• Digital guru Clay Shirky’s media forecast and predictions for 2009 [Media | The Guardian] - “The question is who figures out the business model that says it’s better to have 6 million passionate fans than 7 million bored ones? That is going to be the transformation because what you see with these user groups, whether it’s for reality TV or science fiction, is that people love the conversation around the shows. The renaissance of quality television is an indicator of what an increased number of distribution channels can do. It is no accident that this started with cable. And the BBC iPlayer? That’s a debacle. The digital rights management thing …let’s just pretend that it was a dream like on Dallas and start from scratch. The iPlayer is a back-to-the-future business model. It’s a total subversion of Reithian values in favour of trying to create what had been an accidental monopoly as a kind of robust business model. The idea that the old geographical segmenting of terrestrial broadcasts is recreatable is a fantasy and a waste of time.”
• NIN’s CC-Licensed Best-Selling MP3 Album [Creative Commons] - ” … Ghosts I-IV is ranked the best selling MP3 album of 2008 on Amazon’s MP3 store.Take a moment and think about that.

  NIN fans could have gone to any file sharing network to download the entire CC-BY-NC-SA album legally. Many did, and thousands will continue to do so. So why would fans bother buying files that were identical to the ones on the file sharing networks? One explanation is the convenience and ease of use of NIN and Amazon’s MP3 stores. But another is that fans understood that purchasing MP3s would directly support the music and career of a musician they liked. The next time someone tries to convince you that releasing music under CC will cannibalize digital sales, remember that Ghosts I-IV broke that rule, and point them here.”

• Twitter accounts of Obama, Britney Spears hacked [ABC News (Australian Broadcasting Corporation)] - “The Twitter accounts of US president-elect Barack Obama, singer Britney Spears and other prominent figures were hacked on Monday (US time) and fake messages sent out in their names on the micro-blogging service. Twitter founder Biz Stone, in a post on the official company blog, said a total of 33 Twitter accounts had been hacked including those of president-elect Obama and Rick Sanchez, a CNN television anchor with tens of thousands of followers. “We immediately locked down the accounts and investigated the issue,” Mr Stone said. … Twitter, which allows users to post real-time updates of 140 characters or less, has an estimated 4-5 million users according to a recent study. Launched in August 2006, it has been embraced by a number of celebrities including president-elect Obama, who has more than 150,000 followers, and four-time NBA champion Shaquille O’Neal of the Phoenix Suns.”
• How Windschuttle swallowed a hoax to publish a fake story in Quadrant (Margaret Simmons, 6 Jan 09) [Crikey] - “Keith Windschuttle, the editor of the conservative magazine Quadrant, has been taken in by a hoax intended to show that he will print outrageous propositions. This month’s edition of Quadrant contains a hoax article purporting to be by “Sharon Gould”, a Brisbane based New York biotechnologist. But in the tradition of Ern Malley – the famous literary hoax perpetrated by Quadrant’s first editor, James McAuley – the Sharon Gould persona is entirely fictitious and the article is studded with false science, logical leaps, outrageous claims and a mixture of genuine and bogus footnotes.” [Margaret Simmons' Further Blogged Thoughts] [Windschuttle's Response]
• Facebook under fire for racist rants [The Age] - “Facebook has come under fire from Australian users for ignoring racial vilification on the site and failing to remove blatantly racist groups even though they have been flagged as offensive. Sydney-based Facebook user Alex Gollan, who has campaigned against the racist groups, has been threatened with violence and fears the site could be used to rally people if another incident such as the Cronulla riots flares up. The site permanently banned one offender this week but only after the issue of racism on Facebook came under the spotlight following revelations that Scots College and Kambala students had created anti-Semitic groups on the site.”

See the full Battlestar Book [Via io9].

Incidentally, does anyone know of an online generator or tool which can quickly knock out icon-driven status updates like these?  After the Battlestar Book and the earlier  hilarious Facebook Hamlet, I’m toying with the idea designing a project in which students summarise either a key article or perhaps episode of television using this style.  I’m thinking it would get them to think critically about the sort of data Facebook gathers and shares about people while also encouraging students to brush up on their skills in terms of finding the key points and ideas in texts.  Or is that nuts?

• Participatory Media Literacy: Why it matters [Digital Ethnography] - Michael Wesch (of The Machine is Us/ing Us fame): “Those of us striving to integrate participatory media literacy practices into our classes often face resistance. Other faculty might argue that we are turning away from the foundations of print literacy, or worse, pandering to our tech-obsessed students. Meanwhile, students might resist too, wondering why they have to learn to use a wiki in an anthropology class. The surprising-to-most-people-fact is that students would prefer less technology in the classroom (especially *participatory* technologies that force them to do something other than sit back and memorize material for a regurgitation exercise). We use social media in the classroom not because our students use it, but because we are afraid that social media might be using them - that they are using social media blindly, without recognition of the new challenges and opportunities they might create.”
• Speeding hoons in Victoria and South Australia goad police with vanity videos on YouTube [PerthNow] - “Furious police are scouring the internet for the irresponsible antics of hoon drivers and have vowed to use covert sting operations to catch them. The warning to exhibitionists who post videos of their potentially deadly stunts on website YouTube has been issued by South Australia’s police Traffic Support Branch Superintendent Mark Fairney.”We’re not taking it, we’ve had enough,” he said. A series of hoon videos made in SA has been posted on YouTube in the past six months. The footage outraged police and the RAA, with both saying innocent motorists were at risk from the stunts. In one video clip, a motor-cyclist was filmed from different angles and can be seen reaching a speed of 210km/h at Eagle on the Hill. The white-knuckle ride was filmed by a bike-mounted camera and several roadside positions. The title of the clip boasts that the rider hit 215km/h. The video, posted in July, included a Google Earth map following the route”
• Homework is fun on an iPod touch [WA Today] - “A pilot program in which teenagers used iPods for school work has increased attendance and increased enthusiasm for homework. A class of year 8 students at Shepparton High School in central Victoria are the first in Australia and among the first in the world to use iPod touches in the classroom for a global “mobile learning” project. The students use the hand-held media players to search the internet, download music, do quizzes, research and submit assignments and collaborate with a school in Singapore. Preliminary research on the program found students were more willing to come to school, did more homework and used their iPods more than laptops or desktop computers.”
• Who on earth is Matt Smith? [BBC NEWS | Entertainment] - “Matt Smith has been named as the actor who will take on the role of TV’s most famous time traveller. He may be the youngest actor to play the Doctor, but Smith has already built up an impressive CV on stage and the small screen. His biggest television role has been in BBC Two’s political drama Party Animals (2007) in which he played parliamentary researcher Danny Foster.” (New Doctor actor is youngest ever. )
• Popeye the Sailor copyright free 70 years after Elzie Segar’s death [Times Online] - ““I yam what I yam,” declared Popeye. And just what that is is likely to become less clear as the copyright expires on the character who generates about £1.5 billion in annual sales. From January 1, the iconic sailor falls into the public domain in Britain under an EU law that restricts the rights of authors to 70 years after their death. Elzie Segar, the Illinois artist who created Popeye, his love interest Olive Oyl and nemesis Bluto, died in 1938. … While the copyright is about to expire inside the EU, the character is protected in the US until 2024. US law protects a work for 95 years after its initial copyright. The Popeye trademark, a separate entity to Segar’s authorial copyright, is owned by King Features, a subsidiary of the Hearst Corporation — the US entertainment giant — which is expected to protect its brand aggressively.”

• Principles for a New Media Literacy by Dan Gillmor, 27 December 2008 [Center for Citizen Media] - “Principles of Media Creation: 1. Do your homework, and then do some more. … 2. Get it right, every time. … 3. Be fair to everyone. … 4. Think independently, especially of your own biases. … 5. Practice and demand transparency.”"We are doing a poor job of ensuring that consumers and producers of media in a digital age are equipped for these tasks. This is a job for parents and schools. (Of course, a teacher who teaches critical thinking in much of the United States risks being attacked as a dangerous radical.) Do they have the resources — including time — that they need? But this much is clear: If we really believe that democracy requires an educated populace, we’re starting from a deficit. Are we ready to take the risk of being activist media users, for the right reasons? A lot rides on the answer.”
• Participative Pedagogy for a Literacy of Literacies by Howard Rheingold [Freesouls, ed. Joi Ito] - “Literacy−access to the codes and communities of vernacular video, microblogging, social bookmarking, wiki collaboration−is what is required to use that infrastructure to create a participatory culture. A population with broadband infrastructure and ubiquitous computing could be a captive audience for a cultural monopoly, given enough bad laws and judicial rulings. A population that knows what to do with the tools at hand stands a better chance of resisting enclosure. The more people who know how to use participatory media to learn, inform, persuade, investigate, reveal, advocate and organize, the more likely the future infosphere will allow, enable and encourage liberty and participation. Such literacy can only make action possible, however−it is not in the technology, or even in the knowledge of how to use it, but in the ways people use knowledge and technology to create wealth, secure freedom, resist tyranny.
• How to Do Everything with PDF Files [Adobe PDF Guide] - Pretty much anything you can imagine needing to do with PDF files, without needing to buy Acrobat!
• The 100 Most Popular Photoshop Tutorials 2008 [Photoshop Lady] - Many useful photoshop tutorials from fancy fonts to montages and entirely new creations!
• Israel posts video of Gaza air strikes on YouTube [Australian IT] - THE Israeli military has launched its own channel on video-sharing website YouTube, posting footage of air strikes and other attacks on Hamas militants in the Gaza Strip. The spokesman’s office of the Israel Defense Forces (IDF) said it created the channel — youtube.com/user/idfnadesk — on Monday to “help us bring our message to the world.” The channel currently has more than 2,000 subscribers and hosts 10 videos, some of which have been viewed more than 20,000 times. The black-and-white videos include aerial footage of Israeli Air Force attacks on what are described as rocket launching sites, weapons storage facilities, a Hamas government complex and smuggling tunnels. One video shows what is described as a Hamas patrol boat being destroyed by a rocket fired from an Israeli naval vessel.”
• No terminating the Terminator … ever [ABC News (Australian Broadcasting Corporation)] - “Time will not be allowed to terminate The Terminator, the US Library of Congress said overnight. The low-budget 1984 action film, which spawned the popular catchphrase “I’ll be back”, was one of 25 movies listed for preservation by the library for their cultural, historic or aesthetic significance. Other titles included The Asphalt Jungle (1950), Deliverance (1972), A Face in the Crowd (1957), In Cold Blood (1967) and The Invisible Man (1933). The library said it selected The Terminator for preservation because of Arnold Schwarzenegger’s star-making performance as a cyborg assassin, and because the film stands out in the science fiction genre. “It’s withstood the test of time, like King Kong in a way, a film that endures because it’s so good,” Patrick Loughney, who runs the Library of Congress film vault, said.”
• Webisodes Bridge Gaps in NBC Series [NYTimes.com] - Takes a look at the late 2008/early 2009 webisodes from NBC (particularly for Heroes and Battlestar Galactica) and the way these online stories are used to keep fans engaged with television series (or, really, television-spawned franchises) during breaks.
• Nintendo to offer videos on Wii [WA Today] - “Nintendo will start offering videos through its blockbuster Wii game console, the latest new feature for the Japanese entertainment giant. Nintendo said it would develop original programming which Wii users could access via the internet and watch on their television. It is considering videos for both free and fees. The game giant teamed up with Japan’s leading advertising firm Dentsu to develop the service, which will begin in Japan next year, with an eye on future expansion into foreign markets.”

“The Face of the Enemy,” on the other hand, could serve as a model of the Webisode genre. It’s not something you need to watch if you’re not already a “Battlestar Galactica” fan, but those who are will appreciate the serious treatment this minidrama has received, the same kind of care taken with the cult-favorite series itself. The lead writer of “Enemy” was Jane Espenson, a “Galactica” co-executive producer and television veteran with “Gilmore Girls” and “Buffy the Vampire Slayer” on her résumé, and its performers include series regulars like Grace Park, Alessandro Juliani and Michael Hogan.

The Webisodes, which will conclude on Jan. 12, just before the television series returns, are a self-contained murder mystery set aboard a small spacecraft that has been separated from the fleet. But they also expand on the “Galactica” mythology, through flashbacks, and flesh out major characters. Fans who had wondered whether Lieutenant Gaeta (Mr. Juliani) was gay found out in Episode 1 of “Enemy.” Or they thought they did, until his close encounter with a Cylon 8 (Ms. Park) a few episodes later clouded matters.

Along with the regular Webisodes the Sci Fi Channel is providing “enhanced” versions featuring commentary by Ms. Espenson. They’re a revelation in their own right. While commentary tracks on movies or even television episodes tend to get boring or crazy-making long before the show is over, commentary tracks on four- or five-minute Webisodes can actually be entertaining.

Ms. Espenson describes the chaotic, and poignant, circumstances in which the Web serial was filmed: with the television series’s final season already completed, the “Enemy” scenes were often the last things filmed on the “Galactica” sets. After a scene was completed, its set would be torn down for good.

Other tidbits — Ms. Park plays two parts in “Enemy” because the “Galactica” star Tricia Helfer turned out not to be available after the story had already been developed — might seem like too much information to have while the serial is still unfolding. But it’s really just a sign that NBC Universal is getting at least one thing right. In a world where the possibilities for elaborating your shows online are endless, the true fan wants to see and hear everything.

As per usual, the webisodes aren’t accessible for those living on the wrong end of the tyranny of digital distance (outside the US), but other avenues are readily available for those willing to look, and the webisodes certainly aren’t shying away from interesting and timely issues.  Until it gets pulled, here’s the first webisode on YouTube:

(You can catch the same webisode with Jane Espenson’s audio commentary, too.)

Have a great festive season, wherever you are, whatever you believe, and however you choose to celebrate!

• Top 10 Most Pirated TV-Shows of 2008 [TorrentFreak] - ” Lost is without a doubt the most downloaded TV-show, with over 5 million downloads for one single episode. TV-shows are getting increasingly more popular on BitTorrent. Most TV-broadcasters won’t be happy to hear this, but one could argue that BitTorrent has actually helped TV-shows to build a stronger, broader, and more involved fanbase. Perhaps even more importantly, the rise of unauthorized downloading of TV-shows is a signal that customers want something that is not available through other channels. Availability seems to be the key issue why people turn to BitTorrent.” (In order: Lost, Heroes, Prison Break, Terminator The Sarah Connor Chronicles, Desperate Housewives, Stargate Atlantis, Dexter, House, Grey’s Anatomy, & Smallville.)
• Making the Intangible Tangible, the Economic Contribution of Australia’s Copyright Industries IP Down Under [PricewaterhouseCoopers report] - “PricewaterhouseCoopers, for the Australian Copyright Council, has released its report Making the Intangible Tangible, the Economic Contribution of Australia’s Copyright Industries, which has found that Australia’s copyright industries in 2007:
  • employed more than 837,000 people (8 percent of the nation’s workforce) – up 21 percent since 1996;
  • generated $97.7 billion in economic activity (10.3 percent of GDP) – up 66 percent since 1996; and
  • accounted for $6.8 billion in exports (4.1 percent of all exports) – up 6.3 percent since 1996.” [Via Terry Flew]
• Aussie ‘Doctor Who’ Fans Set to Time Travel With BitTorrent [TorrentFreak] - “Australia has been the focus of much tech news recently, as the country struggles with its Internet piracy ‘problem’. Thanks to the infinite wisdom of ABC, Aussie Doctor Who fans are left with a tough decision - wait until mid-January to watch the show’s pivotal ‘Christmas Special’ - or pirate it with BitTorrent.”
• WoW! How The Guild beat the system [Media | The Guardian] - “The Guild was written as an hour-long TV pilot but was rejected by a number of studios. “We were fighting against the stereotype of online gamers as pickly-faced teenagers living in their basements,” she recalls. In the end, Day and her co-producer, Kim Evie, funded the first episodes themselves and spent eight hours a day emailing bloggers about the show and marketing it through the Buffy and WoW communities. The next seven episodes were funded through donations collected via a PayPal button on their website and donors were credited at the end of each show. … The Guild has been a masterclass in direct marketing of content to a niche peer group. “The web is an amazing opportunity for people who want to tell stories but aren’t permitted because they aren’t the mainstream,” says Day.” (Profile of The Guild as a rags to riches webisode series now it has been picked up by Microsoft.)
• Net music theory ends up a tall tale [Australian IT] - “The internet was supposed to bring vast choice for customers, access to obscure and forgotten products and a fortune for sellers who focused on niche markets. But a study of digital music sales has posed the first big challenge to this “long tail” theory: more than 10 million of the 13 million tracks available on the internet failed to find a single buyer last year. The idea that niche markets were the key to the future for internet sellers was described as one of the most important economic models of the 21st century when it was spelt out by Chris Anderson in his book The Long Tail in 2006. But a study by Will Page, chief economist of the MCPS-PRS Alliance, a not-for-profit royalty collection society, suggests that the niche market is not an untapped goldmine and that online sales success still relies on big hits. It found that for the online singles market, 80 per cent of all revenue came from about 52,000 tracks. For albums … 1.23million available, only 173,000 were ever bought”

• Better Than Free (Manifesto by Kevin Kelly) [ChangeThis] - “When copies are super abundant, they become worthless. When copies are super abundant, stuff which can’t be copied becomes scarce and valuable. When copies are free, you need to sell things which can not be copied. Well, what can’t be copied?” (A very timely and insightful look at what can be ’sold’ in an era in which all media can, by and large, be obtained through various channels for free.)
• Australian Internet Filter Will Target BitTorrent Traffic [TorrentFreak] - “Previously thought to be limited to HTTP and HTTPs web traffic, the touted Australian Internet filter will also target P2P traffic. In response to a comment posted by a user on his department’s blog, Broadband Minister Stephen Conroy has admitted that BitTorrent filtering will be attempted during upcoming trials.”
• New Vision for Perth Community TV [TV Tonight] - “The Australian Communications and Media Authority has issued a community television trial licence in Perth for two years. The successful applicant, West TV Ltd, will provide an analogue television service, to be known as New Vision 31. New Vision 31 expects to commence broadcasting within the next six months.”
• The creators behind JibJab [Ourmedia] - “…a 4-minute video interview with Evan and Gregg Spiridellis, the founders and creators of the wildly popular animation site JibJab.com, conducted at the Pacific Film Archive in Berkeley, Calif. Gregg and Evan talk about how their business has evolved over the past nine years, what business models are working for them, and how their use of social media propels the site forward.”
• Warner Music pulls videos from YouTube [Australian IT] - “Warner Music Group ordered YouTube on Saturday to remove all music videos by its artists from the popular online video-sharing site after contract negotiations broke down. The order could affect hundreds of thousands of videos clips, as it covers Warner Music’s recorded artists as well as the rights for songs published by its Warner/Chappell unit, which includes many artists not signed to Warner Music record labels. The talks fell apart early on Saturday because Warner wants a bigger share of the huge revenue potential of YouTube’s massive visitor traffic. There were no reports on what Warner was seeking.”
• Australian couple served with legal documents via Facebook [Telegraph] - “In what may be a world first, lawyers from Canberra law firm Meyer Vandenberg persuaded a judge in the Australian Capital Territory’s Supreme Court to allow them to serve the documents over the internet after repeatedly failing to serve the papers in person. Lawyer Mark McCormack came up with the Facebook plan after it became clear that the couple did not want to be found.” (This sets a terrible precedent; how many dead social profiles do most people have that they never look at - that’s a pretty poor conduit for something as serious as legal notice!)

[Look Behind You! Run, Run for your Life! Nom, Nom, Nom all CC BY]

I turned 32 on the weekend, but with a 9-week old in the house we’re much more in tune with our inner children, too, so I was just blown away when Em made me these amazing Alien Invader cupcakes! There were lots of other highlights – a great lunch with family, some brilliant presents, watching my son giggle away, and an early Christmas party dinner with good friends – but I just had to share the cupcake pictures!

• The writer’s guide to making a digital living [Australia Council for the Arts] - “The writer’s guide was developed through the Australia Council’s Story of the Future project to explore the craft and business of writing in the digital era. It includes case studies from Australia’s rising generation of poets, novelists, screenwriters, games writers and producers who are embracing new media and contains audio and video content from seminars and workshops, as well as extensive references to resouces in Australia and beyond.” (The online presentation is great, but you can also download the full guide as a PDF and watch the hilarious introductory video.)
• YouTube Videos Pull In Real Money [NYTimes.com] - Making videos for YouTube — for three years a pastime for millions of Web surfers — is now a way to make a living. Michael Buckley quit his day job in September. He says his online show is “silly,” but it helped pay off credit-card debt. One year after YouTube, the online video powerhouse, invited members to become “partners” and added advertising to their videos, the most successful users are earning six-figure incomes from the Web site. For some, like Michael Buckley, the self-taught host of a celebrity chatter show, filming funny videos is now a full-time job.”
• A “Run” of William Gibson’s “Agrippa” Poem from a Copy of Original 1992 Agrippa Diskette [The Agrippa Files] - A video capture of William Gibson’s infamous self-destroying poem Agrippa - to read it, you had to erase it! Amazing stuff.
• Top 10 Most Pirated Movies of 2008 [TorrentFreak] - Surprising no one, The Dark Knight is the most pirated movie of 2008, but how did The Bank Job end up at #3 given it took less than $US 65 million at the box office? The match between downloads and box office figures seems vague, at best!
• News About the News Business, in 140 Characters [NYTimes.com] - “With staff changes and reductions across the media industry, even a blog post can be too time-consuming a way to announce who is in and out of a job. That is why a public relations employee turned to the instant-blogging platform Twitter to create The Media Is Dying, a Twitter feed that documents media hirings and firings in one-sentence bursts of text. “These sorts of layoffs are unheard-of,” said the stream’s founder, who spoke on the condition of anonymity to preserve his sources in the industry. “It’s gotten insane to keep up with who was moving around and changing beats.” Initially, The Media Is Dying was accessible only to select Twitter members, as the feed was intended to help those in the P.R. industry stay on top of the revolving entries in their address books. But requests to be included flooded the founder, who decided to go public three weeks ago.”
• Iran’s bloggers thrive despite blocks [BBC NEWS | World | Middle East] - “With much of the official media controlled by the government or hardline conservatives, the internet has become the favoured way of communicating for Iran’s well-educated and inquisitive younger generation. Go online in Iran and you will find blogs or websites covering every topic under the sun. Politics, of course, but also the arts, Hollywood cinema, women’s issues, women’s sport, pop music. Whisper it quietly, there is even an online dating scene in the Islamic Republic. Day-by-day there is an intriguing cyber-war, as the government wrestles for control of the internet, and Iran’s bloggers wrestle it back. Iran hosts around 65,000 bloggers, and has around 22 million internet users. Not bad for a country in which some remote areas do not yet have mains electricity.”

As the year’s drawing to a close, I’m delighted to highlight one last effort, this time from the honours students in my iGeneration: Digital Communication and Participatory Culture course.  The course, as in past years, has been a collaborative effort between the students and myself; I’ve provided the framing narrative and opening and closing weeks, while the students, in consultation, have written the central seminars in the course.  Moreover, all course content from the seminars to the curriculum, from the students’ audio podcasts to their amazing remix videos, has been released under a Creative Commons license as both an exemplar of their fine work and an Open Educational Resource which, hopefully, will be something other teachers, students and creative citizens can draw upon for their own purposes. Moreover, given that I first ran iGeneration in 2005, this year’s students already built upon the work of that first cohort, learning from their peers and, hopefully, sharing so future peers can build on this work, too.

I also thought I’d take this opportunity to showcase some of the specific media projects created this year.  The first is a really impressive podcast by Kiri Falls which looked at the Babelswarm art installation in Second Life …

[Full Sources & Exegesis] [CC BY NC SA]
Kiri’s final project for the unit, this time a remix video, takes quite literally the idea that creativity builds upon the past, with this enjoyable video which mashes together a plenitude of videos and photographs …

[Full Sources & Exegesis] [CC BY NC SA]

The second remix project I wanted to showcase is by Alex Pond; Alex has created a short but very poignant  video which takes issue with the monolith that is copyright law, but celebrates the freedoms which are shared via the Creative Commons …

[Full Sources & Exegesis] [CC BY NC SA]

The final remix I wanted to highlight is a bit different.  This one, by Chris Ardley, includes art and music from creators who’ve explicitly given Chris permission to re-use their work and share it under a CC license.  This animation, created in Flash, explores remix more metaphorically, and tells a tale of worldly creation …

[Full Sources & Exegesis] [CC BY NC SA]

I think all of these projects are quite impressive, and I was delighted at how seriously this year’s students took the idea of remix and how many of them embraced everything that the Creative Commons has to offer, as well as giving back something of their own.  I’ve also finally written iGeneration up as an educational example in the CC Case Studies Wiki, something I’ve been meaning to do for a while!

So, Happy 6th Birthday to the Creative Commons! In the next six years, I hope you’ll consider sharing work under a CC license if you haven’t already; a shared culture can help us all be a lot more creative.  I know my students have benefitted from the generosity of the Creative Commons, and have, in turn, added a few quite impressive ideas and artefacts back into the creative stream.

• The Rumor Bomb: On Convergence Culture and Politics by Jayson Harsin [Flow TV, 9.04, December 2008] - Jayson Harsin looks at everything from Obama’s “terrorist connections” to Steve Jobs’ “heart attack” to understand how rumours work in the age of convergence culture (and what a huge impact they can have in an instantaneous, online, connective culture).
• Library Releases Report on Flickr Pilot (Library of Congress) [Library of Congress Blog] - “Only nine months into the Library of Congress’ pilot project placing Library photos on the Web site Flickr, the photos have drawn more than 10 million views, 7,166 comments and more than 67,000 tags, according to a new report from the project team overseeing the lively project. “The popularity and impact of the pilot have been remarkable,” said Michelle Springer, project manager for digital initiatives in the Office of Strategic Initiatives, who said total views reached 10 million in October. The site is averaging 500,000 views a month, she said, adding that Flickr members have marked 79 percent of the photos as “favorites.” The report recommends that the Library of Congress continue to participate in The Commons and explore other Web 2.0 communities.” [Full Report PDF] (Short version: sharing public cultural goods via participatory culture platforms is a win for everyone!)
• Microsoft Office to debut online [BBC NEWS | Technology] - “Microsoft is preparing web versions of some of its most popular programs. In 2009 web versions of Word, Excel and other programs in the Microsoft Office suite plus Exchange and Sharepoint will go online. Users will be able to get at the programs via a web browser rather than install them on a PC. Some versions of the programs are expected to be free to use provided users are happy to view adverts alongside the software.” (So, Microsoft are racing to reclaim some of the cloud computing presence which has become Google’s spare backbone … given how slowly Google Docs have evolved as a service, and how crude their slide presentation software is, if their offering is good enough there could be real Microsoft Vs Google competition in the clouds!)

On his way off the Galactica, to catch a raptor to another ship of a bit of leave, Felix Gaeta says goodbye to Hoshi and they lock lips which is the first visible and openly gay male relationship in the series.  (There are other mentions of gay couples, although the most notable lesbian relationship was between Admiral Cain and the poor Six who eventually turns up horribly tortured on the Pegasus; this left more than a few questionable readings possible about the consequences of non-heterosexual relationships!) I’m very much in two minds about the outing of Gaeta; I’m delighted that his sexuality is basically treated as completely normal – the big issue is Hoshi smuggling some painkillers to Gaeta, while their relationship seems normalised (or as normal as anything gets on the rag tag fleet).  That said, I wonder if Ron Moore and the producers are playing it too safe leaving this sort of material for the webisodes?  Their nature as online add-ons might just mean that the writers are allowed to push boundaries they can’t during the actual episodes (and kudos to Jane Espenson and Seamus Kevin Fahey for writing this webisode series), but for this to be a powerful and clear statement about the normalisation of same sex relationships in the world of Galactica, I’d really like to see this thread continue into the final episodes and actually screened on television, not just pushed to one side on the web.

For international viewers, we’re once again victims of the tyranny of digital distance as the webisode are geo-locked and only visible to those with US IP addresses; there will be lots of workarounds, no doubt, but for a short time until it’s pulled, the first webisode is available on YouTube.

Update: Apparently in the run of webisodes we find out Gaeta is bisexual, not gay; I’m not sure if this depletes the overall message or not … probably not.

• Australia’s census going CC BY [Creative Commons] - “In a small, easy to miss post, the Australian Bureau of Statistics (ABS) has made a very exciting announcement. They’re going CC - and under an Attribution-only license, no less. From the ABS website…
• Texting Turnbull catches the Twitter bug [The Age] - “As the Opposition’s popularity slips back to where it was under Brendan Nelson’s leadership, Opposition Leader Malcolm Turnbull is bringing digital intervention to the fore. The digits in question are his thumbs. Having witnessed the power of the web in the US presidential election campaign, Prime Minister Kevin Rudd and Mr Turnbull are engaged in a high-tech arms race to win the hearts and minds of switched-on Australians. While some politicians including US President-elect Barack Obama are content with older model BlackBerry handsets, Mr Turnbull owns one of the latest releases, the BlackBerry Bold. And he showed off the speed of his thumbs as he settled once and for all the question of whether he writes his own Twitter updates. “I love technology,” he told online journalists in Sydney as he added another “tweet” via Twitter as they watched.” To his credit, more personal than a lot of Kevin07 stuff: http://twitter.com/turnbullmalcolm
• Virtual world for Muslims debuts [BBC NEWS | Technology] - “A trial version of the first virtual world aimed at the Muslim community has been launched. Called Muxlim Pal, it allows Muslims to look after a cartoon avatar that inhabits the virtual world. Based loosely on other virtual worlds such as The Sims, Muxlim Pal lets members customise the look of their avatar and its private room. Aimed at Muslims in Western nations, Muxlim Pal’s creators hope it will also foster understanding among non-Muslims. “We are not a religious site, we are a site that is focused on the lifestyle,” said Mohamed El-Fatatry, founder of Muxlim.com - the parent site of Muxlim Pal.”
• Facebook scandal shames students [The Age] - “A Facebook network of senior students from two of Sydney’s most elite private schools have offended the Jewish community with anti-Semitic slurs. Students from The Scots College in Bellevue Hill created a Facebook site called Jew Parking Appreciation Group which describes “Jew parking” as an art which often occurs at “Bellevue (Jew) Hill”. The site, which has 51 members, contains a link to The Scots Year 12 Boys, 2008, and The Scots College networks, and is administered by Scots students. It is connected to another network created and officiated by Scots College students with postings that include “support Holocaust denial” and a link to another internet address called “F— Israel and Their Holocaust Bullshit”.” (Racist rubbish, but also another example of supposedly ‘digital natives’ misunderstanding how much of their juvenile digital behaviour will be visible and recorded forever online.)
• Jean Burgess, Joshua Green - YouTube: Online Video and Participatory Culture [Polity Press] - “YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy.” (Potential textbook material for the Digital Media unit.)
• Learn at Any Time - The Open University [Podcasts] - The Open University podcasts website is a very well made example of university-based podcasts that DO NOT rely on hosting via Apple’s iTunes platform.

• Top 10 Most Pirated Games of 2008 [TorrentFreak] - “As expected, Spore is by far the most downloaded game on BitTorrent, in part thanks to the DRM that came with the game. Traditionally, games can’t compete with the most pirated movies and TV-shows in actual download numbers, but Spore came very close this year. Only 10 days after the game’s launch date, already half a million people had downloaded the game. During the months after that, another million people obtained a copy of the game via BitTorrent. According to our estimates, Spore was downloaded 1.7 million times since early September, a record breaking figure for a game.”
• Sony Killing Questionable LittleBigPlanet Levels, Without Warning [Game | Life from Wired.com] - Sony have been deleting the shared levels of LittleBigPlanet which users have made featuring, what Sony feel, are copyrighted or trademarked materials. Creators are given no warning, no opportunity to alter their levels to remove supposedly offending material, and simply find their levels gone. Sony have created an incredible toybox of creativity with LittleBigWorld but seem determined to upset so many people who actually create anything with it. This is how to kill a user community and guarentee the game never reaches it potential. Silly Sony, the lessons of web 2.0 clearly haven’t been learnt.
• iBreath to tackle drink driving [WA Today] - “The latest weapon in the war against drink driving is a breathalyser linked to an iPod or iPhone. The iBreath allows users to check their blood alcohol content to see if they are fit to drive.” (I’m sure after a few drinks connecting this little accessory will be entirely straightforward! LOL)

• Why defend freedom of icky speech? [Neil Gaiman's Journal] - Neil Gaiman on defending freedom of speech: “If you accept — and I do — that freedom of speech is important, then you are going to have to defend the indefensible. That means you are going to be defending the right of people to read, or to write, or to say, what you don’t say or like or want said. The Law is a huge blunt weapon that does not and will not make distinctions between what you find acceptable and what you don’t. This is how the Law is made.”
• Iron Man and me [Adactio] - The story of how a CC BY Flickr photo ended up in the Iron Man film!
• ABC views year from on high [TV Tonight] - “The [Australian Broadcasting Corporation]ABC is hailing 2008 as its best ever result, improving 2% on its 2007 performance. With 7 of its top 10 shows being local productions, ABC is also buoyed by several brands hitting all time highs … The broadcaster also notes the popularity of its iView platform and the success of the relaunched ABC2 channel …
  iView - Since iView’s launch on Wednesday 23rd July: ABC iView has recorded a total of 2.3 million page views. The most popular iView channel is Catch Up. (This data is up to midnight on Sunday 30th November 2008) (Source: WebTrends OnDemand)
  VODCASTS (1 January – 16 November 2008)
  • The total number of vodcast downloads this year to date is 14 million.
  • Most downloaded vodcasts in 2008 to date include At The Movies, triple j tv (including jtv), Catalyst, ENOUGH ROPE segments, Bed of Roses, Not Quite Art, The Cook And The Chef, Gardening Australia, Lateline Business segments, Lateline segments. (Source: WebTrends, Akamai Mpeg Stats)”

Admittedly there was some confusion because all official federal government websites in the US are supposedly in the public domain, but is a president-elect bound by these rules?  The answer seems ambiguous, but the CC BY license, apart from requiring attribution, is pretty much as good as the public domain anyway.  Creative Commons heavyweights Lawrence Lessig, Joi Ito and Cory Doctorow have all expressed their delight at seeing Obama’s transition online presence sporting a CC license.  I’m delighted, too, and can’t help but think that it would be marvellous to see more of Australia’s government websites and documents under Creative Commons licenses, too! And since Kevin Rudd has styled his own online presence on Obama’s, perhaps his information sharing policies could follow suit rather than being misdirected by this ridiculous internet filtering regime.