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Digital Culture Links: July 20th 2010

Links for July 20th 2010:

  • Jessi Slaughter (“You dun goof’d” / “The consquences will never be the same”) [Know Your Meme] – Know Your Meme’s (still being researched) page on the 4chan Vs “Jessi Slaughter” debacle.
  • How The Internet Beat Up An 11-Year-Old Girl [Defamer Australia] – 4chan and /b/ collectively turn on self-styled tween micro-celeb “Jessi Slaughter”, a very foul-mouthed video poster whose antics and anti-“hater” video got their undivided attention. The young girl in question is certainly provoking people, but SHE’S ONLY 11 YEARS OLD!
    As Defamer note “here are some important lessons from this tale:
    1. What are your kids doing on the internet? Normally we find fears about kids on the Internet the product of technophobic hysteria. But this case is a very good argument for why parents should at least be vaguely aware of what their kids are up to on the internet. […]
    2. Tumblr is becoming a home for trolls. […]
    3. Don’t pick on 11-year-old girls. Seriously. No matter dumb they seem – no matter how much it seems like they deserve it – they are, at the end of the day, 11-year-old girls. You wouldn’t make an 11-year-old girl cry in real life; why do it on the internet?”
  • The Art Of Trolling: Inside A 4chan Smear Campaign [Defamer Australia] – 4chan go after Dahvie Vanity, the lead singer of “the terrible electro-pop MySpace band Blood on the Dance Floor”, who has supposedly been linked to 11-year-old 4chan victim Jessi Slaugher (he’s been rumoured to be a paedophile, but these are by now means substantiated – to my knowledge, no police action has been taken). /b/’s actions are citizen justice at its worst.
  • 4Chan’s Sad War To Silence Gawker [Defamer Australia] – 4Chan go after Gawker media (Defamer’s parent company) to try and stop them writing about 4Chan; their efforts are not successful.
  • Jessi Slaughter and the 4chan trolls – the case for censoring the internet [News.com.au] – Peter Farquhar uses the 4chan Vs Jessi Slaughter debacle as an excuse to promote the notion of an internet filter in Australia. While there is some token disagreement towards the end of the article, it’s still an example of terrible writing since it implies that (if she was in Australia, presumably) the proposed filter would have helped the situation. For the record, even the most extreme version of the filter Conroy mooted, would have made absolutely no difference in this case whatsoever. What WOULD make a difference for young people in Australia is more money and resources put into education about social media and online interactions across the national curriculum; the sort of money being spent developing and arguing about a useless mandatory filter would be exactly the put of money that could make a real difference in the eduction, awareness and thus safety of young Australians online.
  • NB: No spoiler warning for MasterChef evictees! [TV Tonight] – Australian TV blog TV Tonight reminds those of us in the West that the interwebs will be filled with spoilers since Masterchef will go to air AEST! (Yes, we know: AEST is an anagram of EAST after all …)
  • Why this is NOT the Twitter election [mUmBRELLA] – Quick post pointing out that while the upcoming Australia election will certainly be influenced by Twitter and social media, it certainly won’t be driven by it given the paucity of social media use and awareness of the two newbie leaders of the big parties.
  • Google Discontinues the Nexus One Android Phone [Mashable] – Google’s experiment as a smartphone distributor come to a swift end: “Google has pulled the plug on the Nexus One, its once highly anticipated smartphone. The last shipment has arrived at Google HQ, and once those are gone there will be no more Nexus Ones for U.S. consumers. The handset will still be sold through Vodafone in Europe and some Asian carriers, and developers will still be able to get their hands on one, but it looks like the Droid phones on Verizon will carry the mantle for Google’s (Google) Android (Android) mobile operating system. This is the end the company’s grand experiment with an unlocked handset. Following disappointing sales, Google had already closed the Nexus One web store two months ago, so this final nail in the coffin was already overdue.”

Digital Culture Links: May 24th 2010

Largely Lost-centric links for May 24th 2010:

  • Lost Finale: What the Web Wasn’t Made For [Mashable]Why I’ll be off most social media today: “Those two wonderful facets of the web — on-demand viewing and instant communication between fans — tonight become a double-edged sword. The Lost Finale will be shown at 9pm ET on the East Coast, and 9pm PT on the West Coast. These time zone delays are the antithesis of what the web is about: Instant communication. The web is the perfect platform for the spread of breaking news, rumor, and those facts that corporations and politicians would rather keep quiet. In short: blogs, Facebook and Twitter make the spread of information immediate. But the web doesn’t understand the concept of the “spoiler”: The kind of information you’d like to avoid until a specific date or time. A TV blog can’t set its RSS feeds to be delivered later to the West Coast than the East. A Facebook update doesn’t get held back until you’ve watched the finale on your DVR. Your phone doesn’t know to block all Lost-related Tweets until you’ve watched the final episode.”
  • Final episode Lost in transmission [WA Today] – Australian broadcasting is indeed, Lost, but not in a good way: “AT 2PM AEST today the final episode of supernatural drama Lost will be broadcast simultaneously in eight countries. Fans in the US, Canada, Britain, Italy, Spain, Portugal, Israel and Turkey will sit down as one to discover how the big questions in one of television’s most diabolically complicated shows are resolved. The international simulcast aims to stave off piracy, while attracting viewers worldwide before spoilers hit the web. But not in Australia. Channel Seven will not screen the 2½-hour finale until 8.30pm Wednesday. […] ‘Ridiculous,” says comedian Wil Anderson, a Lost die-hard. ”If I was going to watch it on Wednesday, I could not go on the internet at all for two days. I will definitely have watched it by Wednesday.” Many Australian Lost fans have left free-to-air television for an alternate viewing reality, downloading, to join in discussions online…”
  • Ahead of ‘Lost’ Finale, Fans Shut Off Virtual Hints [NYTimes.com] – “Erin Farley has her plans for Sunday all laid out. Two hours before the last episode of “Lost” is broadcast three time zones away, she will shut down her home Internet connection. TweetDeck? Off. Facebook? Off. Her cellphone? Stashed out of reach. “I’ll turn off the whole Internet just to avoid having anything spoiled,” said Ms. Farley, a 31-year-old freelance writer in Portland, Ore. “I don’t want to ruin the surprise.” The Internet in general, and social media like Twitter in particular, can be a minefield for those who are trying to keep themselves in the dark about an event or show so they can enjoy it later. When the Olympics and Grammy Awards are time-delayed, for example, armchair critics chattering about the wins and losses online can destroy the suspense in an instant. […] people who don’t live on the East Coast, where Lost is shown first, are especially at risk for online spoilers. Overseas fans may have to wait days for a local broadcast – several years in Internet time”
  • Lost bows out – after 121 baffling episodes – with 5am TV simulcast to beat plot spoilers [Television & radio | The Guardian] – Closer to non-sporting global television events: “Early on Monday morning [UK time] , millions of Lost fans will be hoping that the mysteries of the US drama’s fictional island accumulated over five years are finally revealed when the show closes in a unique broadcasting event. The finale will be simulcast on ABC in the US and by seven broadcasters around the world. Lost fans in the UK will be switching on Sky1 at 5am on Monday for the two-and-a-half-hour climax to six series, and 121 episodes, of baffling TV. Fans in Italy, Spain, Portugal, Israel, Turkey, Canada, as well as the UK, will see the show at the same time it is aired by ABC on America’s west coast. The time lag between broadcast in America and in the UK used to be six months or more, but has been narrowing for the most popular imports to counter DVD piracy and illegal downloads. Sky1 has been broadcasting this year’s final series of Lost on Friday nights — five days after its US Sunday evening premiere on ABC.”
  • LOST re-enacted by Cats in 1 minute.
  • Fan-made Lost Finale Trailer
  • Facebook, MySpace Confront Privacy Loophole [WSJ.com] – “Facebook, MySpace and several other social-networking sites have been sending data to advertising companies that could be used to find consumers’ names and other personal details, despite promises they don’t share such information without consent. The practice, which most of the companies defended, sends user names or ID numbers tied to personal profiles being viewed when users click on ads. After questions were raised by The Wall Street Journal, Facebook and MySpace moved to make changes. By Thursday morning Facebook had rewritten some of the offending computer code. Advertising companies are receiving information that could be used to look up individual profiles, which, depending on the site and the information a user has made public, include such things as a person’s real name, age, hometown and occupation.” [Also see Benjamin Edelman’s analysis.]
  • PAC-MAN rules! [Official Google Blog] – After their first interactive logo, celebrating Pac-Man’s 30th birthday, Google makes their homage game available permanently: “We’ve been overwhelmed — but not surprised 🙂 — by the success of our 30th anniversary PAC-MAN doodle. Due to popular demand, we’re making the game permanently available at www.google.com/pacman. Thanks to NAMCO for helping to make this wonderful collaboration happen. Enjoy!”
  • Watching for Iron Sky [The Chutry Experiment ] – Useful introduction to the crowd-sourced film Iron Sky (coming some time 2011) for Web 207.

Celebrity Twittering

I have been meaning to write a very long, complex and cerebral post about the seemingly exponential growth of Twitter in the last few months, but as my list of related bookmarks grows, the time to read them runs screaming, so I thought I’d try and capture a few thoughts in the next week or two in shortform (not 140 characters short, of course).  Today’s topic: celebrity twittering (and, yes, just to get it out of your system, go and watch the Felicia Day Twittering Gaff … okay, moving on …).  Now, if I were to write this properly, I’d have to start looking at Stephen Fry and his more than 250,000 followers … in 140 characters, the witty observer is king, but you can find plenty to read about Fry elsewhere.  I could talk about disintermediation and who needs gossip magazines – or who really does need an agent filtering everything – when Ashton Kutcher is willing to tweet photos like this.  But I just can’t bring myself to read anything else about the Moore clan.  Instead, I want to talk about telepathic ex-policemen.  Or, more specifically, Greg Grunberg, who plays Matt Parkman on Heroes.

Grunny Grunberg is now a Twitter regular, with some 27,000 followers, many of whom only know him for his Heroes role.  He is, however, cleverly using Twitter to promote his other projects and establish his own celebrity presence as ‘Grunny’.  However, what really caught my attention was Grunberg’s tweet about the end wrap-up of the current season of Heroes and how that tweet, out of context, fired off a rumour that the show had been cancelled.  As Zap 2 It reported:

On Sunday morning, Grunberg tweeted the following: "Winding down shooting season 3 #Heroes. Tough to say goodbye to crew not knowing if any or all of us will return next year. Hope all." Over the next couple of days that one message set off a flood of "OMG!! Is Heroes cancelled!?!" musings on the web. …  The posts all mention that Grunberg "later" or "eventually" clarified his first remark with another tweet, that reads, "Don’t get me wrong, #Heroes IS coming back next next year, but some crew take other jobs, so it’s tough… we have the Best. Crew. Ever." But they make it sound like he was responding to all the supposed controversy he created with his remarks. Here’s the thing: Grunberg’s second tweet came all of three minutes after the first one. That doesn’t sound so much like backtracking or butt-covering so much as a guy reading what he just wrote, deciding the thought wasn’t complete and then completing it. I know things move fast on the Internet, but three minutes on a Sunday morning isn’t enough time to create a controversy and then try to respond to it. The incident doesn’t seem to have soured Grunberg on Twitter, although he did comment on a "long day of rain on set and being misquoted" on Monday.

Now, as I was thinking about Grunberg’s tweets and the largely unfiltered access his followers get (albeit in tiny little parcels), I read this:

greggrunberg

Sure, he didn’t reveal ending of the season, but this throwaway comment about an episode of Heroes which had just finished screening in the US did tell a lot of people how it ended.  I’m guessing that some of his 27,000 followers didn’t watch the episode live … I wonder if anyone was annoyed by an actor giving away spoilers for a just-aired show?  Certainly for me, in Australia, this episode won’t be aired for weeks so I was a little annoyed.  (If the show was better scripted at the moment, I’d be even more annoyed.)  Perhaps Grunberg and actors who follow suit need to start a few more tweets with #spoilerwarning hashtag.  Either way, I suspect as more and more celebrities of various flavours tweet their fans directly, some new social norms will need to emerge about what is and isn’t revealed. And I wonder if this immediacy will drive more of Grunberg’s followers outside of the US to download Heroes rather than accept delays in being able to reply or (if they want to be unspoilt) read his twitter stream?

(Oh, and he’s not a celebrity, but as Boing Boing pointed out, the funniest person on Twitter is The Mime. Really.)

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