Links for January 25th through January 30th:

• Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com] – “When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking Twitter messages with a hashtag, “#grandiosenewt”, encouraging voters to add their own examples of occasions when they felt Mr. Gingrich had been “grandiose.” Within minutes, the hashtag was trending on Twitter. Reporters picked up on it, sending out their own Twitter posts and writing their own articles. The result: for at least one news cycle, the Romney campaign had stamped a virtual “grandiose” on Mr. Gingrich’s forehead. If the 2008 presidential race embraced a 24/7 news cycle, four years later politicos are finding themselves in the middle of an election most starkly defined by Twitter, complete with 24-second news cycles and pithy bursts. With 100 million active users, more than 10 times as many as in the 2008 election, Twitter has emerged as a critical tool for political campaigns, allowing them to reach voters, gather data and respond …”
• Google CEO Larry Page: Identity Is A ‘Deep, Deep Part Of What We’re Doing’ [Huffington Post] – “Watch out: Google is getting personal. CEO Larry Page emphasized that Google is determined to deliver online experiences tailored to each individual’s interests and social circles, an ambitious goal that requires the web giant to learn even more about its users’ preferences and personal information. “Engaging with users, really deeply understanding who they are, and delivering things that make sense for them is really, really important. We’re at the early stages of that and Google+ is a big effort,” said Page during an earnings call Thursday. “This notion of identity is a deep, deep part of what we’re doing and an example of how we can make all our products better by understanding people.” Though Google already knows a great deal about the people who use its services, from what YouTube videos they’ve watched to whom they email most on Gmail, the web giant still lusts after the treasure trove of personal data Facebook has accumulated over the past eight years …”
• Twitter uncloaks a year’s worth of DMCA takedown notices, 4,410 in all [Ars Technica] – “On almost any given day, Twitter receives a handful of requests to delete tweets that link to pirated versions of copyrighted content—and quickly complies by erasing the offending tweets from its site. That fact itself is probably unsurprising to people familiar with the Digital Millennium Copyright Act (DMCA) takedown process, which gives sites like Twitter a “safe harbor” against lawsuits related to user behavior and uploads—so long as the sites don’t knowingly tolerate pirated material or links to such material. But Twitter has taken the unusual step of making DMCA takedown notices public, in partnership with Chilling Effects, a project of the Electronic Frontier Foundation and several universities. [...] Scrolling through recent takedown notices, you’ll see names like Magnolia Pictures, Simon and Schuster, Warner Music Group, Universal Music Group, among those of many other media companies.”
• Apple’s iPad and the Human Costs for Workers in China [NYTimes.com] – Long and important piece which looks at the poor working conditions in some of the factories which assemble and supply the parts for Apple’s most popular products. It balances the enormous profits Apple makes with the human cost which have, in some cases, led to worker suicide.
• MPAA Wins the Oscar Screener Battle, but Loses the War [Epicenter | Wired.com] – “Every year, the MPAA tries desperately to stop Oscar screeners — the review copies sent to Academy voters — from leaking online. And every year, teenage boys battling for street cred always seem to defeat whatever obstacles Hollywood throws at them. For the last 10 years, I’ve tracked the online distribution of Oscar-nominated films, going back to 2003. Using a number of sources (see below for methodology), I’ve compiled a massive spreadsheet, now updated to include 310 films. This year, for the first time, I’m calling it: The MPAA is winning the battle to stop screener leaks. A record 37 films were nominated this year, and the studios sent out screeners for all but four of them. But, so far, only eight of those 33 screeners have leaked online, a record low that continues the downward trend from last year. They may be winning the battle, but they’ve lost the war. While screeners declined in popularity, 34 of the nominated films (92 percent) were leaked online by nomination day …”
• Tweets still must flow [Twitter Blog] – Twitter starts blocking tweets nationally: “As we continue to grow internationally, we will enter countries that have different ideas about the contours of freedom of expression. Some differ so much from our ideas that we will not be able to exist there. Others are similar but, for historical or cultural reasons, restrict certain types of content, such as France or Germany, which ban pro-Nazi content. Until now, the only way we could take account of those countries’ limits was to remove content globally. Starting today, we give ourselves the ability to reactively withhold content from users in a specific country — while keeping it available in the rest of the world. We have also built in a way to communicate transparently to users when content is withheld, and why. We haven’t yet used this ability, but if and when we are required to withhold a Tweet in a specific country, we will attempt to let the user know, and we will clearly mark when the content has been withheld.”
• No More Résumés, Say Some Firms [WSJ.com] – “Union Square Ventures recently posted an opening for an investment analyst. Instead of asking for résumés, the New York venture-capital firm—which has invested in Twitter, Foursquare, Zynga and other technology companies—asked applicants to send links representing their “Web presence,” such as a Twitter account or Tumblr blog. Applicants also had to submit short videos demonstrating their interest in the position. Union Square says its process nets better-quality candidates —especially for a venture-capital operation that invests heavily in the Internet and social-media—and the firm plans to use it going forward to fill analyst positions and other jobs. Companies are increasingly relying on social networks such as LinkedIn, video profiles and online quizzes to gauge candidates’ suitability for a job. While most still request a résumé as part of the application package, some are bypassing the staid requirement altogether.”
• Online echo chambers: A study of 250 million Facebook users reveals the Web isn’t as polarized as we thought. – Slate Magazine – A large-scale controlled study of Facebook users and their sharing habits suggests that far from an echo chamber (our social networks reinforcing the views and interests of our strong ties), Facebook users appear to get as much information from their weak ties (ie not as good friends/acquaintances) and thus suggesting social networks introduce diversity of information and perspectives. [Read Eytan Bakshy's Rethinking Information Diversity in Networks]

Links for November 12th through November 17th:

• An Oscar for Andy? by Tama Leaver [Antenna] – My first Antenna post looks at the possibility of a synthespian in the running for an acting Oscar: “On the back of the unexpected success of Rise of the Planet of the Apes, the big news isn’t a planned sequel but rather a “a healthy seven-figure deal for Andy Serkis to reprise his role as lead ape Caesar” along with the announcement that 20th Century Fox will be mounting an Oscar campaign aimed at getting Serkis a long overdue nod for Best Supporting Actor. It’s significant, too, because we never see Andy Serkis directly in Rise; rather, Caesar was created by the meshing of Serkis’s visceral, physical acting and the state-of-the-art computer wizardry from Weta Digital. Whether you prefer the term virtual actor, synthespian (‘synthetic thespian’) or just performance capture, an Academy Award for Serkis would demonstrate a widening understanding of what ‘acting’ actually means.”
• Google Music is open for business [Official Google Blog] – Google’s competitor to Apple’s iTunes has gone live, cleverly basing itself in the Android store. Of course, it’s not yet available in Australia.
• Salman Rushdie claims victory in Facebook name battle [BBC News ] – “Author Salman Rushdie says he has won a battle with Facebook over what to call himself on his profile page on the social network. Rushdie’s dispute with Facebook began after he asked to be allowed to use his middle name Salman – the one he is known by across the world. But Facebook, which has strict real name policies, had insisted on Ahmed – the novelist’s first name. Rushdie says Facebook has “buckled” after he began tweeting about the row. “Victory! #Facebook has buckled! I’m Salman Rushdie again. I feel SO much better. An identity crisis at my age is no fun. Thank you Twitter!” wrote the British Indian author, who is known as SalmanRushdie on Twitter. “Just received an apology from The #Facebook Team. All is sweetness and light.”"
• Aussie expat’s TV torrent site shut down as The Slap producers intervene [SMH] – “The producers of ABC1 drama The Slap have succeeded in shutting down a Netherlands-based piracy website that over 40,000 Australian and New Zealand expats use to illegally watch local shows. The site, diwana.org, is run by an Australian expat who started the site over five years ago and is popular with expats and others based overseas who are looking to access Australia and New Zealand TV content, which is often difficult to access internationally.[...] Despite the shutdown of Diwana.org, The Slap is still widely available on other pirate websites.”
• Exfoliate for Facebook [Android Market] – Android app to delete unwanted Facebook history: “Exfoliate automates the removal of old, forgotten, content from Facebook(tm). Old content on social networking sites is a threat to your privacy. Removing this old content by hand is tedious, and practically impossible. On your wall, Exfoliate can remove any post, comment, or like, whether made by you or by others, older than a time you specify. Exfoliate can remove your own posts, comments, and likes, from your friends’ walls too. You can choose the age of items you wish removed, and Exfoliate will remove any items that are at least as old as your selection from any of your selected content areas. It is important, though, to understand that Exfoliate truly deletes the content. It is not backed up and it is not recoverable – well, that’s kinda the point. [...] Exfoliate is a network and battery hog, and there’s simply no way around this. To manage the impact, you can stop Exfoliate at any time, and restart Exfoliate later.”
• Jailbreak the Patriarchy: my first Chrome extension [Danielle Sucher] – Clever: “I just released my first Chrome extension! It’s called Jailbreak the Patriarchy, and if you’re running Chrome, you can head over here to install it. What does it do? Jailbreak the Patriarchy genderswaps the world for you. When it’s installed, everything you read in Chrome (except for gmail, so far) loads with pronouns and a reasonably thorough set of other gendered words swapped. For example: “he loved his mother very much” would read as “she loved her father very much”, “the patriarchy also hurts men” would read as “the matriarchy also hurts women”, that sort of thing. This makes reading stuff on the internet a pretty fascinating and eye-opening experience, I must say. What would the world be like if we reversed the way we speak about women and men? Well, now you can find out!”

Links for October 5th 2011 through October 17th 2011 (catching up on a backlog of good links!):

• New YouTube features for music artists [YouTube Blog] – YouTube gets even further on the disintermediation bandwagon (ie cutting out the middle people), letting bands and music partners offer merchandising, concert tickets and link to digital sales (including iTunes) from their music videos. It’s all about the integration!
• Amazon Rewrites the Rules of Book Publishing [NYTimes.com] – “Amazon.com has taught readers that they do not need bookstores. Now it is encouraging writers to cast aside their publishers. Amazon will publish 122 books this fall in an array of genres, in both physical and e-book form. It is a striking acceleration of the retailer’s fledging publishing program that will place Amazon squarely in competition with the New York houses that are also its most prominent suppliers. It has set up a flagship line run by a publishing veteran, Laurence Kirshbaum, to bring out brand-name fiction and nonfiction. It signed its first deal with the self-help author Tim Ferriss. Last week it announced a memoir by the actress and director Penny Marshall, for which it paid $800,000, a person with direct knowledge of the deal said. Publishers say Amazon is aggressively wooing some of their top authors. And the company is gnawing away at the services that publishers, critics and agents used to provide.”
• Buyers dodge court’s Samsung tablet ban [The Age] – Surprising no one: “Australians are making a mockery of a Federal Court injunction banning the sale of Samsung Galaxy Tab 10.1 tablets in Australia by ordering them from online stores. Meanwhile, in the US, Samsung’s own lawyers were left red-faced after being unable to differentiate between Samsung’s and Apple’s tablets in court. Samsung has been forbidden by Federal Court Justice Annabelle Bennett from selling or marketing the device in Australia until a full hearing in its patent infringement case with Apple, which isn’t expected to take place until next year. Justice Bennett said Apple had a prima facie case that Samsung infringed two of its patents. But online sellers on eBay, and web stores such as MobiCity.com.au, Expansys, Techrific and dMavo, are bypassing Samsung Australia and obtaining stock from other countries, such as Hong Kong.”
• Google Announces Third Quarter 2011 Financial Results (GooglePlus = 40 million+) [Google Investor Relations] – In their third quarter financial resuts, Larry Page announces that Goole+ has passed 40 million users.
• Lady Gaga bans Lady Goo Goo song [BBC News] – Given Lady Gaga’s rhetoric about respecting her fans ignoring (her) copyright and that this effort seems like parody to me, I’ll be interested to see how this is justified: “Lady Gaga has won an injunction at London’s High Court to stop animated character Lady Goo Goo from releasing a single, its makers have said. Lady Goo Goo, a baby with a long blonde fringe from the Moshi Monsters online game – owned by UK firm Mind Candy – released The Moshi Dance on YouTube. But Lady Gaga’s injunction has stopped its full release, Mind Candy said. Law firm Mishcon de Reya confirmed it had represented Lady Gaga but said it could not comment further.”
• A fall sweep [Official Google Blog] – Google is killing off a number of poorly performing products. Google Buzz is the most notable closure. Hopefully Google learnt a lot from Buzz, especially about privacy.
• Felicia Day turns to Hangouts to promote new show [NewTeeVee - Online Video News] – “Web series veteran Felicia Day will promote her new online show Dragon Age: Redemption with a unique twist on Google+ Hangouts: The actress will be experimenting with something she dubbed Hangout Housecalls this coming Tuesday. Day is promising to visit as many Hangouts of her fans within a three-hour window as possible. She announced the house calls on Google+, where she explained: I’ll answer questions about the show and we can even pose for a photo that you can screencap and post later! Cool? Cool. The Dragon Age: Redemption house calls will kick off with a post on Day’s Google+ profile on Tuesday at 10 a.m. PST that will ask viewers to post links to their Hangouts in the comments. Day will then click through those links, visiting one Hangout after another.”
• The Guild turns product placement into merchandising gold [NewTeeVee - Online Video News] – Good wrap-up of the many, many different types of merchandise now available surrounding Felicia Day’s web series The Guild. Also interesting are both the careful deals – finding merchandise options which don’t threaten existing sponsorship from Microsoft and Sprint – but also how a lot of merchandise was strategically linked to Comic Conventions so that, eventually, they could be integrated into Season Five of The Guild which is largely set at a con. Day really is a canny business person and shows how far a recognisable web series can the deployed to make money across a wide range of products and tie-ins.
• 200 million Creative Commons photos and counting! [Flickr Blog] – Flickr users have now explicitly licensed and shared over 200 million photos using Creative Commons licenses. This is a fantastic and valuable resource. However, given there are more than 5 billion photos on Flickr, surely there could be more under CC licenses if the world was really spread? After all, being able to specify your license is one of the key things that Facebook really can’t do right now/
• Barcode Scanner for Zotero [Android App] – Android barcode scanning app for Zotero. If the barcode links to a book metadata, you can automatically add it to your Zotero library. “Scanner For Zotero brings Zotero’s magic wand tool out into the physical world. Scan the ISBN barcode on any book, and Scanner For Zotero will fetch that item’s bibliographic info from the web and allow you to add it to your Zotero library.That’s pretty cool.”
• Facebook’s privacy lie: Aussie exposes ‘tracking’ as new patent uncovered [The Age] – “Facebook has been caught telling porkies by an Australian technologist whose revelations that the site tracks its 800 million users even when they are logged out have embroiled Facebook in a global public policy – and legal – nightmare. Facebook’s assurances that “we have no interest in tracking people” have been laid bare by a new Facebook patent, dated this month, that describes a method “for tracking information about the activities of users of a social networking system while on another domain”.”

Links for September 27th 2011 through October 3rd 2011:

• How Social Networking Is Reviving Communal TV Viewing [The Next Web] – Real-time TV viewing is on the rise once more thanks to cleverly design related apps and strategic use of related #hashtags: “There are some signs that TV’s re-engaging its most coveted viewers. According to Nielsen, tech-savvy 12-24 year-olds are more connected and therefore more adept at using mobile devices to watch shows. This doesn’t bode well for the networks or for advertisers since, sometimes, the ads can be skipped. However, by turning TV programming into a true two-screen experience, it changes the equation. It makes the live experience more valuable, especially for the younger set. The data show that 18-34 year-olds are the most active demographic on social networks.”
• Facebook sued over claims it tracks users’ activity [The Age] – “Facebook is being sued by a group of users over claims it tracks their online activity after they log off. [...] On Friday, 10 public interest groups asked the US Federal Trade Commission to investigate Facebook’s tracking of internet users after they log off. They urged the commission to examine whether Facebook’s new ticker and timeline features increased privacy risks for users by combining biographical information in an easily accessible format. The lawsuit – filed by Perrin Aikens Davis, of Illinois – seeks class status on behalf of other Facebook users in the US. Davis seeks unspecified damages and a court order blocking the tracking based on violations of federal laws, including restrictions on wiretapping, as well as computer fraud and abuse statutes.”
• Peers, review your actions [Times Higher Education ] – Interesting proposition: academics should boycott doing peer review (for free) for journals which aren’t open access (ie charge a lot to be viewed).
• Princeton goes open access to stop staff handing all copyright to journals – unless waiver granted [The Conversation] – Princeton University policy prevents their academics from publishing in journals which demand full copyright over their work (unless explicit permission is sought from the institution). A bold move to try and reign in the big copyright holders and publishers who currently have a strangle-hold over a great deal of academic work!
• BBC iPlayer launches on iPad in Australia [TV Tonight] – The BBC iPlayer comes to Australia, for a fee. For $10 a month you can access more than 1000 hours of BBC archives (at launch, growing regularly) but NOT current TV shows. In part this is probably due to existing contracts with local networks (why would the ABC bother to screen Doctor Who if it was available via iPlayer before broadcast), but this really doesn’t then address the problem of the tyranny of digital distance. This is a clever commercial move, but is unlikely to address the issue of unauthroised downloading of UK TV shows in Australia.
• A New Flavor…Still Delicious [AVOS] – AVOS launch the re-imagined Delicious. Being a long-term Delicious user, I’ve got to admit I find the new version a bit confronting, especially the changes to tag clouds and so forth. And I really don’t want “stacks” – that’s what something like Pinterest is for (and I don’t use that much, either). However, I’m delighted Delicious lives on, so I’ll give it a go!

Links for September 2nd 2011 through September 7th 2011:

• 28% of American adults use mobile and social location-based services [Pew Research Center's Internet & American Life Project] – Pew research, September 2011: “More than a quarter (28%) of all American adults use mobile or social location-based services of some kind. This includes anyone who takes part in one or more of the following activities:
  * 28% of cell owners use phones to get directions or recommendations based on their current location—that works out to 23% of all adults.
  * A much smaller number (5% of cell owners, equaling 4% of all adults) use their phones to check in to locations using geosocial services such as Foursquare or Gowalla. Smartphone owners are especially likely to use these services on their phones.
  * 9% of internet users set up social media services such as Facebook, Twitter, or LinkedIn so that their location is automatically included in their posts on those services. That works out to 7% of all adults.” [Full PDF Report]
• Random thoughts about piracy [Social Media Collective] – boyd on the culturally-specific takes on media piracy: “I was absolutely enthralled with how the discourse around piracy in India was radically different than anything I had seen elsewhere. In India, piracy is either 1) a point of pride; or 2) a practical response to an illogical system. There is no guilt, no shame. I loved hearing people talk about mastering different techniques for pirating media, software, and even infrastructural needs (like water, electricity, even sewage…) There was a machismo involved in showing off the ability to pirate. To pay was to be cheated, which was decidedly un-masculine. Of course, getting caught is also part of the whole system, but the next move is not to feel guilty; it is to bribe the person who catches you. Ironically, people will often pay more to bribe inspectors than it would’ve cost them to pay for the service/item in the first place. Again, we’re back to pride/masculinity. Pirating was an honorable thing to do; not pirating is to be cheated.”
• Practise the web safety you teach [SMH] – Important little piece reminder K-12 schools that they need to practice what they are starting to preach. It’s great to give students and parents tips on protecting their identity online, but when schools post photographs of students with full names online – often without getting parental or student consent – that’s hardly reinforcing the privacy-aware message.
• The Fall of WikiLeaks: Cablegate2, Assange and Icarus [techPresident] – One (of many) takes on how Julian Assange and Wikileaks went too far in releasing entirely unedited records unedited. They’ve not only lost the moral highground, but tarnished past partners and ensured anyone in a position to leak something in the future would be even less likely to do so: “WikiLeaks has now indiscriminately dumped the whole cable set into the public arena, and in doing so it has tossed away whatever claim it might have had to the moral high ground. The argument that others were doing it already, or that bad actors were already getting access to the leaked master file and thus this was a mitigating step to reduce coming harms, or that it’s somehow The Guardian’s fault for publishing what it thought was a defunct password, doesn’t absolve WikiLeaks of its large share of responsibility for this dump. People are human; to err is human. But refusing to admit error, that is hubris. Assange, like Icarus, thought he could fly to the sun.”
• AFACT Uncle Sam’s puppet in iiNet trial [SMH] – “US copyright police are pulling AFACT’s strings as it drags iiNet through Australian courts, but is anyone really surprised? The Motion Picture Association of America is driving AFACT’s legal attack on Australian ISP iiNet, bringing in Village Roadshow and the Seven Network to avoid the impression of US bullying, according to US diplomatic cables released by Wikileaks. It seems the MPAA deliberately avoided picking a fight with the more powerful Telstra, instead hoping for a quick victory against the smaller iiNet which could set a national and perhaps even international legal precedent to aid the Americans in their global fight against piracy. The undertones of American imperialism and Australian subservience are disturbing …”

Links for August 16th 2011 through August 25th 2011:

• OK Go and The Muppets – Muppet Show Theme Song [YouTube] – OK Go and the Muppets, doing The Muppets Theme. I’m pretty sure this is what teh interwebz were built for! (Also, the new Muppets: The Green Album looks great [iTunes link]).
• Compare the new CGI Yoda from the Blu-Ray Star Wars Episode One with the original puppet [io9] – George Lucas goes back to Star Wars Episode 1 (The Phantom Menace) and replaces the scenes of Yoda that still used some puppetry with completely CGI ones. I guess Lucas is now fully postmodern: there is no original.
• Samsung uses 2001: A Space Odyssey as prior art in Apple’s iPad lawsuit [io9] – “Did Apple invent the iPad? Or did Stanley Kubrick and Arthur C. Clarke? Samsung is using the above clip as a piece of evidence in its defense against Apple’s patent lawsuit over the Galaxy S and similar tablet computers. Samsung notes that “the tablet disclosed in the clip has an overall rectangular shape with a dominant display screen, narrow borders, a predominately flat front surface, a flat back surface (which is evident because the tablets are lying flat on the table’s surface), and a thin form factor.” You don’t actually see the actor interacting with the tablet’s user interface, but plenty of other science fiction movies and TV shows have depicted tablets, including Star Trek’s PADD.”
• Copyright: Forever Less One Day – YouTube – Concise, clear and well-argued video decrying the current length (and beneficiaries) of copyright law.
• On Pseudonymity, Privacy and Responsibility on Google+ [TechnoSocial] – Superb post by Kee Hinckley looking at the many challenges and issues raised by the ‘nymwars’ (Google+ forcing users to have ‘real names’, not pseudonyms).
• Youth in the dark about sexting [ABC News (Australian Broadcasting Corporation)] – “Australia’s leading cyber-safety expert has told a women and policing conference young people do not understand the consequences of sending sexually explicit images via mobile phones. [...] Susan McLean from Cyber Safety Solutions Victoria says many people under 18 do not realise taking and sending sexual images of themselves can be child pornography. [...] Ms McLean is calling for child pornography law reform to address the growing number of young people exchanging sexual photos. She says while some people under 18 send explicit pictures through coercion, others are just expressing themselves and child pornography laws are not designed for that. [...] “What I think we need to look at is the consensual sexting if you like, the image that might go from A to B and no further. Should these people be charged with manufacturing child pornography and should they risk being placed on the sex offenders register and of course the answer is no.”"
• Fox’s 8-Day Delay on Hulu Triggers Piracy Surge [TorrentFreak] – Despite having had streaming versions of man of their shows legally available online immediately after broadcast via Hulu and their own websites, Fox in the US have now added a 7-day delay to all streaming releases (ostensibly to drive viewers back to scheduled TV). And the result of increasing the tyranny of digital distance? More TV show piracy: “Over the last week TorrentFreak tracked two Fox shows on BitTorrent to see if there was an upturn in the number of downloads compared to the previous weeks, and the results are as expected. For both Gordon Ramsay’s Hell’s Kitchen and MasterChef the download numbers have surged. During the first 5 days, the number of downloads from the U.S. for the latest episode of Hell’s Kitchen increased by 114% compared to the previous 3 episodes. For MasterChef the upturn was even higher with 189% more downloads from the U.S. For MasterChef; the extra high demand may in part have been facilitated by the fact that it was the season finale.”
• Facebook tribute site for Ayen Chol ruined by racists [Courier Mail] – “Vulgar photographs and racist posts have ruined a Facebook tribute site dedicated to the little girl mauled to death by a dog last week. The State Government and police will try to erase the posts. The two pages have 35,000 followers, several of whom have contacted Crimestoppers. Some vile comments and images already have been removed. But others remain on the sites dedicated to four-year-old Ayen Chol. One post on a page described the pit bull-cross linked to the girl’s death last Wednesday as a legend. [...] A Victoria Police spokeswoman said police would work with Facebook to try to have any offensive content removed. A Facebook spokeswoman said the site wanted to express its sympathies to Ayen’s family and friends.”
• Inquiry ordered as law lags behind teen sexting [The Age] – The Victorian government will launch an inquiry into sexting to investigate whether the law needs an overhaul [...] Victorian Attorney-General Robert Clark said sexting raised serious issues for victims and offenders and the law needed to catch up with changes in behaviour and technology [...] The inquiry is to report back by mid-next year. In America, some states have changed their laws to decriminalise the consensual exchange of sexts between teenagers. But forwarding the pictures to others without permission remains an offence. In the cases of youths who were registered as sex offenders after sexting offences, Mr Clark said: ”The implications of the sex offender register are a key part of what we would expect the inquiry to look at. This seems to be an example of where the law can apply in a context which was not in mind at the time the law was enacted and which may well be having consequences that the community would not think were appropriate or intended.””
• Warning: Those Facebook rants can get you sacked [News.com.au] – “Fair Work Australia has upheld the right of an employer to sack a worker over an expletive-filled Facebook rant against a manager that was posted out of hours on his home computer. In a case that highlights the hazy line between work and private lives, computer technician Damian O’Keefe was dismissed after posting on Facebook last year that he “wonders how the f *** work can be so f***ing useless and mess up my pay again. C***s are going down tomorrow.” Mr O’Keefe’s employer, a Townsville franchise of the retail electrical goods business, The Good Guys, believed the post constituted a threat to Kelly Taylor, an operations manager responsible for processing the pay of employees. [...] The tribunal’s deputy president, Deidre Swan, said “common sense would dictate” that a worker could not publish insulting and threatening comments about another employee. “The fact that the comments were made on the applicant’s home computer, out of work hours, does not make any difference,” she said.”
• England riots: pair jailed for four years for using Facebook to incite disorder [guardian.co.uk] – “Two men have been jailed for four years for using Facebook to incite disorder. Jordan Blackshaw, 20, from Marston near Northwich, and Perry Sutcliffe-Keenan, 22, from Warrington, appeared at Chester crown court on Tuesday. They were arrested last week following incidents of violent disorder in London and other cities across the UK. Neither of their Facebook posts resulted in a riot-related event. During the sentencing, the recorder of Chester, Elgin Edwards, praised the swift actions of Cheshire police and said he hoped the sentences would act as a deterrent to others. Assistant Chief Constable Phil Thompson said: “If we cast our minds back just a few days to last week and recall the way in which technology was used to spread incitement and bring people together to commit acts of criminality, it is easy to understand the four year sentences that were handed down in court today.”
• Study finds third of teachers have been bullied online [BBC News] – “More than a third of teachers have been subject to online abuse, according to a survey conducted by Plymouth University. The majority of the abuse – 72% – came via pupils but over a quarter was initiated by parents. The majority of teachers claiming online abuse were women. Much of the abuse is via chat on social networks but the study also found that many were setting up Facebook groups specifically to abuse teachers. In some cases, people posted videos of teachers in action on YouTube while others put abusive comments on ratemyteacher.com. In total, 35% of teachers questioned said they had been the victim of some form of online abuse. Of these, 60% were women.”

Links for July 27th 2011 through August 5th 2011:

• The freedom to be who you want to be… [Google Public Policy Blog] – A February 2011 post from the Google Public Policy blog, which included this: “Pseudonymous. Using a pseudonym has been one of the great benefits of the Internet, because it has enabled people to express themselves freely—they may be in physical danger, looking for help, or have a condition they don’t want people to know about. People in these circumstances may need a consistent identity, but one that is not linked to their offline self. You can use pseudonyms to upload videos in YouTube or post to Blogger.” In light of the real names policy on Google Plus, I wonder if Google is getting so big that the left hand is writing policies while the right hand thinks about things?
• “Real Names” Policies Are an Abuse of Power [danah boyd | apophenia] – Some important thoughts about the increasing in ‘real names’ policies, especially on Google Plus. From an historical point of view, boyd makes the important distinction between Facebook’s evolution (starting in a closed , trusted community where real-names are the norm) and GooglePlus, which has most directly courted the geek/coder/developer communities which have a much stronger tradition of handles, avatars and other non-real (where real = legal) names. And, as most people have pointed out, the disempowered, disenfranchised and non-elite members of society are often those who have the best (and convincing) need to use names other than their legal ones.
• Evil fiction: teacher a target of fake Facebook profile [the Age] – “Police are hunting the creator of a fake Facebook profile that was used to impersonate a Sydney primary school teacher and frame him as a paedophile by targeting kids at his school. The teacher, who cannot be named, is a long-time campaigner against racism online and with others he runs a blog that names and shames racists by publishing their hate-filled Facebook postings. In a phone interview, he said he believed this is why he was targeted. He said he and his family had been harassed over the phone, received death threats and had threatening notes left in his mail box after his personal details – including his address, phone number, photos and work details – were posted on a white supremacist website. “This Facebook profile opened up a couple of days ago with a picture of me and a friend with shirts off holding a beer … they were writing things on the wall such as ‘i’m gay and I like little boys’ and all sorts of things like that,” the teacher said in a phone interview.”
• Google+ pseudonym wars escalate – is it the new being ‘banned from the ranch’? [guardian.co.uk] – “Google is handling the issue of monikers rather badly when it comes to Google+. The list of blocked users is what is now being referred to as the NymWars extends to some fairly influential users. [...] Blocked users are told: “After reviewing your profile, we determined that the name you provided violates our Community Standards.” Standards that are being used to ensure that everyone using Google+ is signed up using their real name. It doesn’t take much imagination to work up a few conspiracy theories about why Google should be so insistent on a real-name policy, alongside some more rational, soft-policy theories on encouraging a more, mature constructive level of engagement that reflects how we best communicate in the real world – ie, when we know who we’re talking to. But online identity is more nuanced than that. Though the roots of pseudonyms may have been in the murky, early web days when users may have felt safer protecting their identity when exploring this new world …”
• 6,000,000,000[ Flickr Blog] – Flickr reaches 6 billion photos in size, increasingly roughly 20% the number of uploads per year. This is a lot of photos, but a good, official (instagram-like) Flickr mobile app would probably mean this number would be much higher.
• Facebook’s new ‘Expected: Child’ tag sparks outcry [The Age] – “Facebook just made it easier to tell all your friends and acquaintances about your new pregnancy in one fell swoop. The social networking site recently added “Expected: Child” to its list of friends and family tags. The company also allows you to write in your due date and has optional space for the soon-to-be little one’s name. [...] When I heard the news I put in a call to a friend who is 10 weeks pregnant to see if she would consider adding an “Expected: Child” on her Facebook account. The answer? A big fat no. “I’m so curious to see who would even do that,” she said. She identified three main problems with this new designation.
  1. It might hurt her friends’ feelings to hear about her pregnancy over Facebook rather than in person.
  2. The issues around having a miscarriage.
  3. For people who have had trouble conceiving, Facebook was already a minefield of pregnancy announcements and new baby photos.”
• Fox Network to limit Web access to its shows [CNET News] – Fox in the US increases the tyranny of digital distance and provides massive incentives for unauthorised downloading of TV shows: “Fox Network announced late today that it will begin delaying Web access to many of its popular TV shows to give cable and satellite TV providers greater exclusivity with programming, essentially putting up a de facto pay wall around its content. Beginning August 15, only those people who subscribe to a participating video distributor will be able to view TV shows on an Internet portal the day after shows air on the network, the company said in a press release. All other viewers who are used to seeing episodes of “The Simpsons,” “Bones,” and “Glee” for free the next day on sites such as Hulu or Fox.com will now have to wait eight days to catch their shows.”
• BBC iPlayer goes global with iPad app launch in 11 countries [guardian.co.uk] – “BBC Worldwide is launching its global iPlayer service today, via an iPad app that will be made available in 11 countries in Western Europe. The US, Canada and Australia will follow later this year, as part of what is intended to be a one-year pilot. The service will offer a limited amount of content for free, supported by pre-roll ads and sponsorship, but its core business model is subscription, with users paying €6.99 a month or €49.99 a year. The 11 launch countries are Austria, Belgium, France, Germany, Italy, Luxembourg, The Republic of Ireland, The Netherlands, Portugal, Spain and Switzerland. The global iPlayer app includes some features that are not in the UK version, including the ability to stream shows over 3G as well as Wi-Fi, and a downloading feature to store programmes on the iPad for offline viewing. “We think we have a load of unmet demand for BBC and British content internationally,” said BBC.com managing director Luke Bradley-Jones in an interview with Apps Blog.”
• Media Piracy in Emerging Economies | A Report by the Social Science Research Council – “Media Piracy in Emerging Economies is the first independent, large-scale study of music, film and software piracy in emerging economies, with a focus on Brazil, India, Russia, South Africa, Mexico and Bolivia. Based on three years of work by some thirty-five researchers, Media Piracy in Emerging Economies tells two overarching stories: one tracing the explosive growth of piracy as digital technologies became cheap and ubiquitous around the world, and another following the growth of industry lobbies that have reshaped laws and law enforcement around copyright protection. The report argues that these efforts have largely failed, and that the problem of piracy is better conceived as a failure of affordable access to media in legal markets.” [PDF]

Paul Mutant’s painting “This Painting is Not Available in Your Country” perfectly captures the Tyranny of Digital Distance.

Links for March 21st 2011 through March 25th 2011:

• Record Industry: Limewire Could Owe $75 Trillion – Judge: “Absurd” [Crunch Gear] – “… this is beyond ridiculous. This is… sublime. The record companies suing Limewire were asked to estimate the damages that should be paid by the file-sharing service. Their estimate? $400 Billion on the low end, and at the high end — $75 trillion dollars. That’s more than the GDP of the entire world. The judge, in a refreshing stroke of good sense, deemed these potential damages “absurd” and the plaintiff’s approach “untenable”. The $75tn figure relies on an interpretation of copyright law that provides statutory damages for each instance of copying, and with the numbers of downloads and individual songs the industry is alleging, the money adds up quickly. Even the $400bn figure is certainly grossly inflated, however “conservative” it may appear to Virgin, Atlantic, Sony, and so on. It was decided that an interpretation of copyright law enabling the music industry to sue for more money than they’ve made in the history of recorded music was necessarily wrong…”
• Troll jailed for posting child porn on tribute pages for dead children [News.com.au] – A MAN charged over Facebook vandalism for plastering child pornography over sites set up to pay tribute to two slain schoolchildren has been jailed. The Brisbane District Court was told Bradley Paul Hampson, 29, posted offensive messages and photographs on Facebook “RIP tribute” pages for a 12-year-old boy stabbed at a Brisbane school and a nine-year-old Bundaberg girl abducted and murdered in February last year. Hampson, of Tarragindi, on Brisbane’s southside, today pleaded guilty to two counts using a carriage service, the internet, to cause offence and one each of distributing and possessing child exploitation material between February 14 and June 4 last year. [...] Judge Kerry O’Brien jailed Hamspon for three years, but ordered he be released after serving 12 months. Judge O’Brien ordered Hampson be placed on a two-year probation order upon his release from jail.”
• Tweeting with the telly on [BBC News] – Twitter TV – it can be more than just #qanda! “The days of families reverentially gathered around the box may be long gone but the doom-mongers who said that on-demand would kill linear TV completely may also be somewhat off the mark. A new generation of viewers is watching what has been dubbed social TV – a synthesis between TV and social networking. A recent study from marketing agency Digital Clarity found that 80% of under-25s used a second screen to communicate with friends while watching TV and 72% used Twitter, Facebook or a mobile app to comment on shows. Currently it is little more sophisticated than watching TV with one eye on Twitter or Facebook, but that is beginning to change as TV executives start to experiment with greater social networking integration. In New Zealand, TVNZ has just launched a new youth channel which sees Facebook heavily integrated to create an interactive entertainment and music show.”
• Amazon Appstore: what does it mean for developers? [guardian.co.uk] – Amazon launch their new Android App store. Testimony to the choice available on an open system. However, launching it US-only seems ridiculous. Rovio’s ‘Angry Birds Rio’ is free for the first day of Amazon’s App Store, but no one in the US can ‘buy’ it (ie download it) at all. Not a terribly auspicious start. (Oh, and Apple are going to sue them for use of ‘App’ in the name of their App Store.)
• Piracy: are we being conned? [The Age] – A thoroughly research article which rebukes some of the ridiculous claims in several recent industry-backed “piracy” scare reports: “This month, a new lobbying group, the Australian Content Industry Group (ACIG), released new statistics to The Age, which claimed piracy was costing Australian content industries $900 million a year and 8000 jobs. The report claims 4.7 million Australian internet users engaged in illegal downloading and this was set to increase to 8 million by 2016. By that time, the claimed losses to piracy would jump to $5.2 billion a year and 40,000 jobs. But the report, which is just 12 pages long, is fundamentally flawed. It takes a model provided by an earlier European piracy study (which itself has been thoroughly debunked) and attempts to shoe-horn in extrapolated Australian figures that are at best highly questionable and at worst just made up.”
• Google accuses China of interfering with Gmail email system [The Guardian] – Google vs China, round two: “Google has accused the Chinese government of interfering with its popular Gmail email system. The move follows extensive attempts by the Chinese authorities to crack down on the “jasmine revolution” – an online dissident movement inspired by events in the Middle East. According to the search giant, Chinese customers and advertisers have increasingly been complaining about their Gmail service in the past month. Attempts by users to send messages, mark messages as unread and use other services have generated problems for Gmail customers. In the wake of the catastrophic earthquake in Japan, Google set up an application to help people find relatives and friends lost in the disaster. This service too seems to have been compromised. “Relating to Google there is no issue on our side. We have checked extensively. This is a government blockage carefully designed to look like the problem is with Gmail,” said a Google spokesman.”

Links for March 2nd 2011 through March 8th 2011:

• Angry Birds is coming to Facebook, which means it has now pretty much conquered the entire world [News.com.au] – I’m genuinely curious how a hugely popular single-player game will deploy the social dynamics of Facebook in when Angry Birds is re-engineered as a social game: “ANGRY Birds will be flinging itself onto Facebook next month, the makers of the hugely popular game said today. Finland-based Rovio Mobile told tech magazine Wired UK that the Facebook version of Angry Birds will include new aspects of gameplay. “There will be completely new aspects to it that just haven’t been experienced on any other platform,” said Rovio chief executive Mikael Hed. “The pigs will have a more prominent role.”"
• Angry Birds – Letters from the Front Lines [McSweeney's Internet Tendency] – “Dearest Martha, It has been some time since I’ve had the opportunity to write you, perhaps seven or eight levels. The green pigs have fortified their defenses and there seems to be no end to this madness. They are an industrious lot who have remarkable construction skills in spite of their lack of arms or legs. They’re a formidable enemy but I still envision the day we can bring our eggs home safely. Keep the nest warm for me, Yellow Bird” There’s a lot more where that came from!
• Twitter Spoils the Oscars Party for Channel Nine [Mapping Online Publics] – “In addition to their massive global TV audience, the 2011 Academy Awards also featured the #Oscars hashtag for the first time, of course, encouraging even more discussion of the Oscar ceremony on Twitter. And discuss they did – globally, over 500,000 tweets were posted during the marathon five-hour live event of the red carpet arrivals and awards ceremony, peaking at nearly 2500 tweets per minute during the tongue-in-cheek ‘best movie’ song montage. [...] what’s especially interesting from our perspective in Australia is the local takeup of Twitter to discuss the Oscars. With ‘spoilers’ about winners and losers being posted on Twitter and other social media sites, it’s now almost impossible not to be aware of the Oscar results well before they reach our screens in the evening – which means that local viewers may still watch the delayed telecast to catch the full pomp and circumstance of the Academy Awards, but the party’s already over by then.”
• German minister quits amid plagiarism scandal [ABC News (Australian Broadcasting Corporation)] – “Germany’s popular defence minister Karl-Theodor zu Guttenberg has announced his resignation a month after being stripped of his doctoral title over accusations of plagiarism. [...] The suave aristocrat, who can trace his family back to the 12th century and whose wife is a direct descendent of the 19th century “Iron Chancellor” Otto von Bismarck, had been dubbed “Baron Cut-And-Paste” and “Zu Googleberg” by the media. [...] the plagiarism row, which broke after a law professor close to the opposition went through his doctoral thesis, was what finally broke him. Internet sleuths set up a wiki, or collaborative website, to comb through the 475 pages, concluding that more than two-thirds of the dissertation contained evidence of unattributed copying.”
• Bloody battle over Mortal Kombat ban as critics decry ‘broken’ classification system [The Age] – Australian Video Game Classification: Still Broken, Still Confusing Everyone. “Warner Bros. is appealing a ban on one of the most anticipated game releases of the year, Mortal Kombat, as the federal government’s censors defend their decision to ban Mortal Kombat while allowing a sexy spanking game to be classified PG. Earlier this week it was revealed that the Classification Board had given Mortal Kombat a “refused classification” rating due to its violent gameplay, effectively banning it from sale in this country unless the publisher, Warner Bros., submits a more toned-down version. At the same time, a new risqué title for the Wii, We Dare, is due for release tomorrow and has been given a PG rating despite the game promoting spanking, stripping and sexual partner swapping. The Australian Christian Lobby said the We Dare decision showed the classification system was “broken”. Even the game’s publisher, Ubisoft, says the game is intended for an “adult” audience.”
• Charlie Sheen Joins Twitter [The Age] – Could the whole Sheen meltdown be part of a campaign to sell a brand of milk? (I’m joking … I think?)
  “Charlie Sheen has once again become an advocate for chocolate milk consumption in his much-anticipated debut on Twitter this morning. The troubled actor, who has been racking up a phenomenal 100,000 followers an hour after joining the micro-blogging site overnight, posted a Twitpic of himself in a kitchen holding a bottle of flavoured milk. Last month the Hollywood bad boy received a round of applause from a university baseball team in California when he offered some anti-drug advice during a congratulatory speech. “Stay off the crack. Drink a chocolate milk,” Sheen said at the time. In an apparent reference to that, the dairy fan posted on Twitter a photograph of himself, the milk and porn star Bree Olson, one of two “goddesses” who lives with him in his Los Angeles home. Olson is pictured holding organic “Naked” juice.”

Links for January 5th 2011:

• Billionaires take a turn at initiating ‘brand’ damage [SMH] – The Australian retail industry has jumped the shark. In an effort to ‘combat’ consumers getting better deals online, the retail giants have banded together to lobby the government to remove an exclusion that means purchases for overseas goods totally under $1000 don’t have the GST added. Customers, in turn, have pointed out very loudly that they shop online because of the terrible state of retail shops in Australia. Whoever thought up a PR campaign that basically tells consumers that the rich retail giants want consumers to be taxed more because they’re becoming too savvy and demanding better choice clearly failed Marketing 101!
• How iTunes buyers are ripped off [Perth Now] – Australians are sick of the tyranny of digital distance: “Australian music fans are forging foreign iTunes accounts to make big savings on their purchases. The practice, which is a direct breach to iTunes terms and conditions, has exposed the inflated price that Australians pay to access songs off the popular music and entertainment site. By creating an American iTunes account through the use of a US credit card or gift card, users are saving up to 80c per song and $7 per album. The recently released Beatles box set collection can be bought with a saving of more than $A100. [...] Numerous forums have surfaced on the net explaining the details of how to access the store which include creating a fake American billing address. Some have even used the address of the Apple corporation in the US to gain access.”
• Facebook Users Uploaded A Record 750 Million Photos Over New Year’s [Tech Crunch] – “It doesn’t come as a huge surprise, but it’s still staggering to think about: over the New Year’s weekend, Facebook saw 750 million photo uploads from its users. That’s a lot of celebrating, and it sets a new Facebook record. The stat was just tweeted by Facebook marketing director Randi Zuckerberg (who is also founder Mark Zuckerberg’s sister). We’ve reached out to Facebook to ask what the last record was, but I’m guessing it was set over Halloween, which has historically been the biggest day for Facebook Photos. To give some context to that number, in July Facebook said that more than 100 million photos get uploaded every day (that average is higher now, obviously).”
• Angry Birds launch for Sony’s Playstation 3 and PSP [BBC - Newsbeat] – Angry Birds makes the jump from mobile gaming to the consoles: “Sony has announced that Angry Birds is going to be released on its PlayStation 3 and PSP consoles. The game was originally developed for smart phones and proved a huge success with iPhone and Android users. Since being released in late 2009 it’s been downloaded nearly 40 million times. But with the Japanese entertainment giant now firmly on board developers Rovio have high hopes about bringing the game to a new audience. Released on January 5th it will be available to download for £2.49. “
• What Could Have Been Entering the Public Domain on January 1, 2011? [Center for the Study of the Public Domain] – “Waiting for . . . Waiting for Godot and Lord of the Flies, The Doors of Perception, Rear Window, Seven Samurai, Creature from the Black Lagoon, the first issues of Sports Illustrated, Horton Hears a Who! . . . . Current US law extends copyright protections for 70 years from the date of the author’s death. (Corporate “works-for-hire” are copyrighted for 95 years.) But prior to the 1976 Copyright Act (which became effective in 1978), the maximum copyright term was 56 years (an initial term of 28 years, renewable for another 28 years). Under those laws, works published in 1954 would be passing into the public domain on January 1, 2011. What might you be able to read or print online, quote as much as you want, or translate, republish or make a play or a movie from? How about William Golding’s Lord of the Flies?”
• You might do a job on yourself [The Age] – Recruiters and interview panels are increasingly examining web presences: “Thank twice before uploading another photo or status update if you are about to have a job interview – employers are watching you. In an age of oversharing online, with a third of the Australian population on Facebook, many recruiters and companies cannot resist the temptation to screen potential candidates via social media. US employers have taken screening one step further, asking some job candidates to log in to their Facebook pages during the interview. There is no sign of this happening in Australia, recruiters say. But employers were interested in looking beyond a person’s resumé, said Kate Kendall, who specialises in recruitment via social media. “Companies are more interested in a holistic view of who they are hiring,” she said. “You can’t really try to hide.”"
• Instagram Quickly Passes 1 Million Users [NYTimes.com] – “Instagram, a social photo-sharing company that opened its shutters to iPhone owners just two months ago, announced Tuesday that it passed a major milestone of 1 million registered users. The company began offering its simple photo service in mid-October that allows people to share images from a mobile phone and then add unique and fun filters. Since then, Instagram has quickly become the talk of the tech community as people have flocked to the service even with stiff competition from a number of well-financed competitors, including PicPlz, Flickr and Path.”

Links for December 2nd 2010 through December 6th 2010:

• Facebook Causes One In Five Divorces In US [Link Newspaper] – I think ’causes’ is an overstatement; facilitates, perhaps: “Flirty messages and photographs found on social networking website Facebook are now leading to at least one in five divorces in the US, a survey has revealed. A new survey by the American Academy of Matrimonial Lawyers also says around 80 per cent of divorce lawyers have reported a spike in the number of cases that use social media for evidence of cheating, according to the Daily Mail. Many cases revolve around social media users who get back in touch with ex-girlfriends and lovers they had not heard from in many years. Facebook was by far the biggest offender, with 66 per cent of lawyers citing it as the primary source of evidence in a divorce case. MySpace followed with 15 per cent, Twitter at five per cent and other websites together at 14 per cent.”
• When Oprah Winfrey educates Yanks on our ‘hip’ McCafes, it’s the dollar talking [News.com.au] – For Oprah, Australia = product placement: “Oprah Winfrey has already given Americans an insight into our culture. This is despite the fact the TV queen some say is the most influential woman in the world doesn’t arrive in Australia until tomorrow. According to Oprah’s Aussie Countdown, which screened to 10 million Americans last week, we Australians call men “blokes”, women “sheilas” and we like to meet up at “hip joints” called McCafes to sip on gourmet coffee. Some of the one-million-strong Australian audience who saw this report on the Ten Network last week were a little surprised to hear of the importance of McCafes to the Australian lifestyle. [...] The Australian asked the Ten Network and McDonald’s about the curious reference and they confirmed McDonald’s was a “broadcast sponsor and had a global arrangement directly with Harpo Productions for the in-program McCafe activity that appeared in Carrie’s segment”. In other words, the segment was paid for and funded by McDonald’s”
• Labor to back adults-only games classification [ABC News (Australian Broadcasting Corporation)] – Good news: “The Federal Government has announced it will support a push for an adults-only classification for video games. A decision on the matter is expected on Friday at a meeting of the Standing Committee of Attorneys-General. A recent Galaxy survey has found strong support for an R18+ classification, with 80 per cent of people surveyed saying they believed an adult classification was needed, while a government public consultation on the matter received close to 60,000 responses – with 98 per cent in favour of an adult rating. Currently in Australia, games classed above MA15+ are refused classification and cannot be brought into the country. Home Affairs Minister Brendan O’Connor says an adults-only classification would include games with excessive violence or adult themes.”
• Life on Mars? Not yet. But in the meantime, NASA has found a new kind of life on Earth… [Perth Now] – It’s life, Jim, but its diet is not as we know it: “Lurking in the depths of a California lake is a bacteria that can thrive on arsenic, an explosive discovery that could expand the search for other life on Earth and beyond, researchers have found. The NASA-funded study released today and published in the journal Science redefines what biologists consider the necessary elements for life, currently viewed as carbon, hydrogen, nitrogen, oxygen, phosphorus and sulphur. Not only does the bacteria survive on arsenic, it also grows by incorporating the element into its DNA and cell membranes. “What is new here is arsenic is being used as a building block for the organism,” said Ariel Anbar, co-author of the study. “We have had this idea that life requires these six elements with no exceptions and here it turns out, well maybe there is an exception.”"
• Making Copyright Work Better Online [Google Public Policy Blog] – From the point of view of digital libertarians, Google just got a bit more evil as they’ve pledged to act on reducing the ease of access to links to allegedly pirate material in their index. Google aren’t removing links (except where a DMCA takedown notice is submitted) but will prevent suspect material appearing in auto-complete, act faster on DMCA takedown notices, more carefully ensure AdSense doesn’t get used for ads pointing to pirated material, and other experiments. So the material is still returned in normal search results unless you’ve got the autocomplete on by default.
• BBC Plans Subscription-Only U.S. iPlayer On iPad [mocoNews] – “This is huge. The BBC will launch the long-awaited global version of its iPlayer TV catch-up service on a subscription-only basis, and initially only on iPad. The service, carrying BBC shows like Doctor Who on-demand, will likely be very popular in the U.S., generating new income for the BBC back in Britain. The significance of the move is clear – it means the BBC will operate a subscription worldwide media channel that, in time, could become one of its biggest.”

Links for October 10th 2010 through October 12th 2010:

• Simpsonic Business as Usual? [Antenna] – Jonathan Gray’s excellent piece discussing the tensions evident in Bansky’s Simpsons’ opening sequence: “… it leaves us with uncomfortable questions about Groening and co. How are they complicit, and are they simply making this a joke so that they and we can say, “Oh yes, that is bad, isn’t it? But we know about it, so it’s all okay. Let’s just get back to business as usual, shall we? Pass the Cheetos”? I was left with many conflicting responses here myself, on one hand thinking it was a brilliant statement, on the other hand feeling deeply uncomfortable that this is the show’s response to its labor practices – making an opening credit sequence rather than actually fucking doing something about them. Yet, the contestation of authorship in which the sequence engages leaves us wondering whether the American animators (who are largely responsible for the couch gags, by the way – these rarely involve the writers) can do anything about The Simpsons Factory.”
• Traditional developers look to Facebook games for inspiration [WA Today] – The rise of casual gaming: “While casual games might seem like innocuous time wasters, the sort of drop-in, drop-out games played on Facebook, mobile phones and through web portals have seen revenue grow from $US300 million in 2005 to at least $US3 billion ($3.05 billion) today. The real-time farming simulation game, FarmVille, made for Facebook and smartphones by the developer Zynga, has more than 62 million active users, which is equivalent to about 10 per cent of Facebook users. [...] While console-game developers charge a large upfront fee, casual-games revenue is derived through micro-transactions. “You may see 90 per cent or more of your audience never pay you a dime,” Kozik says. “They engage in the game absolutely free and can see if it is something that appeals to them or not. Then the 10 per cent or less who do pay more than justifies the continued expansion of the game.” Casual and social games are less expensive to develop than console games.”
• Apple Awarded Trademark for “There’s an App for That” [Mashable] – There’s a trademark for that: “Apple has filed a trademark application for the company’s now ubiquitous catchphrase, “There’s an app for that.” Apple filed for the trademark back in December 2009, citing first commercial use of the phrase on January 26, 2009, per trademark documentation. The trademark was filed in the Advertising, Business and Retail Services, Computer and Software Services and Scientific Services categories. The trademark applies to “retail store services featuring computer software provided via the Internet (Internet) and other computer and electronic communication networks; retail store services featuring computer software for use on handheld mobile digital electronic devices and other consumer electronics.””
• The Search – Is Your Web Identity Hurting Your Employment Chances? [NYTimes.com] – Web presences as (un)intended CVs: “You looked wonderful on your résumé. Your references raved about you. The interview went swimmingly. Yet you didn’t get the job. Oh, no: did they see that Facebook photo of you dancing on a table? Or find out that you’re six months behind on your mortgage payment? You may never know why you weren’t hired, but be aware that background checks can make or break a job application. And in a data-rich world, the person with the fewest red flags may get the job. Little hard research has been done on how hiring managers use the Internet to vet applicants. But you should assume that they are at least looking you up on search engines. So it’s wise to review the results of a quick search of your name. It is very hard to remove anything questionable about yourself from a search engine, but you can at least push it lower by adding positive entries, said Barbara Safani, owner of Career Solvers, a career management business in New York. “
• Short Attention Spans for Web Videos [NYTimes.com] – I suspect the quality of the content matters, too! “After watching an online video for a full minute, 44.1 percent of viewers will have clicked away, according to Visible Measures. But an outsize slice of that loss occurs in the first 10 seconds, during which 19.4 percent of a video’s audience defects. This phenomenon, known as “viewer abandonment,” is of intense interest to those who make online videos or advertise alongside them. Visible Measures studied the abandonment rate of 40 million videos over seven billion viewings. Music videos had especially high rates of abandonment, as did videos slow to reach a punchline — for example, a Budweiser ad about a man humiliated while buying pornography, which loses nearly 40 percent of viewers in the first 10 seconds. “It took a shocking 12 seconds to get to the conceit,” said Matt Cutler, the head of research at Visible Measures.”
• Keeping Our Distance, the Facebook Way [NYTimes.com] – It’s all about the weak ties: “Facebook is the best distancing tool since the creation of the Christmas card. Sending holiday greeting cards began in the 1850s in England and spread quickly as a way to stay in touch with far-flung friends and relatives. The cards, whether religious or not in theme, went to people you rarely wrote to and even more rarely spoke to, but for whom you still had a measure of affection — or curiosity. You wanted to know what was going on in their lives, and one exchange a year did the trick. The cards kept the people in your social network at a distance, while maintaining ties to them. I recall my parents sending and receiving Christmas cards. I did it for a year after I married, but I stopped because it was just too much work. Facebook, which tries to replicate our real-world relationships online, now helps me maintain those connections. But it does cards one better. It preserves the weak ties in my social network without creating obligations.”
• 10 Unbelievable Twitter Stories [Oddee.com] – A bit silly, but some useful extreme stories of what Twitter communication is very good for (and very bad for).
• Bathurst delay angers viewers [The Age] – Interesting idea; I don’t think a social media blackout would work, but there are definitely issues to sort out: “A social media blackout is needed when watching so-called live sport. The poor TV networks just can’t win when it comes to sport. They regularly get canned for cutting away from the action to screen ads. But Sunday’s Bathurst 1000 race was so tight that Seven claims it didn’t want to risk missing too much of the action. Instead, the network started pausing the coverage to drop in ad breaks. As a result, the broadcast was almost half an hour behind the race by the time the cars crossed the finish line. [...] Rather than treat viewers like idiots, perhaps the networks should start treating them like a precious commodity that will dry up if not handled with care. This means being honest when live sport isn’t really live.”

Links for July 20th 2010:

• Jessi Slaughter (“You dun goof’d” / “The consquences will never be the same”) [Know Your Meme] – Know Your Meme’s (still being researched) page on the 4chan Vs “Jessi Slaughter” debacle.
• How The Internet Beat Up An 11-Year-Old Girl [Defamer Australia] – 4chan and /b/ collectively turn on self-styled tween micro-celeb “Jessi Slaughter”, a very foul-mouthed video poster whose antics and anti-”hater” video got their undivided attention. The young girl in question is certainly provoking people, but SHE’S ONLY 11 YEARS OLD!
  As Defamer note “here are some important lessons from this tale:
  1. What are your kids doing on the internet? Normally we find fears about kids on the Internet the product of technophobic hysteria. But this case is a very good argument for why parents should at least be vaguely aware of what their kids are up to on the internet. [...]
  2. Tumblr is becoming a home for trolls. [...]
  3. Don’t pick on 11-year-old girls. Seriously. No matter dumb they seem – no matter how much it seems like they deserve it – they are, at the end of the day, 11-year-old girls. You wouldn’t make an 11-year-old girl cry in real life; why do it on the internet?”
• The Art Of Trolling: Inside A 4chan Smear Campaign [Defamer Australia] – 4chan go after Dahvie Vanity, the lead singer of “the terrible electro-pop MySpace band Blood on the Dance Floor”, who has supposedly been linked to 11-year-old 4chan victim Jessi Slaugher (he’s been rumoured to be a paedophile, but these are by now means substantiated – to my knowledge, no police action has been taken). /b/’s actions are citizen justice at its worst.
• 4Chan’s Sad War To Silence Gawker [Defamer Australia] – 4Chan go after Gawker media (Defamer’s parent company) to try and stop them writing about 4Chan; their efforts are not successful.
• Jessi Slaughter and the 4chan trolls – the case for censoring the internet [News.com.au] – Peter Farquhar uses the 4chan Vs Jessi Slaughter debacle as an excuse to promote the notion of an internet filter in Australia. While there is some token disagreement towards the end of the article, it’s still an example of terrible writing since it implies that (if she was in Australia, presumably) the proposed filter would have helped the situation. For the record, even the most extreme version of the filter Conroy mooted, would have made absolutely no difference in this case whatsoever. What WOULD make a difference for young people in Australia is more money and resources put into education about social media and online interactions across the national curriculum; the sort of money being spent developing and arguing about a useless mandatory filter would be exactly the put of money that could make a real difference in the eduction, awareness and thus safety of young Australians online.
• NB: No spoiler warning for MasterChef evictees! [TV Tonight] – Australian TV blog TV Tonight reminds those of us in the West that the interwebs will be filled with spoilers since Masterchef will go to air AEST! (Yes, we know: AEST is an anagram of EAST after all …)
• Why this is NOT the Twitter election [mUmBRELLA] – Quick post pointing out that while the upcoming Australia election will certainly be influenced by Twitter and social media, it certainly won’t be driven by it given the paucity of social media use and awareness of the two newbie leaders of the big parties.
• Google Discontinues the Nexus One Android Phone [Mashable] – Google’s experiment as a smartphone distributor come to a swift end: “Google has pulled the plug on the Nexus One, its once highly anticipated smartphone. The last shipment has arrived at Google HQ, and once those are gone there will be no more Nexus Ones for U.S. consumers. The handset will still be sold through Vodafone in Europe and some Asian carriers, and developers will still be able to get their hands on one, but it looks like the Droid phones on Verizon will carry the mantle for Google’s (Google) Android (Android) mobile operating system. This is the end the company’s grand experiment with an unlocked handset. Following disappointing sales, Google had already closed the Nexus One web store two months ago, so this final nail in the coffin was already overdue.”

Links for May 24th 2010 through May 26th 2010:

• Facebook ‘hindering the police’ [WA Today] – The Australian Federal Police take on Facebook: “Facebook’s woeful relationship with law enforcement bodies is hampering police investigations and putting lives at risk, the Australian Federal Police says. The AFP’s assistant commissioner and head of high tech crime operations, Neil Gaughan, will fly to Washington DC today for a meeting convened by the US Department of Justice in which senior law enforcement officials from around the world will discuss their concerns with the social networking website. State and federal police have told the Herald’s sister paper, the Age, the company has been unwilling to provide police with the intelligence they need for investigations. They want Facebook to appoint a dedicated law enforcement liaison in Australia who can, for example, match user accounts to physical internet addresses.”
• Facebook told to set up warning system after new sex scam [The Age] – Just what Facebook needs, its own viruses: “A major computer security firm urged Facebook to set up an early-warning system after hundreds of thousands of users were hit by a new wave of fake sex-video attacks. British-based virus fighter Sophos warned users of the world’s biggest social networking site to be on guard against any posting entitled “distracting beach babes”, which contains a movie thumbnail of a bikini-clad woman. In a press statement, Sophos said the malicious posts appear as if they are coming from Facebook users’ friends, but it urged recipients not to click on the thumbnail. By clicking on it, users are taken to a rogue Facebook application informing them that they do not have the right player software installed, Sophos said. It tricks users into installing adware, a software package that automatically plays, displays or downloads advertisements to their computer, and the video link is spread further across the network.”
• Lady Gaga Says No Problem If People Download Her Music; The Money Is In Touring [Techdirt] – “… Lady Gaga admits she’s fine with people downloading her music in unauthorized forms because she makes it up in touring revenue:
  

  She explains she doesn’t mind about people downloading her music for free, “because you know how much you can earn off touring, right? Big artists can make anywhere from $40 million [£28 million] for one cycle of two years’ touring. Giant artists make upwards of $100 million. Make music — then tour. It’s just the way it is today.”

  Similarly, she knocks bands that don’t really try to work hard to please the fans, and who just expect them to automatically buy each album:

  “I hate big acts that just throw an album out against the wall, like ‘BUY IT! F*** YOU!’ It’s mean to fans. You should go out and tour it to your fans in India, Japan, the UK. I don’t believe in how the music industry is today. I believe in how it was in 1982.”

• The Twitter Platform [Twitter Blog] – Twitter makes clear, that they will control advertising on Twitter, and no one else will: ” … aside from Promoted Tweets, we will not allow any third party to inject paid tweets into a timeline on any service that leverages the Twitter API. We are updating our Terms of Service to articulate clearly what we mean by this statement, and we encourage you to read the updated API Terms of Service to be released shortly.” (Their logic, while motivated by finances as much as anything else, does actually make sense in terms of user experience.)
• How The Australian fell in love with the iPad [mUmBRELLA] – Is The Australian an Apple customer or commentator? “While it’s fair to say that the world’s media has been pretty excited about Apple’s iPad, The Australian appears to be on the verge of spontaneously combusting over the device’s official arrival Down Under this Friday. Clearly the newspaper’s plans to launch its own paid-for iPad app are unrelated to that. Indeed, if it sells as many apps as it has written stories about the iPad, it will be well on the way to securing a digital future for itself. [...] I’d love to bring you every article The Australian’s carried about the iPad. But Google tells me there are 4,790 of them. So I’d better stop there. Did I mention that The Australian’s got an iPad app?”
• Quitting Facebook is pointless; challenging them to do better is not [danah boyd | apophenia] – boyd’s discussion points:
  “1. I do not believe that people will (or should) leave Facebook because of privacy issues.
  2. I do not believe that the tech elites who are publicly leaving Facebook will affect on the company’s numbers; they are unrepresentative and were not central users in the first place.
  3. I do not believe that an alternative will emerge in the next 2-5 years that will “replace” Facebook in any meaningful sense.
  4. I believe that Facebook will get regulated and I would like to see an open discussion of what this means and what form this takes.
  5. I believe that a significant minority of users are at risk because of decisions Facebook has made and I think that those of us who aren’t owe it to those who are to work through these issues.
  6. I believe that Facebook needs to start a public dialogue with users and those who are concerned ASAP (and Elliot Schrage’s Q&A doesn’t count).”

[Image via NewTeeVee]

There were more than 400,000 tweets during the Lost season finale; I didn’t make any of them, or read any of them in real-time, but not for a lack of interest. Rather, as I write this post (on Tuesday, 25 May) Australia has still not screened the Lost finale; it’s scheduled for Wednesday night on Seven. While Seven have reduced the delay between US screenings and Australian broadcast times, as was noted in yesterday’s links, the finale was simulcast live in the UK, Italy, Spain, Portugal, Israel, Turkey, and Canada but that was not the case down under. To add insult to injury, Seven couched this decision as service to Australian Lost fans:

Channel Seven will not screen the 2½-hour finale until 8.30pm Wednesday. A spokeswoman for the station said a Monday afternoon simulcast was considered, but it was felt fans would find the show more easily in its current timeslot – although the finale has been upgraded from digital channel 7TWO to Seven. […] ‘Ridiculous,” says comedian Wil Anderson, a Lost die-hard. ”If I was going to watch it on Wednesday, I could not go on the internet at all for two days. I will definitely have watched it by Wednesday.”

Better to have said nothing, or spoken plainly that they’ve decided the ratings boost from the Lost finale would be insufficient to justify tinkering with their Monday line-up, but to have Seven claim that the delay is to make things easier for Lost fans in Australia is really pretty offensive.

On the 400,000+ tweets made during the Lost finale by those who could see it live:

“And that is a conservative estimate,” said Mark Ghuneim, chief executive [of WiredSet]. That beat the show’s average of 27,000 tweets during the season, but was still a smaller volume overall than an event like the Oscars, said Mr. Ghuneim. “We tracked about 780,000 tweets during the Oscars,” Mr. Ghuneim said. “But it’s still an impressive number.” In addition, he said, tweets about the show peaked during commercials. “Instead of running to the fridge during commercial breaks, people were running to their laptops and phones,” he said.

From those comments, Twitter is a boon to commercial television: a social media tool which encourages real-time viewing, which actually justifies the ad breaks as times to reflect, comment and connect with other fans (with the ads still blaring away rather than risk missing the opening of next act), rather than skipping the commercials altogether. For so many Lost fans, that sense of shared viewing made the finale much more meaningful event television, whether you loved it, or hated it. Spreading that conversation across North America and sizable chunk of Europe made it even richer, but those riches were denied Australians. What Seven fails to understand, is that a delay of just over two days may as well be two decades; most people I know in Australia have already seen Lost via means which aren’t legal, be that a peer to peer download, or circumventing the geographic restrictions for an online replay-service like Hulu. Lost succeeded admirably in creating dedicated fans across the web; Seven succeeded admirably in forcing them to look elsewhere.

Perhaps the greatest irony, and the surest sign that Seven doesn’t understand social media, is the fact that there will be a “Live Blog” on the official Seven Lost pages on Wednesday night. On the web, live means live globally, not live in an arbitrary national sales region bounded by water. Besides which, I live in Perth, on the west coast of Australia, and the live blog wouldn’t even be live here anyway; were I watching Lost in Australia, it’d still be one giant spoiler thanks to Perth being 2-hours behind the East coast.

I’ve written about the tyranny of digital distance before which, in a nut-shell, occurs when the real-time nature of digital information sharing isn’t fulfilled due to historical, political and commercial boundaries which were largely established before the internet, before the web. Not being able to participate in the Lost finale’s global commentary is a poignant example of the tyranny of digital distance in action, and has done nothing for my relationship with commercial broadcasting in Australia. In an era where the immediacy and real-time nature of commentary can add so much to the shared viewing experience, the boundaries which prevent that fan experience can be all the more disappointing and distancing.

For the record: I’ve now seen the finale, and I loved it.

Largely Lost-centric links for May 24th 2010:

• Lost Finale: What the Web Wasn’t Made For [Mashable] – Why I’ll be off most social media today: “Those two wonderful facets of the web — on-demand viewing and instant communication between fans — tonight become a double-edged sword. The Lost Finale will be shown at 9pm ET on the East Coast, and 9pm PT on the West Coast. These time zone delays are the antithesis of what the web is about: Instant communication. The web is the perfect platform for the spread of breaking news, rumor, and those facts that corporations and politicians would rather keep quiet. In short: blogs, Facebook and Twitter make the spread of information immediate. But the web doesn’t understand the concept of the “spoiler”: The kind of information you’d like to avoid until a specific date or time. A TV blog can’t set its RSS feeds to be delivered later to the West Coast than the East. A Facebook update doesn’t get held back until you’ve watched the finale on your DVR. Your phone doesn’t know to block all Lost-related Tweets until you’ve watched the final episode.”
• Final episode Lost in transmission [WA Today] – Australian broadcasting is indeed, Lost, but not in a good way: “AT 2PM AEST today the final episode of supernatural drama Lost will be broadcast simultaneously in eight countries. Fans in the US, Canada, Britain, Italy, Spain, Portugal, Israel and Turkey will sit down as one to discover how the big questions in one of television’s most diabolically complicated shows are resolved. The international simulcast aims to stave off piracy, while attracting viewers worldwide before spoilers hit the web. But not in Australia. Channel Seven will not screen the 2½-hour finale until 8.30pm Wednesday. [...] ‘Ridiculous,” says comedian Wil Anderson, a Lost die-hard. ”If I was going to watch it on Wednesday, I could not go on the internet at all for two days. I will definitely have watched it by Wednesday.” Many Australian Lost fans have left free-to-air television for an alternate viewing reality, downloading, to join in discussions online…”
• Ahead of ‘Lost’ Finale, Fans Shut Off Virtual Hints [NYTimes.com] – “Erin Farley has her plans for Sunday all laid out. Two hours before the last episode of “Lost” is broadcast three time zones away, she will shut down her home Internet connection. TweetDeck? Off. Facebook? Off. Her cellphone? Stashed out of reach. “I’ll turn off the whole Internet just to avoid having anything spoiled,” said Ms. Farley, a 31-year-old freelance writer in Portland, Ore. “I don’t want to ruin the surprise.” The Internet in general, and social media like Twitter in particular, can be a minefield for those who are trying to keep themselves in the dark about an event or show so they can enjoy it later. When the Olympics and Grammy Awards are time-delayed, for example, armchair critics chattering about the wins and losses online can destroy the suspense in an instant. [...] people who don’t live on the East Coast, where Lost is shown first, are especially at risk for online spoilers. Overseas fans may have to wait days for a local broadcast – several years in Internet time”
• Lost bows out – after 121 baffling episodes – with 5am TV simulcast to beat plot spoilers [Television & radio | The Guardian] – Closer to non-sporting global television events: “Early on Monday morning [UK time] , millions of Lost fans will be hoping that the mysteries of the US drama’s fictional island accumulated over five years are finally revealed when the show closes in a unique broadcasting event. The finale will be simulcast on ABC in the US and by seven broadcasters around the world. Lost fans in the UK will be switching on Sky1 at 5am on Monday for the two-and-a-half-hour climax to six series, and 121 episodes, of baffling TV. Fans in Italy, Spain, Portugal, Israel, Turkey, Canada, as well as the UK, will see the show at the same time it is aired by ABC on America’s west coast. The time lag between broadcast in America and in the UK used to be six months or more, but has been narrowing for the most popular imports to counter DVD piracy and illegal downloads. Sky1 has been broadcasting this year’s final series of Lost on Friday nights — five days after its US Sunday evening premiere on ABC.”
• LOST re-enacted by Cats in 1 minute.
• Fan-made Lost Finale Trailer
• Facebook, MySpace Confront Privacy Loophole [WSJ.com] – “Facebook, MySpace and several other social-networking sites have been sending data to advertising companies that could be used to find consumers’ names and other personal details, despite promises they don’t share such information without consent. The practice, which most of the companies defended, sends user names or ID numbers tied to personal profiles being viewed when users click on ads. After questions were raised by The Wall Street Journal, Facebook and MySpace moved to make changes. By Thursday morning Facebook had rewritten some of the offending computer code. Advertising companies are receiving information that could be used to look up individual profiles, which, depending on the site and the information a user has made public, include such things as a person’s real name, age, hometown and occupation.” [Also see Benjamin Edelman's analysis.]
• PAC-MAN rules! [Official Google Blog] – After their first interactive logo, celebrating Pac-Man’s 30th birthday, Google makes their homage game available permanently: “We’ve been overwhelmed — but not surprised — by the success of our 30th anniversary PAC-MAN doodle. Due to popular demand, we’re making the game permanently available at www.google.com/pacman. Thanks to NAMCO for helping to make this wonderful collaboration happen. Enjoy!”
• Watching for Iron Sky [The Chutry Experiment ] – Useful introduction to the crowd-sourced film Iron Sky (coming some time 2011) for Web 207.

Links for May 7th 2010 through May 10th 2010:

• An Early Look At Twitter Annotations Or, “Twannotations” [TechCrunch] – Twitter are adding annotations, or twannotataions, in the near future; it’ll let specific ‘things’ be identified. It’s a bit like turning Twitter into a semantic communication tool. Richard Giles asks if this will make Twitter (a privately owned) internet protocol be default, but either way annotations should make Twitter even more of a cultural barometer.
• The Tell-All Generation Learns When Not To, at Least Online [NYTimes.com] – Privacy concerns online cross all generational barrier, despite the myth of the millennial mindset: “The conventional wisdom suggests that everyone under 30 is comfortable revealing every facet of their lives online, from their favorite pizza to most frequent sexual partners. But many members of the tell-all generation are rethinking what it means to live out loud. While participation in social networks is still strong, a survey released last month by the University of California, Berkeley, found that more than half the young adults questioned had become more concerned about privacy than they were five years ago — mirroring the number of people their parent’s age or older with that worry. They are more diligent than older adults, however, in trying to protect themselves.”
• Facebook’s Gone Rogue; It’s Time for an Open Alternative [Wired.com] – Ryan Singel takes Facebook to task for the continual failings in respecting user privacy both in terms of their architecture (so many things simply can’t be turned off now) and their policies (basically, screwing with privacy one step at a time, while using a raft of lawyers to ensure it’s not illegal … but maybe unethical). Singel argues that everything Facebook currently provides could be achieved by a series of open tools and protocols which provide real and clear choices about what we do and don’t share with the world. Singel argues we need to make these choices now because Facebook, for many, has almost become our online identity.
• Zuckerberg’s Law of Information Sharing [NYTimes.com] – From November 6, 2008: “On stage at the Web 2.0 Summit on Thursday, Mark Zuckerberg, the chief executive of Facebook, was cheerfully unruffled. Mr. Zuckerberg pinned his optimism on a change in behavior among Internet users: that they are ever more willing to tell others what they are doing, who their friends are, and even what they look like as they crawl home from the fraternity party. “I would expect that next year, people will share twice as much information as they share this year, and next year, they will be sharing twice as much as they did the year before,” he said. “That means that people are using Facebook, and the applications and the ecosystem, more and more.” Call it Zuckerberg’s Law.” The great thing about controlling the privacy settings for more than 400 million people, is it’s pretty easy to change things so more and more and their information is shared … even if many users don’t understand how and don’t think this is what they signed up for!
• The Evolution of Privacy on Facebook [mattmckeon.com] – A really useful inforgraphic by Matt McKeon which demonstrates five stages of Facebook’s default settings and how much information is public by default at each stage (short version: 2005 – not much; 2010 – almost everything!)
• Most pirates say they’d pay for legal downloads [News.com.au] – Peer-topeer sharers want legal options in Australia: “Most people who illegally download movies, music and TV shows would pay for them if there was a cheap and legal service as convenient as file-sharing tools like BitTorrent. That’s the finding of the most comprehensive look yet at people who illegally download TV shows, movies and music in Australia, conducted by news.com.au and market research firm CoreData. The survey canvassed the attitudes of more than 7000 people who admitted to streaming or downloading media from illegitimate sources in the past 12 months. It found accessibility was as much or more of a motivator than money for those who illegally download media using services like BitTorrent. More respondents said they turned to illegal downloads because they were convenient than because they were free … [More results here.]
• What Happens When You Deactivate Your Facebook Account [Read Write Web] – Facebook is a big part of millions and millions of peoples’ lives, but what happens when you pull the plug? Last night I met a man who walked to the edge of the cliff and nearly deactivated his Facebook account. He took a screenshot of what he saw after clicking the “deactivate my account” link on his account page – and it is pretty far-out. That man considered quitting Facebook because it was having an adverse emotional impact on him and I’ll spare him and his contacts from posting the screenshot he shared with me. I have posted below though a shot of the screen I saw when I clicked that button myself. Check it out. I bet you haven’t seen this screen before, have you? [...] Can you believe that? How incredibly manipulative! And what claims to make. Facebook has undoubtedly made it easier to keep in touch with people than almost any other technology on the planet, but to say that leaving Facebook means your friends “will no longer be able to keep in touch with you” is just wrong.”

Links for January 27th 2010:

• Terms of (Ab)Use: US and UK Consumers Dance to Different iTunes [Electronic Frontier Foundation] – Further illustration of the insanity of different national licensing agreements: “For example, as with many TOS agreements, the iTunes U.S. Terms purport to allow Apple to terminate any part of the service, including access to any music or other content available through iTunes, at any time without warning. The U.K. Terms step back from that extreme position. In particular, the U.K. Terms do not allow Apple to affect a user’s access to content already purchased. Furthermore, before terminating a user’s access to iTunes, the U.K. Terms require there at least be “strong grounds,” rather than mere “suspicion,” to believe the user has violated the agreement, and also obligates iTunes to provide notice of any planned modification, suspension, or termination to the extent possible. In other words, the U.K. Terms provide customers at least some guidance as to the grounds for termination, rather than leave them to worry their access to iTunes can be terminated at any moment for any reason.”
• Australia Set to Introduce Internet Filter that Could Block Access to Thousands of Anime, Comics, Gaming (ACG) and Slash Fan Sites by Mark McLelland, University of Wollongong [Guest Post: Confessions of an Aca-Fan] – Guest post by Mark McLelland looking at the implications of the Australian government’s forthcoming ISP-level internet filtering legislation on slash, anime, manga sites and thus fans in Australia. Outlook: poor.
• After Three Months, Only 35 Subscriptions for Newsday’s Web Site [The New York Observer] – So, how’s that paywall going? “In late October, Newsday, the Long Island daily that the Dolans bought for $650 million, put its web site, newsday.com, behind a pay wall. The paper was one of the first non-business newspapers to take the plunge by putting up a pay wall, so in media circles it has been followed with interest. Could its fate be a sign of what others, including The New York Times, might expect? So, three months later, how many people have signed up to pay $5 a week, or $260 a year, to get unfettered access to newsday.com? The answer: 35 people. As in fewer than three dozen. As in a decent-sized elementary-school class. That astoundingly low figure was revealed in a newsroom-wide meeting last week by publisher Terry Jimenez when a reporter asked how many people had signed up for the site. Mr. Jimenez didn’t know the number off the top of his head, so he asked a deputy sitting near him. He replied 35.”
• Google Doodle For Australia Day Missing Aboriginal Flag [SMH] – “An Australia Day artwork by student Jessie Du will be viewed by millions on Google’s home page today but one feature of her original design is conspicuously absent – the Aboriginal flag. Jessie’s Australia-themed version of the Google logo beat thousands of other entrants in the search giant’s Doodle 4 Google competition [...] Jessie, 11, is a student at Rydalmere East Public School. Her entry fashioned the letters in Google’s logo out of native Australian animals, such as the kangaroo, koala and emu. The central “o” in the original design was the Aboriginal flag but this has been edited out of the final version that adorns Google’s home page today. The discrepancy caused much consternation on Twitter, but a Google spokeswoman explained that the editing of Jessie’s design was due to a copyright dispute. The designer of the flag, Harold Thomas, who owns the copyright to the flag, refused to give Google permission to reproduce the design on its website…”
• Stop pining for life on Pandora and come back to planet Earth [Telegraph] – Conservative London Mayor Boris Johnson on Avatar: “It is a feature of powerful military empires that they like to romanticise their victims and luxuriate guiltily in the pathos of their suffering. Think of the Roman crowds pleading for the lives of captured barbarians in the amphitheatre.[...] And I can’t believe that many of these gloomy post-Avatar Westerners, when they really think about it, would want to up sticks to Pandora and take part in Na’vi society, with its obstinate illiteracy, undemocratic adherence to a monarchy based on male primogeniture and complete absence of restaurants. The final irony, of course, is that this entrancing vision of prelapsarian innocence is the product of the most ruthless and sophisticated money-machine the world has ever seen. With a budget of $237 million and with takings already at £1 billion, this exquisite capitalist guilt trip represents one of the great triumphs of capitalism.”

Links for January 24th 2010:

• What Does China Censor Online? [Information Is Beautiful] – Provocative infographic illustrating some of what China blocks online.
• The Director of Downfall Speaks Out on All Those Angry YouTube Hitlers [Vulture - New York Magazine] – “When the Conan-Leno debacle began, two things were certain: One, it would change the face of late night, and two, someone would apply it to the Downfall Hitler meme. When Oliver Hirschbiegel staged the famous bunker scene in his 2004 movie, with Bruno Ganz as Hitler, he wasn’t expecting it to be appropriated for comedy; a dramatic recreation of Hitler’s last stand is not exactly a laugh-out-loud subject. And yet the German filmmaker is pleased, nay, thrilled that YouTube enthusiasts have taken it upon themselves to reinterpret it to address anything from Hillary Clinton’s loss to the Taylor Swift-Kanye West feud. “Someone sends me the links every time there’s a new one,” says the director …”
• Phone texting ‘helps pupils to spell’ [BBC News] – “Children who regularly use the abbreviated language of text messages are actually improving their ability to spell correctly, research suggests. A study of eight- to 12-year-olds found that rather than damaging reading and writing, “text speak” is associated with strong literacy skills. Researchers say text language uses word play and requires an awareness of how sounds relate to written English. This link between texting and literacy has proved a surprise, say researchers. These latest findings of an ongoing study at the University of Coventry contradict any expectation that prolonged exposure to texting will erode a child’s ability to spell.”
• Serial Boxes [Just TV] – A draft of Jason Mittell’s “Serial Boxes: The Cultural Values of Long-Form American Television” essay which gives a very clear account of the different ways viewers engage with television, especially long-form serial television, in light of the shifts from live viewing as the only (or primary) choice to a market where box-set DVDs and the like encourage quite different modes of reception. Mittell also looks at the ‘re-watch’ projects and notes why they usually fail to sustain their initial enthusiasm and momentum.
• Facebook sites inciting anti-Indian sentiment continue to flourish [The SMH] – “Facebook sites inciting anti-Indian sentiment continue to flourish despite protests from Indians in Australia. Groups such as I think Indian People Should Wear Deodorant, Stop Whinging Indians, and Australia: Indians, You Have a Right to Leave, have not been removed. Gautam Gupta, secretary of the Federation of Indian Students, said: “These sites must be shut down but, on the other hand, we must keep track of these hate groups being formed. They can be online or offline. When they’re offline we call them gangs. These are essentially online gangs.” More than half a dozen Australian groups that are specifically anti-Indian are still active on Facebook. On top of that, there are many broadly racist groups, including F— Off – We’re Full and Speak English or Piss Off!!!, which has 54,000 members and is growing at a rate of about 2000 people a week. “I don’t think it’s just a Facebook problem – it’s a social problem, a problem in the society,” Mr Gupta said.”

Links for November 27th 2009 through December 2nd 2009:

• Seven’s FlashForward “leaked” to US [TV Tonight] – “Monday night’s episode of FlashForward was the last for the year on Seven, and screened before the US which took a broadcast break for Thanksgiving. That resulted in the episode being uploaded as a torrent and now “leaked” to America. The Hollywood Reporter notes that “Australians don’t care about our guilt-tinged empire-expanding holiday traditions and didn’t take a break. Whether the US-Aussie FlashForward schedule being jolted out-of-sync will result in future episodes also being leaked isn’t known.” Presumably the episode will be downloaded across the US complete with a Channel 7 watermark. It’s all rather ironic given Disney / ABC went to great lengths to make sure Aussie media didn’t reveal information on the series in the lead-up to the premiere, insisting they attend a cinema screening and sign confidentiality clauses.” (US viewers, welcome to the other side of the tyranny of digital distance!)
• The hits on iView [TV Tonight] – “Four Corners, United States of Tara, Good Game, Doctor Who, The Chaser’s War on Everything and Media Watch are the most popular titles on the ABC’s iView platform. The online catch-up service has been operating since July 2008. Since April this year there have been 6.2 million views of programs with an annual monthly average of 610,000 visits, up by 140% compared to last year. It averages 206,000 visitors per month, up by 60% compared to last year. In October 2009, ABC iView recorded its highest ever number of visitors and visits. 286,000 visitors and 1.054 million visits to ABC iView.” (Finally, streaming timeshifted TV is making solid inroads in Australia.)
• Moviegoers 2010 available for download [Marketing Strategy for Entertainment and Brand Clients – Stradella Road] – “Why does movie studio tracking and research so often surprise and disappoint us? The answer experienced movie marketers gave us in private conversations was this: We still don’t know our customers/audience as well as we should.
  Where do moviegoers really spend their time? What are the social dynamics of the decision-making process? How do we synthesize the sea changes taking place with digital technologies in order to reach the right audience with the right message at the right time in the right place? We designed the Moviegoers 2010 research study to answer these questions [...]
  • Moviegoers spend more time each week online (19.8 hours) than they do watching TV (14.3 hours)
  • 52% of moviegoers have digital video recorders (61% of the 30-39 demo) and, of those consumers, 71% fast-forward to skip commercials.
  [Download the full report - PDF]
• Westfield Facebook application draws fire [mUmBRELLA] – Westfield has drawn criticism over a Facebook application that may be in breach of the social networking site’s terms and conditions, despite the two companies collaborating to develop it. The application updates a user’s status with a Westfield-branded message to promote its Gift Card. It requires the user to opt in so that their status is updated to “All I Want for Christmas is a Westfield Gift Card”, with extra copy stating that the user has now gone into the draw to win a $10,000 gift card. [...] But the promotion has also attracted a backlash from other users, complaining that the promotion is taking over the social networking site as friends’ status updates that feature the Westfield branding, clutter their screens. Facebook groups have also been created in opposition to it. One group, known as If All You Want For Christmas Is A Westfield Gift Card, I Don’t Want To Know, currently has over 3,300 fans.” (Spam as a Facebook App … great marketing!)

If you’ve glanced at YouTube, or your iTunes store, or Twitter, or even Facebook in the last few days you may very well have noticed people talking about and linking to this video:

What you might not have realised if you’ve only just heard of The Guild or Felicia Day, is that this little video represents something of a leap forward in terms of indie-based web productions finding a way to make a healthy amount of money while still giving away their content predominantly for free.  For those of you who’ve not come across The Guild before, it’s a comedy web series created and written by Felicia Day (of Dr Horrible and Buffy fame), looking at the ‘real’ lives of six  MMO (videogame) players.  The ‘game’ is never explicitly named, but the characters and situations are largely based on play in and around World of Warcraft.

Anyway, one of the most important things is that after the first season of The Guild, Day very cleverly managed to strike a deal with Microsoft which would allow them to co-produce The Guild and thus season two was initially, exclusively available via the Xbox Live, MSN and Zune websites.  Significantly, Day retained all intellectual property regarding The Guild, meaning that the show remains under her ownership and control (about which Day is rightly proud).  Indeed, just striking that deal is a significant business move for an indie web media creator.  Of course, Day ensured that episodes also appeared on YouTube and other venues after a period of time, ensuring fans could access The Guild in whichever manner they preferred. The Guild has built a very healthy following (as has Day herself, with over a million Twitter followers) and after initially being available for free, Day released DVDs of season one and two via Amazon, which have sold reasonably well.

However, the music video which I’m focusing on today is The Guild’s ‘(Do You Wanna Date My) Avatar’ which was written by Felicia Day, features the cast of The Guild, and was directed by Jed Whedon (one of Joss’ brothers, who also co-wrote Dr Horrible).  Initially revealed at Comic-Con, the music video playfully engages with pretty much every stereotype that there is about gamers, electronically dancing a fine line between knowing parody and unadulterated fandom.  Following the deal with Microsoft, ‘Avatar’ was available exclusively on the Xbox and Zune websites for a week, before hitting the rest of the web both for free on YouTube and as paid download via iTunes stores, Amazon and elsewhere.  And that’s where the story gets impressive, as  the music video has hit number one on the US iTunes store and on Amazon as an mp3 download. More to the point, Day has learnt from the successes and problems that Dr Horrible hit last year.

While Dr Horrible was a huge hit in the US iTunes store, there were problems even viewing Dr Horrible outside of the US for the first few days, and it took months before Australians had a legal option to purchase Dr Horrible online.  In contrast, Day seems acutely aware that The Guild’s fans are spread all across the globe and that all ‘national’ versions of the iTunes store (all of which have separate licensing agreements) should be ready to spread The Guild’s musical talents.  [Update: To distribute the mp3 versions, Day used the Tunecore service which lets artists release their mp3s across a range of international stores simultaneously for a small fee.] The image visible on the left shows today’s Top Music Videos in the Australian iTunes store, with (Do You Wanna Date My) Avatar [feat. Felicia Day] sitting proudly at the top of the charts; it also topped the UK iTunes store (and elsewhere across the globe, too, I’m sure).  While there was a delay of a day or so getting some versions of the music video or mp3 into particular national online stores, Day has no doubt affirmed the loyalty of fans across the globe by ensuring they have access to ‘Avatar’ for free, or to buy, on exactly the same terms as fans in the US. While we may never know exactly how much ‘Avatar’ earns (or even what the music video cost to make) even the $2.59 a pop for the music video in Australia, or $1.69 for the mp3 single, will surely combine with sales across the globe to make a very respectable amount.  Indeed, I’d guess it could make more than a full season of The Guild webisodes!

Most importantly, though, Felicia Day has shown the sort of foresight that comes from being a clever media creator in the digital era: rather than bowing to the tyranny of digital distance, and letting the globe be arbitrarily cut into different regions in which different media companies can license and re-sell content, Day clearly views her loyal fans as a truly global, participative audience who all deserve equal access to the highly enjoyable media she creates! Felicia Day is someone who understands that digital media can, and should, also mean global media.

Now, after all that, if you’ve not done so already, stop listening to me, and check out ‘(Do You Wanna Date My) Avatar’!

Links for May 28th 2009 through May 29th 2009:

• Cambridge study: DRM turns users into pirates [ Boing Boing] – “A long and deep study of user behaviour in the UK by a Cambridge prof confirms that when an honest person tries to do something legal that is blocked by Digital Rights Management technology, it encourages the person to start downloading infringing copies for free from the net, since these copies are all DRM-free.” [Via] [Full Study] [(Readable) Study Summary]
• Illegal downloads soar as hard times bite [SMH] – Asher Moses suggests: “Hundreds of thousands more Australians have turned to illegal download sites in the past year to save money on movies, music, software and TV shows during the economic downturn, new figures show. Total visits by Australians to BitTorrent websites including Mininova, The Pirate Bay, isoHunt, TorrentReactor and Torrentz grew from 785,000 in April last year to 1,049,000 in April this year, Nielsen says. This is a year-on-year increase of 33.6 per cent. The figures, which do not include peer-to-peer software such as Limewire, are in line with a Newspoll survey of 700 Australians in April, which found almost two-thirds of respondents said they were more tempted to buy or obtain pirated products in tough financial times.” (I wonder if more immediate legal options to purchase tv would actually fare rather well in these tough times – more folks willing to pay a little to watch something at home rather than a cinema ticket?)

I have been meaning to write a very long, complex and cerebral post about the seemingly exponential growth of Twitter in the last few months, but as my list of related bookmarks grows, the time to read them runs screaming, so I thought I’d try and capture a few thoughts in the next week or two in shortform (not 140 characters short, of course).  Today’s topic: celebrity twittering (and, yes, just to get it out of your system, go and watch the Felicia Day Twittering Gaff … okay, moving on …).  Now, if I were to write this properly, I’d have to start looking at Stephen Fry and his more than 250,000 followers … in 140 characters, the witty observer is king, but you can find plenty to read about Fry elsewhere.  I could talk about disintermediation and who needs gossip magazines – or who really does need an agent filtering everything – when Ashton Kutcher is willing to tweet photos like this.  But I just can’t bring myself to read anything else about the Moore clan.  Instead, I want to talk about telepathic ex-policemen.  Or, more specifically, Greg Grunberg, who plays Matt Parkman on Heroes.

Grunberg is now a Twitter regular, with some 27,000 followers, many of whom only know him for his Heroes role.  He is, however, cleverly using Twitter to promote his other projects and establish his own celebrity presence as ‘Grunny’.  However, what really caught my attention was Grunberg’s tweet about the end wrap-up of the current season of Heroes and how that tweet, out of context, fired off a rumour that the show had been cancelled.  As Zap 2 It reported:

On Sunday morning, Grunberg tweeted the following: "Winding down shooting season 3 #Heroes. Tough to say goodbye to crew not knowing if any or all of us will return next year. Hope all." Over the next couple of days that one message set off a flood of "OMG!! Is Heroes cancelled!?!" musings on the web. …  The posts all mention that Grunberg "later" or "eventually" clarified his first remark with another tweet, that reads, "Don’t get me wrong, #Heroes IS coming back next next year, but some crew take other jobs, so it’s tough… we have the Best. Crew. Ever." But they make it sound like he was responding to all the supposed controversy he created with his remarks. Here’s the thing: Grunberg’s second tweet came all of three minutes after the first one. That doesn’t sound so much like backtracking or butt-covering so much as a guy reading what he just wrote, deciding the thought wasn’t complete and then completing it. I know things move fast on the Internet, but three minutes on a Sunday morning isn’t enough time to create a controversy and then try to respond to it. The incident doesn’t seem to have soured Grunberg on Twitter, although he did comment on a "long day of rain on set and being misquoted" on Monday.

Now, as I was thinking about Grunberg’s tweets and the largely unfiltered access his followers get (albeit in tiny little parcels), I read this:

Sure, he didn’t reveal ending of the season, but this throwaway comment about an episode of Heroes which had just finished screening in the US did tell a lot of people how it ended.  I’m guessing that some of his 27,000 followers didn’t watch the episode live … I wonder if anyone was annoyed by an actor giving away spoilers for a just-aired show?  Certainly for me, in Australia, this episode won’t be aired for weeks so I was a little annoyed.  (If the show was better scripted at the moment, I’d be even more annoyed.)  Perhaps Grunberg and actors who follow suit need to start a few more tweets with #spoilerwarning hashtag.  Either way, I suspect as more and more celebrities of various flavours tweet their fans directly, some new social norms will need to emerge about what is and isn’t revealed. And I wonder if this immediacy will drive more of Grunberg’s followers outside of the US to download Heroes rather than accept delays in being able to reply or (if they want to be unspoilt) read his twitter stream?

(Oh, and he’s not a celebrity, but as Boing Boing pointed out, the funniest person on Twitter is The Mime. Really.)

Links for January 6th 2009:

• Digital guru Clay Shirky’s media forecast and predictions for 2009 [Media | The Guardian] – “The question is who figures out the business model that says it’s better to have 6 million passionate fans than 7 million bored ones? That is going to be the transformation because what you see with these user groups, whether it’s for reality TV or science fiction, is that people love the conversation around the shows. The renaissance of quality television is an indicator of what an increased number of distribution channels can do. It is no accident that this started with cable. And the BBC iPlayer? That’s a debacle. The digital rights management thing …let’s just pretend that it was a dream like on Dallas and start from scratch. The iPlayer is a back-to-the-future business model. It’s a total subversion of Reithian values in favour of trying to create what had been an accidental monopoly as a kind of robust business model. The idea that the old geographical segmenting of terrestrial broadcasts is recreatable is a fantasy and a waste of time.”
• NIN’s CC-Licensed Best-Selling MP3 Album [Creative Commons] – ” … Ghosts I-IV is ranked the best selling MP3 album of 2008 on Amazon’s MP3 store.Take a moment and think about that.

  NIN fans could have gone to any file sharing network to download the entire CC-BY-NC-SA album legally. Many did, and thousands will continue to do so. So why would fans bother buying files that were identical to the ones on the file sharing networks? One explanation is the convenience and ease of use of NIN and Amazon’s MP3 stores. But another is that fans understood that purchasing MP3s would directly support the music and career of a musician they liked. The next time someone tries to convince you that releasing music under CC will cannibalize digital sales, remember that Ghosts I-IV broke that rule, and point them here.”

• Twitter accounts of Obama, Britney Spears hacked [ABC News (Australian Broadcasting Corporation)] – “The Twitter accounts of US president-elect Barack Obama, singer Britney Spears and other prominent figures were hacked on Monday (US time) and fake messages sent out in their names on the micro-blogging service. Twitter founder Biz Stone, in a post on the official company blog, said a total of 33 Twitter accounts had been hacked including those of president-elect Obama and Rick Sanchez, a CNN television anchor with tens of thousands of followers. “We immediately locked down the accounts and investigated the issue,” Mr Stone said. … Twitter, which allows users to post real-time updates of 140 characters or less, has an estimated 4-5 million users according to a recent study. Launched in August 2006, it has been embraced by a number of celebrities including president-elect Obama, who has more than 150,000 followers, and four-time NBA champion Shaquille O’Neal of the Phoenix Suns.”
• How Windschuttle swallowed a hoax to publish a fake story in Quadrant (Margaret Simmons, 6 Jan 09) [Crikey] – “Keith Windschuttle, the editor of the conservative magazine Quadrant, has been taken in by a hoax intended to show that he will print outrageous propositions. This month’s edition of Quadrant contains a hoax article purporting to be by “Sharon Gould”, a Brisbane based New York biotechnologist. But in the tradition of Ern Malley – the famous literary hoax perpetrated by Quadrant’s first editor, James McAuley – the Sharon Gould persona is entirely fictitious and the article is studded with false science, logical leaps, outrageous claims and a mixture of genuine and bogus footnotes.” [Margaret Simmons' Further Blogged Thoughts] [Windschuttle's Response]
• Facebook under fire for racist rants [The Age] – “Facebook has come under fire from Australian users for ignoring racial vilification on the site and failing to remove blatantly racist groups even though they have been flagged as offensive. Sydney-based Facebook user Alex Gollan, who has campaigned against the racist groups, has been threatened with violence and fears the site could be used to rally people if another incident such as the Cronulla riots flares up. The site permanently banned one offender this week but only after the issue of racism on Facebook came under the spotlight following revelations that Scots College and Kambala students had created anti-Semitic groups on the site.”

As the countdown to the final (half) season of Battlestar Galactica ticks down in the US, SciFi are in the middle of a final run of webisodes (‘The Face of the Enemy’) which, as usual, are getting good press both on their own terms and as models of successful webisode content in relation to existing franchises.  The New York Times, for example:

“The Face of the Enemy,” on the other hand, could serve as a model of the Webisode genre. It’s not something you need to watch if you’re not already a “Battlestar Galactica” fan, but those who are will appreciate the serious treatment this minidrama has received, the same kind of care taken with the cult-favorite series itself. The lead writer of “Enemy” was Jane Espenson, a “Galactica” co-executive producer and television veteran with “Gilmore Girls” and “Buffy the Vampire Slayer” on her résumé, and its performers include series regulars like Grace Park, Alessandro Juliani and Michael Hogan.

The Webisodes, which will conclude on Jan. 12, just before the television series returns, are a self-contained murder mystery set aboard a small spacecraft that has been separated from the fleet. But they also expand on the “Galactica” mythology, through flashbacks, and flesh out major characters. Fans who had wondered whether Lieutenant Gaeta (Mr. Juliani) was gay found out in Episode 1 of “Enemy.” Or they thought they did, until his close encounter with a Cylon 8 (Ms. Park) a few episodes later clouded matters.

Along with the regular Webisodes the Sci Fi Channel is providing “enhanced” versions featuring commentary by Ms. Espenson. They’re a revelation in their own right. While commentary tracks on movies or even television episodes tend to get boring or crazy-making long before the show is over, commentary tracks on four- or five-minute Webisodes can actually be entertaining.

Ms. Espenson describes the chaotic, and poignant, circumstances in which the Web serial was filmed: with the television series’s final season already completed, the “Enemy” scenes were often the last things filmed on the “Galactica” sets. After a scene was completed, its set would be torn down for good.

Other tidbits — Ms. Park plays two parts in “Enemy” because the “Galactica” star Tricia Helfer turned out not to be available after the story had already been developed — might seem like too much information to have while the serial is still unfolding. But it’s really just a sign that NBC Universal is getting at least one thing right. In a world where the possibilities for elaborating your shows online are endless, the true fan wants to see and hear everything.

As per usual, the webisodes aren’t accessible for those living on the wrong end of the tyranny of digital distance (outside the US), but other avenues are readily available for those willing to look, and the webisodes certainly aren’t shying away from interesting and timely issues.  Until it gets pulled, here’s the first webisode on YouTube:

(You can catch the same webisode with Jane Espenson’s audio commentary, too.)

Links for December 23rd 2008 through December 24th 2008:

• Top 10 Most Pirated TV-Shows of 2008 [TorrentFreak] – ” Lost is without a doubt the most downloaded TV-show, with over 5 million downloads for one single episode. TV-shows are getting increasingly more popular on BitTorrent. Most TV-broadcasters won’t be happy to hear this, but one could argue that BitTorrent has actually helped TV-shows to build a stronger, broader, and more involved fanbase. Perhaps even more importantly, the rise of unauthorized downloading of TV-shows is a signal that customers want something that is not available through other channels. Availability seems to be the key issue why people turn to BitTorrent.” (In order: Lost, Heroes, Prison Break, Terminator The Sarah Connor Chronicles, Desperate Housewives, Stargate Atlantis, Dexter, House, Grey’s Anatomy, & Smallville.)
• Making the Intangible Tangible, the Economic Contribution of Australia’s Copyright Industries IP Down Under [PricewaterhouseCoopers report] – “PricewaterhouseCoopers, for the Australian Copyright Council, has released its report Making the Intangible Tangible, the Economic Contribution of Australia’s Copyright Industries, which has found that Australia’s copyright industries in 2007:
  • employed more than 837,000 people (8 percent of the nation’s workforce) – up 21 percent since 1996;
  • generated $97.7 billion in economic activity (10.3 percent of GDP) – up 66 percent since 1996; and
  • accounted for $6.8 billion in exports (4.1 percent of all exports) – up 6.3 percent since 1996.” [Via Terry Flew]
• Aussie ‘Doctor Who’ Fans Set to Time Travel With BitTorrent [TorrentFreak] – “Australia has been the focus of much tech news recently, as the country struggles with its Internet piracy ‘problem’. Thanks to the infinite wisdom of ABC, Aussie Doctor Who fans are left with a tough decision – wait until mid-January to watch the show’s pivotal ‘Christmas Special’ – or pirate it with BitTorrent.”
• WoW! How The Guild beat the system [Media | The Guardian] – “The Guild was written as an hour-long TV pilot but was rejected by a number of studios. “We were fighting against the stereotype of online gamers as pickly-faced teenagers living in their basements,” she recalls. In the end, Day and her co-producer, Kim Evie, funded the first episodes themselves and spent eight hours a day emailing bloggers about the show and marketing it through the Buffy and WoW communities. The next seven episodes were funded through donations collected via a PayPal button on their website and donors were credited at the end of each show. … The Guild has been a masterclass in direct marketing of content to a niche peer group. “The web is an amazing opportunity for people who want to tell stories but aren’t permitted because they aren’t the mainstream,” says Day.” (Profile of The Guild as a rags to riches webisode series now it has been picked up by Microsoft.)
• Net music theory ends up a tall tale [Australian IT] – “The internet was supposed to bring vast choice for customers, access to obscure and forgotten products and a fortune for sellers who focused on niche markets. But a study of digital music sales has posed the first big challenge to this “long tail” theory: more than 10 million of the 13 million tracks available on the internet failed to find a single buyer last year. The idea that niche markets were the key to the future for internet sellers was described as one of the most important economic models of the 21st century when it was spelt out by Chris Anderson in his book The Long Tail in 2006. But a study by Will Page, chief economist of the MCPS-PRS Alliance, a not-for-profit royalty collection society, suggests that the niche market is not an untapped goldmine and that online sales success still relies on big hits. It found that for the online singles market, 80 per cent of all revenue came from about 52,000 tracks. For albums … 1.23million available, only 173,000 were ever bought”

As a dedicated Battlestar Galactica fan I can’t wait for the final episodes to start in January and I’m already enjoying the countdown webisode series, ‘The Face of the Enemy’ which features Felix Gaeta, two Cylon Eights (Sharon’s model) and a few very desperate, very lost, BSG crew.  The first webisode went live today and sets up an pretty engaging storyline. It also featured one other bit of story that’s sure to get a reaction:

On his way off the Galactica, to catch a raptor to another ship of a bit of leave, Felix Gaeta says goodbye to Hoshi and they lock lips which is the first visible and openly gay male relationship in the series.  (There are other mentions of gay couples, although the most notable lesbian relationship was between Admiral Cain and the poor Six who eventually turns up horribly tortured on the Pegasus; this left more than a few questionable readings possible about the consequences of non-heterosexual relationships!) I’m very much in two minds about the outing of Gaeta; I’m delighted that his sexuality is basically treated as completely normal – the big issue is Hoshi smuggling some painkillers to Gaeta, while their relationship seems normalised (or as normal as anything gets on the rag tag fleet).  That said, I wonder if Ron Moore and the producers are playing it too safe leaving this sort of material for the webisodes?  Their nature as online add-ons might just mean that the writers are allowed to push boundaries they can’t during the actual episodes (and kudos to Jane Espenson and Seamus Kevin Fahey for writing this webisode series), but for this to be a powerful and clear statement about the normalisation of same sex relationships in the world of Galactica, I’d really like to see this thread continue into the final episodes and actually screened on television, not just pushed to one side on the web.

For international viewers, we’re once again victims of the tyranny of digital distance as the webisode are geo-locked and only visible to those with US IP addresses; there will be lots of workarounds, no doubt, but for a short time until it’s pulled, the first webisode is available on YouTube.

Update: Apparently in the run of webisodes we find out Gaeta is bisexual, not gay; I’m not sure if this depletes the overall message or not … probably not.

Links of interest for October 24th 2008 through October 26th 2008:

• (SPOILER) What happened when the lights went out. [Whedonesque] – Joss Whedon talks straight to the fans about Dollhouse: “Sadly, this is not a naughty post. It’s just Joss nattering on again. I thought it was time to check in with you once again, gentle viewers. Or readers. Or pictures-looker-ats (that might be viewers). Also listeners, sniffers, haberdashers, Olympic hopefuls, the elderly, the youngerdly, and the mighty state of Oregon (go Oregon-based sports franchise!) Welcome all. Welcome… to me. What’s me up to? I’m glad me asked. Me’ve (I’m not doing that any more) been working on a little show called Dollhouse. Yes, perhaps you’ve read about how it’s blazing an untrammeled path to surefire success, with nary a hitch or a hiccup, just pure blazing blazery, comet-like and meteoresque. What’s that, you say? You’ve read other things? Dark, Yog-Sothothy rumors about shutdowns and delays? Poppycock! They’re true. But I never pass up a chance to say “poppycock”. “
• Flunking Spore – John Bohannon [Science, 322 (5901): 531b, October 2008] – Apparently Spore fails to live up to the expectations of scientists and the promotional material for Spore might have been a little disingenuous: “So over the past month, I’ve been playing Spore with a team of scientists, grading the game on each of its scientific themes. When it comes to biology, and particularly evolution, Spore failed miserably. According to the scientists, the problem isn’t just that Spore dumbs down the science or gets a few things wrong–it’s meant to be a game, after all–but rather, it gets most of biology badly, needlessly, and often bizarrely wrong. I also tracked down the scientists who appeared on television in what seemed like an endorsement of Spore’s scientific content on the National Geographic channel. They said they had been led to believe that the interviews were for a straight documentary about “developmental evolutionary” science rather than a video promoting a computer game “
• The Medium – The Hitler Meme [NYTimes] – The New York Times on that Hitler (Downfall) meme: “On YouTube, we’re in a bunker, and the enemies are always, always closing in. The ceilings are low. The air is stifling. A disheveled leader is delusional. This is the premise of more than 100 videos on the Web — the work of satirists who for years have been snatching video and audio from “Downfall,” the 2004 German movie of Hitler’s demise, and doctoring it to tell a range of stories about personal travails and world politics. By adding new English-language subtitles, they transform the movie’s climactic scene, in which Hitler (played by Bruno Ganz) rails against his enemies and reluctantly faces his defeat, into the generic story of a rabid blowhard brought low.”
• YouTube Enables Deep Linking Within Videos [TechCrunch] – “It’s not a big new feature but it’s certainly one that will come in handy: YouTube will now allow you to send users to a specific point in a video by appending a short tag to the end of a video’s URL. It’s pretty surprising that this functionality wasn’t available earlier, as Google Video introduced the same feature over two years ago. YouTube users have been forced to rely on third party services like Splicd to do the same thing. To specify a point, append a tag to the end of your video link with the following syntax: “#t=1m45s” (you can change the numbers before the ‘m’ and ’s’ to edit the minutes and seconds, respectively.”
• Woman in jail over virtual murder [BBC NEWS | Asia-Pacific] – “A woman has been arrested in Japan after she allegedly killed her virtual husband in a popular video game. The 43-year-old was reportedly furious at finding herself suddenly divorced in the online game Maplestory. Police say she illegally accessed log-in details of the man playing her husband, and killed off his character. The woman, a piano teacher, is in jail in Sapporo waiting to learn if she faces charges of illegally accessing a computer and manipulating data.”
• Fan fury at Nine [TV Tonight] – Australian “Fans of Fringe who were unaware the show had been pulled from Nine’s current schedule got a rude shock last night and vented their anger in online messageboards. They were universally vehement in their displeasure with Nine’s programming. This site alone now totals 95 posts in one thread alone. Over on Nine’s own messageboard there were more furious comments: Fringe Dweller: C’mon channel 9, have some balls and tell the people why Fringe has been pulled! Oh I’m sorry, you don’t care about what people like. Maybe we could lose one of the four hundred different versions of CSI. God Bless ‘Two and a Half man’ where would you be without them. Maybe you can rename yourselves to Channel Two and a Half Men CSI Malibu!!! Why I’m at it, you pulled Fringe and we still have to put up with that The Strip crap.”

The first season of Dexter has been on free-to-air television in Australia, but no sign of season two and certainly not season three. The show has been coming first on the pay-TV channel Showtime, but with season two already finished, and despite season three already playing in the US, Dexter season three won’t be shown in Australia until January 2009. That is unless you happen to visit YouTube! As the New York Times reported:

After months of experimenting with long-form video, YouTube said on Friday it would start offering full-length episodes of some television shows on its sprawling Web site. The staggering growth of YouTube — five billion videos were viewed there in July — has come primarily from short videos that last only a few minutes. But Internet users are gradually becoming more comfortable watching longer videos online, prompting YouTube’s commitment to the format. “This is what the users want,” said Jordan Hoffner, the director of content partnerships for YouTube. With the addition of TV series like “Dexter,” “Beverly Hills, 90210” and “Star Trek” through a deal with CBS, YouTube is catching up to other Web sites that have promoted long-form video for some time. Most important for YouTube’s owner, Google, the longer videos will include advertising before, during and after each episode. Google is under pressure to raise more revenue from the nearly four-year-old video sharing site. …On the CBS page on YouTube, classic TV shows like “MacGyver” are joined by “Dexter” and “Californication,” two series that appear on Showtime, a cable channel subsidiary of CBS. The company is selling its own advertising inventory for the series being shown on YouTube; the two entities will share the revenue.

For Australian viewers, news like this is almost always greeted with the caveat that the service will be geo-locked so it can only screen in the US. Just ask Hulu about that one. However, after reading that the CBS Showtime YouTube channel was completely accessible in Switzerland, I had to find out whether it was it would stream in Australia; and to really test things properly, I chose the first episode of Dexter’s third season which hasn’t screen here in Australia in any legal capacity. And guess what? All 58 minutes of the show streamed perfectly! (See update below.) In a spiffy new YouTube widescreen format, too. In that one click, the tyranny of digital distance has been overcome! Now, I wouldn’t be at all surprised to find out that Showtime Australia ask that it gets geo-blocked in the near future, but for now it seems that there is a completely legal way to watch the latest Dexter and Californication in Australia, with a legitimate revenue stream flowing back to the producers (the episodes have advertising in them) and that’s a price I’m quite happy to pay! I just hope this trend catches on; Australians might even be able to pay for these episodes on iTunes as they’re screened in the US (or am I just edging into the land of wishful thinking now?)!

PS Could a few people reading this in Australia and elsewhere outside the US please click the link and let me know if the episode of Dexter loads for you? I’m curious whether this is a global release or it’s still geotagged somehow!

Update: Eight hours after this was initially posted, the inevitable “This video is not available in your country” message replaced the the Dexter episode in question when accessing from Australia. Apparently it’s blocked everywhere outside the US (even Canada; thanks for letting me know, Karen). However, not all content from Showtime on YouTube was blocked … as far as I can tell, it’s just the recent content and that which hasn’t been broadcast internationally (I can still watch the first episode of Californication, for example). Oh well, it was fun having full access for the half a day it lasted.

Update 2: I spoke too soon; now the only things accessible outside of the US are the promos and trailers. Looks like business as usual, trying desperately to keep the digital globe carved up into arbitrary geographic sales zones.

A mere 54 days after it was released in the US (and after a few teething problems, free across the globe for just over a week), the three-episodes of Dr Horrible’s Sing-Along Blog are finally available in the Australian iTunes store (and the UK one, too).  The delay, I’m sure, is less about the desire of the Whedon boys to get Dr Horrible out there, and more about the challenges involved in pushing material into the various national versions of the iTunes store.  This rather long delay serves as a fairly poignant footnote to the talk I gave a little while ago on entitled What Dr Horrible Can Teach TV About Participatory Culture.  It seems there’s still some challenges even the bad doctor can’t immediately overcome.  That said, it’s out now, so here’s a link to the Australian iTunes store; it’s $5.99 for the series, or $2.99 per episode.

In the meantime, the Evil League of Evil has been looking for a few more evil recruits, but you need to apply before Oct 11th!

Links of interest for September 24th 2008 through September 25th 2008:

• ‘Heroes’ Causes BitTorrent Boom [TorrentFreak] – “An example of the BitTorrent traffic boost was reported yesterday, as Mininova got 10 million downloads in a single da. A record breaking figure, in part thanks to the debut of ‘Heroes’ and several other shows. Other BitTorrent sites report a similar increase in traffic. It’s Heroes that breaks all the records though. Our statistics show that, across all BitTorrent sites, the two episodes from Heroes’ season opening were downloaded well over a million times each – in just one day. The vast majority of the downloads come from outside the US (92%), where shows usually air weeks, months or even years later. The show was downloaded the most in the UK (15%), where the official season opening is scheduled for October 1st. Canada, France and Australia complete the top 5.” (Which is really interesting to compare with the US domestic TV viewership was down 25%.
• Banned for keeps on Facebook for odd name [The Age] – “Facebook users with even slightly unusual names beware: your account can be suspended by the site’s draconian administrators without warning and your personal information held to ransom until you show them a government-issued ID. That reality was made all too clear for Sydneysider Elmo Keep this month when she tried to login to her account and was told she was banned for violating the site’s terms of use. She is the latest in a string of people to be banned from the site without any prior warning or recourse because Facebook believed they were not using their real names. … This and countless other questionable rules has led some to sound the alarm on the dangers of entrusting one’s online identity to Facebook and relying on it so heavily for social interaction.” (Run with the irony: this post has an “add to facebook” button at the end of the page!)
• Spore copyright control relaxed [BBC NEWS | Technology] – “Video game maker Electronic Arts has loosened copyright protection for the newest release of its game Spore. Released earlier in the month, the game received a flurry of complaints about a restriction that meant the game could only be registered to three computers. That restriction has now been raised to five computers, which the company says should account for all legitimate uses. The company has also addressed the complaint that each copy of the game only allows one player to use it. ” (A step in the right direction … a small step, I should add, but it would be Spore suicide for EA not to learn from the Amazon one-star anti-DRM protest!)
• Doh! Cartoons pulled from Russian TV [ABC News (Australian Broadcasting Corporation)] – “Pornographic, extremist and immoral – that’s how Russian prosecutors are describing popular US cartoons like The Simpsons, Family Guy and South Park. The channel that carries them has been forced to suspend broadcasts of the offending programs pending legal action. On Wednesday (local time), a meeting of a government monitoring agency could take channel 2×2 off the air.” (I wonder how long it will take before South Park is advertised with the tagline “Pornographic, extremist and immoral – Russia”?)
• Priceless! (Microsoft Ad Campaign Made on Mac [Flickr] – “The new microsoft ad campaign includes photos in their website www.microsoft.com/presspass/windows/imageGallery.aspx made in a mac! Hilarious! A good story around this issue by Daniel Eran Dilger at this link.” (More in The Age.)

Links of interest for September 9th 2008 through September 10th 2008:

• Pirates become canon keepers [The Australian] – “Some commentators have suggested that it’s simply easier for studios to replace the entire score than to investigate music rights. In any case, an unannounced modern alteration is cultural vandalism, even if you don’t think the original work was any good. As a result the DVD is useless as a piece of cultural history and as a representation of an original work. With the internet full of sellers (often fans themselves) willing to provide the copies of this and other series taken from unedited broadcasts, the studio has taken a huge step towards legitimising piracy as a means of cultural preservation.” (A fantastic, if rather sarcastic, article by Kit MacFarlane arguing that piracy may be the only course open to preserve tv texts in the face of minor – and major – alterations made by studios and distributors on the way to dvd releases and more. )
• BATTLESTAR GALACTICA returns to iTunes…in HD [GALACTICA SITREP] – Battlestar Galactica and other NBC shows return to iTunes (US). If you’re logged into the US store right now you can get 4×03 (He That Believeth in Me) in HD for free (logged in to the US store, I say, not necessarily in the US!).
• Australia rated foot of developed world on school funding [PerthNow] – “Australia’s government spending on public education is the second lowest among developed nations, a new report has found. Turkey, Portugal, Mexico and Iceland all spend more money on public education institutions than Australia. … Federal Education Minister Julia Gillard says the new OECD Education at a Glance report highlights the need for the Rudd Government’s much-hyped “education revolution”.” (Yes, but WHEN is this much-vaunted education revolution actually going to start? It’s close to unforgivable that the once ‘clever country’ is so far behind in global terms.)
• Google Turns 20 (fiction) – “This month, September 2018, marks the 20th anniversary of Google as a business…” A provocative little piece of speculation fiction looking back from 2018 at the rise, and fall, of Google. A few ideas are a bit far-fetched (Windows Free?) but most are plausible; all beg interesting questions about current trends, from software design, to monopolistic practices, to (really) participatory culture!
• John McCain Gets BarackRoll’d [YouTube] – John McCain gets rickrolled by the all-singing, all-dancing Barack Obama show! LMAO!

So, Australia is finally getting Battlestar Galactica season four on television: TV Tonight reports that the season will kick off with the ‘Razor’ double ep-cum-telemovie on September 4th.  Given my interest in the tyranny of digital distance, I find it noteworthy that Razor will arrive eight and a half months after it was screened in the US (and will, in fact, be released on DVD in Australia just over a fortnight before it’s televised down under)!  Presuming that the entire season is played thereafter, the rest of  BSG season four will be five months behind the US.

Ten will be playing BSG exclusively on their High Definition channel (great for those who get it, no doubt infuriating for those who don’t) but, really, the audience they’ll pull will be infinitesimal compared to the eyes they’d get if BSG was concurrent with the US schedule.  Meanwhile, a few people might just have downloaded BSG via BitTorrent given the series is amongst the most downloaded TV shows of this year (and last).

Interesting links for August 10th 2008 through August 11th 2008:

• having “exclusive rights” in a region is a remnant of the twentieth century’s mass media [jill/txt] – “The tyranny of digital distance is most often experienced by people outside of the United States. … Another aspect of these cultural blockades where being outside of the US has been an advantage is baseball. In the US, if you’ve moved away from where the team you support is based you often won’t be able to watch their games because the local television stations won’t broadcast them. So MLB.tv lets you subscribe to watch all baseball games – except local ones, because the local television stations have exclusive rights to them. If you live outside of the US, you have no local games – so you can watch every baseball game live, no holds barred.”
• Wizard People, Dear Reader by Brad Neely (NOT Harry Potter) [Illegal Art] – Brad Neely’s hilarious “unauthorized re-envisioning of Harry Potter and the Philosophers/Sorcerer’s Stone”, released in 2004. It’s a long audio parody to be played at the same time as the DVD of the first Harry Potter film. Like a DVD commentary for evil! [YouTube Version] [Script] [Wikipedia Entry]
• 1.8 million hits in four days for grocery pricing website. [WA Today] – “The new GROCERYchoice website received 1.8 million hits in its first four days, showing consumers are interested in the information it provides, federal Assistant Treasurer Chris Bowen says. GROCERYchoice was launched last week by the Australian Competition and Consumer Commission to provide consumers with more information about grocery prices.”
• How to Get Your Indie Film on iTunes (…It’s Not Easy) [CinemaTech] – Scott Kirsner’s really useful guide to distributing independent films via iTunes and (more feasibly) via their main competitors like Amazon Unbox. For the upcoming filmmakers of tomorrow, this is essential information! (Especially if you’re already planning your own Dr Horrible!)
• Amazon Adds Universal Wish List [Micro Persuasion] – Amazon.com’s Wish List feature has been around a long time – over 10 years in fact. However, recently the e-commerce site expanded it with a new feature called The Universal Wish List. Using a simple bookmarklet … you can now add any item to your list from anywhere on the web.” (I use Amazon’s wish lists a lot, both for purchases and to fill out bibliographies of new books, so this looks like a really useful little addition to me!)

Interesting links for August 9th 2008 through August 10th 2008:

• Barack Roll [YouTube] – Barack Obama gets … or possibly embodies being … rickrolled.
• Tape Delay by NBC Faces End Run by Online Fans [NYTimes.com] – “NBC’s decision to delay broadcasting the opening ceremonies by 12 hours sent people across the country to their computers to poke holes in NBC’s technological wall — by finding newsfeeds on foreign broadcasters’ Web sites and by watching clips of the ceremonies on YouTube and other sites. In response, NBC sent frantic requests to Web sites, asking them to take down the illicit clips and restrict authorized video to host countries. As the four-hour ceremony progressed, a game of digital whack-a-mole took place. Network executives tried to regulate leaks on the Web and shut down unauthorized video, while viewers deftly traded new links on blogs and on the Twitter site, redirecting one another to coverage from, say, Germany, or a site with a grainy Spanish-language video stream. As the first Summer Games of the broadband age commenced in China, old network habits have never seemed so archaic — or so irrelevant.”
• Twitter Down for Hitler [Blip TV] – DownFall Hitler parody: “Upon hearing tragic news, Hitler decides to tweet his sadness only to learn it’s down. ” LOL
• So what if you give most of it away?: The Bikini Concept. [The Road To Attversumption] – “I found out the age-old concept of the bikini to apply. That by giving away 90% of the concept, and keeping 10%, the attraction factor was just as strong, if not twice as strong (there are reasons for me saying ‘twice as strong). And yes, what the bikini didn’t reveal, was the part the audience most wanted (naturally), and was the part they were willing to pay for.”
• Hamlet Retold Via Facebook (PNG Image, 1254×1608 pixels) – “Hamlet became a fan of daggers.” Clever little retelling of Hamlet using Facebook stories.

Yesterday at the Social Networks stream of the conference attached to GO3 at the Perth Convention Centre I gave a fairly rough version of a new paper called “What Dr Horrible Can Teach TV About Participatory Culture.”  As readers of this blog will be well aware, one of my ongoing interests is the way that traditional media forms, especially television, engage with participatory culture and their immediate fan networks.  In my past writing on the Tyranny of Digital Distance I’ve looked at the way shows like Battlestar Galactica have harnessed a global fan network only to have that network turn sour as national media distributors insist on broadcasting shows at different times (implicitly encouraging fans to participate in peer-to-peer downloading of TV).  While Joss Whedon’s Dr Horrible had a few similar teething issues, it looks like a very promising model for web-based media that can actually be a fan favourite and make a decent profit in the process.  My thinking on this very much in process (as, indeed, is the ongoing story of Dr Horrible’s success), but my first stab at drawing a few ideas together was in this paper.  I didn’t get a chance to record my talk, but I’ve uploaded the presentation onto Slideshare if you’re interested.  There’s a fair bit not on the slides, but they should give you at least an outline of the argument:

Any questions, feedback or criticism would be most welcome!

Interesting links for July 28th 2008 through July 30th 2008:

• Dr. Horrible’s Sing-Along Blog [Hulu] – Joss Whedon’s 3 Dr Horrible webisodes – availble for one week only – are now back – for 4 months – on Hulu. Only, of course, if you live in the US. Or know how to circumvent Hulu’s region locking.
• Harry Potter and the Half-Blood Prince – Trailer [Moviefone] – The new trailer for the Harry Potter 6 film looks amazing. The embedded version seems geo-locked to the US, but the HD versions should load anywhere (or, at least, they loaded in Australia). Evil Young Lord V looks very creepy!
• Conroy welcomes ISP filtering [Australian IT] – “The federal Government will embark on the next step of its internet filtering strategy after initial trials proved successful, Communications Minister Stephen Conroy said. … today released the findings of a recent … ISP-level internet filtering trial…
• Scrabulous pulled from Facebook in US and Canada [ABC News] – “The creators of online Scrabble knock-off Scrabulous say they have pulled their application from US and Canadian Facebook pages due to a lawsuit filed by game-making giant Hasbro.”
• Google enrolled for schools email deal [The Age] – “Google has snatched what is believed to be its biggest single client in the world – the NSW Department of Education – away from its rival Microsoft to claim up to 1.3 million new users of its free email product.”
• Joss Whedon’s online musical comedy Sing-Along Social Media Blitz [Chief Marketer] – “WWJWD. What Would Joss Whedon Do. Marketers looking to capitalize on the power of social media could do worse than keep that mantra in mind next time they want to launch a campaign.” (A look at the success of Dr Horrible.)
• China becomes biggest net nation [BBC NEWS | Technology] – “China now has the world’s largest net-using population, say official figures. More than 253 million people in the country are now online, according to statistics from the China Internet Network Information Center (CNNIC).”
• Indiana Jones and the Temple of Absurdly Implausible Excess [NYTimes.com] – Has the phrase “jump the shark” jumped the shark? Or, more to the point, should we be saying that it has “nuked the fridge”? …which emerged from a 1980s dorm-room discussion of a particularly ridiculous episode of the TV show “Happy Days”…

30 … 20 … 10 … nothing. That’s the experience fans outside of the US had earlier today when Joss Whedon’s web-based musical webisode experiment Dr Horrible’s Sing-Along Blog went live using Hulu, a video-streaming service geo-locked to stream to US IP addresses only:

Now, it’s not unusual for content to be limited to US internet addresses, especially television, but Dr Horrible is a different kettle of fish. Joss Whedon has done an amazing job of courting the fans and getting them on side to view promote (and eventually buy) Dr Horrible’s adventures, so it came as something of a shock to most international fans (with whom Whedon usually has a pretty good rapport) when discovered they weren’t able to get the free stream of Dr Horrible’s first act (or even buy the episodes on iTunes).

On Whedonesque – the main Joss Whedon appreciation blog (to which Joss posts from time to time) – the thread initially celebrating Dr Horrible’s release was inundated with international fans lamenting the fact that they couldn’t view the new web-based show. Dr Horrible’s Facebook page and MySpace page similarly received a vitriolic helping of international fan dismay!

Now, if Dr Horrible was an NBC or Viacom property, that would be the end of the story. However, given Joss Whedon’s track record, it seems reasonable that the geo-blocking was unintentional or accidental. And now we can see that’s exactly right … on various forums Whedon’s team have posted that they’re trying to get a globally-viewable version up. It seems that this may very well be the case that the tools for online distribution simply aren’t quite up to the demands being put on them by content creators. Ironically, this experience might actually lead to more fans working out how to circumvent Hulu’s geo-restrictions as Whedon has sided with the fans once more and in the short term the official Dr Horrible Twitter feed has linked to instructions on how to circumvent Hulu! Indeed, for long-time Whedon fans this might be reminiscent of a moment in 1999 when Whedon encouraged Canadian viewers to “bootleg that puppy” after Fox postponed the season three finale due in the wake of the Columbine shootings.

For Dr Horrible, it has been a rough start, but Whedon’s track record and the excitement from US fans who’ve already enjoyed Dr Horrible leave the rest of us waiting eagerly, knowing that Whedon and his team are doing all they can and will surely learn a lot from this experience. (And thus, I should add, we can reasonably expect that acts two and three of Dr Horrible will, indeed, get a simultaneous global release!).

Update: Drs Horrible (aka Mutant Enemy) have risen to the challenge, and the first act of Dr Horrible is now viewable by everyone! Go watch Act One (’tis funny!).

Update 2: It seems that Dr Horrible’s first day had one more obstacle: popularity.  Dr Horrible’s servers were completely overloaded and the site diappeared for a while, but now they’ve moved onto “monster servers” so all should be good … or is that evil?

Interesting links for April 17th 2008:

• TV takes the online challenge [The Age] – ‘”The reason people are illegally using P2P [peer-to-peer] networks is simply because content isn’t available elsewhere,” says Ten’s general manager, Digital Media, Damian Smith.’ (So give me a legal way to download Battlestar Galactica today and I will!)
• Exploring Fantasy Life and Finding a $4 Billion Franchise [New York Times] – “… Electronic Arts, the Sims?s publisher, plans to announce that the series has sold more than 100 million copies (including expansion packs) in 22 languages and 60 countries since its introduction in 2000. All told, the franchise has generated about
• Australia’s YouTube stars to get paid [Australian IT] – The YouTube Partner Program provides money to YouTube content creators in exchange for displaying banner ads on their videos, has been launched in Australia today.
• Parents angry at violent school bully game [The Age] – From Rockstar Games, the people behind Grand Theft Auto, comes the hugely provocative Bully: Scholarship Edition in which you play a rebellious school kid, and runs the risk of (purposefully?) provoking cyberbulllying to normalising school-yard shootings.
• ABC’s digital push for channels, radio [The Age] – “The ABC wants to triple its number of television channels and radio services over the next 12 years as it seeks to increase Australian content levels and cement its place in the digital media age, its managing director, Mark Scott, has flagged”

Interesting links for April 14th 2008:

• The new digital paparazzi [On Line Opinion - 14/4/2008] – Peter Black discusses “the new digital paparazzi” which are more likely friends, family, or even ourselves, posting photos online with little concern for personal privacy. Black argues that this is evident of a shift in the way privacy is thought about.
• Civil liberties expert slams email spying plans [ABC News (Australian Broadcasting Corporation)] – “The head of the Australian Council of Civil Liberties, Terry O’Gorman, says tighter laws to protect Australia against cyber terrorism threats are not needed.” (In the wake of proposed laws which would let certain employers read their employee’s email.)
• Study: Pirated Web Video Peaks 12-18 Hours After Broadcast [WatchingTV Online] – “Unauthorized viewing of popular TV shows on video-sharing Web sites like YouTube peaks between 12 and 18 hours after an episode is broadcast, according to a study conducted by Akamai Technologies and content-identification service provider Vobile.”

I’m very pleased that the ‘Beyond Broadcasting’ issue of Media International Australia is out, not only because it features some excellent articles asking some great questions about the future of television in the era of digital communication, but also because it features an article of mine that I’ve been thinking about on and off for a number of years. My article, ‘Watching Battlestar Galactica in Australia and the Tyranny of Digital Distance‘ has ideas that will already be familiar to readers of this blog (and, indeed, my old blog Ponderance) as the concepts in this paper have slowly built up over time and appeared sporadically in blog form (such as here and here). When I started writing up these fragments into the final paper and posted the abstract in this blog, I was delighted that it provoked a conversation with some of my blog’s readers. A larger number of people seem to have found their way to that post after hitting NBC’s “We’re sorry, but the clip you selected isn’t available from your location” message and punching it into Google, and a few of them offered a comment on this post before heading elsewhere (quite possibly in search of a proxy so they can watch the US-hosted geo-blocked content).

While the article has taken a couple of years to evolve from the initial idea to this published version, the ideas still seem current. Indeed, there was an engaging debate recently in th US between the New York Times Vulture blog (and here, and here) and film and media scholar Michael Newman over the issue of newspapers and blogs posting spoilers about current TV shows when audiences are increasingly time-shifting and either watching their shows a few days later on TiVO, or a few months later on DVD. As I argue in my paper, the problem of avoiding spoilers becomes even harder for viewers in other countries, when the broadcast (or the option to download legally) is often delayed by a number of months – an issue indicative of what I’ve called the tyranny of digital distance.

I’m also pleased that the editors of this themed issue, and the general editor of Media International Australia were kind enough to give me permission to put up a post-print of my article here. (A post-print, for those interested, is the final version of the article submitted to the journal after the peer review process and final changes to the article have been made, but before the article is page-made and the layout done for the journal itself.) So, if you fancy reading the whole paper and you don’t have access to Media International Australia through your library, you can still read the full paper here.

If you can get hold of the journal, there are a number of other papers which are a great read. One of these, Axel Bruns’ ‘Reconfiguring Television for a Networked, Produsage Context’ can be accessed over at his blog.

As always, any comments or thoughts on my paper or the issues it touches on are most welcome!

The WGA Writer’s Strike is now in its third week, so I thought I should finally get around to blogging a few thoughts.  First off, I have to say, it’s fantastic to see the issue of online content finally being taken seriously – as more and more material hits the web, I completely agree that writers should be getting their (usually very small) cut.  I find the claims by the media conglomerates that the web offers no solid business model disingenuous – and, as many writers have argued, a small percentage of nothing is still nothing: residuals only get paid if money gets made.

Also, for me the Writer’s Strike coincided with my final revisions on my Tyranny of Digital Distance paper which looks at the way online content and networked communication change the expectations and possibilities of media (especially television) distribution.  The series that formed my case study was Battlestar Galactica (BSG) and so I was intrigued to see show-runner Ron Moore talking about BSG’s first webisodes (The Resistance from 2006) in relation to the strike.  He noted that despite being put together by the same crew and cast as the regular episodes, the studio didn’t want to pay for this ‘promotional’ content, which wouldn’t involve paying anyone; Moore held out and got people paid, after some industrial action, but the studios still wanted to run the webisodes without credits and eventually did.  From this, Moore came to one conclusion:

“If there’s not an agreement with the studios about the internet, that specifically says ‘This is covered material, you have to pay us a formula – whatever that formula turns out to be – for use of the material and how it’s all done,’ the studios will simply rape and pillage.”

One of the stumbling blocks in getting the studios to agree to share the profit from online content is the fact that writers are simply not the most visible people in the whole world, and thus lack bargaining power.  Actors are, and film directors, but writers are rarely well known and that’s one of the things the strike has changed somewhat.  Or rather, an increased visibility of writers is one of those things that happened leading up to the strike, in some corners, at least, and has worked in favour of the writers’ cause.  Ron Moore, I think, is a great case study here: sure, he’s the show-runner for BSG as much as a writer, but across the last few years Moore has amplified the voice of the writer to BSG‘s fans and beyond.  The episodic BSG commentary podcasts have occasionally featured actors from the show, but the podcasts have most frequently focused on discussions of the writing process and have even featured additional raw recordings of writers’ meetings.  The fact that the podcasts are released synchronously with the episodes means that fans have often linked the writers perspectives with the show as much as the actors and CGI that make the visual experience.  If nothing else, I would argue, Moore helped fans ‘hear’ the writers in an explicit way which highlighted the ongoing creative role of the writing team.  Indeed, if Joss Whedon had been podcasting during the filming of Buffy, he’d probably have filled this role, and his DVD commentaries certainly talk about the writers and the process of writing, but the immediacy of Moore’s podcast are, I think, key to their success.

Ron Moore has also maintained a blog and, like the podcasts, this was hosted by SciFi.com and centrally branded.  However, one of notable things about the strike has been that Moore wanted to blog outside of the corporate umbrella and has thus started writing at his own domain.  On his second post he noted that when the much-anticipated Battlestar Galactica: Razor airs next week, the podcast commentary will be a little different: it’s a recordings of the writers’ room when the Razor story was broken.  Again, the writers are in the spotlight.  Now, wearing both his writer and show-runner hats, Moore has blogged about BSG’s uncertain future, a post sure to have the full sympathy of (albeit anxious) fans:

Production wrapped on episode 413 late last night, and there’s no certain date to resume shooting.  No more scripts exist.  My office staff has been laid off.  My cast has been suspended, without pay.

I refuse to believe that we won’t finish, that we won’t be back to film our final stories, but I know and accept there is that possibility.  The strike will be a seminal event for many of us in this business as it’s put literally everything we care about in the balance (if only for a short time so far) for something we all believe is important.

Writers talk a lot about the strike, about the reasons we’re out on the picket lines and our feelings and experiences in the business.  It’s been an interesting three weeks.  I’ve connected with more scribes in the last few weeks than in many months before and I come away from it to date with a sense of optimism about the solidarity of the membership and admiration for my peers.

Galactica’s coming back, I frakking promise you that.  But I am ready to put the rest of the story on the table and take the risk that I’ll never be able to tell it, in support of this strike.

Like Adama says, you make your choices and then you live with them. 

Still. 

A helluva gamble.

It’s a gamble that fans might have been unprepared to accept in the past, but with the visibility of writers thanks to Moore, and thanks to the strike, it’s a gamble which fans will likely support.  That said, I think the writer’s have probably gotten all of the sympathy that viewers are likely to give – things will get harder as the episodes already in the can run out and shows stop abruptly mid-season. Lets just hope that as talks between the WGA and the studios resume next week, a reasonable outcome can be reached.

Until then, for an accessible and convincing explanation of the WGA’s position, watch this ‘Why We Fight’ clip.  However, if you prefer your news just a little funnier, then this clip from Daily Show writer Jason Rothman (with a characteristically odd cameo from John Oliver) in the style we’ve come to love, is for you:

Incidentally, I think this clip is brilliant, because Rothman does such a good job of showing how much of The Daily Show comes directly from the writers’ pens.

Visit United Hollywood for more, or to show support click on Fans4Writers.

I’m attending four conferences or symposia across the next four weeks.  In a perfect world, each will come with details blogging; however, if I don’t get around to writing much for a few weeks, here’s why …

[X] Learning Futures Symposium - 10 & 11 September, Canberra – This is a two-day symposium held at ANU looking at the changing shape of education, pedagogy and learning in general in the face of changes brought on by digital communication under the web2.0 umbrella.  The programme (pdf) looks pretty interesting, with showcases of Australian social software educational efforts and some great sessions which are more centred around conversations than too many formal presentations.

[X] Thinking Society, Thinking Culture – 13 & 14 September, Perth – This is an interdisciplinary forum organised by the Institute for Advanced Studies at UWA with the aim of bringing WA’s many academics, researchers, artists across the range of historical and cultural studies, and other social sciences, together the share their work and build fruitful interdisciplinary networks and exchanges.  I’m giving my paper “‘We’re sorry, but the clip you selected isn’t available from your location’: Watching Battlestar Galactica in Australia and the Tyranny of Digital Distance” in ’A Digital World’ session which takes place on Friday, 14 September starting at 10.30; this panel will also feature Toby Burrows talking about ‘e-Research and the Humanities: Current Directions’, Ethan Blue talking about ‘Prison Medical Photography in Early 20th-Century California’ and Jeremy Blank speaking on ‘Past,Present,Futures:Integrating practice in Visual Art studies’. 

The keynote is being delivered on Thursday (13th) evening by Ross Gibson from UTS talking on “The Aesthetics of Repletion“; this talk is open to the public, so if you’re in Perth, come along!

[X] PerthDAC – Digital Arts & Culture – 15 to 18 September, Also Perth - DAC has a history of being at the cutting edge of digital arts and media studies and this year looks to be no exception.  There’s lots to look forward to, from talks on blogs in education to Axel Bruns on produsage to a host of key names in game studies talking about everything from Second Life to the Wii. DAC is concurrent with BEAP (the Biennale of Electronic Arts Perth) so the theory of DAC will mix with the performance and exhibitions of the latest in digital art which will no doubt be a very rich and exciting four days!

[X] The Australian Blogging Conference – 28 September, Brisbane (Free!)- Sessions will include The Politics of Blogging; Researching Blogging; Blogs, Creativity and Creative Commons; Legal Issues; Citizen Journalism, Blogs and Education; Business and Corporate Blogging; and Building a Better Blog.  I’ll be facilitating part of the Blogs and Education session, although I’m not sure how many people will be there since I suspect the concurrent Citizen Journalism session, which includes a focus on YouDecide2007, might prove quite a draw-card.  That said, Blogging in Education is certainly fun to talk about and there’s a lot going on in the world of edublogging, so I trust we’ll have some great exchanges in our session, too! To see who’s already confirmed they’re attending, click here; that list will grow substantially across the next few weeks, I suspect!

I’m also chuffed it’s September because that means Jill Walker Rettberg will be joining us at UWA for the month! And let’s not forget that October will also include Australia’s first Podcamp which will also be held in Perth!

I just submitted an abstract for the Media International Australia special issue ‘Beyond Broadcasting: TV for the Twenty-first Century’. Here it is:

“We’re sorry, but the clip you selected isn’t available from your location:” Watching Battlestar Galactica in Australia and the Tyranny of Digital Distance

[Figure 1. Screen-capture from http://www.scifi.com/battlestar/, 11 September 2006]

In the late 1960s, conservative Australian historian Geoffrey Blainey coined the term “the tyranny of distance” to describe how the geographic gap between Australia and the centres of the Western world (US, UK) played a fundamental role is shaping the Australian psyche and character (Geoffrey Blainey, The Tyranny of Distance, Sun Books: Melbourne, 1966). Thirty something years later and the world is far more widely considered a global village; the world wide web, email and a million other applications have made real-time information-heavy communication and commerce the norm. However, while information transfers have made ‘distance’ much less of a concern in a number of ways, many policies, practices and systems of commerce still operate as though they are centred on goods moving at the speed of physical shipping, not allowing for information moving at the speed of light down a copper or optical wire. In an era when ‘the tyranny of distance’ means so much less in many contexts, this paper will argue that in the multimedia markets of contemporary society there is, rather, a prevailing tyranny of digital distance which marks out those areas of communication and commerce in which the potential and, indeed, expectation of synchronous global culture (at least for English-speaking countries) leads to constant state of confusion and annoyance – on both personal and legal levels – when those expectations are not met.

The North American-produced television series Battlestar Galactica, re-imagined for the twenty-first century (from an original 1970s series), has consistently been at the cutting edge of television and cross-media. Executive producer Ronald D. Moore and the Battlestar team utilise not just blogs and production-side video-blogs, but also create episodic commentary podcasts, make deleted scenes available online, and have even put two full episodes online for free for viewing. Likewise, Battlestar was one of the first shows available via Apple’s online iTunes Store. Given the amount of extra online content, and the show’s science fiction genre, Battlestar has a large and very active fan community who consume both the television show itself and the officially produced extra material, as well as actively creating and discussing their own derivative ‘fannish’ works ranging from blog commentaries to fan-created videos. Thus, when the show’s producers launched a series of 3 to 4 minutes ‘webisodes’ to re-build interest in the show prior to the launch of its third season, fans across the (wired) globe were understandably excited. However, when citizens of Australia, the UK, Canada or any other country outside the US tried to view these webisodes, they were met with a notice saying: “We’re sorry, but the clip you selected isn’t available from your location.” The owners of Battlestar (NBC) elected to restrict these webisodes to residents of the US only. This decision upset fans across the global Battlestar audience, with US fans quickly circumventing the restrictions and passing copies of the webisodes to their international fellows. In this paper, I will contend that this moment typifies the tyranny of digital distance, exemplifying the legal, ethical and practical issues raised when a globally-promoted television series ‘centres’ on a single national audience. I outline the difficulties of ‘watching’ Battlestar from Australia, and argue for distribution modes which are more in keeping with the technological (and fan-led) potential of digital distribution.

As you might imagine, this paper will draw together my previous thinking about the tyranny of digital distance which you can read about here and here. I’m also finishing off another Battlestar-related paper that stopped being written for a year, but is now being finished off for a new collection. It’s going to be a busy month, but I’m hopeful both of these will be well polished before Emily and I get married on June 9th (presuming this abstract is accepted). Wish me luck!

Update (8 May 2007): The abstract has been accepted! Thankfully, though, full papers aren’t needed until August 1st so I’ll be writing this after Emily and I return from our honeymoon (in Venice!!) .

Update 2 (21 September 2007): The full version of this paper has been accepted after peer review, and will appear in Media International Australia issue 126, which is scheduled to be released in February 2008.

Update 3 (26 March, 2008): You final version of this paper has appeared, and you can read it following the link from this post.

As part of their ever-expanding interaction with the fan community, the producers of Battlestar Galactica have announced a competition allowing fans access to selected BSG clips, sounds and music which they can mix with their own footage to create new videos. As their instructions explain:

Be a part of Battlestar Galactica!

We’re giving you sound and visual effects and music clips that you can use to create and share your own four-minute Battlestar videos.

Create your own mock commercials, short scenes or even mini-episodes — funny or dramatic. Choose from more than 30 visual effects, 20-plus audio effects and cuts from the show’s soundtrack, specially selected to help give your videos the Battlestar look and sound. Use them to make your video, add the required promo clip at the end, and send it to us!

Battlestar Galactica executive producer David Eick will choose one video to broadcast in full on SCI FI Channel during an upcoming Battlestar episode.

This sounds fantastic off the bat. Certainly I’d love to have a play and try out my sorely under-used editing skills. However, the instructions also come with these rules:

Your video can’t be longer than four minutes. Don’t use footage you don’t create yourself or that you didn’t get from the Battlestar Videomaker Toolkit.

Do not use any music for which you don’t have the rights.
Do not include images, photos, logos or artwork that you did not create or to which you don’t hold the rights (such as pictures from magazines, books and other Web sites).

No inappropriate content. If we can’t show it on network TV in prime time, don’t put it in your video.

Do not post your film on other sites, such as YouTube, MySpace, Google, etc.

You must be a legal resident of the United States and over the age of 18.

So, once again, the Battlestar Galactica franchise is treated as a purely US property. While I sympathise with the demands and difficulties of copyright, I have to concur with the forums in my disappointment that these wonderful fan-engaging opportunities are not open to the wider, global BSG community. This is another instance of what I have called the tyrrany of digital distance.

Also problematic is the notion that these videos can’t be uploaded elsewhere – be it YouTube, MySpace or similar. I imagine such restrictions disuade some fans or simply get ignored (and its not like YouTube currently lacks BSG fan-made films).

All of that said, I commend the producers of BSG for this initiative, I just hope they can widen both the level of participation and allow fans broader rights to distribute (not profit from, just distribute) the fan films they’ll be creating.

[Via Rex]

The Age has a revealing article on work done by Alex Malik which concludes that the delay between the US/UK and Australia release dates for television are one of the primary reasons what people turn to bittorrent:

Huge delays in airing overseas TV shows locally are turning Australians into pirates, says a study conducted by technology lawyer and researcher Alex Malik. It took an average of 17 months for programs to be shown in Australia after first airing overseas, a gap that has only increased over the past two years, the study found. The findings were based on a “representative sample of 119 current or recent free-to-air TV series or specials”, said Malik, who is in the final stages of a PhD in law at the University of Technology Sydney. [...]

Malik admitted there had been some signs of progress recently – programs such as The O.C. air within days of being shown in the US – but he insisted the overall delays had become longer. “Over the past two years, average Australian broadcast delays for free-to-air television viewers have more than doubled from 7.6 to 16.7 months,” the study reads. Malik also studied comments by TV viewers on various internet forums, and concluded: “These delays are one of the major factors driving Australians to use BitTorrent and other internet-based peer-to-peer programs to download programs illegally from overseas, prior to their local broadcast.”

Malik’s findings are perfectly in line with the idea of the tyranny of digital distance which I’ve written about before (see “The Tyranny of Digital Distance” and “The Battlestar Galactica Webisodes & The Tyranny of Digital Distance“). Malik’s study is further evidence that as long as media distributors continue to enforce ridiculous national/geographic-based release dates in an era of global information (and promotion, and fan actvitity), then bittorrent will continue to be a major source of TV for Australians. However, if we could legally download episodes at the same times as our US and UK neighbours, then media companies may very well discover that they could make more money, not less, by giving Australian consumers the choices we want!