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Digital Culture Links: January 27th 2011

Links for January 21st 2011 through January 27th 2011:

  • The Old Spice Guy Returns [VIDEO] – The most-viewed, most lauded ad campaign of 2010, Old Spice’s “Smell Like a Man, Man,” is back, along with spokesman Isaiah Mustafa. In a 74-second clip loaded on YouTube on January 20 (but apparently just made public this morning), a barechested Mustafa speaks to the camera from his shower. “As you can see, I’ve returned and it’s not because I forgot my jacket,” says Mustafa. “Actually, my wildly exaggerated body-muscle distribution makes creating such a garment an impossibility.” Mustafa goes on to say that he’s returned in for a campaign of new advertisements “to inform the people on this crazy blue marble that we call earth how they or their man can use Old Spice to smell as fresh as the freshest-smelling places on earth.”
  • What Glee Means for Twitter & Television [RW Web] – “Twitter CEO Dick Costolo discussed the Glee phenomena earlier this month at the Consumer Electronics Show when he sat down to talk with Kara Swisher. Costolo explains that TV and Twitter have an interesting relationship because, more and more, viewers have a device in their hand while they’re watching TV. “The characters on Glee actually tweet and they tweet during the show. When Glee starts, the moment it airs for the first time on the East Coast, the tweets per second for Glee shoot up,” said Costolo. “They stay up there at a super high level at hundreds of [times] what they are before the show comes on until the moment the show ends and then they drop. [...] People feel like they have to watch the show while it’s going on because the community is tweeting about the show and the characters are tweeting as the show’s happening so [they have to] watch it in real time.”" (Video here.)
  • Apple app store reaches 10 billion downloads [BBC - Newsbeat] – “The 10 billionth download has been made from Apple’s app store, the company has announced. The world’s largest technology firm reached the milestone on Saturday night (22 January). [...] It’s taken just two and a half years for the app store to reach 10 billion downloads. Apple says seven billion of those have come in the last 12 months. There are 350,000 apps available to more 160 million iPhone, iPod touch and iPad users in 90 countries around the world. But Apple is facing growing competition. In the mobile phone market Google’s Android and RIM’s (the makers of Blackberry) operating systems have a greater share than Apple’s. The company’s iPad is also facing a much tougher market than when it launched last year. At the recent Consumer Electronics Show in Las Vegas around 80 new tablet PCs were unveiled.”
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Digital Culture Links: January 18th 2011

Links for January 10th 2011 through January 18th 2011:

  • Wikipedia’s Jimmy Wales: App stores a clear and present danger [TECH.BLORGE.com] – Interesting: “The app store model is a more immediate threat to internet freedom than breaches of net neutrality. That’s the opinion of Wikipedia chief Jimmy Wales. According to Wales — who was quick to stress he was speaking in a purely personal capacity — set-ups such as the iTunes App Store can act as a “chokepoint that is very dangerous.” He said such it was time to ask if the model was “a threat to a diverse and open ecosystem” and made the argument that “we own [a] device, and we should control it.””
  • Wikipedia – an unplanned miracle | Clay Shirky [The Guardian] – “Wikipedia is the most widely used reference work in the world. That statement is both ordinary and astonishing: it’s a simple reflection of its enormous readership; and yet, by any traditional view about how the world works, Wikipedia shouldn’t even exist, much less have succeeded so dramatically in the space of a single decade. The cumulative effort of Wikipedia’s millions of contributors means you are a click away from figuring out what a myocardial infarction is, or the cause of the Agacher Strip war, or who Spangles Muldoon was. This is an unplanned miracle, like “the market” deciding how much bread goes in the store. Wikipedia, though, is even odder than the market: not only is all that material contributed for free, it is available to you free; even the servers and system administrators are funded through donations.”
  • YouTube mobile video viewing surges [The Age] – “YouTube has said it is serving up more than 200 million videos daily to smartphones and other internet-linked mobile devices. News of the milestone came as the Google-owned video-sharing service began routing Vevo music videos from artists such as Lady Gaga and U2 onto smartphones powered by newer versions of Google-backed Android software. “As the world goes mobile and more people watch videos on their smart phones, we expect more partners will take advantage of these new mobile advertising capabilities and make more of their content available across more devices,” YouTube mobile product manager Andrey Doronichev said in a blog post. Android smartphones running on “Froyo” or newer versions of the mobile operating software will be able to access Vevo’s music video library using a free YouTube application, according to Doronichev.”
  • MySpace to shut Australian office [The Age] – “MySpace looks set to close its Australian office as part of its move to cut 500 jobs – or nearly half its staff – potentially setting the stage for a sale of the social network owned by Rupert Murdoch’s News Corp.MySpace chief executive Mike Jones said in a statement today that the company would enter into strategic local partnerships to manage advertising sales and content in Australia, with details of partners yet to be finalised. He said the company would retain a core international team to work with partners. It is understood that all Australian positions within MySpace are under review with some opportunities for relocation to other divisions.”
  • MySpace cutting global workforce by half [BBC News] – Ouch: “Struggling MySpace is cutting almost half of its global workforce. The social networking website is getting rid of 500 positions, or 47% of its employees. The announcement comes as MySpace continues to be eclipsed by Facebook, and as it tries to reinvent itself as an entertainment website. MySpace was bought by Rupert Murdoch’s News Corporation for $580m (£372m) in 2005, but it has struggled to make money for its parent company. Mike Jones, MySpace’s chief executive, said the job cuts were “tough but necessary”, and had been taken to put the website on the path towards growth and profitability.”
  • ‘Angry Birds’ Exec Calls Android Too Complex [Angry Birds World] – “Those who use the Android might wanna whip some “Angry Birds” out on Peter Vesterbacka, the head of business development in North America for Rovio. While there’s a free version of “Angry Birds” for Android users available, a 99-cent version for the iPhone is a huge success. And the iPhone will continue to be “the No. 1 platform for a long time from a developer perspective.” Question is: why? Apple has “gotten so many things right. And they know what they are doing and they call the shots.” Android, too, is growing, he said, “But it’s also growing complexity at the same time.” While there are many devices and carriers that use Android, “device fragmentation (is) not the issue,” Vesterbacka said, “but rather the fragmentation of the ecosystem. So many different shops, so many different models. The carriers messing with the experience again. Open but not really open, a very Google-centric ecosystem. And paid content just doesn’t work on Android.””
  • Celebrities plugging products on Twitter could face legal action [Perth Now] – “As if they aren’t raking in enough money or freebie gifts, greedy British celebs are rapidly utilising the perk power of a new cash cow – their Twitter accounts. However, there could be consequences. Dozens of celebrities, including actress Liz Hurley and singer Lily Allen, face possible court action over claims that they are endorsing products through their Twitter accounts without declaring that they have been paid by the companies concerned, reports the Daily Mail. Celebs who fail to mention that they have a financial interest in ‘plugging’ goods online could be contacted by the UK’s consumer watchdog in the coming weeks. The crackdown has been ordered by the UK’s Office of Fair Trading, which has the power to take offenders to court.”
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Digital Culture Links: December 2nd 2010

Links for November 25th 2010 through December 2nd 2010:

  • Report on video games clears way for R18+ rating [News.com.au] – This is a BIG DEAL in the battle to get an R18+ rating for Aussie videogames: “Violent video games have no “greater impact” on players than movies or music clips, government research has found just days ahead of a decision expected to allow the sale of R18+ games. Games are currently limited to a top rating of MA15+, which means violent titles are either banned outright or have some graphic content removed. In some cases, games have been given a MA15+ rating here despite copping an 18+ rating overseas. Australia’s attorneys-general will meet in Canberra tomorrow to discuss the introduction of an R18+ classification for video games, bringing their ratings into line with those of films and literature. Both the gaming community and family groups believe the adult rating is almost a certainty after Home Affairs Minister Brendan O’Connor yesterday released a research paper into their impact on encouraging violent behaviour.” (See full report here.)
  • Justin Bieber Swears Off YouTube For Facebook, Unwittingly Steps In Copyright Minefield [Forbes] – “Over the past weekend, Internet pop sensation Justin Bieber went to upload the music video of his new song called “Pray” to his personal YouTube site. He was in for a rude surprise: YouTube automatically blocked his video upload on “copyright grounds” that the video contained content from Universal Music Group (UMG), parent company to Bieber’s record label, Island Def Jam records. “yo youtube…how u gonna block my own song?!?!?!” wrote an outraged Bieber on his Twitter account. In another Twitter update, he wrote, “dear youtube…we started this journey and now u r cheatin on me with this vevo chica…i see how it is…i will be over here with facebook [sic].” (Vevo is the music video website responsible for Bieber’s official YouTube syndication, and is a joint venture between music giants Sony Music Entertainment, UMG and Abu Dhabi Media.) In response, YouTube wrote back to Bieber on its Twitter account, “sorry about the upload pain around ‘Pray’. That’s between you and your label …”
  • WikiLeaks website pulled by Amazon after US political pressure [Media | The Guardian] – “The US struck its first blow against WikiLeaks after Amazon.com pulled the plug on hosting the whistleblowing website in reaction to heavy political pressure. The company announced it was cutting WikiLeaks off yesterday only 24 hours after being contacted by the staff of Joe Lieberman, chairman of the Senate’s committee on homeland security. WikiLeaks expressed disappointment with Amazon, and insisted it was a breach of freedom of speech as enshrined in the US constitution’s first amendment. The organisation, in a message sent via Twitter, said if Amazon was “so uncomfortable with the first amendment, they should get out of the business of selling books.” While freedom of speech is a sensitive issue in the US, scope for a full-blown row is limited, given that Democrats and Republicans will largely applaud Amazon’s move. Lieberman, though an independent, is a former Republican who switched to the Democrats last year.”
  • Report: In-Game Purchases To Blow Mobile Games Revenues Past $11 Billion By 2015 [TechCrunch] – “A new report from Juniper Research forecasts global mobile games revenues to surpass $11 billion by 2015, nearly double what they were in 2009. All in all, it’s a fairly conservative prediction in my opinion, but what’s interesting is that the research firm also says in-game purchases will overtake the traditional pay-per-download model, with Apple’s in-app billing mechanism leading the way, as the primary source of monetizing mobile games in about two years (by 2013). At the same time, Juniper Research acknowledges that, with the ever-increasing amount of apps on all popular platforms (and app stores for that matter), discoverability remains a problem for game developers and publishers alike.”
  • Western Australian Premier’s Book Awards [State Library of Western Australia] – Significantly, this year, the WA Premier’s Book Awards will be offering a Digital Narrative Award which has a $5000 prize attached to it, and fairly broad parameters of what a digital narrative might be. (Only open to Australians, though, sorry!)
  • Facebook looks to trademark the word ‘face’ [BBC News] – My MyFace, FaceWorld and CyFace domains will be worthless! “The social networking giant Facebook is a few steps away from trademarking the word face, online documents reveal. The site has been asked to detail a “statement of use” by the US Patent and Trademark Office, explaining how it intends to use the word. If granted, the trademark will only apply to online sites and services used to exchange messages. It could limit the use of the word in other social networks and services, such as Apple’s Facetime, lawyers said.”
  • Axl Rose sues Guitar Hero makers over animated Slash [Music | guardian.co.uk] – “Axl Rose even hates the cartoon version of Slash. The Guns N’ Roses frontman is suing the makers of Guitar Hero for $20m (£12.6m), claiming they “spun a web of lies and deception” by including an animated Slash in the video-game version of his band. Slash left the group in 1996. According to his claim, Rose licensed Welcome to the Jungle to Guitar Hero III on the condition that any reference to the departed guitarist or his new band, Velvet Revolver, would be omitted. But in early versions of the game, a Slash-like character could be seen parading around the stage in the guitarist’s trademark top hat, sunglasses and nose piercing. [...] One of the highest-grossing video games of all time, Guitar Hero III has amassed more than $1bn. “This lawsuit is about protecting Guns N’ Roses and Welcome to the Jungle, and is about holding Activision accountable for its misuse of these incredibly valuable assets,” Rose’s lawyer insisted.”
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Digital Culture Links: November 17th 2010

Links for November 11th 2010 through November 17th 2010:

  • The Shadow Scholar [The Chronicle of Higher Education] – A truly fascinating, albeit hugely disheartening, piece describing the inner workings of a paid student essay mill from the inside. The pseudonymous author talks candidly about her/his range and rates, as well as the sort of relationships that can form with repeat customers, who use this sort of service to pass entire degrees. It’s a huge indictment of huge chunks of the global education system, but also contains some implicit points about how to write assignments that are much harder to plagiarise. Some of the comments are well worth reading, too, although many are more about name-calling than taking the issues raised seriously.
  • Riding the tube [SMH] – Profile of Natalie Tran, Australia’s most successful YouTuber, with near to a million subscribers, making a healthy living off the advertising.
  • Twitter + Ping = Discovering More Music [Twitter Blog] – Now Twitter can be integrated into Apple’s Ping proto-social network, so you can share your musical likes in your Twitter stream. Ping is still at a very early, underdeveloped stage … I’m not sure what this will add for Twitter except a bunch of musical likes. For Apple, it’s a huge win since those links are pointing back to the Apple store (with integration into the new twitter, so you can click directly on the songs to purchase).
  • Fox.com joins NBC, ABC and CBS by blocking Google TV [Engadget] – Google have some deals to strike with the networks very soon if Google TV is actually going to have any TV on it: “Looks like Fox has finally made a decision, following the other major networks, Hulu and several cable channels by opting to block streaming video on its website from Google TV devices. Blocking by Flash ID is the order of the day and takes simple browser workarounds out of play, so unless users want to go the PlayOn route, there’s large swaths of legitimate video on the web that’s now inaccessible.”
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A Life on Facebook

A Life on Facebook. Simple concept, but beautifully executed. 

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Digital Culture Links: November 11th 2010

Links for November 9th 2010 through November 11th 2010:

  • Great Scott! Over 35 Hours of Video Uploaded Every Minute to YouTube [YouTube Blog] – “… the amount of video uploaded to YouTube to 35 hours per minute. That breaks out to 2,100 hours uploaded every 60 minutes, or 50,400 hours uploaded to YouTube every day. If we were to measure that in movie terms (assuming the average Hollywood film is around 120 minutes long), 35 hours a minute is the equivalent of over 176,000 full-length Hollywood releases every week. Another way to think about it is: if three of the major US networks were broadcasting 24 hours a day, 7 days a week, 365 days a year for the last 60 years, they still wouldn’t have broadcast as much content as is uploaded to YouTube every 30 days.”
  • Hulu Brings in the Dough: $240M of Revenue in 2010 [NewTeeVee] – “Hulu is going to make more than $240 million in revenue in 2010, the company’s CEO Jason Kilar revealed at GigaOM’s NewTeeVee Live conference today. Kilar added that Hulu generated $108 million in revenue in 2009. Hulu had 30 million users in October 2010, who watched some 260 million content streams as well as 800 million ad streams during that month. Kilar said that Hulu now has 235 content partners. The company had 352 advertising clients in Q3. “The leading source of revenue is through advertising,” said Kilar, adding that more than 40 percent of money generated with content in this industry is generated through advertising. This has led Hulu to optimize its ad experience, and Kilar showed a few new features that the company will roll out in the future. Hulu will introduce personalized advertising, addressing users by name. “
  • How Conan O’Brien Beat Leno And Letterman [Fast Company] – Team CoCo rides the social media wave to ratings success: “I know what you guys are thinking: ‘Hey, it’s the guy from Twitter,’” joked Conan O’Brien, before launching into a mock-impression of his Internet fans. “Why am I doing that!” he began laughing. “Those people saved my ass! Talk about biting the hand that feeds you.” Indeed, a strong Internet following fed Conan, who debuted his new show last night on TBS, very well. Bolstered by his almost 2 million Twitter followers, a first-of-its-kind social media strategy, and an innovative digital team, Conan soared on the late-night scene with huge ratings, besting both David Letterman and arch-nemesis Jay Leno with 4.2 million viewers [...]“Conan’s audience has been very vocal online, and he clearly made a smooth transition from Twitter to TBS,” said Steve Koonin, president of Turner Entertainment Networks.[...] Team Coco’s digital strategy a “brilliant launch campaign that incorporated social media better than I’ve ever seen.”
  • BBC iPlayer going international next year, will be either fee- or ad-supported [Engadget] – “The BBC’s iPlayer video-on-demand service has been an unqualified success since its rollout back in 2007 and now it’s taking the next logical step in expanding its reach: it’s going global. Such is the word from John Smith, the generically named head of BBC Worldwide, who sees the international market for British shows as “under-exploited” and wants to see the iPlayer opened up beyond the Queen’s home isles. Of course, since continental Europeans and North Americans aren’t subject to the same backbreaking TV license fee, there’ll be a new commercial element to the service, though the Beeb’s bigwigs have yet to figure out if that means users will have to pay a levy or put up with some ads.”
  • Ghoulish Facebook vandals mock Australian laws [SMH] – Tribute pages to young people who have died, being ‘defaced’, but is it illegal? “Also defaced was a tribute page to Chantelle Rowe, 16, who was found dead with her parents in their Adelaide home yesterday. Inappropriate messages and doctored photographs were posted to several tribute pages for Chantelle and her family, who police believe were killed in a triple murder. A cousin, Steven Rowe, wrote about the material on Facebook: “He even sent this shit to my inbox … thats my cousin and i honestly hope some [sic] kicks your head in!” But the user responsible for the messages replied: “I won’t go to jail … i’m not in Australia, therefore I cannot break the Australian law”. Victoria Police and South Australia Police both refused to comment, arguing no offence had been committed. However, Jesssica Chantelle Cook, 22, from Queensland, received a three-month suspended jail sentence in August for posting offensive material on a Facebook tribute page…”
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Digital Culture Links: October 12th 2010

Links for October 10th 2010 through October 12th 2010:

  • Simpsonic Business as Usual? [Antenna] – Jonathan Gray’s excellent piece discussing the tensions evident in Bansky’s Simpsons’ opening sequence: “… it leaves us with uncomfortable questions about Groening and co. How are they complicit, and are they simply making this a joke so that they and we can say, “Oh yes, that is bad, isn’t it? But we know about it, so it’s all okay. Let’s just get back to business as usual, shall we? Pass the Cheetos”? I was left with many conflicting responses here myself, on one hand thinking it was a brilliant statement, on the other hand feeling deeply uncomfortable that this is the show’s response to its labor practices – making an opening credit sequence rather than actually fucking doing something about them. Yet, the contestation of authorship in which the sequence engages leaves us wondering whether the American animators (who are largely responsible for the couch gags, by the way – these rarely involve the writers) can do anything about The Simpsons Factory.”
  • Traditional developers look to Facebook games for inspiration [WA Today] – The rise of casual gaming: “While casual games might seem like innocuous time wasters, the sort of drop-in, drop-out games played on Facebook, mobile phones and through web portals have seen revenue grow from $US300 million in 2005 to at least $US3 billion ($3.05 billion) today. The real-time farming simulation game, FarmVille, made for Facebook and smartphones by the developer Zynga, has more than 62 million active users, which is equivalent to about 10 per cent of Facebook users. [...] While console-game developers charge a large upfront fee, casual-games revenue is derived through micro-transactions. “You may see 90 per cent or more of your audience never pay you a dime,” Kozik says. “They engage in the game absolutely free and can see if it is something that appeals to them or not. Then the 10 per cent or less who do pay more than justifies the continued expansion of the game.” Casual and social games are less expensive to develop than console games.”
  • Apple Awarded Trademark for “There’s an App for That” [Mashable] – There’s a trademark for that: “Apple has filed a trademark application for the company’s now ubiquitous catchphrase, “There’s an app for that.” Apple filed for the trademark back in December 2009, citing first commercial use of the phrase on January 26, 2009, per trademark documentation. The trademark was filed in the Advertising, Business and Retail Services, Computer and Software Services and Scientific Services categories. The trademark applies to “retail store services featuring computer software provided via the Internet (Internet) and other computer and electronic communication networks; retail store services featuring computer software for use on handheld mobile digital electronic devices and other consumer electronics.””
  • The Search – Is Your Web Identity Hurting Your Employment Chances? [NYTimes.com] – Web presences as (un)intended CVs: “You looked wonderful on your résumé. Your references raved about you. The interview went swimmingly. Yet you didn’t get the job. Oh, no: did they see that Facebook photo of you dancing on a table? Or find out that you’re six months behind on your mortgage payment? You may never know why you weren’t hired, but be aware that background checks can make or break a job application. And in a data-rich world, the person with the fewest red flags may get the job. Little hard research has been done on how hiring managers use the Internet to vet applicants. But you should assume that they are at least looking you up on search engines. So it’s wise to review the results of a quick search of your name. It is very hard to remove anything questionable about yourself from a search engine, but you can at least push it lower by adding positive entries, said Barbara Safani, owner of Career Solvers, a career management business in New York. “
  • Short Attention Spans for Web Videos [NYTimes.com] – I suspect the quality of the content matters, too! “After watching an online video for a full minute, 44.1 percent of viewers will have clicked away, according to Visible Measures. But an outsize slice of that loss occurs in the first 10 seconds, during which 19.4 percent of a video’s audience defects. This phenomenon, known as “viewer abandonment,” is of intense interest to those who make online videos or advertise alongside them. Visible Measures studied the abandonment rate of 40 million videos over seven billion viewings. Music videos had especially high rates of abandonment, as did videos slow to reach a punchline — for example, a Budweiser ad about a man humiliated while buying pornography, which loses nearly 40 percent of viewers in the first 10 seconds. “It took a shocking 12 seconds to get to the conceit,” said Matt Cutler, the head of research at Visible Measures.”
  • Keeping Our Distance, the Facebook Way [NYTimes.com] – It’s all about the weak ties: “Facebook is the best distancing tool since the creation of the Christmas card. Sending holiday greeting cards began in the 1850s in England and spread quickly as a way to stay in touch with far-flung friends and relatives. The cards, whether religious or not in theme, went to people you rarely wrote to and even more rarely spoke to, but for whom you still had a measure of affection — or curiosity. You wanted to know what was going on in their lives, and one exchange a year did the trick. The cards kept the people in your social network at a distance, while maintaining ties to them. I recall my parents sending and receiving Christmas cards. I did it for a year after I married, but I stopped because it was just too much work. Facebook, which tries to replicate our real-world relationships online, now helps me maintain those connections. But it does cards one better. It preserves the weak ties in my social network without creating obligations.”
  • 10 Unbelievable Twitter Stories [Oddee.com] – A bit silly, but some useful extreme stories of what Twitter communication is very good for (and very bad for).
  • Bathurst delay angers viewers [The Age] – Interesting idea; I don’t think a social media blackout would work, but there are definitely issues to sort out: “A social media blackout is needed when watching so-called live sport. The poor TV networks just can’t win when it comes to sport. They regularly get canned for cutting away from the action to screen ads. But Sunday’s Bathurst 1000 race was so tight that Seven claims it didn’t want to risk missing too much of the action. Instead, the network started pausing the coverage to drop in ad breaks. As a result, the broadcast was almost half an hour behind the race by the time the cars crossed the finish line. [...] Rather than treat viewers like idiots, perhaps the networks should start treating them like a precious commodity that will dry up if not handled with care. This means being honest when live sport isn’t really live.”
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“I’m on a horse … cow.”

Unless you’ve been buried under a rock, you’ve probably heard of the amazing successful Old Spice viral video marketing campaign (I’ve mentioned it here, and here). Since the original videos became popular, there have been a lot of parodies, but the recent “Smell Like a Monster” parody video from Sesame Street is just brilliant, so here you go:

PS If you really don’t get why that’s funny, re-watch it after you’ve check out the original ad:

(Which has now clocked over 20 million views on YouTube!) [Via Peter Black]

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Digital Culture Links: September 21st 2010

Links for September 16th 2010 through September 21st 2010:

  • Mobile phones are now our net tool of choice [News.com.au] – “The mobile phone, which not long ago was mainly for talking and texting, is now replacing the PC as the preferred way to surf the internet. A report shows half of users in their 30s accessed the web using their mobile device while at work or at home even though they had access to a computer. The behaviour comes as a result of the thriving smartphone market which was energised by the release of the iPhone more than two years ago. Christena Singh, author of the Sensis e-Business Report, said mobile internet use has become mainstream with use common across a wide age range. [...] The most popular information accessed on mobile devices are maps and directions (67 per cent), the weather (64 per cent), news sites (59 per cent), social networking sites (56 per cent) and sports results (46 per cent).” [PDF of Sensis e-Business Report]
  • Downloads grow by 50% [The Age] – “Australia’s appetite for the internet continues to grow and the number of wireless internet connections has soared in the last year, a study has found. A report released yesterday by the Bureau of Statistics shows the amount of data downloaded in the June 2010 quarter increased by more than 50 per cent compared to the same period a year earlier. In the same period, the number of wireless broadband connections increased by 70 per cent to nearly 3.5 million, while the number of fixed-line broadband connections rose slightly to 4.2 million.”
  • Old Spice manufacturer ignores a smellers’ market [The Australian] – A slightly odd article which celebrates the US-created and focused 2010 viral Old Spice videos and campaign and the knock-on effect on Old Spice branded products (which have increased sales dramatically), but then complains not enough Old Spice products are actually sold in Australia. Certainly the global reach of YouTube as a viral advertising is worth noting, and I guess the Australia’s national newspaper is complaining that there aren’t enough Old Spice products in Australia on the back of the campaign’s success, that’s an even stronger testimony. (Or a waste of ink: you decide.)
  • A Baby Photo Becomes an Internet Meme [NYTimes.com] – “Sometime back in 2000, Allen S. Rout, a systems programmer from Gainesville, Fla., posted a few photos of his 5-month-old son, Stephen, on his personal Web site. They were the kind of photos that every parent takes, but one in particular stood out: Stephen wearing a pair of red overalls, smiling in a crib. “We’re really blessed,” Mr. Rout wrote as the caption. “Stephen is an amazingly happy baby.” The photo had faded from memory until last July, when Mr. Rout, curious about his online reputation, did a Google search of himself. Deep within the results pages, he found the picture of Stephen. Only, it wasn’t exactly the same picture. He was surrounded by cartoonish word bubbles filled with Japanese writing: “Don’t call me baby!” they read. “Call me Mr. Baby!” And there were other images in which the photo was transformed further…” [More on this here at Know Your Meme]
  • The Future of Television [YouTube] – Nice little video summary of television’s emergence, early history and where it might be going tomorrow. (Useful for Web Media 207.)
  • Internet Founder Tim Berners-Lee Details 4 Concerns About Future of Mobile Web (Nokia World 2010) ]RWW] – In a keynote at Nokia World 2010 in London, Sir Tim Berners-Lee, the inventor of the world wide web, celebrated the emerging mobile web, but also noted four major challenges ahead: (1) Privacy – matching what smartphones etc can do/share with current needs and ideas about privacy will prove difficult; (2) Accountability – ensuring companies that collect data from mobile web users are transparent; (3) Neutrality – even the mobile web must be neutral, with no variation in charges for different types/tiers of data; and (4) the biggest challenge is still assisting the 80% of the global population who aren’t even online yet, let alone mobile web users.
  • Engineer’s Privacy Breach Raises Questions For Google [International Business Times] – The challenges of trusting the cloud, whoever happens to be running that part of it (even Google): “A significant privacy breach from a Google engineer has web privacy experts questioning the Mountain View, Calif. company’s control system and transparency methods. David Barksdale, a 27-year-old engineer who worked in Google’s Seattle office, leveraged his role as a member of an elite technical group to access private data about minors. Google fired Barksdale after getting complaints from the minor’s parents. [...] For web privacy experts, the Barksdale incident is a huge red flag. Furthermore, Google reportedly told TechCrunch it was not the first time one of its engineers was fired for a privacy breach. Even though these are largely isolated incidents for a 10-year-old company with approximately 20,000 employees, it does signify some within the company has access to people’s critical, private data. What they do with it, is up to them.”
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Digital Culture Links: September 8th 2010

Links for September 6th 2010 through September 8th 2010:

  • In ‘Bed Intruder Song,’ Gregory Brothers Have Billboard Hit [NYTimes.com] – “Viral videos tend to have a short lifespan online. [...] But in one of the stranger twists in recent pop-music history, a musical remake of a local news clip transcended YouTube fame and reached the Billboard Hot 100 chart in August. It was a rare case of a product of Web culture jumping the species barrier and becoming a pop hit. The song’s source material could not have been more unlikely: A local TV news report from Huntsville, Ala., about an intruder who climbed into a woman’s bed and tried to assault her. But with some clever editing and the use of software that can turn speech into singing, the Gregory Brothers, a quartet of musicians living in Brooklyn, transformed an animated and angry rant by the victim’s brother into something genuinely catchy. The resulting track, “Bed Intruder Song,” has sold more than 91,000 copies on iTunes, and last week it was at No. 39 on the iTunes singles chart. Its video has been viewed more than 16 million times on YouTube.” The background to this meme:
  • Avatar activism [Le Monde diplomatique] – Henry Jenkins on the mobilisation of popular cultural in protest movements: “Five Palestinian, Israeli and international activists painted themselves blue to resemble the Na’vi from James Cameron’s blockbuster Avatar (1) in February, and marched through the occupied village of Bil’in. The Israeli military used tear gas and sound bombs on the azure-skinned protestors, who wore traditional keffiyahs with their Na’vi tails and pointy ears. The camcorder footage of the incident was juxtaposed with borrowed shots from the film and circulated on YouTube. We hear the movie characters proclaim: “We will show the Sky People that they can not take whatever they want! This, this is our land!” The event is a reminder of how people around the world are mobilising icons and myths from popular culture as resources for political speech, which we can call Avatar activism.”
  • Reputation bankruptcy :[The Future of the Internet — And How to Stop It] – Should we be able to purge our online reputation record and declare reputation bankruptcy? Jonathan Zittrain: “As real identity grows in importance on the Net, the intermediaries demanding it ought to consider making available a form of reputation bankruptcy. Like personal financial bankruptcy, or the way in which a state often seals a juvenile criminal record and gives a child a “fresh start” as an adult, we ought to consider how to implement the idea of a second or third chance into our digital spaces. People ought to be able to express a choice to de-emphasize if not entirely delete older information that has been generated about them by and through various systems: political preferences, activities, youthful likes and dislikes. If every action ends up on one’s “permanent record,” the press conference effect can set in. Reputation bankruptcy has the potential to facilitate desirably experimental social behavior and break up the monotony of static communities online and offline.”
  • What Are BP, Apple, Amazon, and Others Spending on Google Advertising? [Fast Company] – A peak into adword spending: “Google is typically very secretive about the specifics of its search revenue. I can’t actually recall any other leak quite like this one, in which the budgets of specific companies are laid out–kudos to AdAge for snagging the internal document with such rarely seen information. Much of the list, which covers the month of June 2010, will be of no surprise to anyone that uses Google Search regularly (which is pretty much everyone): AT&T spends ridiculous amounts of money, as do Apollo Group (which owns the University of Phoenix), Amazon, and Expedia. It’s worthwhile to note that some of AT&T’s $8.08 million budget was probably due to the launch of the wireless carrier’s biggest product of the year, the Apple iPhone 4. Apple itself spent slightly less than $1 million, which puts the company in the upper echelon of Google spending but not all that close to the top. 47 companies spent over $1 million, so Apple was, at best, in the top 50.”
  • On Wikipedia, Cultural Patrimony, and Historiography [booktwo.org] – A fantastic way to illustrate the importance of Wikipedia histories: “… Wikipedia is a useful subset of the entire internet, and as such a subset of all human culture. It’s not only a resource for collating all human knowledge, but a framework for understanding how that knowledge came to be and to be understood; what was allowed to stand and what was not; what we agree on, and what we cannot. As is my wont, I made a book to illustrate this. Physical objects are useful props in debates like this: immediately illustrative, and useful to hang an argument and peoples’ attention on. This particular book—or rather, set of books—is every edit made to a single Wikipedia article, The Iraq War, during the five years between the article’s inception in December 2004 and November 2009, a total of 12,000 changes and almost 7,000 pages.”
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