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Tag Archives: information
Links for March 16th 2011 through March 20th 2011:
- Why Curation Is Just as Important as Creation [Mashable] – “The folks who run the online galleries — the curators — aren’t asking permission or giving a revenue share, which means that content creators need to get comfortable with the idea that in the new world of the link economy, curating and creating aren’t mutually exclusive. Exhibit A: Seth Godin. He is one of the web’s best-known marketing wizards. […]. And he says that content creators can’t ignore curation any longer. “We don’t have an information shortage; we have an attention shortage,” Godin said. “There’s always someone who’s going to supply you with information that you’re going to curate. The Guggenheim doesn’t have a shortage of art. They don’t pay you to hang paintings for a show — in fact you have to pay for the insurance. […] As Godin sees it, power is shifting from content makers to content curators: “If we live in a world where information drives what we do, the information we get becomes the most important thing. The person who chooses that information has power.””
- Why Do We Hate Rebecca Black? [Brow Beat] – “It’s Fri-ee-day! Here in New York, where the long-awaited sunshine is making everyone slightly loopy, “Friday”—Rebecca Black’s so-awful-it’s-kind-of-genius viral sensation—makes for a highly appropriate soundtrack. Like her lyricists, I, too, can barely form coherent sentences, because we-we-we so excited about all the fun ahead of us tonight. A quick recap, for anyone who’s missed the frenzy: Rebecca Black, an eighth-grader from Orange County, recorded a song and produced a video with vanity label Ark Music Factory, which specializes in tweenybopper “artists.” Last week, Black’s video starting ricocheting around the Web, to the delight and horror of millions of viewers. No one, it seems, can believe that anything this terrible could possibly exist. […] So her parents paid $2,000 for her to pretend to be a star. […] and for an unexpected dose of media training.
- xxx marks the spot [SMH] – “The group in charge of internet addresses has opened the door for adult-content websites ending with .xxx but delayed deciding whether to open the floodgates for other suffixes. The non-profit internet Corporation for Assigned Names and Numbers (ICANN) board voted to approve a petition to add .xxx to the list of “generic top-level domains” – endings that include .com, .net and .org. […] The request had been rejected about five years ago and was reconsidered after an appeal.”
- Bullying Video’s “Little Zangief” A Hero Online [WA Today] – “It was inevitable. The Sydney boy who retaliated against a younger student at school after an apparent bullying attack has been transformed from a victim to an online hero. Since video of the incident at a western Sydney school this week was posted online, it immediately went viral. The 16-year-old “victim” has been dubbed “Little Zangief” – a character from the Street Fighter video game – and likened to the Incredible Hulk and The Punisher, with websites, mash-up videos and even a Twitter account set up in his honour. The video, which has since been featured on US and British news sites, shows a smaller 12-year-old boy punching the bigger boy. The bigger boy then picks up his tormentor and throws him to the ground. The issue dominated talkback radio after it happened.” [More at Know Your Meme] [More Remixes]
- 40th anniversary of the computer virus [Net Security] – “1971: Creeper: catch me if you can. While theories on self-replicating automatas were developed by genius mathematician Von Neumann in the early 50s, the first real computer virus was released “in lab” in 1971 by an employee of a company working on building ARPANET, the Internet’s ancestor. Intriguing feature: Creeper looks for a machine on the network, transfers to it, displays the message “I’m the creeper, catch me if you can!” and starts over, thereby hoping from system to system. It was a pure proof of concept that ties the roots of computer viruses to those of the Internet.”
- The Rise of Twitter Poetry [NYTimes.com] – “… there’s evidence that the literary flowering of Twitter may actually be taking place. The Twitter haiku movement — “twaiku” to its initiates — is well under way. Science fiction and mystery enthusiasts especially have gravitated to its communal immediacy. And even litterateurs, with a capital L, seem to be warming to it. For two years, John Wray, the author of the well-regarded novel “Lowboy,” has been spinning out a Twitter story based on a character named Citizen that he cut from the novel, a contemporary version of the serialization that Dickens and other fiction writers once enjoyed. “I don’t view the constraints of the format as in any way necessarily precluding literary quality,” he said. “It’s just a different form. And it’s still early days, so people are still really trying to figure out how to communicate with it, beyond just reporting that their Cheerios are soggy.””
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