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Digital Culture Links: May 14th 2010

Links for May 13th 2010 through May 14th 2010:

  • Well, These New Zuckerberg IMs Won’t Help Facebook’s Privacy Problems [Business Insider] – “Facebook CEO Mark Zuckerberg and his company are suddenly facing a big new round of scrutiny and criticism about their cavalier attitude toward user privacy. An early instant messenger exchange Mark had with a college friend won’t help put these concerns to rest. According to SAI sources, the following exchange is between a 19-year-old Mark Zuckerberg and a friend shortly after Mark launched The Facebook in his dorm room:Zuck: Yeah so if you ever need info about anyone at Harvard
    Zuck: Just ask.
    Zuck: I have over 4,000 emails, pictures, addresses, SNS
    [Redacted Friend’s Name]: What? How’d you manage that one?
    Zuck: People just submitted it.
    Zuck: I don’t know why.
    Zuck: They “trust me”
    Zuck: Dumb fucks.
    Brutal. Could Mark have been completely joking? Sure. But the exchange does reveal that Facebook’s aggressive attitude toward privacy may have begun early on.”
  • Why, despite myself, I am not leaving Facebook. Yet. [Online Fandom] – “… Using Facebook with the rules I signed on for makes me a subversive user. That’s wrong. What I want is a Facebook that is premised on a belief that first and foremost human relationships are valuable and sacred, not the ground on which money trees grow, but that if the value of relationships is genuinely nurtured, there will be ways to earn money. I want a Facebook that really believes that people have a right to select how their information will be shared, instead of a belief that they’re too dumb to figure it out if the settings are too confusing so it’s okay to dupe them. I want a Facebook that can find creative ways to make a profit using the rules they originally set for their own game. I want an ethical Facebook. That shouldn’t be too much to ask.”
  • Social networks and the end of privacy [ABC The Drum Unleashed] – Pesce on wanting to let go: “I want to quit. Like Michael Corleone, every time I think I’m out, they pull me back in! No, I’m not talking about the Mafia, though I am Sicilian. I’m talking about an organisation that’s more pervasive, and more insidious – Facebook. […] For now, I’ve cut back on Facebook. I’m not accepting new friend requests, or joining new groups. I’m still using Facebook to share interesting information – particularly if that information is about the problems with Facebook. It is possible that we can use Facebook to accelerate the transition to an alternative to Facebook. That would be the most appropriate end to a fun but unwholesome chapter in the Web’s history.”
  • Apple ‘digital locker’ to allow online music stream [The Australian] – Apple iCloud: “The move could pose a significant threat to existing music operations such as Spotify and We7. According to music industry insiders, iTunes customers will be given access to a “digital locker” that will automatically store songs bought through Apple’s music store. At present, songs downloaded from iTunes can be stored only on a computer or iPod. Under the digital locker system, customers will also be able to access the tracks they have purchased by logging on to a website — expected to be called iTunes.com — where the songs could be streamed over the internet to any computer. Spotify and We7 are fledgeling services giving access to millions of songs that can be heard over the web and paid for through monthly subscriptions or advertising. Analysts have long expected Apple — acting before Google or Amazon — to create a system allowing people to store and access their music collections “in the cloud” on the internet.”

Digital Culture Links: February 26th 2010

Links for February 21st 2010 through February 26th 2010:

  • iTunes sells 10 billionth track [BBC News] – “Johnny Cash’s Guess Things Happen That Way has become the 10 billionth track to be sold at the ITunes online store. Black Eyed Peas’ I Gotta Feeling was officially named the site’s most downloaded track, with their single Boom Boom Pow the third biggest seller. Lady Gaga’s Poker Face took the number two slot, with hits Just Dance and Bad Romance also featuring in the top 25. Louie Sulcer of Woodstock, Georgia bought the 10 billionth track winning a$10,000 (£6,500) iTunes gift card.” (I’m pretty sure this means 10 billion items sold, rather than 10 billion different tracks, but it’s impressive nevertheless!)
  • Conan O’Brien Joins Twitter With a Humorous Plea: ‘Somebody Help Me’ [NYTimes.com] – I like my CoCo in 140 characters! “Conan O’Brien, the unemployed former host of “The Tonight Show,” has ventured into the twittersphere. His first message on Twitter, posted Wednesday evening, is a memorable one: “Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.” In his Twitter bio, Mr. O’Brien describes himself thus: “I had a show. Then I had a different show. Now I have a Twitter account.””
  • Google executives convicted over posted video [The Age] – Bye bye YouTube in Italy?? “A court in Milan on Wednesday convicted three Google Italy executives over an internet video showing a handicapped teenager being bullied – an unprecedented ruling that the US internet search giant vowed to appeal. Each executive was given a six-month suspended sentence for violation of privacy, while a fourth was acquitted. All four were acquitted on a charge of defamation. The mobile phone video, uploaded on Google Video where it remained for nearly two months in late 2006, showed four students bullying the teenager with Down’s syndrome in front of more than a dozen others who did not intervene. Of the four executives on trial, David Drummond, chairman of the board of Google Italy at the time; George De Los Reyes, then a board member who has since left the firm; and Peter Fleischer, who was responsible for privacy issues, were convicted for violation of privacy.”
  • Movie studios appeal against iiNet piracy ruling [The Age] – Here we go again … (or still …) “Hollywood film studios today lodged an appeal against a landmark legal judgment which found an Australian Internet provider was not responsible for illegal movie downloads by its customers. The Australian Federation Against Copyright Theft (AFACT), representing a consortium of 34 studios, said the Federal Court’s ruling was out of step with well-established copyright law. “The court found large scale copyright infringements (proven), that iiNet knew they were occurring, that iiNet had the contractual and technical capacity to stop them and iiNet did nothing about them,” said Neil Gane, executive director of AFACT.”
  • Is Twitter Overtaking Myspace [Richard Giles] – Purely in term of pages views (as tracked by Alexa) Twitter appears to be just overtaking global MySpace traffic (all the more impressive when you consider how much of Twitter’s traffic isn’t through pageviews).
  • WhoseTube? [NYTimes.com] – An insightful and balanced op-ed from Damian Kulash Jr.(lead singer of OK Go who made twhen their “Here It Goes Again” video went very viral in 2006) looking at why big music companies just don’t get the internet: “In these tight times, it’s no surprise that EMI is trying to wring revenue out of everything we make, including our videos. But it needs to recognize the basic mechanics of the Internet. Curbing the viral spread of videos isn’t benefiting the company’s bottom line, or the music it’s there to support. The sooner record companies realize this, the better — though I fear it may already be too late.”

Digital Culture Links: January 27th 2010

Links for January 27th 2010:

  • Terms of (Ab)Use: US and UK Consumers Dance to Different iTunes [Electronic Frontier Foundation] – Further illustration of the insanity of different national licensing agreements: “For example, as with many TOS agreements, the iTunes U.S. Terms purport to allow Apple to terminate any part of the service, including access to any music or other content available through iTunes, at any time without warning. The U.K. Terms step back from that extreme position. In particular, the U.K. Terms do not allow Apple to affect a user’s access to content already purchased. Furthermore, before terminating a user’s access to iTunes, the U.K. Terms require there at least be “strong grounds,” rather than mere “suspicion,” to believe the user has violated the agreement, and also obligates iTunes to provide notice of any planned modification, suspension, or termination to the extent possible. In other words, the U.K. Terms provide customers at least some guidance as to the grounds for termination, rather than leave them to worry their access to iTunes can be terminated at any moment for any reason.”
  • Australia Set to Introduce Internet Filter that Could Block Access to Thousands of Anime, Comics, Gaming (ACG) and Slash Fan Sites by Mark McLelland, University of Wollongong [Guest Post: Confessions of an Aca-Fan] – Guest post by Mark McLelland looking at the implications of the Australian government’s forthcoming ISP-level internet filtering legislation on slash, anime, manga sites and thus fans in Australia. Outlook: poor.
  • After Three Months, Only 35 Subscriptions for Newsday’s Web Site [The New York Observer] – So, how’s that paywall going? “In late October, Newsday, the Long Island daily that the Dolans bought for $650 million, put its web site, newsday.com, behind a pay wall. The paper was one of the first non-business newspapers to take the plunge by putting up a pay wall, so in media circles it has been followed with interest. Could its fate be a sign of what others, including The New York Times, might expect? So, three months later, how many people have signed up to pay $5 a week, or $260 a year, to get unfettered access to newsday.com? The answer: 35 people. As in fewer than three dozen. As in a decent-sized elementary-school class. That astoundingly low figure was revealed in a newsroom-wide meeting last week by publisher Terry Jimenez when a reporter asked how many people had signed up for the site. Mr. Jimenez didn’t know the number off the top of his head, so he asked a deputy sitting near him. He replied 35.”
  • Google Doodle For Australia Day Missing Aboriginal Flag [SMH] – “An Australia Day artwork by student Jessie Du will be viewed by millions on Google’s home page today but one feature of her original design is conspicuously absent – the Aboriginal flag. Jessie’s Australia-themed version of the Google logo beat thousands of other entrants in the search giant’s Doodle 4 Google competition […] Jessie, 11, is a student at Rydalmere East Public School. Her entry fashioned the letters in Google’s logo out of native Australian animals, such as the kangaroo, koala and emu. The central “o” in the original design was the Aboriginal flag but this has been edited out of the final version that adorns Google’s home page today. The discrepancy caused much consternation on Twitter, but a Google spokeswoman explained that the editing of Jessie’s design was due to a copyright dispute. The designer of the flag, Harold Thomas, who owns the copyright to the flag, refused to give Google permission to reproduce the design on its website…”
  • Stop pining for life on Pandora and come back to planet Earth [Telegraph] – Conservative London Mayor Boris Johnson on Avatar: “It is a feature of powerful military empires that they like to romanticise their victims and luxuriate guiltily in the pathos of their suffering. Think of the Roman crowds pleading for the lives of captured barbarians in the amphitheatre.[…] And I can’t believe that many of these gloomy post-Avatar Westerners, when they really think about it, would want to up sticks to Pandora and take part in Na’vi society, with its obstinate illiteracy, undemocratic adherence to a monarchy based on male primogeniture and complete absence of restaurants. The final irony, of course, is that this entrancing vision of prelapsarian innocence is the product of the most ruthless and sophisticated money-machine the world has ever seen. With a budget of $237 million and with takings already at £1 billion, this exquisite capitalist guilt trip represents one of the great triumphs of capitalism.”

Digital Culture Links: July 22nd 2009

Links for July 14th 2009 through July 22nd 2009:

  • How-To: Read George Orwell’s 1984 on your Kindle [Make Online] – “Citizen! If you bought a copy of George Orwell’s “Nineteen Eighty-four,” (1984) for your Kindle it was deleted. It appears that the publisher changed its mind about digital versions (update, they were never allowed to publish them in the first place) and Amazon reached in and removed it from your reader. Sorry for the inconvenience! So, what to do? Let’s assume you’re going to go on a nice trip, like Australia, and you really wanted to read 1984 – once you get there, you can easily reload your Kindle with a copy of 1984.” (Yes, under Australian copyright law, 1984 is in the public domain!) [Via BBoing]
  • Australia’s Digital Economy: Future Directions [Federal Government] – “The Australian Government released the Australia’s Digital Economy: Future Directions paper on 14 July 2009 which outlines: * why the digital economy is important for Australia * the current state of digital economy engagement in Australia and why current metrics point to a need for strategic action * the elements of a successful digital economy * the role for the Government in developing Australia’s digital economy, and * case studies of Australians who have successfully engaged with the digital economy from a diversity of industries including content, e-health, maps, banking, education, smart technology and citizen journalism.”
  • SharePod – Nifty freeware application for backing up music FROM your iPod/iPhone to your PC. Especially useful if your computer dies and you want to restore your library from your iPod rather than ripping the music of 200+ CDs!
  • Iran – The Rebellion Network [Foreign Correspondent – ABC] – Foreign Correspondent Story: ‘The Rebellion Network’ originally broadcast 07/07/2009, reporter: Eric Campbell. A solid overview of the role of social media in the post-election protests and other social movements in Iran (with particular mention of Twitter).

Annotated Digital Culture Links: January 8th 2009

Links for January 7th 2009 through January 8th 2009:

  • How to Use Twitter for Marketing and PR (Good advice.)
  • Apple Drops Anticopying Measures in iTunes [NYTimes.com] – In moves that will help shape the online future of the music business, Apple said Tuesday that it would remove anticopying restrictions on all of the songs in its popular iTunes Store and allow record companies to set a range of prices for them. Beginning this week, three of the four major music labels — Sony Music Entertainment, Universal Music Group and Warner Music Group — will begin selling music through iTunes without digital rights management software, or D.R.M., which controls the copying and use of digital files. The fourth, EMI, was already doing so. In return, Apple, whose dominance in online music sales gives it powerful leverage, agreed to a longstanding demand of the music labels and said it would move away from its insistence on pricing all individual song downloads on iTunes at 99 cents. Instead, the majority of songs will drop to 69 cents beginning in April, while the biggest hits and newest songs will go for $1.29. Others that are moderately popular will remain at 99″
  • Raid Gaza! Editorial Games and Timeliness [News Games: Georgia Tech Journalism & Games Project] – “Raid Gaza! is a new editorial game about the Gaza crisis. Like editorial games should, it takes a strong position. But unlike so many, it also offers coherent gameplay that is related to the conflict it critiques. … The game is headstrong, suffering somewhat from its one-sided treatment of the issue at hand. But as an editorial, it is a fairly effective one both as opinion text and as game. It is playable and requires strategy, the exercise of which carries the payload of commentary. It’s release on user-contributed animation and games portal Newgrounds came on 30 December 2008, only three days after the Israeli Defense Forces launched airstrikes as a part of “Operation Cast Lead.” The rapidness with which the game was developed, combined with its relatively sophisticated ability to mount commentary through gameplay, underscore one of the biggest issues with editorial games.”

Annotated Digital Culture Links: December 24th 2008

Links for December 23rd 2008 through December 24th 2008:

  • Top 10 Most Pirated TV-Shows of 2008 [TorrentFreak] – ” Lost is without a doubt the most downloaded TV-show, with over 5 million downloads for one single episode. TV-shows are getting increasingly more popular on BitTorrent. Most TV-broadcasters won’t be happy to hear this, but one could argue that BitTorrent has actually helped TV-shows to build a stronger, broader, and more involved fanbase. Perhaps even more importantly, the rise of unauthorized downloading of TV-shows is a signal that customers want something that is not available through other channels. Availability seems to be the key issue why people turn to BitTorrent.” (In order: Lost, Heroes, Prison Break, Terminator The Sarah Connor Chronicles, Desperate Housewives, Stargate Atlantis, Dexter, House, Grey’s Anatomy, & Smallville.)
  • Making the Intangible Tangible, the Economic Contribution of Australia’s Copyright Industries IP Down Under [PricewaterhouseCoopers report] – “PricewaterhouseCoopers, for the Australian Copyright Council, has released its report Making the Intangible Tangible, the Economic Contribution of Australia’s Copyright Industries, which has found that Australia’s copyright industries in 2007:
    • employed more than 837,000 people (8 percent of the nation’s workforce) – up 21 percent since 1996;
    • generated $97.7 billion in economic activity (10.3 percent of GDP) – up 66 percent since 1996; and
    • accounted for $6.8 billion in exports (4.1 percent of all exports) – up 6.3 percent since 1996.” [Via Terry Flew]
  • Aussie ‘Doctor Who’ Fans Set to Time Travel With BitTorrent [TorrentFreak] – “Australia has been the focus of much tech news recently, as the country struggles with its Internet piracy ‘problem’. Thanks to the infinite wisdom of ABC, Aussie Doctor Who fans are left with a tough decision – wait until mid-January to watch the show’s pivotal ‘Christmas Special’ – or pirate it with BitTorrent.”
  • WoW! How The Guild beat the system [Media | The Guardian] – “The Guild was written as an hour-long TV pilot but was rejected by a number of studios. “We were fighting against the stereotype of online gamers as pickly-faced teenagers living in their basements,” she recalls. In the end, Day and her co-producer, Kim Evie, funded the first episodes themselves and spent eight hours a day emailing bloggers about the show and marketing it through the Buffy and WoW communities. The next seven episodes were funded through donations collected via a PayPal button on their website and donors were credited at the end of each show. … The Guild has been a masterclass in direct marketing of content to a niche peer group. “The web is an amazing opportunity for people who want to tell stories but aren’t permitted because they aren’t the mainstream,” says Day.” (Profile of The Guild as a rags to riches webisode series now it has been picked up by Microsoft.)
  • Net music theory ends up a tall tale [Australian IT] – “The internet was supposed to bring vast choice for customers, access to obscure and forgotten products and a fortune for sellers who focused on niche markets. But a study of digital music sales has posed the first big challenge to this “long tail” theory: more than 10 million of the 13 million tracks available on the internet failed to find a single buyer last year. The idea that niche markets were the key to the future for internet sellers was described as one of the most important economic models of the 21st century when it was spelt out by Chris Anderson in his book The Long Tail in 2006. But a study by Will Page, chief economist of the MCPS-PRS Alliance, a not-for-profit royalty collection society, suggests that the niche market is not an untapped goldmine and that online sales success still relies on big hits. It found that for the online singles market, 80 per cent of all revenue came from about 52,000 tracks. For albums … 1.23million available, only 173,000 were ever bought”

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