digital Culture Links: November 22nd 2008

Links of interest for November 21st 2008 through November 22nd 2008:

  • EFA concerned about movie industry lawsuit against iiNet [Electronic Frontiers Australia (EFA)] – “Electronic Frontiers Australa (EFA) today expressed concern about a lawsuit filed against Internet Service Provider iiNet in the Federal Court. A consortium of media companies have sued the ISP for allegedly allowing its users to download infringing movies and TV shows by failing to terminate their accounts after allegations of infringement by the copyright industry. “This lawsuit is the latest attempt by the movie industry to bully Internet Service Providers into becoming copyright police,” said EFA spokesperson Nicolas Suzor. “ISPs are not in a position to monitor and terminate internet access to users based upon unsubstantiated threats from copyright owners, and should not be asked to do so.””
  • Kraftwerk sample case overturned [BBC NEWS | Entertainment] – “A court in Germany has told electronic band Kraftwerk that a producer who sampled one of their songs was not violating copyright. The ruling overturns an earlier decision against Moses Pelham’s use of a short sample from Metal on Metal. Judges in Berlin said the two second extract did not infringe copyright, as his song was substantially different. The move will come as a blow to artists who object to rivals using samples of their work to create new songs. ” (Bring on the legal remixes and mashups!)
  • Immersion [The New York Times – Video Library] – A fascinating video by Robbie Cooper which captures the faces of young people as they play videogames – watch that concentration! (There are photos, too.)
  • ‘The Dark Knight’ Conquers BitTorrent [TorrentFreak] – This week, in another round of leaks, DVD-rips of ‘The Dark Knight’ found their way to BitTorrent. Unsurprisingly, given the commercial success of the movie, <em>these were downloaded well over a million times in just a few days</em>. From the looks of it, Batman will crush Iron Man, The Incredible Hulk and Transformers, as it will easily become this year’s most pirated movie.
  • Star Trek [Apple – Trailers] – Young James T Kirk … the beginnings of the Enterprise … angry Spock … and sex in outer space. The Star Trek reboot will either be amazing or utterly wrong!
  • 19-Year-Old Lifecaster Commits Suicide on Justin.TV [smcb] – “In a tragic story from NewTeeVee, we learn that a 19-year-old user of the online live-streaming video service Justin.TV has apparently commit suicide in front of an audience of fellow forum dwellers egging him on during the process. The death has been confirmed with the Broward County medical examiner and the timeline has been pieced together from several different forums that have chronicled the unfortunate series of events.”

Remix: Making Art and Commerce Thrive in a Hybrid Economy

remix_cover_small Lawrence Lessig’s latest, and reportedly last, Creative Commons related book, Remix: Making Art and Commerce Thrive in a Hybrid Economy, has been released and it looks very impressive!  Here’s the blurb :

For more than a decade, we’ve been waging a war on our kids in the name of the 20th Century’s model of “copyright law.” In this, the last of his books about copyright, Lawrence Lessig maps both a way back to the 19th century, and to the promise of the 21st. Our past teaches us about the value in “remix.” We need to relearn the lesson. The present teaches us about the potential in a new “hybrid economy” — one where commercial entities leverage value from sharing economies. That future will benefit both commerce and community. If the lawyers could get out of the way, it could be a future we could celebrate.

As the founder and leading light of the Creative Commons movement, Lessig is ideally situate to comment on these matters.  Indeed, as I wait for my copy to arrive in the mail, my only disappointment is that the book didn’t come out a few months earlier – my honours students are currently completing their own remix projects and this would have been the perfect companion text (you can see the chapter breakdown to get an idea of the content). As with all of Lessig’s books, a freely redistributable version will be released shortly, this time under the Bloomsbury Academic imprint, a new line of academic books which will release all of their titles under CC or similar licenses allowing free redistribution (if you’re interested, you can read an interview with Bloomsbury Academic’s publisher Frances Pinter about this new line).

As well as the book, you’ll definitely want to watch out for Brett Gaylor’s new documentary RiP: A Remix Manifesto which takes a look a remix culture via interviews with the usual suspects (Lessig, Doctorow), but with mashup and remix artist Girl Talk as the focal story.  Here’s the trailer:

Remarkable Remixes

The winners of Total Recut’sWhat is Remix Challenge 2008’ competition are in, with many outstanding examples each showing strengths technical, political or just plain entertaining.  For me, though, those that most directly engaged with the politics and practice of remix were the most inspirational; from the top ten, my favourite three were …

In second place in the competition, right on the boundary between the still and moving image, is “Composition” by Jata Haan:

Two things stood out for me with this video: firstly, that all the images, and music, Haan used were licensed under Creative Commons (more that 100 images); and secondly, that, quite literally, this remix showed that digital tools and creativity can bring previously static material to life!  Also, as odd as it is, I quite like the Sydney Opera House.

A lot shorter, and in fifth place in the competition, is “Remix Culture” by Sylvia Koopman:

Koopman’s remix is short, pithy and directly to the point.  It also highlights the joys and perils of fair use, when the the ratio of remix to credits is about 3:1!  It’s worth noting that Koopman is still in high school and posts a lot her other remix work on YouTube.  I think she must be one of those digital natives we keep hearing about! 😉

The last clip I want to mention is Ricardo Carrion’s ‘Remix Culture II’:

Carrion’s piece is probably the most useful in really “explaining” remix culture and certainly has some fun with older science footage and science fiction. As with many in the competition, though, I would have preferred more detailed credits on Coopman’s work.  One of the missed opportunities with these remixes was the chance to have ready-to-click credits so that others could easily take a look at the source material and take a whirl at creatively remixing it themselves. I should add that DJ Le Clown’s ‘Xmas in New York City’ which won overall was certainly showed a lot of talent and is technically impressive; it’s just not in my favourites because the actual content remixed is largely unexciting to me (no, not a Sinatra fan, I’m afraid)!  If you’re inspired to make your own remixes, take a look at the resources that Total Cut highlighted for entrants to this competition.  Everything you need to get inspired, and started, is either above or right there! 🙂

Links for August 8th 2008

Interesting links for August 7th 2008 through August 8th 2008:

  • Steal This Hook? Girl Talk Flouts Copyright Law [NYTimes.com] – “Girl Talk, whose real name is Gregg Gillis, makes danceable musical collages out of short clips from other people’s songs; there are more than 300 samples on “Feed the Animals,” the album he released online at illegalart.net in June. He doesn’t get the permission of the composers to use these samples, as United States copyright law mostly requires, because he maintains that the brief snippets he works with are covered by copyright law’s “fair use” principle …Girl Talk’s rising profile has put him at the forefront of a group of musicians who are challenging the traditional restrictions of copyright law along with the usual role of samples in pop music.” Girl Talk’s latest album Feed the Animals can be downloaded for whatever price users choose to pay (including choosing to pay nothing).
  • MisUnderstanding YouTube by Joshua Green [Flow TV 8.05] – “… popularity on [YouTube] revolves as much around what is “Most Discussed” or “Most Responded” as it does what is “Most Viewed.” … Understanding this is crucial to effectively accounting for YouTube as a diverse media space. This is not to suggest everyone comes to the site to post a video blog, but rather to come to terms with the fact that YouTube is built as much through practices of audience-ing as it is practices of publishing, and to realize the two as intimately linked. As much as the video blog, YouTube is ruled by the clip and the quote — the short grab or edited selection; these videos are evidence or demonstration of active audience-hood.”
  • Human rights group broadcast ‘pirate’ radio show in Beijing [Radio Australia] – “A human rights group has broken China’s tight control of the media by broadcasting a radio show calling for freedom of expression in Beijing. At 8.08am local time, the Paris based group Reporters Without Borders began a twenty minute pirate broadcast on Beijing’s airwaves.” [Via @mpesce]
  • It’s public so what’s the privacy issue with Google’s Street View? [The Courier-Mail] – Peter Black tells it like it (legally) is regarding Google Streetview in Australia: “What Google did was perfectly legal. They took photographs of houses, buildings and streets from a public place. If anyone can legally walk up and down your street taking photographs of houses, why can’t Google? They can. Once this is accepted, the argument then becomes one about people randomly caught in the lens of the camera. “Surely they don’t have a right to take a photo of me?” Yes they do. You can have no reasonable expectation of privacy, let alone a right to privacy, when you are in a public area, such as your street.”

Links for July 3rd 2008

Interesting links for July 3rd 2008:

  • Virtual Worlds Research: Past, Present and Future (Vol 1, No 1) [Journal of Virtual Worlds Research] – The inaugural issue of the Journal of Virtual Worlds Research is out, showcasing some excellent research and situating virtual worlds in an ongoing and dynamic research context. It’s also an exemplar of open publishing: all content is online and under Creative Commons licenses.
  • Uni cheats outsource to India [The Age] – “Computer Science students are farming out their coursework to cheap programmers in countries like India and university staff admit they are powerless to detect and prevent it….Various well-established sites already sell students essays and other written work.”
  • Is YouTube Killing Video Originality? [NewTeeVee] – “…more people are creating …video than ever before… The issue becomes when people start creating for the playcounts. What?s the fastest way to rack up a million plays on YouTube, land an agent and get on Oprah? It?s not by making something new!”
  • VioletBlue VioletBlue – An archive of all of the posts that Boing Boing deleted in relation to sex blogger Violet Blue. Looking through this archive, it’s hard to see how these deletions haven’t damaged Boing Boing’s historical presence.
  • Firefox download record official [BBC NEWS | Technology] – Mozilla has officially made history with a new Guinness world record for the largest number of software downloads in a 24-hour period. The final record breaking 8,002,530 downloads for Firefox 3.0 took place in June with parties in over 25 countries.

Links for June 27th 2008

Interesting links for June 21st 2008 through June 27th 2008:

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