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Digital Culture Links: July 10th

Links, catching up, through to July 10th:

  • What to Watch? AUDIENCE MOTIVATION IN A MULTI-SCREEN WORLD [Screen Australia: Research] – New report from Screen Australia (released June 2012) which investigates the viewing habits of audiences in Australia. The report is careful to highlight the ongoing impact of traditional methods and advertising, but focuses most significantly on social media users. The report characterises 35% of Australians over the age of 14 as ‘connectors’ who both enjoy screen culture and are frequent social media users, often using social media to discuss their favourite content. The reach of these online discussions, and impact on other viewers (including those who don’t use social media) is substantial and significant. [Read the full report.]
  • Recruiting Via Facebook, LinkedIn, Twitter Continues To Grow [AllFacebook] – “A total of 92 percent of U.S. companies use social networks and social media to recruit talent, up from 78 percent five years ago, according to new research from recruitment platform Jobvite, which also found that although LinkedIn remains dominant in the sector, Facebook and Twitter continue to make inroads. Other findings in the 2012 annual Social Recruiting Survey from Jobvite: Two-thirds of companies now use Facebook for recruiting, while 54 percent use Twitter. LinkedIn continues to rule this category, at 93 percent.” [Infographic]
  • Origin of the @reply – Digging through twitter’s history [Anarchogeek] – A quick overview of the social emergence of the @reply convention on Twitter.
  • Some YouTube Partners Are Making Tens of Millions Of Dollars A Year [SFGate] – “Speaking at IGNITION West, Shishir Mehrotra, vice president of product management of YouTube, said the channels have increased engagement. Mehrotra also said TV creators are now running test shows on YouTube before running it on TV. “We are the world’s biggest focus group,” he said. Business Insider’s Matt Rosoff, who was leading the discussion, questioned whether or not we are going to see big time stars come out of YouTube anytime soon. Mehrotra answered, “hundreds of people are making 6 figures, some are making tens of millions of dollars.””
  • Twitter ordered to hand over Occupy tweets [BBC News] – “A US court has ordered Twitter to release old messages and details about a user arrested during an Occupy Wall Street protest in New York. The micro-blogging firm contested the subpoena, saying the tweets were owned by users rather than the company. But a judge said defendant Malcolm Harris’ privacy would not be violated if the material was handed over. Earlier, the American Civil Liberties Union commended Twitter for defending free speech rights. “If you post a tweet, just like if you scream it out the window, there is no reasonable expectation of privacy,” Judge Matthew Sciarrino wrote in his decision. Nevertheless, the judge said he would personally review the information and would only release the relevant sections to prosecution and defence lawyers.”
  • Facebook’s email switch prompts criticism by users [BBC News] – “Facebook is facing a backlash from users after replacing email addresses listed in members’ contacts with those provided by its @facebook.com system. The company said it had acted to make details “consistent” across its site. If Facebook’s email system takes off it could drive more traffic to the firm’s pages helping boost advertising sales. But some users have branded the move “annoying” and “lame” and publicised instructions on how to display original addresses instead of the Facebook ones.” And here’s a guide on Forbes showing how to change your Facebook email address back if you’d prefer.
  • Gamers get adults-only R18+ classification [The Age] – Finally! “An adults-only computer game rating category will at last become a reality with legislation passing federal parliament yesterday. The new law fulfils the Commonwealth’s part of a deal with states and territories to include an R18+ rating in the games classification system. “These are important reforms over 10 years in the making,” Home Affairs Minister Jason Clare said in a statement yesterday. “The R18+ category will inform consumers, parents and retailers about which games are not suitable for minors to play and will prevent minors from purchasing unsuitable material. […] Previously, the highest rating for computer games has been MA15+ meaning overseas adult-only games are usually banned here or given a lower classification allowing children to obtain them.
    The new laws bring computer games in line with the classification system for films and other material and make Australia more consistent with international standards.”
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Digital Culture Links: June 15th

Links for June 5th through June 15th:

  • Hundreds of dollars, no sense as Gillard’s #cashforyou tweets backfire [The Age] – Poorly thought through promotional hashtags – a new Australian tradition, it seems: “The federal government has been bombarded with scorn on Twitter this morning after its ministers used the hashtag “cash for you” to promote its School Kids Bonus. […] Ms Gillard’s advisers, known as TeamJG on Twitter, tweeted: “Talking to parents & students about the Schoolkids Bonus at Marrickville West Public School #cashforyou.” #cashforyou has quickly become the top trending topic on Twitter in Australia today, ahead of usual placegetters Justin Bieber and local singer Reece Mastin. But the hashtag has drawn scathing responses from users. “#CashForYou? That’s the line the ALP is going for? At least when Howard did middle-class welfare he wrapped it up in patriotism,” tweeted one. Another read: “I’m worried the #cashforyou message might be too subtle and nuanced to really cut through.”
  • YouTube chief mulls paid subscription [Reuters] – “YouTube is exploring selling subscriptions to access to some of its video offerings, potentially providing a way for certain cable channels to be available outside the traditional “bundles” offered by cable network providers, said YouTube boss Salar Kamangar. Cable channels with smaller audiences will in the future migrate to the Web and become available on an “a la carte” basis, Kamangar said at the Reuters Media and Technology Summit on Thursday. […] “We don’t have anything to announce now. It is something that’s really important to a lot of our top existing content creators as well as ones that aren’t on YouTube today, so we’re taking very seriously and we’re thinking about it very carefully,” said Kamangar, Google senior vice president, YouTube and video.”
  • The IOC to show live coverage of the London 2012 Olympic Games on YouTube in Asia and Sub-Saharan Africa [YouTube Blog] – In short, anyone in a country that DOESN’T have a broadcaster paying the IOC for exclusive rights TV rights will be getting the Olympics for free on YouTube. Australians, however, get a team led by Eddie McGuire. *sigh* “This summer, from July 27 to August 12, the world will turn their attention to London to watch the daily trials and triumphs of the greatest living athletes at the Summer Olympic Games. Today, we’re excited to announce that millions of Olympic fans from across 64 territories in Asia and Sub-Saharan Africa will have a chance to watch the games live from London on the International Olympic Committee’s (IOC) YouTube Channel at www.youtube.com/olympic. In total, the IOC’s YouTube Channel will offer fans in these countries over 2,200 hours of high-definition sporting event coverage from London 2012, including all the medal finals.”
  • The Yellow Australian Social Media Report 2012 [Sensis] – “The consumer survey found that 62% of internet users have a presence on social networking sites such as Facebook, Twitter or Linkedin. Facebook dominates the social media space, capturing 97% of social networking users. it is used by more than 90% of social media users from both sexes and all age groups, with average users spending more than six hours a week on the site. Whilst some sites have dominated in the social media space, this is sometimes at the expense of other site. People were most likely to nominate having stopped using MySpace in the past year.” [Full Report PDF]
  • picplz shutting down [blog plz] – Just two months after Instagram launched their Android version and PicPlz, one of the better (and much earlier) Android photo tweaking and sharing apps is shutting their doors. They’ve given a month’s notice that all data will be deleted and PicPlz erased on 3 July 2012.
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Digital Culture Links: May 11th through May 21st

Links for May 11th through May 21st:

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Digital Culture Links: March 14th

Links for March 11th through March 14th:

  • A Sign of the Times: Encyclopaedia Britannica to End Its Print Run [The Atlantic] – “After nearly two-and-a-half centuries in print, the publishers of the Encyclopaedia Britannica are expected to announce tomorrow that they are stopping their presses … As Wikipedia emerged over the past decade, the question has always been, but how does it compare to the Encyclopaedia Britannica? (Answer: mostly favorably, with bonus points for breadth and accessibility.) … Recent years have seen a sharp decline: The 1990 edition sold 120,000 editions in the United States — the most ever — but the 2010 edition sold just 8,000. Four thousand copies are still in a warehouse, waiting for owners. Today, the printed encyclopedia accounts for less than one percent of the company’s revenues. Britannica, as a whole, is not moribund, though: a half a million people pay $70 each year for complete access online.”
  • Apple Reveals New “All-Time Top Apps” Following 25 Billion Downloads [Mac Stories] – Following the downloading of the 25 billionth app from the App Store, Apple have release top-downloads of all time charts for iPhone and iPad, breaking them down into free and paid lists. Angry Birds features prominently on all lists!
  • The Story of Keep Calm and Carry On [YouTube] – Well-made little video which tells the history of the now iconic and meme-ready ‘Keep Calm and Carry On’ poster which was originally designed and produced in England during the Second World War.
  • A Show with Ze Frank by Ze Frank [Kickstarter] – Ze Frank (of ‘The Show with Ze Frank’) uses Kickstarter to ask fans to contribute to a new version of The Show, aiming to raise $50,000 to do The Show for a year. Instead, he raised $146,752, with over 3,900 backers (with one parting with $4000 … that’s a LOT of love for The Show)!
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Digital Culture Links: March 8th

Links for March 4th through March 8th:

  • Animated GIFs: The Birth of a Medium [Off Book | PBS – YouTube] – Nifty little video looking at the history of the GIF (Graphics Interchange Format) image, from the 1987 creation (pre-web) through tothe Under Construction GIFs the were prevalent on the early web, the disappearance of GIFS, and their resurgence as an art-form (cinemagraphs) and a memey means of expression (Tumblr!).
  • Tweet a Link, Save a Link [Delicious Blog] – Delicious adds a native Twitter connector, with which you can save tweets, links in tweets, and filter by a specific hashtag.
  • Coles Twitter campaign goes down, down gurgler [WA Today] – “A social media experiment has backfired for Coles, exposing the supermarket to a flood of negative comments on Twitter. The supermarket is the latest company to have a social media marketing exercise go terribly wrong, following blunders from Qantas and Coca-Cola. The official Coles account last night urged followers to complete the sentence “in my house it’s a crime not to buy…..” But the PR exercise quickly fizzled as Twitter users inundated the supermarket’s account with negative comments. User @Pollytics wrote, “Food from markets while Coles exploits mental illness via pokies.” Other users raised concerns about the supermarket not giving farmers a fair price for their produce. @TaraMacca wrote, “In my house, its a crime not to buy LOCALLY- and I don’t mean from a @coles supermarket.” “In my house it’s a crime not to buy…BREAD AND MILK AT PRICES THAT ALLOW PRIMARY PRODUCERS TO SURVIVE,” said @downesy.”
  • Apple passes 25bn iPhone and iPad app downloads milestone [Technology | guardian.co.uk] – “Apple’s App Store has passed 25 billion downloads, with Disney’s iOS game Where’s My Water? Free nudging it past the milestone. Apple had been running a counter on its website and store, so the 25bn mark was actually reached over the weekend. The company has now revealed which app was the 25 billionth, as well as the name of the downloader: Chunli Fu in Qingdao, China. Late chief executive Steve Jobs would surely have approved of both. He was Disney’s largest shareholder in his later years, after it acquired his Pixar Animation Studios. Meanwhile, China has been an important growth market for Apple in the last year, as the iPhone went on sale there. […] As a comparison, Google recently announced that its Android Market store is generating 1bn monthly app downloads.”
  • Lego blondes [thinking with my fingers] – Torill Mortensen looks at the differences between normal Lego figure (minifigs) and the new ‘for girls’ Lego. The fact that ‘girl’ lego figures are incompatible with the ‘normal’ accessories and parts is telling. 🙁
  • Kevin Allocca: Why videos go viral [TED – YouTube] – Seven minute TED talk by Kevin Allocca explaining why he (on behalf of YouTube) thinks videos ‘go viral’.
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Digital Culture Links: January 25th

Links for January 25th:

  • MEGAUPLOAD (by Dan Bull) – Independent artist Dan Bull raps about the harm shutting down MegaUpload has done to smaller artists. In the name of protecting the intellectual property of Hollywood and the MPAA, it seems that smaller artists who rely on cyberlockers like MegaUpload have found their means of distribution erased without noticed or recourse to protest.
  • Star Wars crowdsourced film reaches million YouTube views [BBC News] – “A “directors cut” of a fan-made version of Star Wars has passed one million views on YouTube. The film, uploaded on 18 January, is made up of hundreds of 15-second scenes created by internet users. The Star Wars Uncut project is widely regarded as an example of the power of crowdsourcing. Ramon Youseph, of the Crowdsourcing Gazette blog, told the BBC it showed “the power of the web to engage people in a global collaborative effort”. The website starwarsuncut.com began asking for fan-made scenes in 2009. It went on to win an interactive media Emmy in 2010.”
  • EU proposes ‘right to be forgotten’ by internet firms [BBC News] – A new law promising internet users the “right to be forgotten” will be proposed by the European Commission on Wednesday. It says people will be able to ask for data about them to be deleted and firms will have to comply unless there are “legitimate” grounds to retain it. […] A spokesman for the commissioner clarified that the action was designed to help teenagers and young adults manage their online reputations. “These rules are particularly aimed at young people as they are not always as aware as they could be about the consequence of putting photos and other information on social network websites, or about the various privacy settings available,” said Matthew Newman. He noted that this could cause problems later if the users had no way of deleting embarrassing material when applying for jobs. However, he stressed that it would not give them the right to ask for material such as their police or medical records to be deleted.”
  • 60 hours per minute and 4 billion views a day on YouTube [YouTube Blog] – “Since the dawn of YouTube, we’ve been sharing the hours of video you upload every minute. In 2007 we started at six hours, then in 2010 we were at 24 hours, then 35, then 48, and now…60 hours of video every minute, an increase of more than 30 percent in the last eight months. In other words, you’re uploading one hour of video to YouTube every second.”
  • How Parents Normalized Teen Password Sharing [danah boyd | apophenia] – Interesting insights from danah boyd regarding teens sharing passwords to social media services with each other. It’s all about trust, and that’s something learnt at home since parents ask kids to trust them and let parents look after (or at least know) their passwords in the early years (normally): “When teens share their passwords with friends or significant others, they regularly employ the language of trust, as Richtel noted in his story. Teens are drawing on experiences they’ve had in the home and shifting them into their peer groups in order to understand how their relationships make sense in a broader context. This shouldn’t be surprising to anyone because this is all-too-common for teen practices. Household norms shape peer norms.”
  • Defend our freedom to share (or why SOPA is a bad idea) [YouTube] – A great talk from Clay Shirky explaining the history, context and potential impact of the US SOPA and PIPA bills which seek to radically censor the internet in the name of stopping “piracy”. Important to listen to since, as Shirky argues, there’s no doubt more of the same just around the corner.
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Digital Culture Links: December 15th

Links, catching up through to December 15th:

  • What Louis CK knows that most media companies don’t — Tech News and Analysis – Good round up of Louis CK’s online non-DRMed release of “Live at the Beacon Theater”. While a direct plea to fans didn’t prevent pirate versions altogether, CK’s fantastic online sales and healthy profit within 4 days show that this is a huge success (and arguably the torrent versions may still be helping with publicity).
  • Facebook riot page: Danny Cook jailed for 30 months [BBC News] – “A man has been jailed for 30 months for creating a Facebook group page called “Letz start a riot”. Danny Cook, 22, of Marlpool Place, Kidderminster, admitted intentionally encouraging or assisting in the commission of theft or criminal damage. Worcester Crown Court heard he made the Facebook page during the August riots. The judge, Mr Justice Butterfield, said: “I would be failing in my public duty if I did not impose a substantial custodial sentence.””
  • Louis CK – Live at the Beacon Theater Statement – Comedian Louis CK released his new standup video “Louis C.K. Live at the Beacon Theater” online for $5 via PayPal, available anywhere in the world, which in his words has “No DRM, no regional restrictions, no crap. You can download this file, play it as much as you like, burn it to a DVD, whatever.” A bold experiment in doing away with any sort of rights restrictions or DRM, Louis CK has released a statement thanking his fans and showing that this experiment has been a huge success. After just 4 days of sales: “As of Today, we’ve sold over 110,000 copies for a total of over $500,000. Minus some money for PayPal charges etc, I have a profit around $200,000 (after taxes $75.58).”
  • Google buys licensing firm RightsFlow‎ [guardian.co.uk] – “Google is getting serious about paying artists royalties for songs that are used as soundtracks or videos on YouTube. The company said on Friday that it has acquired RightsFlow, a New York-based company that will help it identify the owners of music that people use in videos they post. “YouTube has had a long-standing commitment to solving the really tough challenges around online copyright – how to manage content rights in a quickly evolving technology world,” said David King, YouTube’s product manager, in a blog post. “We’ve already invested tens of millions of dollars in content management technology such as Content ID. We want to keep pushing things forward.” The deal should help YouTube, part of Google, manage the complex relationship it has with content owners, who are rarely consulted when their work is put online for free.”
  • No Copyright Intended [Waxy.org] – Great post from Andy Baio on the immense confusion around copyright and remix: “These “no copyright infringement intended” messages are everywhere on YouTube, and about as effective as a drug dealer asking if you’re a cop. It’s like a little voodoo charm that people post on their videos to ward off evil spirits. How pervasive is it? There are about 489,000 YouTube videos that say “no copyright intended” or some variation, and about 664,000 videos have a “copyright disclaimer” citing the fair use provision in Section 107 of the Copyright Act. […] On YouTube’s support forums, there’s rampant confusion over what copyright is. People genuinely confused that their videos were blocked even with a disclosure, confused that audio was removed even though there was no “intentional copyright infringement.” Some ask for the best wording of a disclaimer, not knowing that virtually all video is blocked without human intervention using ContentID.”
  • (New) Twitter: Yours to discover – Twitter’s official announcement of the new interface. It’s a bit busier, with more of a nod towards larger social networking sites, shifting away from the focus on the trademark tweet brevity. Mashable has some useful notes on the new version.
  • Judge Hits Blogger with $2.5 Million Charge for Not Being a Journalist – In a case that’s sending a frightening message to the blogger community, a U.S. District Court judge ruled that a blogger must pay $2.5 million to an investment firm she wrote about — because she isn’t a real journalist. As reported by, Judge Marco A. Hernandez said Crystal Cox, who runs several blogs, wasn’t entitled to the protections afforded to journalists — specifically, Oregon’s media shield law for sources — because she wasn’t “affiliated with any newspaper, magazine, periodical, book, pamphlet, news service, wire service, news or feature syndicate, broadcast station or network, or cable television system.” The Obsidian Finance Group sued Cox in January for $10 million for writing several blog posts critical of the company and its co-founder, Kevin Padrick. Obsidian argued that the writing was defamatory. Cox represented herself in court.”
  • H&M;’s New Lingerie Models Are Computer-Generated [The Cut – NY Mag] – “The models fronting H&M;’s new holiday lingerie campaign are unreal, literally. Jezebel translated an article from Swedish newspaper Aftonbladet in which H&M; press officer Håcan Andersson confirms that their new lingerie-clad bodies are “completely virtual.” For H&M;’s website or catalogues, much of the store’s clothing is now shot on mannequins, which are then humanized via photo-editing software — which explains the eerily uniform pose now increasingly commonplace online.H&M; also shot real models for the campaign, but only to superimpose their heads on the standard body form. Aptly, H&M; calls them “facial models,” who are apparently aware of their abridged role in the finished catalogue shots.”
  • PS3: Delete Browser Cookies and Cache [Technipages] – Useful if iView is buggy on PS3 in Australia.
  • Swiss Govt: Downloading Movies and Music Will Stay Legal [TorrentFreak] – “One in three people in Switzerland download unauthorized music, movies and games from the Internet and since last year the government has been wondering what to do about it. This week their response was published and it was crystal clear. Not only will downloading for personal use stay completely legal, but the copyright holders won’t suffer because of it, since people eventually spend the money saved on entertainment products. In Switzerland, just as in dozens of other countries, the entertainment industries have been complaining about dramatic losses in revenue due to online piracy. In a response, the Swiss government has been conducting a study into the impact downloading has on society, and this week their findings were presented. […] The report states that around a third of Swiss citizens over 15 years old download pirated music, movies and games from the Internet. However, these people don’t spend less money as a result …”
  • Many Online Book Buyers First Shop Around in Stores [NYTimes.com] – “Bookstore owners everywhere have a lurking suspicion: that the customers who type into their smartphones while browsing in the store, and then leave, are planning to buy the books online later — probably at a steep discount from the bookstores’ archrival, Amazon.com. Now a survey has confirmed that the practice, known among booksellers as showrooming, is not a figment of their imaginations. According to the survey, conducted in October by the Codex Group, a book market research and consulting company, 24 percent of people who said they had bought books from an online retailer in the last month also said they had seen the book in a brick-and-mortar bookstore first. Thirty-nine percent of people who bought books from Amazon in the same period said they had looked at the book in a bookstore before buying it from Amazon, the survey said.”
  • Zynga Sets Offering Price at $8.50 to $10 a Share [NYTimes.com] – “Zynga set the price range for its initial public offering at $8.50 to $10 a share, a highly anticipated debut that could value the company at $7 billion. At the top end of that range, the company, a four-year-old online game maker, is on track to raise $1 billion, which would make it the largest United States-based Internet offering since Google in 2004. […] Zynga, unlike many of its peers, is churning out a profit, a crucial selling point as it starts its road show on Monday. It recorded earnings of $30.7 million for the first nine months of this year, on revenue of $828.9 million. The company, which makes the bulk of its money from the sale of virtual goods, is the top game maker on Facebook, with some 227 million monthly active users. Its latest franchise, Castleville, which started about two weeks ago, has already attracted about 20 million users on Facebook, according to AppData, a site that tracks online games.”
  • 9 In 10 Moms Are Facebook Friends With Their Kids [All Facebook] – “While 90 percent of mothers are friends with their children on Facebook, 46 percent of them restrict their kids’ access to their profiles, according to a study by the publisher of Parenting and Babytalk magazines. This percentage is significantly higher than what we’ve seen in a Kaplan survey of teens, about 65 percent of whom said they are Facebook friends with their parents. We wonder whether the moms have a more idealized view of things, but it’s possible that some of these mothers might have separate, made-up aliases for befriending their kids on Facebook. Meanwhile, other findings from the email survey of 1,146 mothers by The Parenting Group are: 33 percent of mothers allowed their children to create Facebook pages by age 12, despite the age limit of 13 set by the Children’s Online Privacy Protection Act and the social network’s own rules. 73 percent of moms who aren’t Facebook friends with their kids monitor their Facebook usage by accessing their pages as someone else.”
  • Facebook Extends Maximum Status Update 12-Fold [All Facebook] – “Facebook has extended the maximum length of status updates to 60,000 characters, 12 times what it used to be. Perhaps this move intends to offset the site’s recently announced plan to end support of RSS in the Notes application.The change might offer longer thoughts better visibility in the news feed than the old Notes had.  However, longer statuses don’t jibe with the ticker, which tends to clip posts after a period mark.”
  • PS3: Delete Browser Cookies and Cache [Technipages] – Useful if iView is buggy on PS3 in Australia.
  • Fail! Qantas red-faced after Twitter campaign backfires [Perth Now] – Social media #fail: “It probably seemed like a great idea in the marketing meeting. But a social media campaign in the midst of a bitter industrial battle spilling over to thousands of angry passengers has backfired for Qantas. The airline posted a seemingly innocent tweet this morning using the hashtag #qantasluxury asking for entries to a competition with suggestions for a dream in-flight experience: @QantasAirwaysTo enter tell us ‘What is your dream luxury inflight experience? (Be creative!) Answer must include #QantasLuxury. Little did they know just how “creative” – and angry – the responses would be as Twitter users seized the opportunity to have their say in their hundreds. While many of the tweets were sarcastic, most were from passengers unhappy with the state of the airline or who had experienced the disruption first-hand.  timwattsau#qantasluxury was being abandoned at Heathrow for 4 days in the snow with no customer support while trying to get home to 8mo pregnant wife!”
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Digital Culture Links: October 30th 2011

Links for October 30th 2011:

  • Cashing In on Your Hit YouTube Video [NYTimes.com] – In the unlikely but not impossible event of a YouTube video going unexpectedly viral, here’s a quick guide from the New York Times on how to act quickly and make the most of your possible revenue and exposure.
  • When I died on Wikipedia | David McKie [The Guardian] – Amusing and insightful column from David McKie who Wikipedia incorrectly claimed, was dead. McKie points out that the Wikipedia is far from the first media service to prematurely announce people’s demise: “It was disconcerting to learn recently from a much used reference source that I had died on Friday August the 26th. True, one’s memory gets more fitful as one grows older, but I didn’t remember this happening. When I looked that day up in my diary, I found that I had noted it down as “a very empty day” when it rained and nothing much happened. Empty, perhaps, but not as empty as that. Still, there it was, in all its bleak finality, in a summary on Wikipedia: “David McKie (1935 – 26 August 2011) was a British journalist and historian.” […] Wikipedia, I see, welcomes corrections. Indeed, its section on premature obituaries accepts it is incomplete and appeals for more, well-sourced, entries. So now I shall write to correct their error …”
  • Untangling the web: how the internet has changed the way we treat death [Technology | The Observer] – Good overview by Aleks Krotoski looking at death in a networked, digital world: “Death in the age of the web reminds us how much the technology has become part of the fabric of our personal and social identities. Once we’re gone, what we leave behind is a rich resource of who we are. We may not survive beyond the release of the next social network, but our inevitable ends are being extended by our digital lives.”
  • @AlanJoyce abused on Twitter, but he’s not the Qantas boss [Perth Now] – “An American science student who shares his name with the CEO of Qantas has found himself the target of a deluge of abuse on Twitter. The unfortunate American, whose name is Alan Joyce and who holds the name @alanjoyce on Twitter, is currently studying computer science at Stanford University, as well as having written two guidebooks to the Disneyland Resort in California. To clarify his identity the American replied to one accusation: “I’m glad to see someone appreciating my impeccable American accent, but I’m guessing you’re looking for a different Alan Joyce.” […] The American Alan Joyce first responded to the attacks after @DognutsTom tweeted, “Well I’m stuck at home with broken wheelchair thanks to QANTAS! You think @alanjoyce CEO of QANTAS could work it out right?” Alan replied, “Sorry about your wheelchair, but I’m no more CEO of Qantas than @willsmith is a famous movie actor.””
  • Q&A;: Felicia Day, from ‘The Guild’ to ‘Dragon Age’ [latimes.com] – “Playing” Felicia Day: “And when Electric Arts [makers of Dragon Age] called, that was the first call in years that was really like, “Oh!” They asked, “What would you like to do?” and I said, “What properties do you have?” And when Dragon Age came up I was, like, “Yes!” Because when am I ever going to be able to be in a medieval world as an actor? Probably never. So I’ll help create it myself. This will be the first time that a video game property is a Web series; and the elf is an actual playable character. So my character will be a DLC [downloadable content] piece; if people own Dragon Age II, they’ll be able to purchase an extension pack and play with my character. It’s full motion capture with me, full facial capture, full vocal acting. It’s pretty much the coolest thing I could ever imagine: Not only am I in a game, but it’s as a character I created.”
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Digital Culture Links: October 17th 2011

Links for October 5th 2011 through October 17th 2011 (catching up on a backlog of good links!):

  • New YouTube features for music artists [YouTube Blog] – YouTube gets even further on the disintermediation bandwagon (ie cutting out the middle people), letting bands and music partners offer merchandising, concert tickets and link to digital sales (including iTunes) from their music videos. It’s all about the integration!
  • Amazon Rewrites the Rules of Book Publishing [NYTimes.com] – “Amazon.com has taught readers that they do not need bookstores. Now it is encouraging writers to cast aside their publishers. Amazon will publish 122 books this fall in an array of genres, in both physical and e-book form. It is a striking acceleration of the retailer’s fledging publishing program that will place Amazon squarely in competition with the New York houses that are also its most prominent suppliers. It has set up a flagship line run by a publishing veteran, Laurence Kirshbaum, to bring out brand-name fiction and nonfiction. It signed its first deal with the self-help author Tim Ferriss. Last week it announced a memoir by the actress and director Penny Marshall, for which it paid $800,000, a person with direct knowledge of the deal said. Publishers say Amazon is aggressively wooing some of their top authors. And the company is gnawing away at the services that publishers, critics and agents used to provide.”
  • Buyers dodge court’s Samsung tablet ban [The Age] – Surprising no one: “Australians are making a mockery of a Federal Court injunction banning the sale of Samsung Galaxy Tab 10.1 tablets in Australia by ordering them from online stores. Meanwhile, in the US, Samsung’s own lawyers were left red-faced after being unable to differentiate between Samsung’s and Apple’s tablets in court. Samsung has been forbidden by Federal Court Justice Annabelle Bennett from selling or marketing the device in Australia until a full hearing in its patent infringement case with Apple, which isn’t expected to take place until next year. Justice Bennett said Apple had a prima facie case that Samsung infringed two of its patents. But online sellers on eBay, and web stores such as MobiCity.com.au, Expansys, Techrific and dMavo, are bypassing Samsung Australia and obtaining stock from other countries, such as Hong Kong.”
  • Google Announces Third Quarter 2011 Financial Results (GooglePlus = 40 million+) [Google Investor Relations] – In their third quarter financial resuts, Larry Page announces that Goole+ has passed 40 million users.
  • Lady Gaga bans Lady Goo Goo song [BBC News] – Given Lady Gaga’s rhetoric about respecting her fans ignoring (her) copyright and that this effort seems like parody to me, I’ll be interested to see how this is justified: “Lady Gaga has won an injunction at London’s High Court to stop animated character Lady Goo Goo from releasing a single, its makers have said. Lady Goo Goo, a baby with a long blonde fringe from the Moshi Monsters online game – owned by UK firm Mind Candy – released The Moshi Dance on YouTube. But Lady Gaga’s injunction has stopped its full release, Mind Candy said. Law firm Mishcon de Reya confirmed it had represented Lady Gaga but said it could not comment further.”
  • A fall sweep [Official Google Blog] – Google is killing off a number of poorly performing products. Google Buzz is the most notable closure. Hopefully Google learnt a lot from Buzz, especially about privacy.
  • Felicia Day turns to Hangouts to promote new show [NewTeeVee – Online Video News] – “Web series veteran Felicia Day will promote her new online show Dragon Age: Redemption with a unique twist on Google+ Hangouts: The actress will be experimenting with something she dubbed Hangout Housecalls this coming Tuesday. Day is promising to visit as many Hangouts of her fans within a three-hour window as possible. She announced the house calls on Google+, where she explained: I’ll answer questions about the show and we can even pose for a photo that you can screencap and post later! Cool? Cool. The Dragon Age: Redemption house calls will kick off with a post on Day’s Google+ profile on Tuesday at 10 a.m. PST that will ask viewers to post links to their Hangouts in the comments. Day will then click through those links, visiting one Hangout after another.”
  • The Guild turns product placement into merchandising gold [NewTeeVee – Online Video News] – Good wrap-up of the many, many different types of merchandise now available surrounding Felicia Day’s web series The Guild. Also interesting are both the careful deals – finding merchandise options which don’t threaten existing sponsorship from Microsoft and Sprint – but also how a lot of merchandise was strategically linked to Comic Conventions so that, eventually, they could be integrated into Season Five of The Guild which is largely set at a con. Day really is a canny business person and shows how far a recognisable web series can the deployed to make money across a wide range of products and tie-ins.
  • 200 million Creative Commons photos and counting! [Flickr Blog] – Flickr users have now explicitly licensed and shared over 200 million photos using Creative Commons licenses. This is a fantastic and valuable resource. However, given there are more than 5 billion photos on Flickr, surely there could be more under CC licenses if the world was really spread? After all, being able to specify your license is one of the key things that Facebook really can’t do right now/
  • Barcode Scanner for Zotero [Android App] – Android barcode scanning app for Zotero. If the barcode links to a book metadata, you can automatically add it to your Zotero library. “Scanner For Zotero brings Zotero’s magic wand tool out into the physical world. Scan the ISBN barcode on any book, and Scanner For Zotero will fetch that item’s bibliographic info from the web and allow you to add it to your Zotero library.That’s pretty cool.”
  • Facebook’s privacy lie: Aussie exposes ‘tracking’ as new patent uncovered [The Age] – “Facebook has been caught telling porkies by an Australian technologist whose revelations that the site tracks its 800 million users even when they are logged out have embroiled Facebook in a global public policy – and legal – nightmare. Facebook’s assurances that “we have no interest in tracking people” have been laid bare by a new Facebook patent, dated this month, that describes a method “for tracking information about the activities of users of a social networking system while on another domain”.”
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Old Spice Guy … versus Fabio?!?

Mustafa_Fabio

It has been just over a year since Isaiah Mustafa’s Old Spice Man character moved from traditional advertising spaces and conquered the internet with the fantastic rolling campaign of YouTube ‘reply’ videos. I am a huge fan of that 2010 campaign and think it’s still one of the best examples of a dusty brand embracing participatory culture completely and reaping the rewards. This week, the next iteration in that social media campaign has kicked off, with cultural manhood cliché Fabio attempting to wrestle away Mustafa’s Old Spice man crown. Mustafa accepted the challenge and now a ‘battle’ rages ‘Live at Internet Stadium’ with the two both replying to challenges and comments from participants online.

Commentators have already jumped on this as an example of advertising embracing transmedia storytelling in what seems a quite meaningful way. For example, Hypervocal comments:

We don’t know how this will all play out today, but the Old Spice Guy campaign has now transcended mere advertising into the realm of long form digital storytelling. It’s fairly incredible what Old Spice and W+K have established. We’re seeing a full-on social media duel unfold across Twitter and YouTube that doubles as a quasi-advertising campaign (except that nobody cares about the Old Spice connection, they care about the characters and story) — people are being called out directly on both platforms, dates and times for the duel were announced, and tweets and videos will surely be published in a real-time, but coordinated, environment later today.

I agree that this has transcended traditional advertising, but in doing so it asks to be judged in terms of storytelling, not just advertising. Now perhaps I’m not the right person to ‘get’ this duel; I’ve never found Fabio a convincing character and just don’t find him funny. (Nor it seems does the internet; his challenge has more ‘dislikes’ than likes, but Mustafa’s reply is almost entirely ‘liked’.) However, for me, as a narrative experience, the Old Spice campaign has jumped the shark. The ‘duel’ doesn’t appear to be over yet, and perhaps I’ll be won over, but for now both the manly men vying for the Old Spice crown seem burdened by their roles, not excited by it. Fabio is a weary icon at best, and Mustafa’s lines just aren’t as funny as last year.

Live_at_Internet_Stadium

Mano_A_Mano_in_El_Bano

Update: Surprising no one, the Old Spice guy (Mustafa) won the ‘duel’, but the pathway there, through numerous odd videos, was a bizarre one, even by internet standards. Just watch the final showdown video to see odd things really got:

OldSpice_Fabio_Winner

Update 2: YouTube have run the numbers, and the Old Spice Guy versus Fabio videos (over 100 of them) clocked up 22 million views in a week, with the viewing peaking with just over 5 million views in a single day.

OldSpice_Graph

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