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Spider-Man 2.1

Having dedicated the final chapter of my doctoral thesis to examining the first two Spider-Man films as an exemplar of Artificial Culture, I really had to buy and watch the new Spider-Man 2.1 DVD, despite my constant annoyance at how these just-before-the-sequel extended edition DVD releases tend to disappoint. The 2.1 DVD set is advertised as having a new ‘Extended Cut’ of Spider-Man 2 with eight minutes new footage, while the second disc sports a bunch of ‘all-knew’ features. Sadly, the features on the extras DVD really don’t justify the creation of an disc. The ‘sneak peak’ and trailer for Spider-Man 3 don’t show anything not already floating around the legitimate parts of the internet, while the ‘VFX Breakdown’ is quite a laborious walk-through of the meshing of live-action, miniature and digital effects. I guess it’s hard to make these technical mini-docos all that interesting, but the Lord of the Rings DVDs did show it’s possible! I have the feeling VFX piece was shot for the original Spider-Man 2 DVD but cut since they’re just really dull.

Of more interest, the eight minutes of extra footage do change the tone of the film in important places. There’s a lot of extra character development for Harry and Mary-Jane; Harry’s friendship is reinforced in an extended version of Peter’s birthday party, while a new sequence between Mary-Jane and her friend highlights the fact that MJ is settling in her marriage rather than following her true love. Also, probably of more interest to the target audience, there are additional, CGI-heavy, shots added into Spider-Man’s fight sequences with Doctor Octopus. However, apart from some extra punches and scrapes, these don’t add anything notable to the story. Indeed, it’s worth pointing out this extended version isn’t labeled a ‘Director’s Cut’ as I suspect Rami was quite happy with the theatre-released version.

However, just when I thought the DVD was really quite a waste of money, I found myself laughing out loud at one unexpected sequence in which J Jonah Jameson “celebrates” Spider-Man’s retirement and The Bugle’s acquisition of the Spider-suit in an entirely unexpected but unforgettably funny way! Of course, the J Jonah Jameson clip is on YouTube: Be warned, though, this scene is much funnier in the context of the film. Forewarned, then, watching this clip by itself may prove less funny …

Since you’re no doubt just watched the clip anyway, I’d recommend against buying 2.1 – there’s nothing more to see.

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300: An Online Marketing Hit

There’s been a lot of talk about 300, which is now, financially at least, the first big blockbuster of 2007. Leaving aside Iran’s outrage at the film’s depiction of their history, one of the most interesting elements of the film was the clever and canny marketing strategies which found success in online arenas where many others have tried, but failed. Deborah Netburn’s article in the LA Times points out that 300 succeeded where others (most notably Snakes on a Plane) only appeared to work until the people voted with their feet at the box office:

Fanboy buzz is not enough to sell a film — “Snakes on a Plane,” anyone? — but Garabedian points out that while the online community was obsessively talking about “Snakes” they were ultimately making fun of it. The people who were driving the chatter around “300” were genuinely excited about the film, especially the way it looked. And after Comic-Con, Warner Bros. marketing department made sure that the fanboys got the usual dribs and drabs of movie art and trailers just to keep their excitement up.

The marketing folks also took full advantage of MySpace. There was of course the requisite MySpace page for the film (now standard for all movies) — featuring a ferocious looking muscle man in a metal helmet plus tons of video clips, wallpapers and links to the film’s official website. But the stroke of genius came when the studio sponsored a feature upgrade to the site that told users they could store 300 photos on their profile thanks to the movie “300.” (Previously the limit had been 12). That started Jan. 2 and was incredibly popular with teens. The result was billions of ad impressions and 8 million viewings of the trailer. Is it any wonder that the 52% of the people who saw “300” were under 25?

There are also mundane reasons “300” might have done well. A generally warm weekend across the country encouraged people to get out of the house and brave long lines, and no other major film was released against “300,” so it didn’t have much competition. And while the critics have been lukewarm on the film — faulting it for poor dialogue and a thin story — nobody has said anything negative about the visuals. And to a generation of kids who have grown up with the lush worlds of video games, “300” was a familiar visual masterpiece.

The ‘300 images’ idea is definitely a clever one, and shows that marketing online really has to think outside the box of traditional hype-building.

On a differrent note, 300 is also interesting in that it was entirely edited on Apple Macs. For the tech details, visit the Raw Feed.

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Advertising from the Future – Children of Men

I’m giving a couple of lectures this semester in the Ecotexts: Nature/Writing/Technology course which has some great books and films on it. I’m getting to give lectures on Blade Runner and the anime Metropolis, but I’ve also been exploring links between these and other films on the course, including Code 46 and Children of Men. Of the three non-animated films, one of the most interesting textures they use is advertising; the bleak landscapes and cityscapes of the near-future are awash with commercials and warnings! In my online explorations, I’ve found a wonderful clip produced as a portfolio piece by the Foreign Office, the design company which worked on many of the media textures in Children of Men:

The future imagined through these advertisements and warnings is one easily extrapolated from today, yet cleverly different enough to suggest a future setting!

[View/Download High-Quality H264 Version] [Via WaxyLinks]

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