While I set up a page for my new book, and told Twitter and Facebook a while ago, I realised I never actually blogged about my book finally coming out! So, without any ado at all, here’s the announcement:

Artificial Culture: Identity, Technology, and Bodies (Routledge, 2012)
Tama Leaver, Curtin University

Amazon http://amzn.to/wRe4PN
Routledge: http://bit.ly/mivLzx

Artificial Culture is an examination of the articulation, construction, and representation of "the artificial" in contemporary popular cultural texts, with a focus on science fiction films and novels, but also addressing digital culture more broadly including analysis of Wikileaks, the Visible Human Project and the emergence of synthespians. The book argues that today we live in an artificial culture due to the deep and inextricable relationships between people and technology, with human bodies as a key marker of these symbiotic connections. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which it is possible in some respects to measure what it might mean to be human. More importantly, the artificial often blurs the boundary between humans, technology and the environment at large in often purposefully unsettling ways.

The core texts analysed in the book are: 2001 A Space Odyssey; the four Terminator films; Greg Egan’s novels Permutation City and Diaspora; The Visible Human Project; William Gibson’s bridge trilogy (Virtual Light, Idoru, and All Tomorrow’s Parties); Wikileaks; The Matrix films and franchise; WETA’s digital effects in the Lord of the Rings films, with a particular focus on the synthespian Gollum; the Spider-Man trilogy; Wall-E; and Avatar.

Contents:

Part1: Artificial Intelligence
   1. Early Artificial Intelligence Films: ‘When are you going to let me out of this box?
   2. "I am a machine!": Artificial Intelligences in Contemporary Cinema
Part 2: Artificial Life
   3. From Digital Genesis to the Artificial Other
   4. Diasporic Subjectivities: Not Quite ‘Beyond the Infinite’
Part 3: Artificial Space
   5. The Fortification of Place in the Digital Age
   6. Resistance is Spatial
   7. The Infinite Plasticity of the Digital?
Part 4: Artificial Culture
   8. Matrices of Embodiment
   9. The Symbiosis of Special Effects
Part 5: Artificial Culture
   10. Before the Mourning
   11. Artificial Mourning: Spider-Man, Special Effects and September 11

For slightly more information (and colour versions of the images used in the book) please visit http://www.tamaleaver.net/artificial-culture/ . My apologies that the book on the expensive side; if you have access to a university library, perhaps recommend they purchase it in the first instance.

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3 Thoughts on “Artificial Culture (my first book!)

  1. Artificial Culture (my first book!) | Tama Leaver dot Net: Artificial Intelligences in Contemporary Cinema Part … http://t.co/P9kwVmiy

  2. Anne Helmond on March 23, 2012 at 8:04 pm said:

    Congratulations!

  3. Iain M. Banks’ novels can also be useful to think about the possible role of artificial intelligences in a society. See for example Yannick Rumpala, Artificial intelligences and political organization: an exploration based on the science fiction work of Iain M. Banks, Technology in Society, Volume 34, Issue 1, 2012, http://www.sciencedirect.com/science/article/pii/S0160791X11000728

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